Advanced search
- TITLES
- NAMES
- COLLABORATIONS
Search filters
Enter full date
to
or just enter yyyy, or yyyy-mm below
to
Only includes names with the selected topics
to
or just enter yyyy, or yyyy-mm below
to
1-7 of 7
- Tall, dark and regal Frieda Inescort's placid loveliness and dignified patrician features boded her well in Hollywood during the late 1930s and 1940s. Born on June 29, 1901 in Edinburgh, the Scots-born actress who began acting on stage, did not arrive in Hollywood until age 34 (then considered too late for leading lady roles) but managed to settle fairly comfortably on the supporting sidelines in chic melodramas and tearjerkers.
Born Frieda Rowell Wightman, she was the daughter of Scots-born journalist John "Jock" Wightman and actress Elaine Inescourt, who was of German and Polish descent. Her parents initially met when her father came to review a play her mother was appearing in. They married in 1899 but eventually parted ways while Frieda was still young. Her impulsive mother, who had strong designs on a theater career and placed it high on her priority list, sent young Frieda off to live with other families and in boarding schools in England and Wales while she avidly pursued her dreams. Although her parents divorced in 1911, with her father charging her mother with abandonment and adultery, Frieda ended up moving to the United States with her mother. Again, when Elaine found occasional roles in touring shows, Frieda wound up being carted off to convents or boarding schools.
Mother and daughter eventually returned to London following World War I, and the young girl, now solely on her own, managed to find employment as a personal secretary to British Member of Parliament Waldorf Astor (2nd Viscount Astor), who was then Parliamentary Secretary to Prime Minister David Lloyd George. She also assisted the American-born Lady Nancy Astor, the second woman elected to the UK House of Commons and the first to take her seat there. While accompanying Lady Astor on a trip to the United States in July 1919, Frieda decided to stay in the States and terminated her position with the Astors. In New York she continued finding secretarial work that supported both her and her unemployed-actress mother. She worked at one point with the British consulate in New York.
Noticing a number of American actors cast in British parts on Broadway, Frieda was encouraged in the early 1920s to test the waters out, as British actresses were in short supply. By chance, she was introduced to producer-director Winthrop Ames, who gave the unseasoned hopeful a small but showy role in his Broadway comedy "The Truth About Blayds" (1922). The play turned out to be a hit. Playwright Philip Barry caught her stage performance and offered her a starring role in his upcoming comedy production "You and I". The show proved to be another winner and Frieda, a star on the horizon, finally saw the end of her days as part of a secretarial pool.
For the rest of that decade, she alternated between stage comedy and drama and became a vital force on Broadway with prominent roles in "The Woman on the Jury" (1923), "The Fake" (1924), "Hay Fever" (1925), "Mozart" (1926), "Trelawny of the Wells" (1926) and "Escape" (1927). Frieda's happenstance into acting and her sudden surge of success purportedly triggered deep envy and jealousy within her mother, who was unemployed. This led to a bitter and long-term estrangement between the two that never managed to heal itself. (Elaine died in 1964.) While working in the late 1920s as a publicity director at G. P. Putnam's Publishing Company in New York, Frieda met assistant editor Ben Ray Redman. They married in 1926 and Redman later became a literary critic for the New York Herald Tribune. Frieda, in the meantime, continued to resonate on the New York and touring stage with such plays as "Springtime for Henry" and "When Ladies Meet".
For over a decade, Frieda had resisted the cinema, having turned down several offers in silent and early talking films. When her husband was offered a job with Universal Studios as a literary adviser and author, however, and the couple had to relocate to Hollywood, she decided to take a difference stance. Discovered by a talent scout while performing in a Los Angeles play, Frieda was signed by The Samuel Goldwyn Company and made her debut supporting Fredric March and Merle Oberon in the dewy-eyed drama The Dark Angel (1935), for which she received attractive notices and rare sympathy as the secretary of a blind author (played by March).
She did not stay long at Goldwyn, however, and went on to freelance for various other studios. During the course of her movie career, Frieda could be quite charming on the screen playing a wronged woman (as she did in Give Me Your Heart (1936)), but she specialized in haughtier hearts and played them older and colder than she really was off-camera. She soon gained a classy reputation for both her benign and haughty sophisticates. After Warner Bros. signed her up, she showed promise in Another Dawn (1937), Call It a Day (1937) and The Great O'Malley (1937), all 1937 releases. After this, however, her studio lost interest in her career and loaned her out more and more to other studios. Some of these films were leads -- including the "B"-level Woman Doctor (1939) opposite Henry Wilcoxon, A Woman Is the Judge (1939) with Otto Kruger, Shadows on the Stairs (1941) co-starring Paul Cavanagh, and, in particular, the title role in Portia on Trial (1937). For MGM she played the irrepressibly snobbish Caroline Bingley, who sets her sights on Darcy (Laurence Olivier) in the classic Jane Austen film adaptation of Pride and Prejudice (1940). Besides competing with (and losing out) to Greer Garson in that film, she played the "other woman" in Beauty for the Asking (1939), starring Lucille Ball.
