Mickey Rooney dead at 93: Four-time Oscar nominee, frequent Judy Garland co-star may have had the longest film career ever (photo: Mickey Rooney ca. 1940) Mickey Rooney, four-time Academy Award nominee and one of the biggest domestic box-office draws during the studio era, died of "natural causes" on Sunday, April 6, 2014, at his home in the Los Angeles suburb of North Hollywood. The Brooklyn-born Rooney (as Joseph Yule Jr., on September 23, 1920) had reportedly been in ill health for some time. He was 93. Besides his countless movies, and numerous television and stage appearances, Mickey Rooney was also known for his stormy private life, which featured boozing and gambling, some widely publicized family infighting (including his testifying in Congress in 2011 about elder abuse), his filing for bankruptcy in 1962 after having earned a reported $12 million (and then going bankrupt again in 1996), his eight marriages — including those to actresses Ava Gardner, Martha Vickers, and Barbara Ann Thomason...
- 4/9/2014
- by Andre Soares
- Alt Film Guide
A melancholy history of Hollywood recounted in terms of the offspring of its greatest personalities would reveal a litany of also-rans, failures and addicts. Harry Carey Jr was one of the happy exceptions to that rule. His father was John Ford's favourite actor; the director dedicated his 1948 film Three Godfathers to "the memory of Harry Carey – bright star of the early western sky". Ford's The Searchers (1956) ended with John Wayne standing, one arm across his chest, in a pose made famous by Carey Sr.
Carey Jr worked prolifically with Andrew V McLaglen, the son of Victor McLaglen, another of Ford's stock company. For that director he made many episodes of TV westerns and roughly a dozen films, often starring Wayne and James Stewart, including The Rare Breed (1966), Bandolero! (1968), Something Big (1971) and Cahill (1973).
Carey was sought out by American directors who recalled the golden era of their national cinema and his part in it.
Carey Jr worked prolifically with Andrew V McLaglen, the son of Victor McLaglen, another of Ford's stock company. For that director he made many episodes of TV westerns and roughly a dozen films, often starring Wayne and James Stewart, including The Rare Breed (1966), Bandolero! (1968), Something Big (1971) and Cahill (1973).
Carey was sought out by American directors who recalled the golden era of their national cinema and his part in it.
- 12/30/2012
- by Brian Baxter
- The Guardian - Film News
Silent Saturday!
Cinema, our favorite artform, may have already celebrated its Centennial year but Movie Stars (our favorite part of the artform if we're being honest) were invented later. Lillian Gish, the honorary mother of screen acting if not quite "the first movie star", and her sister Dorothy Gish starred in their first D.W. Griffith short An Unseen Enemy a full one hundred years ago... or one hundred and one depending on where you get your silent film info.
Lillian & Dorothy
Not all pictures are worth a thousand words but if you wanna double down, make sure to include pretty girls.
The one-reeler -- which thankfully survived when so many films of its day didn't -- is about two sisters (Lillian Gish and Dorothy Gish) who are grieving the loss of their recently deceased father. Their brother liquidates their estate and suddenly the sisters are flush with cash -- boy...
Cinema, our favorite artform, may have already celebrated its Centennial year but Movie Stars (our favorite part of the artform if we're being honest) were invented later. Lillian Gish, the honorary mother of screen acting if not quite "the first movie star", and her sister Dorothy Gish starred in their first D.W. Griffith short An Unseen Enemy a full one hundred years ago... or one hundred and one depending on where you get your silent film info.
Lillian & Dorothy
Not all pictures are worth a thousand words but if you wanna double down, make sure to include pretty girls.
The one-reeler -- which thankfully survived when so many films of its day didn't -- is about two sisters (Lillian Gish and Dorothy Gish) who are grieving the loss of their recently deceased father. Their brother liquidates their estate and suddenly the sisters are flush with cash -- boy...
- 11/10/2012
- by NATHANIEL R
- FilmExperience
If Audrey Hepburn was the last virgin goddess of American films, Lillian Gish was the first. Often referred to at the time as "The First Lady of the Silent Screen," she was indeed movies' first truly great actress. From her debut at age 19 in founding father D.W. Griffith's two-reel An Unseen Enemy (1912) in what I calculate as the initial year of film's golden age (plus 25 other Griffith films in less than 24 months), to her final starring masterpiece, at age 35, in Victor Sjostrom's The Wind (1928), Lillian Gish was the central player in many of the enduring treasures of cinema's earliest flowering, that essential cornerstone of the art in its purest form. She is the key figure in most of Griffith's major work, from The Birth of a Nation (1915) and Broken Blossoms (1919) to Way Down East (1920) and Orphans of the Storm (1922), not to mention such beautiful lesser-known gems as Hearts of the World...
- 8/17/2011
- Blogdanovich
If Audrey Hepburn was the last virgin goddess of American films, Lillian Gish was the first. Often referred to at the time as "The First Lady of the Silent Screen," she was indeed movies' first truly great actress. From her debut at age 19 in founding father D.W. Griffith's two-reel An Unseen Enemy (1912) in what I calculate as the initial year of film's golden age (plus 25 other Griffith films in less than 24 months), to her final starring masterpiece, at age 35, in Victor Sjostrom's The Wind (1928), Lillian Gish was the central player in many of the…...
- 8/17/2011
- Blogdanovich
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