Chicago – The clash of ideologies or religion that result in war is one of the most emotional of reasons to fight (and convenient for those who manipulate such emotions). “The Insult,” a contender for Best Foreign Language Film at the Oscars, shows how feelings can escalate to bitter conflict.
Rating: 4.0/5.0
The film is set in Beirut, Lebanon, that is building towards a safe harbor for their citizens in a post-war era… especially the Palestinian refugees. But this is not without consequence, and it’s illustrated through a confrontation between a Christian Party mechanic and a Palestinian construction worker. What starts as an exchange of misunderstood insults, becomes a trial of the century, and a powder keg with a burning fuse for the broader opposing factions in Lebanon. Exquisitely acted and highly moral, the film creates human representatives for long-simmering resentments, and holds up that humanity to the light.
Tony Hanna...
Rating: 4.0/5.0
The film is set in Beirut, Lebanon, that is building towards a safe harbor for their citizens in a post-war era… especially the Palestinian refugees. But this is not without consequence, and it’s illustrated through a confrontation between a Christian Party mechanic and a Palestinian construction worker. What starts as an exchange of misunderstood insults, becomes a trial of the century, and a powder keg with a burning fuse for the broader opposing factions in Lebanon. Exquisitely acted and highly moral, the film creates human representatives for long-simmering resentments, and holds up that humanity to the light.
Tony Hanna...
- 2/2/2018
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
Adel Karam as Tony (left) and Kamel El Basha as Yasser (right) in The Insult, directed by Ziad Doueiri. Courtesy of the Cohen Media Group.
A personal dispute between two men in Beirut, one Christian Lebanese and the other Palestinian, escalates into a highly-charged and very public trial that unearths unresolved social and political issues throughout Lebanon that have been simmering since the civil war ended in 1990.
The Oscar-nominated The Insult was Lebanon’s entry for the Academy Awards, and is a strong contender for the award in the Best Foreign-Language film category. Director Ziad Doueiri’s courtroom drama spotlights the resentment of some Christian Lebanese towards the Palestinian refugees who poured over their border from Israel and played a role in their civil role. The immigration issue is a universal topic that will strike a familiar note in this country, but the well-crafted, nuanced drama brings out tensions still simmering in Lebanese society,...
A personal dispute between two men in Beirut, one Christian Lebanese and the other Palestinian, escalates into a highly-charged and very public trial that unearths unresolved social and political issues throughout Lebanon that have been simmering since the civil war ended in 1990.
The Oscar-nominated The Insult was Lebanon’s entry for the Academy Awards, and is a strong contender for the award in the Best Foreign-Language film category. Director Ziad Doueiri’s courtroom drama spotlights the resentment of some Christian Lebanese towards the Palestinian refugees who poured over their border from Israel and played a role in their civil role. The immigration issue is a universal topic that will strike a familiar note in this country, but the well-crafted, nuanced drama brings out tensions still simmering in Lebanese society,...
- 2/2/2018
- by Cate Marquis
- WeAreMovieGeeks.com
Its Oscar nomination this week as Best Foreign-Language Film isn't the only thing that makes The Insult a must-see – Lebanese filmmaker Ziad Doueiri's legal thriller fairly crackles with timely provocations. And don't be put off if the film's structure initially seems schematic to a fault. This is a director who's more than adept at filling in the spaces between feuding characters with insinuating nuance.
The conflict starts when Tony Hanna (Adel Karam), a Christian garage owner with a pregnant wife, Shirine (Rita Hayek), gets all up in the face...
The conflict starts when Tony Hanna (Adel Karam), a Christian garage owner with a pregnant wife, Shirine (Rita Hayek), gets all up in the face...
- 1/25/2018
- Rollingstone.com
"It's about the truth." "Which truth?" Cohen Media Group has released the official Us trailer for a Lebanese film titled The Insult, which premiered at the Venice Film Festival this fall. This film is a radical, dramatic profile of the division and tensions in Lebanon, specifically between the two prominent religious groups - Christians and Muslims. Set in Beirut, the story begins when a local man insults a construction worker, and then their tiny verbal spat blows completely out of proportion, almost causing a war in the entire country. From the director of The Attack, The Insult stars Adel Karam, Kamel El Basha, Camille Salameh, Rita Hayek, Christine Choueiri, Diamand Bou Abboud, and Georges Daou. I caught this in Venice and it's a thrilling, intense film, but also very loud and flashy at times, with some weird twists in the second half (it turns into a court room legal battle...
- 12/4/2017
- by Alex Billington
- firstshowing.net
Despite the fact that Ziad Doueiri’s (a crew member on some of Quentin Tarantino’s early works) latest film The Insult is set in Lebanon, the ensuing drama can’t help but feel familiar to what’s currently happening in America. As our president says bad things are happening on “both sides” and that there are “good people” being “wrongly maligned,” we know the truth. Or at least we should. Whether or not his words are objectively correct, they fail to acknowledge that those “good people” are aligning themselves with hateful, racist notions while hiding behind politics or religion as though either is a valid excuse for a lack of simple humanity. We’ve found ourselves defaulting towards sanctimony, declaring our beliefs righteous without a care for truth or context. And nothing can ever be solved if we remain too prideful to admit we are wrong.
The big difference...
The big difference...
