Exclusive: Fantastic Fest is set to honor legendary filmmaker Takashi Miike with the Lifetime Achievement Award and a and a special screening of The Happiness of the Katakuris. In addition, the fest has revealed its final wave of programming which includes the U.S. premiere of Jeremy Clapin’s I Lost My Body which recently debuted at Cannes Critics Week and won the Cristal for Best Animated Feature and the Audience Award Première at the 2019 Annecy Int’l Animated Film Festival. Fantastic Fest kicks off September 19 and continues through September 26.
Miike, who has been featured at Fantastic Fest multiple times, has over 100 films on his resume and in addition to a screening of The Happiness of the Katakuris, the fest will feature the U.S. premiere of his film First Love which follows an aspiring boxer named Leo who discovers that he may not have long to live. He goes...
Miike, who has been featured at Fantastic Fest multiple times, has over 100 films on his resume and in addition to a screening of The Happiness of the Katakuris, the fest will feature the U.S. premiere of his film First Love which follows an aspiring boxer named Leo who discovers that he may not have long to live. He goes...
- 9/11/2019
- by Dino-Ray Ramos
- Deadline Film + TV
Seven Portuguese titles will screen during the Berlinale, and a bevy of Portuguese producers are attending the European Film Market seeking co-producers and international sales agents for their projects.
Two Portuguese features will screen in the non-competitive Berlinale Forum dedicated to more avant-garde cinema. “The Portuguese Woman,” a historical drama by Rita Azevedo Gomes, is based on Robert Musil’s “Three Women,” adapted by Portuguese novelist, Agustina Bessa-Luis. The film premiered at Argentina’s Mar del Plata. It has an austere filmic style, based on static movements of the actors, thereby creating tableaux vivants.
“Serpentarius” is about a young man in search of his mother’s ghost in a post-disaster African landscape. Angolan-born Carlos Conceição’s shorts include “Goodnight Cinderella” and “Bad Bunny” which both played in Cannes’ Critics Week.
The Forum Expanded sidebar includes 40-minute experimental documentary “Fordlandia Malaise” by Susana de Sousa Dias, about failed utopia Fordlandia, established...
Two Portuguese features will screen in the non-competitive Berlinale Forum dedicated to more avant-garde cinema. “The Portuguese Woman,” a historical drama by Rita Azevedo Gomes, is based on Robert Musil’s “Three Women,” adapted by Portuguese novelist, Agustina Bessa-Luis. The film premiered at Argentina’s Mar del Plata. It has an austere filmic style, based on static movements of the actors, thereby creating tableaux vivants.
“Serpentarius” is about a young man in search of his mother’s ghost in a post-disaster African landscape. Angolan-born Carlos Conceição’s shorts include “Goodnight Cinderella” and “Bad Bunny” which both played in Cannes’ Critics Week.
The Forum Expanded sidebar includes 40-minute experimental documentary “Fordlandia Malaise” by Susana de Sousa Dias, about failed utopia Fordlandia, established...
- 2/9/2019
- by Martin Dale
- Variety Film + TV
We’re living in a golden age of genre films, and there may be no better proof than the Fantasia International Film Festival, the three-week-long celebration of international genre efforts currently in the midst of its 21st year. The lineup is comprised of more than 150 features from all over the world, but that figure is dwarfed by the 300 short films showing across multiple sections. Too often, shorts are marginalized at film festivals, lumped into categories that designate them as calling cards for features and nothing more. Not so at Fantasia, where a number of the shorts showcase the precise visions of filmmakers looking to shock, frighten and unsettle audiences with concise approaches that hardly demand the padding of a feature-length running time.
Fantasia’s programming stands out from other genre festivals in that it doesn’t exclusively focus on outrageous horror movies, B-grade science fiction, or other stereotypes associated with the term “genre.
Fantasia’s programming stands out from other genre festivals in that it doesn’t exclusively focus on outrageous horror movies, B-grade science fiction, or other stereotypes associated with the term “genre.
- 7/15/2017
- by Eric Kohn
- Indiewire
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