When her career started to lose steam, Frieda returned to New York and the Broadway stage with matronly parts in Soldier's Wife" (1944), "The Mermaids Singing" (1945) and George Bernard Shaw's successful revival of "You Never Can Tell" (1948). After the tour of the Shaw play folded, she returned to Hollywood. Finding it difficult to pick up where she left off in films, Frieda focused on the relatively new medium of TV in the early 1950s. She appeared as Mrs. Archer on the Meet Corliss Archer (1950) series (based on the popular bobbysoxer's radio program) but was replaced by Irene Tedrow in its second and final season. She also graced a number of dramatic TV showcases. The films she made later that decade, including The She-Creature (1956), Senior Prom (1958), and Juke Box Rhythm (1959), were largely dismissed by the critics.
While filming her last picture, The Crowded Sky (1960), for Warner Bros., Frieda began experiencing health problems. She was quickly diagnosed as having multiple sclerosis. By the next year, she was forced to retire and had to walk with the aid of a cane. Things got worse that year when her husband, who had grown despondent over personal and financial issues, committed suicide with an overdose of pills at their California home on August 2, 1961. By the mid-1960s, the former actress was virtually incapacitated and confined to a wheelchair but valiantly worked for the multiple sclerosis association when she could muster the strength. In 1973, she moved permanently into the Motion Picture Country Home in Woodland Hills, Los Angeles, where she died at age 74 on February 21, 1976. - Sound Department
- Composer
- Soundtrack
Gerhard Froboess was a composer, producer and editor. He was manager of the music editions "Metronom" and "Melodie" in Berlin, Germany. Conny Froboess, the German actress and famous child singer, is his daughter. He wrote music for movies and songs. The song "Pack die Badehose ein' (1950) made him as composer and his daughter as child singer in Germany and Austria famous.- Producer
- Additional Crew
William Belasco was born on 30 July 1934 in Maryland, USA. He was a producer, known for The Super Cops (1974), They Only Kill Their Masters (1972) and The Carey Treatment (1972). He died on 26 February 1976 in Los Angeles, California, USA.- Vuktor Yefimovich Zilberman (pseudonym - Ardov) was born on November 21, 1900, in Voronezh, Russia. He was raised in a traditional Russian-Jewish family. He graduated from the Economy Department of the Plekhanov Institute in Moscow, in 1925.
Viktor Ardov published his first short stories in 1921. He also was a talented illustrator and published collections of his short stories with his own illustrations. He published in total over forty books of his short stories and plays. His first theatrical play 'Imeninnitsa' (1924) had a successful run at the Moscow Theatre of Satire. Ardov wrote the film script for 'Svetly Put' (The Shining Path, 1940 aka..Tanya), starring Lyubov Orlova and directed by Grigoriy Aleksandrov. For this film he was awarded the State Stalin's Prize and received the award from Joseph Stalin in 1941.
In 1933 Ardov married actress Nina Antonovna Olshevskaya, and became a stepfather of her son Aleksey Batalov. Their apartment No.13 on Bolshya Ordynka was a popular meeting place for important Russian intellectuals, such as Mikhail A. Bulgakov, Mikhail Zoschenko, Boris Pasternak Anna Akhmatova, Marina Tsvetaeva, Aleksandr Solzhenitsyn, Joseph Brodsky, Dmitri Shostakovich, and many others. Ardov collaborated with the famous Russian comedian Arkady Raykin, for whom he wrote satirical sketches.
Viktor Ardov was a life-long friend of Anna Akhmatova. He wrote about Akhmatova in his memoirs, "Anna Andreevna lived with us in our home from 1934-1966, just as much time as she spent in her place in Leningrad." Ardov and his family comforted Akhmatova and shielded her from the severe political attacks during the dictatorship of Joseph Stalin. Anna Akhmatova was one of the last living classics of the Russian literature at that time. She was reinstated as the member of the Union of the Soviet Writers in Moscow, upon the recommendations of Viktor Ardov and his colleagues.
Viktor Ardov died in 1976, in Moscow. His stepson Aleksey Batalov is an actor, his elder son Boris Ardov is an actor, writer and a cartoon artist, his junior son Mikhail Ardov is an Orthodox Christian priest in Moscow. - Production Manager
- Producer
- Additional Crew
George W. Stout was born on 9 March 1890 in New Brunswick, New Jersey, USA. He was a production manager and producer, known for The New Adventures of Tarzan (1935), Young Eagles (1934) and The Drag-Net (1936). He died on 26 February 1976 in Los Angeles, California, USA.- Actor
- Additional Crew
Nolan Bell was born on 7 July 1920 in Gary, Indiana, USA. He was an actor, known for Addison's Wall (2006) and Maude (1972). He died on 26 February 1976 in Cleveland Heights, Ohio, USA.- Writer
- Actor
- Soundtrack
Tetsuo Kinjô was born on 5 July 1938 in Tokyo, Japan. He was a writer and actor, known for Return of Ultraman (1971), Ultraseven (1967) and Ultra Q (1965). He died on 26 February 1976 in Okinawa-ken, Okinawa, Japan.