In more news emerging from Spain’s San Sebastian Festival, Clara Larraín’s Clara Films has boarded Lucía Lalor’s docu-fiction hybrid “Mam” from Argentina’s Gale Cine.
Described as a “thought-provoking autobiographical hybrid documentary that explores how it is to grow up with a ghost mother,” it follows a millennial in her thirties and her fantasies about her dead mother.
Said Larraín, whose company is taking a minority stake in the project: “Lucía Lalor’s storytelling is both powerful and profound, and we are proud to support her vision of portraying not only her own journey, but the imagery of a generation,” adding: “This partnership underscores our commitment to fostering diversity and originality in cinema.”
“We are honored to collaborate with Clara Films on ‘Mam,’” said Luis Bustamante, CEO at Gale Cine. “Lucia Lalor is a remarkable talent and her project resonates deeply with our mission to bring impactful...
Described as a “thought-provoking autobiographical hybrid documentary that explores how it is to grow up with a ghost mother,” it follows a millennial in her thirties and her fantasies about her dead mother.
Said Larraín, whose company is taking a minority stake in the project: “Lucía Lalor’s storytelling is both powerful and profound, and we are proud to support her vision of portraying not only her own journey, but the imagery of a generation,” adding: “This partnership underscores our commitment to fostering diversity and originality in cinema.”
“We are honored to collaborate with Clara Films on ‘Mam,’” said Luis Bustamante, CEO at Gale Cine. “Lucia Lalor is a remarkable talent and her project resonates deeply with our mission to bring impactful...
- 9/28/2023
- by Anna Marie de la Fuente
- Variety Film + TV
Mexico’s Monterrey Film Festival (ficmonterrey) is chasing new ambitions in a bid to raise its international profile. Buttressed by generous state, local and private backing as well as some federal funding, the festival, running Sept. 28 – Oct. 4, aims to become Mexico’s most prominent international film festival and a key creative hub in Mexico.
This year’s 19th edition boasts a new director, Janeth Aguirre, also its first female director, and new hires: Diana Cadavid, a programmer for Toronto (TIFF), LA Latino Int’l Film Fest (Laliff) and Colombia’s Cali, who has taken charge of the festival’s burgeoning industry section, and LA-based PR agent Alvar Carretero of Joshua Jason Public Relations.
In recognition of its country guest of honor, South Korea, the fest will open with “Little Forest” by Yim Soonrye, one of the few prominent women film auteurs in South Korean New Wave cinema. Five of her...
This year’s 19th edition boasts a new director, Janeth Aguirre, also its first female director, and new hires: Diana Cadavid, a programmer for Toronto (TIFF), LA Latino Int’l Film Fest (Laliff) and Colombia’s Cali, who has taken charge of the festival’s burgeoning industry section, and LA-based PR agent Alvar Carretero of Joshua Jason Public Relations.
In recognition of its country guest of honor, South Korea, the fest will open with “Little Forest” by Yim Soonrye, one of the few prominent women film auteurs in South Korean New Wave cinema. Five of her...
- 9/11/2023
- by Anna Marie de la Fuente
- Variety Film + TV
Toronto — Today, the Toronto International Film Festival® announced this year’s Short Cuts lineup, supported by Ontario Arts Council, showcasing 42 live action narrative, documentary, and animated shorts by a groundbreaking group of filmmakers representing 23 countries. More than half of this year’s selections are directed or co-directed by female and female-identifying filmmakers. TIFF alumni directors with new films at Short Cuts include Yann Demange, Jasmin Mozaffari, Miryam Charles, Farnoosh Samadi, Halima Ouardiri, Renee Zhan, Andrea Nirmala Widjajanto, and the team of Ivete Lucas and Patrick Bresnan. Among the directors with short films at the Festival for the first time are Malia Ann and Canadian actor Mackenzie Davis. Among the notable performers in this year’s slate of new shorts are Riz Ahmed (Dammi) and Kaniehtiio Horn (Redlights).
A robust selection of new animated short films will be showcased in the programme this year. Animated films in Short Cuts include the...
A robust selection of new animated short films will be showcased in the programme this year. Animated films in Short Cuts include the...
- 8/9/2023
- by Movies Martin Cid Magazine
- Martin Cid Magazine - Movies
Toronto — Today, the Toronto International Film Festival® announced this year’s Short Cuts lineup, supported by Ontario Arts Council, showcasing 42 live action narrative, documentary, and animated shorts by a groundbreaking group of filmmakers representing 23 countries. More than half of this year’s selections are directed or co-directed by female and female-identifying filmmakers. TIFF alumni directors with new films at Short Cuts include Yann Demange, Jasmin Mozaffari, Miryam Charles, Farnoosh Samadi, Halima Ouardiri, Renee Zhan, Andrea Nirmala Widjajanto, and the team of Ivete Lucas and Patrick Bresnan. Among the directors with short films at the Festival for the first time are Malia Ann and Canadian actor Mackenzie Davis. Among the notable performers in this year’s slate of new shorts are Riz Ahmed (Dammi) and Kaniehtiio Horn (Redlights).
A robust selection of new animated short films will be showcased in the programme this year. Animated films in Short Cuts include the...
A robust selection of new animated short films will be showcased in the programme this year. Animated films in Short Cuts include the...
- 8/9/2023
- by Movies Martin Cid Magazine
- Martin Cid Magazine - Movies
With only the Contemporary World Cinema and Wavelengths left on the scorecard, TIFF has now dropped the Short Cuts programme and we’ve got plenty of Canuck films with the likes of Miryam Charles, Jasmin Mozaffari, and Ryan McKenna leading the charge. Maple syrup cinema is also being mixed with and some noteworthy premieres with the top two items in the Palme d’Or short film competition in Flóra Anna Buda‘s 27 and Gunnur Martinsdóttir Schlüter‘s Fár and new work from established names. Feature film director Ana Cristina Barragán (who gave us La piel pulpo last year) gives us a short in Bird.…...
- 8/9/2023
- by Eric Lavallée
- IONCINEMA.com
Forty-two short films from 23 countries will screen in the 2023 Toronto International Film Festival’s Short Cuts section, TIFF organizers announced on Wednesday.
The shorts include “Dammi,” which stars Riz Ahmed and was directed by Yann Mounir Demange, an Emmy nominee in 2021 for “Lovecraft Country”; “Electra,” a new film by Czech director Daria Kascheeva, who was nominated for an Oscar for the animated short “Mother”; “27,” for which director Flora Anna Duba won the Short Film Palme d’Or at this year’s Cannes Film Festival; and “Woaca,” the directorial debut of Canadian actor Mackenzie Davis.
According to TIFF, more than half the films are directed or co-directed by female or female-identifying filmmakers. Almost half the films, 19 out of the 42, are by Canadian filmmakers. Twenty one of the films will have their world premieres at TIFF.
The 2023 Toronto International Film Festival will run from Sept. 7 through Sept. 17.
The Short Cuts lineup, separated...
