Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here.
Bottoms (Emma Seligman)
It’s beginning to feel like South By Southwest is the Rachel Sennott Festival. After breaking out there three years ago with Shiva Baby (the movie premiered as a short in 2018 and would have again as a feature in 2020 if not for the pandemic), she made waves last year in Austin with sleeper horror hit Bodies Bodies Bodies. Now Sennott’s back with Bottoms, one of two new movies she’s headlining this week, and which adopts many characteristics of an SXSW offering: it’s gay, it’s bloody, and it’s horny. – Jake K. (full review)
Where to Stream: VOD
Cassandro (Roger Ross Williams)
Rather than reverting to a traditional biopic structure––i.e. a greatest hits (and...
Bottoms (Emma Seligman)
It’s beginning to feel like South By Southwest is the Rachel Sennott Festival. After breaking out there three years ago with Shiva Baby (the movie premiered as a short in 2018 and would have again as a feature in 2020 if not for the pandemic), she made waves last year in Austin with sleeper horror hit Bodies Bodies Bodies. Now Sennott’s back with Bottoms, one of two new movies she’s headlining this week, and which adopts many characteristics of an SXSW offering: it’s gay, it’s bloody, and it’s horny. – Jake K. (full review)
Where to Stream: VOD
Cassandro (Roger Ross Williams)
Rather than reverting to a traditional biopic structure––i.e. a greatest hits (and...
- 9/22/2023
- by Jordan Raup
- The Film Stage
Having earned Sundance’s first Best Actor award for a trans performer, Lío Mehiel, Mutt arrives with a bit of buzz more historic than critical. Following a festival run that also included Berlinale and New Directros/New Films, Vuk Lungulov-Klotz’s feature debut will open next month from Strand Releasing, ahead of which is a first trailer briefly encapsulating the film’s view of trans experience.
While recognizing its necessary social impacts we were somewhat mixed on the film’s overall form. Writing out of Sundance, Dan Mecca said in his review, “This is the feature debut for Lungulov-Klotz, and in some moments a preciousness shows. The saying ‘kill your darlings’ might come to mind: confessional dialogue that’s telling us what’s already been shown, lingering close-ups that run out of steam before we cut away. Yet there is both an honesty and urgency to what’s onscreen that proves essential.
While recognizing its necessary social impacts we were somewhat mixed on the film’s overall form. Writing out of Sundance, Dan Mecca said in his review, “This is the feature debut for Lungulov-Klotz, and in some moments a preciousness shows. The saying ‘kill your darlings’ might come to mind: confessional dialogue that’s telling us what’s already been shown, lingering close-ups that run out of steam before we cut away. Yet there is both an honesty and urgency to what’s onscreen that proves essential.
- 7/18/2023
- by Leonard Pearce
- The Film Stage
All of New York’s asking one question: will success spoil Matthew Danger Lippman? Blame for his crash and burn can be placed on The Film Stage. Four months after debuting our contributor’s directorial debut Ain’t No Cure for Love: America (co-starring yours truly needing a haircut), it’s our pleasure pointing you towards his new album (we’re not in music; we won’t call it “a record”) Once You Get Low You’ve Gotta Start Flying Baby, which, from the many years I’ve known him, marks the best music Lippman’s put to tape. And for the compactness of its virtues––funny-downbeat lyrics housed in a panoply of melodies playing across eight tracks spread over 34-and-a-half minutes that never outstay their welcome––a remarkable deal.
Per traditions of album rollout, Lippman recruited filmmaking talent for a couple music videos he also co-directed. Hannah Ha Ha...
Per traditions of album rollout, Lippman recruited filmmaking talent for a couple music videos he also co-directed. Hannah Ha Ha...
- 6/2/2023
- by Nick Newman
- The Film Stage
Life World
Film Stage contributor Matthew Danger Lippman hosts a screening of Tom Green’s masterpiece Freddy Got Fingered this Friday, with tickets for $5 at the door, on the occasion of its 22nd anniversary. (Read Matthew’s interview with Green for the 20th.)
