Mrs. Miniver (1942)

User Rating:

7.7/10   

Director:

William Wyler

Writers:

Arthur Wimperis (screenplay) &
George Froeschel (screenplay) ...

Release Date:

1 December 1942 (Sweden)

Genre:

Drama | Romance | War

Tagline:

VOTED THE GREATEST MOVIE EVER MADE!

Plot:

The Minivers, an English "middle-class" family experience life in the first months of World War II. While dodging bombs...

Plot Keywords:

Rose | Middle Class | WWII | Hostage | Beautiful Woman

Awards:

Won 6 Oscars. Another 6 nominations

Cast

Greer Garson	...	Mrs. Miniver
Walter Pidgeon	...	Clem Miniver
Teresa Wright	...	Carol Beldon
Dame May Whitty	...	Lady Beldon
Reginald Owen	...	Foley
Henry Travers	...	Mr. Ballard
Richard Ney	...	Vin Miniver
Henry Wilcoxon	...	Vicar
Christopher Severn	...	Toby Miniver
Brenda Forbes	...	Gladys - Housemaid
Clare Sandars	...	Judy Miniver
Marie De Becker	...	Ada
Helmut Dantine	...	German Flyer
John Abbott	...	Fred
Connie Leon	...	Simpson

Runtime:

134 min

Country:

USA

Language:

English | German

Color:

Black and White

Aspect Ratio:

1.37 : 1

Sound Mix:

Mono (Western Electric Sound System)

Certification:

Australia:G (original rating) | Australia:PG (TV rating) | UK:U | Spain:T | USA:Approved (PCA #8034) | Canada:G (video rating) | Argentina:13 | Finland:(Banned) (1943-1944) | Finland:K-16 (1944) | Finland:S (1964) | Sweden:15

Company:

Loew's

Trivia:

After completing the film, William Wyler joined the US Army and was posted to the Signal Corps; he was overseas on the night he won his first Oscar. He later revealed that his subsequent war experiences made him realize that the film actually portrayed war in too soft a light.

Goofs:

Crew or equipment visible: Early in the movie, right after Mrs. Miniver gets off the bus and is rushing up the sidewalk, the camera's shadow falls across her face.

Quotes:

Kay Miniver: I think it's lovely having flowers named after you.

Movie Connections:

Featured in Some of the Best (1949)

Soundtrack:

Onward, Christian Soldiers

It isn't sappy!

I avoided watching "Mrs. Miniver" for years because I assumed it was a treacly, sentimentalized film that ignored what I considered the real issues of war. Knowing Greer Garson, who I considered the anti-Crawford, starred in it gave me more of an excuse.

I finally watched it as "film homework" and loved it. It's about an upper-middle-class English family (although most of the American actors are terrible holding their accents) and their experience in the early years of World War II.

A swiftly-moving storyline takes us from the complacency of peace through air raids, Dunkirk and tragedy. No one is a super-hero, but decent people who understand they must put aside their personal concerns and do what must be done to fight for their country and freedom. No one preaches except the minister and he, only rarely.

Of course, it being England, there's time for a flower show, and being a movie, there's a romance (WWII was not kind to Theresa Wright's characters, however).

The film's remarkable pacing is one of its great highlights. Long transitions are covered in the merest of hints; a comment that a servant has departed, for example. Yet there's time for powerful, lengthy scenes such as that of the Minivers holed up in a crude bomb shelter with their two young children, away from their storybook home. Despite the increasingly hellish crash of bombs and bullets, they try to chat about knitting and such. But soon the fear builds to an unbearable climax and the family desperately clings to one another.

The acting is generally superb, and much of the story is told through silent shots of the stars, rather than dialog. Few moments are as touching as the shot of the glowing young wife seeing her husband off to war, admiring his courage, contrasted by the barely hidden fear and maturity of the mother.

You can nit-pick; the movie has many of the conventional stylistic hallmarks of the period. But it is the masterpiece it has long been hailed.