- 9/8/2017
- by Jared Mobarak
- The Film Stage
It sounds like the setting of a “Curb Your Enthusiasm” episode: Two men from different cultural backgrounds exchange harsh words about an inconsequential issue that gets blown out of proportion, then deal with the fallout that just keeps coming. But Ziad Doueiri’s “The Insult” is anything but a cringe comedy. The Lebanese filmmaker’s followup to his masterful drama “The Attack” is a fascinating, parable-like exploration of the tension between two facets of Lebanon’s Arab community and the cross-cultural ramifications implied by their ridiculous feud. While it doesn’t quite justify the sprawling courtroom antics or the blunt metaphor they entail, the movie nevertheless provides a profound look at the effect of historical trauma on modern Lebanese society.
It doesn’t take long for the premise to take shape. Lebanese Christian Tony (Adel Karam) lives in an insular community where Palestinian refugee Yasser (Kamel El Basha) has been...
It doesn’t take long for the premise to take shape. Lebanese Christian Tony (Adel Karam) lives in an insular community where Palestinian refugee Yasser (Kamel El Basha) has been...
- 9/4/2017
- by Eric Kohn
- Indiewire
Title: The Insult Director: Ziad Doueri Cast: Adel Karam, Kamel El Basha, Camille Salameh, Diamand Bou Abboud, Rita Hayek, Talal Jurdi, Christine Choueiri, Julia Kassar, Rifaat Torbey and Carlos Chahine. How easy it is to portray political conflicts in a conciliatory way falling into the pit of excessively moral and benevolent behaviour. This is not […]
The post The Insult Movie Review (Venice Film Festival 2017) appeared first on Shockya.com.
The post The Insult Movie Review (Venice Film Festival 2017) appeared first on Shockya.com.
- 8/31/2017
- by Chiara Spagnoli Gabardi
- ShockYa
Hany Abu-Assad’s Omar won best film in the Muhr Arab feature competition at this year’s Dubai International Film Festival (Diff), while Anthony Chen’s Ilo Ilo won best film in the Muhr AsiaAfrica section.
Abu-Assad also won best director in the Arab feature section, while Yasmine Raees won best actress for Egyptian filmmaker Mohamed Khan’s Factory Girl. Best actor went to Hassan Badida for Moroccan filmmaker Hicham Lasri’s They Are The Dogs, which also picked up the Special Jury Prize.
Special Mentions went to Mohamed Amin Benamraoui for Adios Carmen and to Moroccan actress Raouia for her roles in Rock The Casbah and Pillow Secrets.
Ilo Ilo was also a multiple prize-winner, adding to an already weighty awards stash, by taking best actress for Yeo Yann Yann’s performance. Best actor in the AsiaAfrica section went to Irrfan Khan for his role in Ritesh Batra’s The Lunchbox, which also won...
Abu-Assad also won best director in the Arab feature section, while Yasmine Raees won best actress for Egyptian filmmaker Mohamed Khan’s Factory Girl. Best actor went to Hassan Badida for Moroccan filmmaker Hicham Lasri’s They Are The Dogs, which also picked up the Special Jury Prize.
Special Mentions went to Mohamed Amin Benamraoui for Adios Carmen and to Moroccan actress Raouia for her roles in Rock The Casbah and Pillow Secrets.
Ilo Ilo was also a multiple prize-winner, adding to an already weighty awards stash, by taking best actress for Yeo Yann Yann’s performance. Best actor in the AsiaAfrica section went to Irrfan Khan for his role in Ritesh Batra’s The Lunchbox, which also won...
- 12/13/2013
- by lizshackleton@gmail.com (Liz Shackleton)
- ScreenDaily
Sandeep Ray won best director award for his short Shirno Bahu (Thin Arms)
Irrfan Khan won best actor award for his role in Ritesh Batra’s “The Lunchbox”. The film also won the writer-director a special mention for screenplay in the Muhr Asia Africa category. The jury was headed by Shekhar Kapoor.
Sandeep Ray’s short film “Shirno Bahu” (Thin Arms) won him the best director award in the Muhr Asia Africa shorts category.
“Shirno Bahu” tells the story of an octogenarian woman who undergoes treatment for a debilitating medical condition. The 10 minute film is in Bengali language.
Actor-producer Sanjay Suri was a part of Arab competition jury.
“The Lunchbox” also won two Asia Pacific Screen Awards recently.
Full list of awards at Dubai International Film Festival:
Muhr AsiaAfrica Feature:
Special Mention: Souleymane Démé for his role in Grigris(France, Chad)
Special Mention: Ritesh Batra for the screenplay of The Lunchbox...
Irrfan Khan won best actor award for his role in Ritesh Batra’s “The Lunchbox”. The film also won the writer-director a special mention for screenplay in the Muhr Asia Africa category. The jury was headed by Shekhar Kapoor.
Sandeep Ray’s short film “Shirno Bahu” (Thin Arms) won him the best director award in the Muhr Asia Africa shorts category.
“Shirno Bahu” tells the story of an octogenarian woman who undergoes treatment for a debilitating medical condition. The 10 minute film is in Bengali language.
Actor-producer Sanjay Suri was a part of Arab competition jury.
“The Lunchbox” also won two Asia Pacific Screen Awards recently.
Full list of awards at Dubai International Film Festival:
Muhr AsiaAfrica Feature:
Special Mention: Souleymane Démé for his role in Grigris(France, Chad)
Special Mention: Ritesh Batra for the screenplay of The Lunchbox...
- 12/13/2013
- by NewsDesk
- DearCinema.com
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