Film at Lincoln Center
Ryûsuke Hamaguchi’s early feature Passion has begun screening (read our interview with him here) while a series of films selected by Ari Aster begins, featuring films by Hitchcock, Nicholas Ray, Tai, and more.
Roxy Cinema
The Bedroom Window, featuring the Huppert-Guttenberg romance you never knew you wanted has 35mm showings Friday and Saturday, while Barbarella plays on the latter; on Sunday, new cult sensation For the Plasma screens, while Meg “U.S. Girls” Remy hosts a (currently sold-out) screening of Dennis Hopper’s Out of the Blue that includes music videos.
IFC Center
Gregg Araki’s The Doom Generation shows in a...
Film Stage contributor Matthew Danger Lippman hosts a screening of Tom Green’s masterpiece Freddy Got Fingered this Friday, with tickets for $5 at the door, on the occasion of its 22nd anniversary. (Read Matthew’s interview with Green for the 20th.)
Film at Lincoln Center
Ryûsuke Hamaguchi’s early feature Passion has begun screening (read our interview with him here) while a series of films selected by Ari Aster begins, featuring films by Hitchcock, Nicholas Ray, Tai, and more.
Roxy Cinema
The Bedroom Window, featuring the Huppert-Guttenberg romance you never knew you wanted has 35mm showings Friday and Saturday, while Barbarella plays on the latter; on Sunday, new cult sensation For the Plasma screens, while Meg “U.S. Girls” Remy hosts a (currently sold-out) screening of Dennis Hopper’s Out of the Blue that includes music videos.
IFC Center
Gregg Araki’s The Doom Generation shows in a...
- 4/14/2023
- by Nick Newman
- The Film Stage
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here.
All the Beauty and the Bloodshed (Laura Poitras)
It is a fascinating thing to watch someone’s history of protest and addiction collide and conspire to hold a pharmaceutical company accountable and expose its parent family as reprehensible. Academy Award-winning filmmaker Laura Poitras profiles the renowned photographer and activist Nan Goldin and her fight through the AIDS and opioid crisis, but this is bigger than a biographical documentary. Through slideshows, interviews, and family videos, Poitras weaves a riveting, heartbreaking interconnected story of generational pain, its influence over the blurry boundaries between life and art. – Jake K-s.
Where to Stream: HBO Max
Hannah Ha Ha (Jordan Tetewsky and Joshua Pikovsky)
Jordan Tetewsky and Joshua Pikovsky’s dryly humorous character study picked up the...
All the Beauty and the Bloodshed (Laura Poitras)
It is a fascinating thing to watch someone’s history of protest and addiction collide and conspire to hold a pharmaceutical company accountable and expose its parent family as reprehensible. Academy Award-winning filmmaker Laura Poitras profiles the renowned photographer and activist Nan Goldin and her fight through the AIDS and opioid crisis, but this is bigger than a biographical documentary. Through slideshows, interviews, and family videos, Poitras weaves a riveting, heartbreaking interconnected story of generational pain, its influence over the blurry boundaries between life and art. – Jake K-s.
Where to Stream: HBO Max
Hannah Ha Ha (Jordan Tetewsky and Joshua Pikovsky)
Jordan Tetewsky and Joshua Pikovsky’s dryly humorous character study picked up the...
- 3/24/2023
- by Jordan Raup
- The Film Stage
A Tinder-immersed friend once told me, sadly, that he would eagerly trade all of his higher-than-average bodycount to experience just one loving relationship. I honestly didn’t feel much pity for him. But I can sense something of the ache he was trying to communicate in Ain’t No Cure for Love: America, a deadpan short comedy in which the obsessive pursuit of sex resembles any other kind of collecting, like baseball cards or stamps.