The shorts include “Dammi,” which stars Riz Ahmed and was directed by Yann Mounir Demange, an Emmy nominee in 2021 for “Lovecraft Country”; “Electra,” a new film by Czech director Daria Kascheeva, who was nominated for an Oscar for the animated short “Mother”; “27,” for which director Flora Anna Duba won the Short Film Palme d’Or at this year’s Cannes Film Festival; and “Woaca,” the directorial debut of Canadian actor Mackenzie Davis.
According to TIFF, more than half the films are directed or co-directed by female or female-identifying filmmakers. Almost half the films, 19 out of the 42, are by Canadian filmmakers. Twenty one of the films will have their world premieres at TIFF.
The 2023 Toronto International Film Festival will run from Sept. 7 through Sept. 17.
The Short Cuts lineup, separated...
- 8/9/2023
- by Steve Pond
- The Wrap
Chile’s Clara Films and Barcelona-based VFX studio Unbound Hub have forged a strategic development pact for the upcoming dystopian TV series, “Numana.”
Created by Argentine writers Jesica Arán (“Pájaros Negros”) and Soledad Velasco (Disney+’s “Dreaming High”), the project participated at Conecta Fiction’s High End Pitch session.
“We are thrilled to partner with Unbound Hub in the development of ‘Numana,’” said producer Clara Larrain of Clara Films.
“Nowadays, investors fear unpredictable budgets that a series like this can mean, so having Unbound Hub on board this early will be instrumental not only in bringing our dystopian vision to life, but in reducing risk.”
“Together, we aim to create an immersive and captivating viewing experience that will maximize production value and simplify our VFX journey,” she added.
“Numana” is set in the year 2069 when babies are made on demand by an all-powerful company called Numana. Alex and Mia are among those babies-on-demand.
Created by Argentine writers Jesica Arán (“Pájaros Negros”) and Soledad Velasco (Disney+’s “Dreaming High”), the project participated at Conecta Fiction’s High End Pitch session.
“We are thrilled to partner with Unbound Hub in the development of ‘Numana,’” said producer Clara Larrain of Clara Films.
“Nowadays, investors fear unpredictable budgets that a series like this can mean, so having Unbound Hub on board this early will be instrumental not only in bringing our dystopian vision to life, but in reducing risk.”
“Together, we aim to create an immersive and captivating viewing experience that will maximize production value and simplify our VFX journey,” she added.
“Numana” is set in the year 2069 when babies are made on demand by an all-powerful company called Numana. Alex and Mia are among those babies-on-demand.
- 6/28/2023
- by Anna Marie de la Fuente
- Variety Film + TV
Wes Anderson’s “Asteroid City,” fresh from its triumphant world premiere at the Cannes fest, opens the 38th Guadalajara Film Festival (Ficg) which touts new sections this year, including a branded series showcase and midnight screenings of Italian fright maestro Dario Argento’s horror films.
Eva Longoria’s feature directorial debut, “Flamin’ Hot,” which had its West Coast premiere at the LA Latino Film Festival (Laliff) May 31, marks its Mexican debut at the fest.
The Series Showcase includes Patricia Martinez’s fact-based “La Narcosatánica,” which will stream on the rebranded Max, and Maite Alberdi’s “Libre de reir,” a Gato Grande production that centers on inmates in a Mexican prison who enroll in a stand-up comedy workshop. Alberdi’s Sundance-winning docu “The Eternal Memory” also vies for a prize in the festival’s documentary sidebar.
According to festival director Estrella Araiza, the festival has recovered its funding and will screen...
Eva Longoria’s feature directorial debut, “Flamin’ Hot,” which had its West Coast premiere at the LA Latino Film Festival (Laliff) May 31, marks its Mexican debut at the fest.
The Series Showcase includes Patricia Martinez’s fact-based “La Narcosatánica,” which will stream on the rebranded Max, and Maite Alberdi’s “Libre de reir,” a Gato Grande production that centers on inmates in a Mexican prison who enroll in a stand-up comedy workshop. Alberdi’s Sundance-winning docu “The Eternal Memory” also vies for a prize in the festival’s documentary sidebar.
According to festival director Estrella Araiza, the festival has recovered its funding and will screen...
- 6/1/2023
- by Anna Marie de la Fuente
- Variety Film + TV
In what marks a first for Chile’s Storyboard Media, Baremo Films of Mexico has boarded its psychological thriller “Quizas es cierto lo que dicen de nosotras” (“Maybe It’s True What They’re Saying About Us”), which has been shooting in Santiago since Feb. 1 and will wrap later this month.
Written and directed by Sofía Gomez (“Trastornos del sueño”) and Camilo Becerra (“Perro muerto”), the co-production also involves Chile’s La Jauria Cine as well as Argentina’s Murillo Cine and HDArgentina.
“We’re delighted to have our first co-production with Mexico, which is such an important market, given its relevance in terms of promotion and visibility in our region,” said Storyboard Media’s Gabriela Sandoval and Carlos Núñez.
The co-production pact with Baremo Films’ Pablo Modragon was closed at the Berlinale, said Sandoval.
“Few films so powerfully combine such a stark anecdote with deep and intimate spiritual mastery...
Written and directed by Sofía Gomez (“Trastornos del sueño”) and Camilo Becerra (“Perro muerto”), the co-production also involves Chile’s La Jauria Cine as well as Argentina’s Murillo Cine and HDArgentina.
“We’re delighted to have our first co-production with Mexico, which is such an important market, given its relevance in terms of promotion and visibility in our region,” said Storyboard Media’s Gabriela Sandoval and Carlos Núñez.
The co-production pact with Baremo Films’ Pablo Modragon was closed at the Berlinale, said Sandoval.
“Few films so powerfully combine such a stark anecdote with deep and intimate spiritual mastery...
- 2/21/2023
- by Anna Marie de la Fuente
- Variety Film + TV
The film is the directorial debut of Spanish filmaker Diego Llorente.
Germany-based Patra Spanou Film has acquired international rights to Notes On A Summer, the debut feature from Spanish director Diego Llorente that is screening in competition at International Film Festival Rotterdam (IFFR) later this month.
Presented as a work in progress at the Málaga Film Festival in 2022, Notes On A Summer (Notas Sobre Un Verano) follows young academic who leaves routines, obligations and her boyfriend back in Madrid for a carefree summer in her hometown on the Atlantic coast. She meets her first love and starts a passionate affair with him.
Germany-based Patra Spanou Film has acquired international rights to Notes On A Summer, the debut feature from Spanish director Diego Llorente that is screening in competition at International Film Festival Rotterdam (IFFR) later this month.
Presented as a work in progress at the Málaga Film Festival in 2022, Notes On A Summer (Notas Sobre Un Verano) follows young academic who leaves routines, obligations and her boyfriend back in Madrid for a carefree summer in her hometown on the Atlantic coast. She meets her first love and starts a passionate affair with him.
- 1/13/2023
- by Emilio Mayorga
- ScreenDaily
Prime Video is debuting the Karla Souza drama “La Caida” (“Dive”) on Nov. 11 after its world premiere at the Morelia Int’l Film Festival.
“How to Get Away with Murder” star Souza produces and stars in the topical drama directed by high-flying Argentine helmer-scribe Lucía Puenzo, hot off “La Jauría” and “Señorita 89.”
