Die prominent besetzte deutsche Liebeskomödie „Spieleabend“ von W&b Television hat jetzt einen Starttermin auf Netflix und gewährt auch einen ersten Einblick mit First-Look-Bildern.
Axel Stein hat Spaß (Credit: Sasha Ostrov/Netflix)
Die deutsche Netflix-Liebeskomödie „Spieleabend“ startet am 12. Juli weltweit auf dem Streamingdienst und präsentiert First-Look-Bilder. Die W&b Television Produktion mit Dennis Mojen, Janina Uhse, Edin Hasanovic, Anna Maria Mühe, Taneshia Abt, Axel Stein, Stephan Luca und Max Bretschneider in den tragenden Rollen wurde von Marco Petry nach einem Claudius-Pläging-Drehbuch inszeniert.
Zur Handlung: Was kann es Schöneres geben als eine neue Liebe? Pia (Janina Uhse) und Jan (Dennis Mojen) sind frisch verliebt – Herzrasen, Bauchkribbeln, Glücksgefühle! Bald verbringen sie kaum noch eine Minute ohneeinander. Bei einem Spieleabend soll Jan schließlich Pias Freunden offiziell vorgestellt werden. Was kann da schon schiefgehen?
In der Liebeskomödie wird das junge Glück auf eine harte Probe gestellt. Schnell wird klar, dass die eingeschworene Spielgemeinschaft sehr speziell ist.
Axel Stein hat Spaß (Credit: Sasha Ostrov/Netflix)
Die deutsche Netflix-Liebeskomödie „Spieleabend“ startet am 12. Juli weltweit auf dem Streamingdienst und präsentiert First-Look-Bilder. Die W&b Television Produktion mit Dennis Mojen, Janina Uhse, Edin Hasanovic, Anna Maria Mühe, Taneshia Abt, Axel Stein, Stephan Luca und Max Bretschneider in den tragenden Rollen wurde von Marco Petry nach einem Claudius-Pläging-Drehbuch inszeniert.
Zur Handlung: Was kann es Schöneres geben als eine neue Liebe? Pia (Janina Uhse) und Jan (Dennis Mojen) sind frisch verliebt – Herzrasen, Bauchkribbeln, Glücksgefühle! Bald verbringen sie kaum noch eine Minute ohneeinander. Bei einem Spieleabend soll Jan schließlich Pias Freunden offiziell vorgestellt werden. Was kann da schon schiefgehen?
In der Liebeskomödie wird das junge Glück auf eine harte Probe gestellt. Schnell wird klar, dass die eingeschworene Spielgemeinschaft sehr speziell ist.
- 5/23/2024
- by Michael Müller
- Spot - Media & Film
Kinology has come on board the highly anticipated next film of Russian filmmaker Kirill Serebrennikov, “The Disappearance of Josef Mengele,” based on Olivier Guez’s bestselling novel. Kinology is at Cannes to present the project to buyers.
Set to start shooting in a few weeks, the film is being produced by Charles Gillibert at CG Cinema (“Annette”) and Ilya Stewart at Hype Studios (“Tchaikovsky’s Wife”), Felix von Boem at Lupa Films, Arte France Cinéma, Mélanie Biessy with Scala Films, Forma Pro Films and Cimarron coproduce the film with Piano. Bac Films does French distribution and Dcm german distribution.
It stars August Diehl as Mengele, the notorious Nazi doctor who found refuge in South America at the end of WWII and was never captured. Mengele died in Brazil in 1979 without having been judged for his crimes. The movie will focus on Mengele’s fugitive years in South America, and will be...
Set to start shooting in a few weeks, the film is being produced by Charles Gillibert at CG Cinema (“Annette”) and Ilya Stewart at Hype Studios (“Tchaikovsky’s Wife”), Felix von Boem at Lupa Films, Arte France Cinéma, Mélanie Biessy with Scala Films, Forma Pro Films and Cimarron coproduce the film with Piano. Bac Films does French distribution and Dcm german distribution.
It stars August Diehl as Mengele, the notorious Nazi doctor who found refuge in South America at the end of WWII and was never captured. Mengele died in Brazil in 1979 without having been judged for his crimes. The movie will focus on Mengele’s fugitive years in South America, and will be...
- 5/18/2023
- by Elsa Keslassy
- Variety Film + TV
‘Charité’ Review: Netflix’s Historical Hospital Drama Won’t Fix ‘The Knick’-Sized Hole in Your Heart
One of the most fascinating elements of “Charité,” the new six-part German miniseries now available on Netflix, is the operation theater. As a medical drama set in the late 19th century, this combination lecture hall and surgical venue is as compelling a concept as it is unsanitary. To see a procedure like a tracheotomy or an appendectomy, both in their nascent development stages, presented in such a matter-of-fact way is jarring by design. To see progress and hubris in tandem is one of the main reasons why medical dramas (especially ones set in a distant time) continue to be a regular TV staple.
Whenever “Charité” returns to the exhibition-style setting of that instructional surgery hall, it’s hard not to think of the similar scenes in “The Knick,” a show that by virtue of its styling and being set a decade later took a more modern approach to this subgenre.
Whenever “Charité” returns to the exhibition-style setting of that instructional surgery hall, it’s hard not to think of the similar scenes in “The Knick,” a show that by virtue of its styling and being set a decade later took a more modern approach to this subgenre.
- 4/20/2018
- by Steve Greene
- Indiewire
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