‘The Post’: Director Steven Spielberg Turned His Journalism Thriller into a Film Production Metaphor
The convergence of the micro and macro worlds of politics and journalism in “The Post” most appealed to two-time Oscar-winning production designer Carter (“Lincoln,” “Avatar”). The entry point of Liz Hannah’s script was Katharine Graham (Meryl Streep) finding her voice at 54 as the new publisher of The Washington Post with the landmark publication of “The Pentagon Papers” in 1971. Director Steven Spielberg added the social context of journalists having a vital voice in search of the truth with the help of Hannah and scribe Josh Singer (“Spotlight”).
“I think that when Liz grasped the idea of Kay’s rite of passage as a road map for the rest of her life beyond raising children that she was onto something that certainly was significant,” said Carter. “So then, for me, there’s the intimate side of Juliet and Romeo being the Kay Graham and Ben Bradlee [Tom Hanks] platonic love story, where their...
“I think that when Liz grasped the idea of Kay’s rite of passage as a road map for the rest of her life beyond raising children that she was onto something that certainly was significant,” said Carter. “So then, for me, there’s the intimate side of Juliet and Romeo being the Kay Graham and Ben Bradlee [Tom Hanks] platonic love story, where their...
- 12/15/2017
- by Bill Desowitz
- Indiewire
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