Souza is known for her performances in Mexican hit family comedy “We are the Nobles,” action-comedy “Day Shift” opposite Jamie Foxx, as well as the Shondaland TV series “How to Get Away with Murder,” among others.
Puenzo, whose debut feature “Xxy” won the Cannes Festival’s Critics’ Week Grand Prix, served as the showrunner as well as one of the directors and writers of Amazon’s first locally produced Prime Video Original in Chile, “La Jauria,” and of “Señorita 89,” both for London-based production-distribution giant Fremantle and the Larrain brothers’ Fabula. Starzplay and Pantaya also backed “Señorita 89.”
Just like “La Jauria,...
“How to Get Away with Murder” star Souza produces and stars in the topical drama directed by high-flying Argentine helmer-scribe Lucía Puenzo, hot off “La Jauría” and “Señorita 89.”
Souza is known for her performances in Mexican hit family comedy “We are the Nobles,” action-comedy “Day Shift” opposite Jamie Foxx, as well as the Shondaland TV series “How to Get Away with Murder,” among others.
Puenzo, whose debut feature “Xxy” won the Cannes Festival’s Critics’ Week Grand Prix, served as the showrunner as well as one of the directors and writers of Amazon’s first locally produced Prime Video Original in Chile, “La Jauria,” and of “Señorita 89,” both for London-based production-distribution giant Fremantle and the Larrain brothers’ Fabula. Starzplay and Pantaya also backed “Señorita 89.”
Just like “La Jauria,...
- 10/10/2022
- by Anna Marie de la Fuente
- Variety Film + TV
Ecuador’s Ana Cristina Barragán, an alum of San Sebastian’s post-graduate film school Elias Querejeta Zine Eskola (Eqze), has come full circle with her second feature “La Piel Pulpo” (“Octopus Skin”) as it competes at the San Sebastian Festival’s Horizontes Latinos, a year after it participated in the festival’s Work in Progress strand (Wip Latam).
A coming-of-age family drama “La Piel Pulpo” turns on twins Iris and Ariel who live with their mother and younger sister on a remote island. Having grown up in this rarified environment with only the mollusks, birds and reptiles for company, the teens are inseparable and have formed a near transcendental connection with nature. Curious about the world beyond their island, Iris hitches a boat ride with a rare visitor to explore the mainland and search for their estranged father. The act of physically separating from her twin brother puts a strain on their relationship.
A coming-of-age family drama “La Piel Pulpo” turns on twins Iris and Ariel who live with their mother and younger sister on a remote island. Having grown up in this rarified environment with only the mollusks, birds and reptiles for company, the teens are inseparable and have formed a near transcendental connection with nature. Curious about the world beyond their island, Iris hitches a boat ride with a rare visitor to explore the mainland and search for their estranged father. The act of physically separating from her twin brother puts a strain on their relationship.
- 9/18/2022
- by Anna Marie de la Fuente
- Variety Film + TV
Juan Pablo González‘s Sundance winning Dos Estaciones, Manuela Martelli‘s Quinzaine section winning 1976, Andrés Ramírez Pulido‘s Critics’ Week winner La Jauría, Carolina Markowicz‘s Platform (TIFF) competing Charcoal and Ana Cristina Barragán‘s Octupus Skin are all part of the dozen films selected for the Horizontes Latinos line-up at the 2022 San Sebastian International Film Festival. Clearly a section filled with 2022 film festival riches, the section will open with Patricio Guzmán’s My Imaginary Country – a Cannes entry that Icarus Films will premiere next month.
It’s worth noting that Barragán’s Octopus Skin (aka La Piel Pulpo) (also a Guadalajara Film Festival post prod fund winner) is one of four films featured in this year’s Horizontes line-up that screened in last year’s Wip Latam.…...
It’s worth noting that Barragán’s Octopus Skin (aka La Piel Pulpo) (also a Guadalajara Film Festival post prod fund winner) is one of four films featured in this year’s Horizontes line-up that screened in last year’s Wip Latam.…...
- 8/11/2022
- by Eric Lavallée
- IONCINEMA.com
Manuela Martelli’s 1976 and documentary My Imaginary Country, both Chilean titles, are among the line-up
Manuela Martelli’s 1976 and documentary My Imaginary Country, both Chilean titles, are among the 12 films selected for the Horizontes Latinos section of the 70th edition of the San Sebastian International Film Festival (September 16-24).
Scroll down for full line-up
Martelli’s drama premiered in Cannes Directors’ Fortnight selection earlier this year and recently picked up the best first feature film award at Jerusalem. The film follows a middle-class woman re-evaluating her beliefs when she’s asked to secretly take care of an injured man. Luxbox are handling sales.
Manuela Martelli’s 1976 and documentary My Imaginary Country, both Chilean titles, are among the 12 films selected for the Horizontes Latinos section of the 70th edition of the San Sebastian International Film Festival (September 16-24).
Scroll down for full line-up
Martelli’s drama premiered in Cannes Directors’ Fortnight selection earlier this year and recently picked up the best first feature film award at Jerusalem. The film follows a middle-class woman re-evaluating her beliefs when she’s asked to secretly take care of an injured man. Luxbox are handling sales.
- 8/11/2022
- by Ellie Calnan
- ScreenDaily
Modern-day production in Argentina lifted off from its new Argentine Cinema, born over 1991-95, in Brazil with Walter Salles’ 1998 “Central Station,” in Mexico from Carlos Reygadas’ 2002 “Japón.”
Now, Latin America is seeing second-phase expansion based out of smaller markets, driven by the energies of forward-thinking production companies determined to not just build slates but their national film industries.
In line with the massive new talent focus of many of Locarno’s industry programs – this year’s Germany First Look with five feature debuts, the Match Me! emerging producer springboard – Open Doors will focus on Latin America’s most under-represented territories and the Caribbean, where production companies have sprung up after national cinema lift-off in more major countries in the region.
Bolivia’s Empatía Cinema, for example, was founded in 2007, but most key companies at Locarno launched significantly later: Ypr Films in 2010, La Linterna Films in 2011, Paraguay’s Asociación Cultural Arraigo...
Now, Latin America is seeing second-phase expansion based out of smaller markets, driven by the energies of forward-thinking production companies determined to not just build slates but their national film industries.
In line with the massive new talent focus of many of Locarno’s industry programs – this year’s Germany First Look with five feature debuts, the Match Me! emerging producer springboard – Open Doors will focus on Latin America’s most under-represented territories and the Caribbean, where production companies have sprung up after national cinema lift-off in more major countries in the region.
Bolivia’s Empatía Cinema, for example, was founded in 2007, but most key companies at Locarno launched significantly later: Ypr Films in 2010, La Linterna Films in 2011, Paraguay’s Asociación Cultural Arraigo...
- 8/1/2022
- by John Hopewell and Pablo Sandoval
- Variety Film + TV
Having focused since 2016 on emerging film talent in lesser-known parts of South and South East Asia, Open Doors, the Locarno Festival’s flagship co-production forum and talent incubator, is turning its focus to Latin America and the Caribbean.
Of the 24 directors featured at this year’s edition, 15 identify as female or gender non conforming, led by Ecaudor’s Ana Cristina Barragán whose 2016 debut “Alba” won nods at Rotterdam and San Sebastián and Yanillys Pérez whose documentary “Jeffrey” scooped a Discovery Awards at the Toronto Festival.
