Posh frocks, smoldering sexuality and a trail of intriguing but ultimately frustrating clues made for a great mystery back in 1975, when Peter Weir’s “Picnic at Hanging Rock” first appeared on the big screen. The tale of schoolgirl disappearances, deception and voyeurism remains a beacon of Australian cinema and launched Weir’s directing career.
But these days, those narrative qualities are being explored in greater depth on the small screen by top screenwriting and directing talent. “Picnic at Hanging Rock” has itself returned as a new TV miniseries piloted by FremantleMedia and picked up by Amazon for the U.S. and the BBC for Britain. Pay-channel Foxtel has it in Australia – where the novel of the same title is a classic of Australian literature – and sees the show as a subscriptions magnet.
“Picnic,” which opens the Berlinale’s TV strand Monday, is the highest-profile Australian project in Berlin this year.
But these days, those narrative qualities are being explored in greater depth on the small screen by top screenwriting and directing talent. “Picnic at Hanging Rock” has itself returned as a new TV miniseries piloted by FremantleMedia and picked up by Amazon for the U.S. and the BBC for Britain. Pay-channel Foxtel has it in Australia – where the novel of the same title is a classic of Australian literature – and sees the show as a subscriptions magnet.
“Picnic,” which opens the Berlinale’s TV strand Monday, is the highest-profile Australian project in Berlin this year.
- 10/28/2020
- by Patrick Frater
- Variety Film + TV
Top: Larissa Behrendt, Mitchell Stanley. Bottom: Lucy Hayes, Nora Niasari.
Writer/directors Nora Niasari and Larissa Behrendt and producers Lucy Hayes and Mitchell Stanley have been selected to participate in Australians in Film (AiF) and Screen Australia’s Mentor La program.
The participants will be matched mentors writer Luke Davies director Alethea Jones, Animal Logic CEO Zareh Nalbandian and director of creative development, Columbia Pictures Jiao Chen (Ghostbusters: Afterlife and Unchartered).
Each participant will receive four one-hour sessions with their mentor; three online, and one face-to-face in Los Angeles once international travel restrictions are lifted. Each receives return airfares, and living expenses for five days in La.
The meetings are designed to provide recipients with personalised, first-hand experience of the challenges and knowledge these mentors have learnt from working in the highly competitive Hollywood system. The knowledge provided will help not only bolster their careers, but the professional capacity of the broader Australian screen sector.
Writer/directors Nora Niasari and Larissa Behrendt and producers Lucy Hayes and Mitchell Stanley have been selected to participate in Australians in Film (AiF) and Screen Australia’s Mentor La program.
The participants will be matched mentors writer Luke Davies director Alethea Jones, Animal Logic CEO Zareh Nalbandian and director of creative development, Columbia Pictures Jiao Chen (Ghostbusters: Afterlife and Unchartered).
Each participant will receive four one-hour sessions with their mentor; three online, and one face-to-face in Los Angeles once international travel restrictions are lifted. Each receives return airfares, and living expenses for five days in La.
The meetings are designed to provide recipients with personalised, first-hand experience of the challenges and knowledge these mentors have learnt from working in the highly competitive Hollywood system. The knowledge provided will help not only bolster their careers, but the professional capacity of the broader Australian screen sector.
- 6/9/2020
- by jkeast
- IF.com.au
(L-r) Andrew Goldsmith, Lucy Hayes and Bradley Slabe.
Bradley Slabe, the co-director with Andrew Goldsmith of the Academy Award-shortlisted animated short Lost & Found, looks set for a major career boost after securing representation in the Us.
The writer-director signed with Los Angeles-based Verve after being introduced to the talent and literary agency by Jonathan Hludzinski, Animal Logic’s senior VP, production.
On the same trip to La he met with four management companies and is yet to decide which one to take on. “My dream is to create my own content but Verve has showed me the IP properties on their roster and asked me which ones I’d like to pitch for,” he tells If.
Slabe, Goldsmith and producer Lucy Hayes are keen to develop a TV series spin-off of Lost & Found, which would look at the community of knitted creatures before their ranks were thinned to two.
Bradley Slabe, the co-director with Andrew Goldsmith of the Academy Award-shortlisted animated short Lost & Found, looks set for a major career boost after securing representation in the Us.
The writer-director signed with Los Angeles-based Verve after being introduced to the talent and literary agency by Jonathan Hludzinski, Animal Logic’s senior VP, production.
On the same trip to La he met with four management companies and is yet to decide which one to take on. “My dream is to create my own content but Verve has showed me the IP properties on their roster and asked me which ones I’d like to pitch for,” he tells If.
Slabe, Goldsmith and producer Lucy Hayes are keen to develop a TV series spin-off of Lost & Found, which would look at the community of knitted creatures before their ranks were thinned to two.
- 1/6/2019
- by The IF Team
- IF.com.au
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