It stars writer-director Matthew Danger Lippman alongside Film Stage Managing Editor (and my real-life buddy) Nick Newman, whose screen presence can only be compared to that of a young Alain Delon. Over drinks at a bar in Chicago, Andrew (Lippman) tells Rich (Newman) of his desire hook up with a different woman from every state in the union without travelling beyond the borders of Illinois. The plan is in its infancy––he only has 14 states notched on his bedpost,...
It stars writer-director Matthew Danger Lippman alongside Film Stage Managing Editor (and my real-life buddy) Nick Newman, whose screen presence can only be compared to that of a young Alain Delon. Over drinks at a bar in Chicago, Andrew (Lippman) tells Rich (Newman) of his desire hook up with a different woman from every state in the union without travelling beyond the borders of Illinois. The plan is in its infancy––he only has 14 states notched on his bedpost,...
- 2/14/2023
- by Will Sloan
- The Film Stage
With the Sundance Film Festival now wrapped up, offering our first glimpse at the 2023 cinematic offerings, eyes are now on Berlinale, which kicks off later this month. Looking at this month’s theatrical releases, it’s an eclectic mix of fest favorites (including the best film from last year’s Cannes and a pair of highlights from last year’s Slamdance), underseen gems, and a few auteur-driven studio offerings.
12. The Blind Man Who Did Not Want to See Titanic (Teemu Nikki; Feb. 3)
A week before James Cameron’s 1997 box-office behemoth returns to theaters, we’ll see the release of an acclaimed festival favorite in which his Best Picture winner figures into the central narrative. Winner of the Orizzonti Extra Audience Award at the Venice International Film Festival, Teemu Nikki’s The Blind Man Who Did Not Want to See Titanic follows Jaakko (Petri Poikolainen), a charming Finn who loves movies despite his blindness,...
12. The Blind Man Who Did Not Want to See Titanic (Teemu Nikki; Feb. 3)
A week before James Cameron’s 1997 box-office behemoth returns to theaters, we’ll see the release of an acclaimed festival favorite in which his Best Picture winner figures into the central narrative. Winner of the Orizzonti Extra Audience Award at the Venice International Film Festival, Teemu Nikki’s The Blind Man Who Did Not Want to See Titanic follows Jaakko (Petri Poikolainen), a charming Finn who loves movies despite his blindness,...
- 2/2/2023
- by Jordan Raup
- The Film Stage
"You okay?" "It's been a rough couple years." Freestyle Digital Media has released an official trailer for an indie docu-drama film titled Samantha Rose, the latest from filmmaker Andrew Morgan. The film stars a real woman named Samantha Rose, known as Sam, who tries to leave her old life behind. Returning to her hometown in northern Oregon she reunites with a childhood friend and joins him and a group of misfits as they work the fall harvest on the surrounding vineyards. This unforgettable week leads her to see her life for what it really is: her own. In addition to Samantha, the film's ensemble cast includes Marla Freeman, Matthew Danger Lippman, Nicholas Horiatis, Allison Berman, Vilém McKael, Natalia Ruiz-Heinsohn, and Johnny Dawson. "I don't think it's naive to think that there could be something better out there." This looks like some low key goodness, the kind of film that finds...
- 8/18/2021
- by Alex Billington
- firstshowing.net
Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI.NEWSAbove: Monte Hellman and his dog Kona. Monte Hellman, cult director of The Shooting (1966), Two-Lane Blacktop (1971) and Road to Nowhere (2010) has died. Hellman spoke with Notebook on several occasions about his films, decrying the committee-designed quality of new films while staying true to his own long-held principles: "I am aware of continually breaking rules." Léos Carax's first English-language film, the musical Annette, will be opening the 74th Cannes Film Festival on July 6th. The film will simultaneously be released in French cinemas. Two other Cannes titles have also been announced, having been selected for last year's postponed edition of the festival: Wes Anderson's The French Dispatch and Paul Verhoeven's Benedetta. Steven Soderbergh is undertaking the overwhelming creative task of staging this year's Oscars ceremony. As Soderbergh says, the project is "the walking...
- 4/21/2021
- MUBI
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