Both have new projects at the Open Doors Co-Production Hub, as does Yashira Jordán with “Diamond,” a coming of age tale about a Quechua trap artist last glimpsed at Málaga this year.
Men directors take in Michael Labarca a winner at Cannes’ Cinéfondation film school shorts competition in 2016, and Guatemala’s Mauricio Escobar whose “Los Invisibles” is a social realist tale wrapped around the phenomenon of domestic migration in Guatemala.
Of the 24 directors featured at this year’s edition, 15 identify as female or gender non conforming, led by Ecaudor’s Ana Cristina Barragán whose 2016 debut “Alba” won nods at Rotterdam and San Sebastián and Yanillys Pérez whose documentary “Jeffrey” scooped a Discovery Awards at the Toronto Festival.
Both have new projects at the Open Doors Co-Production Hub, as does Yashira Jordán with “Diamond,” a coming of age tale about a Quechua trap artist last glimpsed at Málaga this year.
Men directors take in Michael Labarca a winner at Cannes’ Cinéfondation film school shorts competition in 2016, and Guatemala’s Mauricio Escobar whose “Los Invisibles” is a social realist tale wrapped around the phenomenon of domestic migration in Guatemala.
- 6/2/2022
- by John Hopewell
- Variety Film + TV
Eight projects and nine producers to receive showcase.
TIFF award-winning filmmaker Yanillys Pérez and up-and-coming Ecuadorian director Ana Cristina Barragán are among those set to present projects at this year’s edition of the Locarno Film Festival’s Open Doors programme.
The initiative, aimed at supporting independent cinema from the global south and east, is entering the first of a three-year cycle focused on Latin America and the Caribbean.
It will present eight projects in its co-production hub and a further nine participants will join its producer lab. Countries represented in this first year include the Dominican Republic, Bolivia, Paraguay,...
TIFF award-winning filmmaker Yanillys Pérez and up-and-coming Ecuadorian director Ana Cristina Barragán are among those set to present projects at this year’s edition of the Locarno Film Festival’s Open Doors programme.
The initiative, aimed at supporting independent cinema from the global south and east, is entering the first of a three-year cycle focused on Latin America and the Caribbean.
It will present eight projects in its co-production hub and a further nine participants will join its producer lab. Countries represented in this first year include the Dominican Republic, Bolivia, Paraguay,...
- 6/2/2022
- by Michael Rosser
- ScreenDaily
Three days into Mexico’s 2021 Guadalajara Film Festival, the prizes for the works-in-progress in its Guadalajara Construye side bar were awarded on Sunday, making a number of Latin American filmmakers very happy.
Guadalajara Construye exemplifies the solidarity of the film industries of Latin America, with production companies across the region funding numerous prizes designed to get the works-in progress over the hump to completed films ready for distribution.
The biggest winner of the night was the Mexican film “Martínez” directed by Lorena Padilla, a Mexican director who also teaches directing and screenwriting at the Southern Methodist University in Dallas. Padilla has garnered various levels of funding from Mexico’s Imcine film agency over the years and continued that string of good fortune tonight, picking up five awards providing post-production services for the nearly completed “Martínez.”
It tells the story of an aging office worker who finds that his long habit...
Guadalajara Construye exemplifies the solidarity of the film industries of Latin America, with production companies across the region funding numerous prizes designed to get the works-in progress over the hump to completed films ready for distribution.
The biggest winner of the night was the Mexican film “Martínez” directed by Lorena Padilla, a Mexican director who also teaches directing and screenwriting at the Southern Methodist University in Dallas. Padilla has garnered various levels of funding from Mexico’s Imcine film agency over the years and continued that string of good fortune tonight, picking up five awards providing post-production services for the nearly completed “Martínez.”
It tells the story of an aging office worker who finds that his long habit...
- 10/4/2021
- by Jeffrey Sipe
- Variety Film + TV
Argentina’s Manuel Abramovich, Ecuador’s Ana Cristina Barragán and the Ukraine-born Oksana Bychkova, all big fest winners, will introduce their latest films to an industry audience at San Sebastian’s pix-in-post strands, Wip Latam and Wip Europa, over Sept. 20-22.
The sections promise discoveries. They also underscore a reality. As art film pre-sales have plunged, public-sector equity financing has escalated, with producers tapping film funds around the world via international co-production. Wip Latam’s six films average four production partners a piece. Sales, which the films now seek in San Sebastian, is increasingly icing on the cake.
A drill down on titles:
Wip Latam
“Daughter of Rage,” (“La Hija de Todas las Rabias,” Laura Baumeister, Nicaragua, Mexico, Nederland, Germany, France, Norway)
Nicaraguan Laura Baumeister’s stirring feature debut which swept three of the four prizes on offer at San Sebastian’s 2019 Europe-Latin America Co-production Forum. Since then it...
The sections promise discoveries. They also underscore a reality. As art film pre-sales have plunged, public-sector equity financing has escalated, with producers tapping film funds around the world via international co-production. Wip Latam’s six films average four production partners a piece. Sales, which the films now seek in San Sebastian, is increasingly icing on the cake.
A drill down on titles:
Wip Latam
“Daughter of Rage,” (“La Hija de Todas las Rabias,” Laura Baumeister, Nicaragua, Mexico, Nederland, Germany, France, Norway)
Nicaraguan Laura Baumeister’s stirring feature debut which swept three of the four prizes on offer at San Sebastian’s 2019 Europe-Latin America Co-production Forum. Since then it...
- 9/20/2021
- by John Hopewell
- Variety Film + TV
Cannes Titles To Stream Online
A pair of documentaries selected for this year’s Cannes Classics program will screen for free on the festival’s website and on the Cine+ Dailymotion platform as of this evening (July 2) from 7pm local time. The two films, both just shy of one hour in length, are Daphné Baiwir’s The Rebellious Olivia de Havilland, a portrait of the famed actress who was the first female president of the Cannes jury in 1965, and Emmanuel Barnault’s Pieces Of Cannes, a look at the French festival’s 74-year history. The films will be available until July 4 at 10pm local time.
Venice Gap Financing Projects
Venice Film Festival has revealed the 30 projects that will take part in its Gap-Financing Market during this year’s industry-focused Production Bridge, running September 1-11. The event will offer filmmaking teams one-on-one meetings with international decision-makers. Among the selected titles are The Secret Of Places,...
A pair of documentaries selected for this year’s Cannes Classics program will screen for free on the festival’s website and on the Cine+ Dailymotion platform as of this evening (July 2) from 7pm local time. The two films, both just shy of one hour in length, are Daphné Baiwir’s The Rebellious Olivia de Havilland, a portrait of the famed actress who was the first female president of the Cannes jury in 1965, and Emmanuel Barnault’s Pieces Of Cannes, a look at the French festival’s 74-year history. The films will be available until July 4 at 10pm local time.
Venice Gap Financing Projects
Venice Film Festival has revealed the 30 projects that will take part in its Gap-Financing Market during this year’s industry-focused Production Bridge, running September 1-11. The event will offer filmmaking teams one-on-one meetings with international decision-makers. Among the selected titles are The Secret Of Places,...
- 7/2/2021
- by Tom Grater
- Deadline Film + TV
Karla Souza, co-star of “How to Get Away With Murder” and star of two of the three highest-grossing Mexican films of all time – “¿Qué Culpa Tiene el Niño?” and “Nosotros los Nobles” – is bringing her marquee clout to “La Hiedra” (“The Ivy”), the third feature from on-the-rise Ecuatorian writer-director Ana Cristina Barragán.
Now at second draft re-write, “The Ivy” will be presented by Barragán and Souza at the 2021 Rotterdam Festival CineMart co-production market.
Born in Quito, Barragán broke out with her debut feature, “Alba.” Ecuador’s Oscar submission, it was selected as one of five titles at the 2015 Bal Goes to Cannes showcase, world premiered at the 2016 Rotterdam Festival, winning the Lions Film Award, and subsequently snagged a special mention at San Sebastian’s Horizontes Latinos.
“The Ivy” is set up at Ecuador’s Botón Films, headed by producer-director Joe Houlberg, director of “Thirst,” a groundbreaking psychological thriller for Ecuador,...
Now at second draft re-write, “The Ivy” will be presented by Barragán and Souza at the 2021 Rotterdam Festival CineMart co-production market.
Born in Quito, Barragán broke out with her debut feature, “Alba.” Ecuador’s Oscar submission, it was selected as one of five titles at the 2015 Bal Goes to Cannes showcase, world premiered at the 2016 Rotterdam Festival, winning the Lions Film Award, and subsequently snagged a special mention at San Sebastian’s Horizontes Latinos.
“The Ivy” is set up at Ecuador’s Botón Films, headed by producer-director Joe Houlberg, director of “Thirst,” a groundbreaking psychological thriller for Ecuador,...
- 1/11/2021
- by John Hopewell
- Variety Film + TV
Selection includes upcoming features from Berlinale award-winner Carla Simon and San Sebastian award-winner Johannes Nyholm.
CineMart, the co-production market of the International Film Festival Rotterdam (IFFR), has revealed the 17 feature projects to be showcased at the upcoming edition, which will take place entirely online.
The market will run February 1-5, during the 50th IFFR, and will invite filmmakers to pitch their projects virtually to a host of international film professionals in tailored one-to-one meetings, as well as online presentations that are open to all CineMart guests.
Eleven of the filmmakers are returning to IFFR after previously screening films at earlier editions,...
CineMart, the co-production market of the International Film Festival Rotterdam (IFFR), has revealed the 17 feature projects to be showcased at the upcoming edition, which will take place entirely online.
The market will run February 1-5, during the 50th IFFR, and will invite filmmakers to pitch their projects virtually to a host of international film professionals in tailored one-to-one meetings, as well as online presentations that are open to all CineMart guests.
Eleven of the filmmakers are returning to IFFR after previously screening films at earlier editions,...
- 12/17/2020
- by Michael Rosser
- ScreenDaily
The final deadline for submitting each country’s film for consideration for the foreign-language Oscar was October 2. Last year 85 were finally deemed eligible by the Academy; this year the number is a record 92. Haiti, Honduras, Lao People’s Democratic Republic, Mozambique, Senegal and Syria are first-time entrants. These films are vying for the initial shortlist of 9, and final five nominations to be announced on January 23. See the final list below.
Read More:Oscar Announces Changes for Foreign-Film Voting: Now Simpler! (Sort Of.)
The frontrunners include Sweden selected Ruben Östlund’s hilarious Palme d’Or-winner “The Square” (October 27, Magnolia Pictures), an art-world satire shot in majority Swedish with some English from stars Claes Bang, Elisabeth Moss, and Dominic West, thus giving Östlund another shot after “Force Majeure” was a surprise 2015 Oscar omission.
Germany’s choice, Fatih Akin’s “In the Fade” (December 27, Magnolia Pictures), won Best Actress for Diane Kruger at Cannes.
Read More:Oscar Announces Changes for Foreign-Film Voting: Now Simpler! (Sort Of.)
The frontrunners include Sweden selected Ruben Östlund’s hilarious Palme d’Or-winner “The Square” (October 27, Magnolia Pictures), an art-world satire shot in majority Swedish with some English from stars Claes Bang, Elisabeth Moss, and Dominic West, thus giving Östlund another shot after “Force Majeure” was a surprise 2015 Oscar omission.
Germany’s choice, Fatih Akin’s “In the Fade” (December 27, Magnolia Pictures), won Best Actress for Diane Kruger at Cannes.
- 10/5/2017
- by Anne Thompson
- Thompson on Hollywood
The final deadline for submitting each country’s film for consideration for the foreign-language Oscar was October 2. Last year 85 were finally deemed eligible by the Academy; this year the number is a record 92. Haiti, Honduras, Lao People’s Democratic Republic, Mozambique, Senegal and Syria are first-time entrants. These films are vying for the initial shortlist of 9, and final five nominations to be announced on January 23. See the final list below.
Read More:Oscar Announces Changes for Foreign-Film Voting: Now Simpler! (Sort Of.)
The frontrunners include Sweden selected Ruben Östlund’s hilarious Palme d’Or-winner “The Square” (October 27, Magnolia Pictures), an art-world satire shot in majority Swedish with some English from stars Claes Bang, Elisabeth Moss, and Dominic West, thus giving Östlund another shot after “Force Majeure” was a surprise 2015 Oscar omission.
Germany’s choice, Fatih Akin’s “In the Fade” (December 27, Magnolia Pictures), won Best Actress for Diane Kruger at Cannes.
Read More:Oscar Announces Changes for Foreign-Film Voting: Now Simpler! (Sort Of.)
The frontrunners include Sweden selected Ruben Östlund’s hilarious Palme d’Or-winner “The Square” (October 27, Magnolia Pictures), an art-world satire shot in majority Swedish with some English from stars Claes Bang, Elisabeth Moss, and Dominic West, thus giving Östlund another shot after “Force Majeure” was a surprise 2015 Oscar omission.
Germany’s choice, Fatih Akin’s “In the Fade” (December 27, Magnolia Pictures), won Best Actress for Diane Kruger at Cannes.
- 10/5/2017
- by Anne Thompson
- Indiewire
Ernesto Contreras’s Sundance audience award winner I Dream In Another Language among roster in Mexico.
Top brass at the festival in Jalisco, Mexico, announced on Wednesday the programme.
Selections include José Permar and Omar Robles’ short and Berlin 2016 premiere Aurelia And Pedro, and David Pablos’s The Chosen Ones, which screened in Un Certain Regard section in Cannes 2015.
Highlights of the ArteCareyes Film & Arts Festival include a day-long music festival and a contemporary art programme that features a public art trail, in lieu of traditional galleries, and solo artist exhibitions.
In addition, ArteCareyes will host ‘Acting For Film’ labs to be led by the following directors: Lucía Carreras, Ana Cristina Barragán, Catalina Aguilar, Diego Ros, Daniel Castro, Pablos, Anwar Safa and actors Karla Souza, Irene Azuela, Darío Yazbek, Fernando Alvarez Rebeil, and José María Yazpik.
The festival was founded in 2010 to showcase contemporary Mexican talent in film, music and contemporary art and runs from March 22-26.
Top brass at the festival in Jalisco, Mexico, announced on Wednesday the programme.
Selections include José Permar and Omar Robles’ short and Berlin 2016 premiere Aurelia And Pedro, and David Pablos’s The Chosen Ones, which screened in Un Certain Regard section in Cannes 2015.
Highlights of the ArteCareyes Film & Arts Festival include a day-long music festival and a contemporary art programme that features a public art trail, in lieu of traditional galleries, and solo artist exhibitions.
In addition, ArteCareyes will host ‘Acting For Film’ labs to be led by the following directors: Lucía Carreras, Ana Cristina Barragán, Catalina Aguilar, Diego Ros, Daniel Castro, Pablos, Anwar Safa and actors Karla Souza, Irene Azuela, Darío Yazbek, Fernando Alvarez Rebeil, and José María Yazpik.
The festival was founded in 2010 to showcase contemporary Mexican talent in film, music and contemporary art and runs from March 22-26.
- 3/22/2017
- ScreenDaily
Though the International Film Festival Rotterdam (Iffr) is going on its 46th year and its Cinemart on its 35th, 2017 marks only the third year since festival director Bero Beyer, a former producer, continues to reshape the event into a more focused selection of film projects whose life on the film circuit will have an impact beyond the festival scene itself, a field that is becoming increasingly crowded for many reasons which would take another article to explain.
But there will be quite a discussion about this very issue.The Rotterdam Cinemart, the first co-production market ever, started in 1982 and brought the then-small international film community together in a uniquely egalitarian and intimate way that only the Dutch could offer. In many ways it became a victim of its own success, mentoring similar events in Hong Kong and So. Korea and then copied by numerous others, but without the care and warmth of the original event.
But there will be quite a discussion about this very issue.The Rotterdam Cinemart, the first co-production market ever, started in 1982 and brought the then-small international film community together in a uniquely egalitarian and intimate way that only the Dutch could offer. In many ways it became a victim of its own success, mentoring similar events in Hong Kong and So. Korea and then copied by numerous others, but without the care and warmth of the original event.
- 1/28/2017
- by Sydney Levine
- Sydney's Buzz
The world premiere of Ritesh Batra’s adaptation of the Julian Barnes novel starring Jim Broadbent and Charlotte Rampling will kick off proceedings at the 28th annual Palm Springs International Film Festival on January 5.
The Sense Of An Ending (pictured) is Batra’s second film after The Lunchbox and will open through CBS films on March 10.
Taylor Hackford’s The Comedian starring Robert De Niro will close the event (Spc opens the film on January 13) as festival brass unveiled the full roster of Premieres, New Voices/New Visions, Modern Masters, True Stories and After Dark.
World premieres include Colin Hanks’s Eagles Of Death Metal: Nos Amis (Our Friends) (Us-France); Andrew Wagner’s Breakable You (Us) starring Holly Hunter, Tony Shalhoub and Alfred Molina; Catalina Aguilar Mastretta’s Everybody Loves Somebody (Mexico); and Simon Aboud’s The Beautiful Fantastic (UK-us).
Rounding out the world premieres are: The Concessionaires Must Die! (Us) by [link...
The Sense Of An Ending (pictured) is Batra’s second film after The Lunchbox and will open through CBS films on March 10.
Taylor Hackford’s The Comedian starring Robert De Niro will close the event (Spc opens the film on January 13) as festival brass unveiled the full roster of Premieres, New Voices/New Visions, Modern Masters, True Stories and After Dark.
World premieres include Colin Hanks’s Eagles Of Death Metal: Nos Amis (Our Friends) (Us-France); Andrew Wagner’s Breakable You (Us) starring Holly Hunter, Tony Shalhoub and Alfred Molina; Catalina Aguilar Mastretta’s Everybody Loves Somebody (Mexico); and Simon Aboud’s The Beautiful Fantastic (UK-us).
Rounding out the world premieres are: The Concessionaires Must Die! (Us) by [link...
- 12/15/2016
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
A total of 26 film projects will participate in this year’s co-production market in Rotterdam.Scroll down for full line-up
The line-up for the 2017 edition of the International Film Festival Rotterdam (Iffr) co-production market CineMart has been revealed.
The 34th edition of the co-pro event features 26 projects and will run Jan 29 – Feb 1 as part of the Iffr Pro Days industry strand of the wider festival (Jan 25 – Feb 5).
Film-makers presenting projects at this year’s edition include Brazilian director Gabriel Mascaro, whose 2015 feature Neon Bull [pictured] won prizes in Venice and Toronto. His next project is titled Centre Of The Earth.
Also participating in the event will be UK director Ben Rivers, whose credits include The Sky Trembles And The Earth Is Afraid And The Two Eyes Are Not Brothers. His latest project, After London, is being produced by Ben Wheatley’s Rook Films. Rivers previously won Rotterdam’s Tiger Award for his 2014 short film Things.
Nepalese director...
The line-up for the 2017 edition of the International Film Festival Rotterdam (Iffr) co-production market CineMart has been revealed.
The 34th edition of the co-pro event features 26 projects and will run Jan 29 – Feb 1 as part of the Iffr Pro Days industry strand of the wider festival (Jan 25 – Feb 5).
Film-makers presenting projects at this year’s edition include Brazilian director Gabriel Mascaro, whose 2015 feature Neon Bull [pictured] won prizes in Venice and Toronto. His next project is titled Centre Of The Earth.
Also participating in the event will be UK director Ben Rivers, whose credits include The Sky Trembles And The Earth Is Afraid And The Two Eyes Are Not Brothers. His latest project, After London, is being produced by Ben Wheatley’s Rook Films. Rivers previously won Rotterdam’s Tiger Award for his 2014 short film Things.
Nepalese director...
- 12/13/2016
- by tom.grater@screendaily.com (Tom Grater)
- ScreenDaily
The Costa Rica International Film Festival (Crfic) has announced its complete lineup for its fifth edition. This year, 72 films have been chosen to represent the world’s best in independent cinema, with four world premieres and three Latin American premieres taking place, and over 60 features to be presented for the first time in the region.
“At Crfic we are interested in approaching the idea of artistic diversity; covering a broad spectrum of styles and proposals found in contemporary national and international cinema,” said Marcelo Quesada, Artistic Director for the Festival. “Our identity and our program is built around a free, coherent and risky cinema that moves away from the usual places and bring us closer to different voices and world visions from over 30 countries.”
Read More: Costa Rica Selects Esteban Ramirez’ ‘Presos’ as Oscar Submission
Taking place at the capital city of San José, the festival will run from December...
“At Crfic we are interested in approaching the idea of artistic diversity; covering a broad spectrum of styles and proposals found in contemporary national and international cinema,” said Marcelo Quesada, Artistic Director for the Festival. “Our identity and our program is built around a free, coherent and risky cinema that moves away from the usual places and bring us closer to different voices and world visions from over 30 countries.”
Read More: Costa Rica Selects Esteban Ramirez’ ‘Presos’ as Oscar Submission
Taking place at the capital city of San José, the festival will run from December...
- 11/30/2016
- by Liz Calvario
- Indiewire
Miguel Gomes [pictured] and Reha Erdem to head international competition and India Gold juries, respectively; fest also unveils line-up and Jia Zhangke award.
Portuguese filmmaker Miguel Gomes (Arabian Nights) is heading the jury for the international competition at this year’s Mumbai Film Festival, while Turkish director Reha Erdem will preside over the jury for the India Gold section.
Gomes will be joined by filmmakers Tala Hadid and Anurag Kashyap, producer Christine Vachon and Hot Docs president Chris McDonald. Titles selected for the International Competition for first-time filmmakers include Israeli filmmaker Elite Zexer’s Sand Storm and Diamond Island, from French-Cambodian filmmaker Davy Chou (see full line-up below).
Erdem recently won the Special Orizzonti Jury Prize at Venice for Big Big World. He will be joined on the India Gold jury by composer Mychael Danna (Life Of Pi), Hong Kong director Yonfan (Peony Pavilion), Polish director Tomasz Wasilewski (United States Of Love) and critic Stephanie Zacharek.
The festival...
Portuguese filmmaker Miguel Gomes (Arabian Nights) is heading the jury for the international competition at this year’s Mumbai Film Festival, while Turkish director Reha Erdem will preside over the jury for the India Gold section.
Gomes will be joined by filmmakers Tala Hadid and Anurag Kashyap, producer Christine Vachon and Hot Docs president Chris McDonald. Titles selected for the International Competition for first-time filmmakers include Israeli filmmaker Elite Zexer’s Sand Storm and Diamond Island, from French-Cambodian filmmaker Davy Chou (see full line-up below).
Erdem recently won the Special Orizzonti Jury Prize at Venice for Big Big World. He will be joined on the India Gold jury by composer Mychael Danna (Life Of Pi), Hong Kong director Yonfan (Peony Pavilion), Polish director Tomasz Wasilewski (United States Of Love) and critic Stephanie Zacharek.
The festival...
- 9/30/2016
- by lizshackleton@gmail.com (Liz Shackleton)
- ScreenDaily
Debuts The Winter and The Giant, share the special jury prize; Hong Sang-soo wins Silver Shell for best director.
The San Sebastián International Film Festival (Sept 16-24) awards ceremony had a marked Asian flavour last night [24].
Feng Xiaogang’s I Am Not Madame Bovary - the social satire about a woman seeking to restore honour after a bitter divorce - won the Golden Shell for best film at the 64th edition of the festival.
I Am Not Madame Bovary, which had previously won the fipresci prize in Toronto, also earned Chinese star Fan Bingbing the Silver Shell in San Sebastián for best actress.
South Korea’s director Hong Sang-soo won the Silver Shell for best director for the love story Yourself And Yours.
The Special Jury Prize was shared between the Argentinian-French coproduction The Winter, a contemporary western set in a remote area in Patagonia by first time director Emiliano Torres, and the Swedish-Danish...
The San Sebastián International Film Festival (Sept 16-24) awards ceremony had a marked Asian flavour last night [24].
Feng Xiaogang’s I Am Not Madame Bovary - the social satire about a woman seeking to restore honour after a bitter divorce - won the Golden Shell for best film at the 64th edition of the festival.
I Am Not Madame Bovary, which had previously won the fipresci prize in Toronto, also earned Chinese star Fan Bingbing the Silver Shell in San Sebastián for best actress.
South Korea’s director Hong Sang-soo won the Silver Shell for best director for the love story Yourself And Yours.
The Special Jury Prize was shared between the Argentinian-French coproduction The Winter, a contemporary western set in a remote area in Patagonia by first time director Emiliano Torres, and the Swedish-Danish...
- 9/25/2016
- ScreenDaily
The 64th San Sebastian Film Festival, which ran from September 16 to 24, closed out its celebrations by announcing its winners on Saturday night. The top prize, known as the Golden Shell, was awarded to Feng Xiaogang’s drama “I Am Not Madame Bovary.” Its lead, Fan Bingbing, also took home the Best Actress award that night.
“I have a lot of experience and a lot of habits. These habits can cage you. When I started this film, I tried to set these habits aside and try to work as if it were my directorial debut and do something courageous. I knew it was very risky,” Feng said, per The Hollywood Reporter. “I didn’t know if it was the right thing to do, but today the San Sebastian Film festival gave me the answer with this prize for the best film.”
Read More: Critics Pick the Best Films From the Toronto...
“I have a lot of experience and a lot of habits. These habits can cage you. When I started this film, I tried to set these habits aside and try to work as if it were my directorial debut and do something courageous. I knew it was very risky,” Feng said, per The Hollywood Reporter. “I didn’t know if it was the right thing to do, but today the San Sebastian Film festival gave me the answer with this prize for the best film.”
Read More: Critics Pick the Best Films From the Toronto...
- 9/24/2016
- by Liz Calvario
- Indiewire
The Untamed, from Cannes best director award winner, among 13 titles.
The 64rd San Sebastian Film Festival (Sept 16-24) has revealed the 13 titles in its Horizontes Latinos programme, comprising some of the best Latin American films of the year to date.
Films selected may have competed or premiered at international festivals, but will have not yet been screened at a Spanish festival or had their commercial release in Spain.
The selected films compete for the Horizontes Award, decided by a specific jury and coming with €35,000, of which €10,000 will go to the director of the winning film, and the remaining €25,000 to its distributor in Spain.
The titles include The Untamed, from Amat Escalante, who won the Best Director Award in Cannes for Heli in 2013. The film, which will premiere in competition at this year’s Venice, centres on a young couple living in the Mexican lowlands whose lives are changed when a meteorite crashes into an nearby mountain.
Horizontes...
The 64rd San Sebastian Film Festival (Sept 16-24) has revealed the 13 titles in its Horizontes Latinos programme, comprising some of the best Latin American films of the year to date.
Films selected may have competed or premiered at international festivals, but will have not yet been screened at a Spanish festival or had their commercial release in Spain.
The selected films compete for the Horizontes Award, decided by a specific jury and coming with €35,000, of which €10,000 will go to the director of the winning film, and the remaining €25,000 to its distributor in Spain.
The titles include The Untamed, from Amat Escalante, who won the Best Director Award in Cannes for Heli in 2013. The film, which will premiere in competition at this year’s Venice, centres on a young couple living in the Mexican lowlands whose lives are changed when a meteorite crashes into an nearby mountain.
Horizontes...
- 8/17/2016
- ScreenDaily
The 33rd edition of the International Dortmund | Cologne Women's Film Festival came to a successful conclusion after six days of films and events. At the awards ceremony on Sunday evening held in Cologne's Odeon Cinema, four prizes were awarded with prize money totaling €16,000.
The Ecuadorian director Ana Cristina Barragán convinced the international jury with her debut work "Alba" and was in Cologne in person to pick up the €10,000 prize. The jury consisted of screenwriter, director and producer Ana Cruz Navarro (Mexico), director and screenwriter Angelina Maccarone (Germany) and producer and director Marilyn Watelet (Belgium). They explained their decision as follows
"Ana Cristina Barragán creates the intimate portrait of a girl on the verge of adulthood struggling to balance the yearning to belong against the price she has to pay for it. Thanks to the cinematographic verve and a tenderness of view, no explanatory dialogues are required to get under our skin. From the very first moment of the film, we see the world radically only through the eyes of this serious young girl – wonderfully played by Macarena Arias. Barragán tells a coming-of-age story that goes far beyond itself and thus becomes a strong expression of love."
Endowed with €1,000 and sponsored by choices, a listings magazine, the Audience Prize 2016 was awarded to film director Leona Goldstein for her documentary film "God is Not Working on Sunday!" (Rwa/De). Eligible for nomination was any film longer than sixty minutes to be shown at the festival.
The winners of the National Competition for Women Directors of Photography had been selected in the run-up to the festival. The award is shared by the directors of photography Katharina Diessner in the documentary category for the film "Arlette. Courage is a Muscle" (dir. Florian Hoffmann) and by Julia Hönemann in the feature film category for "Porn Punk Poetry" (dir. Maurice Hübner). Prizes were worth €2,500 each this year with the feature film award being sponsored by the Dfg German Film Insurance Pool. The jury comprised Sophie Maintigneux and Bella Halben, both directors of photography themselves, and Christiane Schmidt, last year's winner
Festival Director Silke J. Räbiger was more than pleased with the general feedback and the all-round successful collaboration with cooperation partners such as the Cologne Academy of Media Arts, medica mondiale, the Cologne International Film School Cologne, Gold + Concrete and the local cinemas – the Odeon, the Film Forum at the Museum Ludwig, the Filmpalette and the Altes Pfandhaus.
The next festival will be taking place from 4 to 9 April 2017 in Dortmund.
The Ecuadorian director Ana Cristina Barragán convinced the international jury with her debut work "Alba" and was in Cologne in person to pick up the €10,000 prize. The jury consisted of screenwriter, director and producer Ana Cruz Navarro (Mexico), director and screenwriter Angelina Maccarone (Germany) and producer and director Marilyn Watelet (Belgium). They explained their decision as follows
"Ana Cristina Barragán creates the intimate portrait of a girl on the verge of adulthood struggling to balance the yearning to belong against the price she has to pay for it. Thanks to the cinematographic verve and a tenderness of view, no explanatory dialogues are required to get under our skin. From the very first moment of the film, we see the world radically only through the eyes of this serious young girl – wonderfully played by Macarena Arias. Barragán tells a coming-of-age story that goes far beyond itself and thus becomes a strong expression of love."
Endowed with €1,000 and sponsored by choices, a listings magazine, the Audience Prize 2016 was awarded to film director Leona Goldstein for her documentary film "God is Not Working on Sunday!" (Rwa/De). Eligible for nomination was any film longer than sixty minutes to be shown at the festival.
The winners of the National Competition for Women Directors of Photography had been selected in the run-up to the festival. The award is shared by the directors of photography Katharina Diessner in the documentary category for the film "Arlette. Courage is a Muscle" (dir. Florian Hoffmann) and by Julia Hönemann in the feature film category for "Porn Punk Poetry" (dir. Maurice Hübner). Prizes were worth €2,500 each this year with the feature film award being sponsored by the Dfg German Film Insurance Pool. The jury comprised Sophie Maintigneux and Bella Halben, both directors of photography themselves, and Christiane Schmidt, last year's winner
Festival Director Silke J. Räbiger was more than pleased with the general feedback and the all-round successful collaboration with cooperation partners such as the Cologne Academy of Media Arts, medica mondiale, the Cologne International Film School Cologne, Gold + Concrete and the local cinemas – the Odeon, the Film Forum at the Museum Ludwig, the Filmpalette and the Altes Pfandhaus.
The next festival will be taking place from 4 to 9 April 2017 in Dortmund.
- 5/2/2016
- by Sydney Levine
- Sydney's Buzz
Lined up for the International Film Festival Rotterdam's Bright Future program this year are works by Ana Cristina Barragán, Samuele Sestieri, Kaweh Modiri, Lee Seung-won, Jonas Rothlaender, Bernardo Britto, Yi Cui, Paloma Aguilera Valdebenito, Fernanda Romandía, Arun Karthick, Emiliano Rocha Minter, Yosuke Okuda, Pimpaka Towira, Uchida Eiji, Vlado Skafar, Penny Lane, Matt Johnson, Elisa Miller, Adilkhan Yerzhanov, Tsubota Yoshifumi, Lucile Hadžihalilovic, Simon Stone, Pietro Marcello, Bi Gan, João Salaviza, Pascale Breton, Svetla Tsotsorkova, Avishai Sivan, Jony Perel, Alex Santiago Pérez and many others. » - David Hudson...
- 1/6/2016
- Keyframe
Lined up for the International Film Festival Rotterdam's Bright Future program this year are works by Ana Cristina Barragán, Samuele Sestieri, Kaweh Modiri, Lee Seung-won, Jonas Rothlaender, Bernardo Britto, Yi Cui, Paloma Aguilera Valdebenito, Fernanda Romandía, Arun Karthick, Emiliano Rocha Minter, Yosuke Okuda, Pimpaka Towira, Uchida Eiji, Vlado Skafar, Penny Lane, Matt Johnson, Elisa Miller, Adilkhan Yerzhanov, Tsubota Yoshifumi, Lucile Hadžihalilovic, Simon Stone, Pietro Marcello, Bi Gan, João Salaviza, Pascale Breton, Svetla Tsotsorkova, Avishai Sivan, Jony Perel, Alex Santiago Pérez and many others. » - David Hudson...
- 1/6/2016
- Fandor: Keyframe
History's FutureScheduled to open later this month (27 January - 7 Febuary 2016), the 45th International Film Festival Rotterdam has announced the titles included in its competition, which has scaled back the number of films competing to eight this year.Tiger Award COMPETITIONHistory's Future – Fiona Tan (The Netherlands, world premiere)The Land of the Enlightened – Pieter-Jan De Pue (Belgium, The Netherlands, Ireland, Germany, European premiere)Motel Mist – Prabda Yoon (Thailand, world premiere)Oscuro animal – Felipe Guerrero (Colombia, Argentina, The Netherlands, Germany, Greece, world premiere)Radio Dreams – Babak Jalali (USA, world premiere)La última tierra – Pablo Lamar (Paraguay, The Netherlands, Chile, Qatar, world premiere)Where I Grow Old – Marília Rocha (Brazil, Portugal, world premiere)A Woman, a Part – Elisabeth Subrin (USA, world premiere)
Bright FUTUREAlba – Ana Cristina Barragán (Ecuador, Mexico, Greece, world premiere)Alone – Park Hongmin (South Korea, international premiere)Animal político – Tião (Brazil, world premiere)The Bear Tales – Samuele Sestieri, Olmo Amato (Italy,...
Bright FUTUREAlba – Ana Cristina Barragán (Ecuador, Mexico, Greece, world premiere)Alone – Park Hongmin (South Korea, international premiere)Animal político – Tião (Brazil, world premiere)The Bear Tales – Samuele Sestieri, Olmo Amato (Italy,...
- 1/5/2016
- by Notebook
- MUBI
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