Chicago – History is made when you’re often busy making other plans. That is ardently illustrated in “Sunset,” a drama set early in the second decade of the 20th Century in the on-the-brink-of-revolution capital of Budapest, Hungary. A retail store is the town’s centerpiece, plus there is a mysterious woman associated with that store, until she isn’t.
Rating: 3.5/5.0
Juli Jakab portrays the woman, and she single handedly (practically) brings this history to life. The camera focuses on Jakab in a series of episodic vignettes amid the edgy and anarchy-ridden streets of the city, giving the film a sense of confinement from everything going on around her. That is part of the remarkable nature of this film … while the eye of the action is on the woman, squeezed around her in the frame are the events of that moment. This may be as simple as a team of horse thundering by,...
Rating: 3.5/5.0
Juli Jakab portrays the woman, and she single handedly (practically) brings this history to life. The camera focuses on Jakab in a series of episodic vignettes amid the edgy and anarchy-ridden streets of the city, giving the film a sense of confinement from everything going on around her. That is part of the remarkable nature of this film … while the eye of the action is on the woman, squeezed around her in the frame are the events of that moment. This may be as simple as a team of horse thundering by,...
- 4/1/2019
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
Expectations were always going to be too high for “Sunset,” László Nemes’ follow-up to his extraordinary Oscar-winning “Son of Saul.” Given how his first feature re-invented the Holocaust film genre, jettisoning the usual sentimentality for a terrifyingly immersive plunge into hell, it was natural to think he’d take his next subject, Budapest on the brink of World War I, and show a refined world careening towards chaos. Alas, the chaos is there but without the coherence necessary to balance sensorial turmoil with genuine meaning.
In terms of pure visual impact, Mátyás Erdély’s 35mm camera impresses with bravura agility, wandering through the impressive sets with Kubrickian urgency, yet the befuddling story of a young woman encountering seething violence while searching for her brother destabilizes without making any situation or character either real or interesting. Sales have been brisk in the lead-up to the Venice premiere, yet distributors like Sony Picture Classics (who has U.
In terms of pure visual impact, Mátyás Erdély’s 35mm camera impresses with bravura agility, wandering through the impressive sets with Kubrickian urgency, yet the befuddling story of a young woman encountering seething violence while searching for her brother destabilizes without making any situation or character either real or interesting. Sales have been brisk in the lead-up to the Venice premiere, yet distributors like Sony Picture Classics (who has U.
- 9/3/2018
- by Jay Weissberg
- Variety Film + TV
One month from today one of the most essential films of the year will be arriving to theaters. As people line up around the block for The Force Awakens, we’d first offer a recommendation for Son of Saul, a formally dazzling Holocaust drama that marks the feature debut of Béla Tarr protégé László Nemes. Hungary’s Oscar entry and Grand Prix winner at this year’s Cannes Film Festival, it’s one of the most impressive, affecting films I’ve seen in 2015. The first U.S. trailer has now landed thanks to Sony Classics and without featuring a word of dialogue it shows off the remarkable visuals, shot in 4:3 aspect ratio.
One can read our rave review, which says, “By approaching his material through a purely experiential style that purposely eschews psychology, Nemes has crafted a towering landmark for filmic fictionalizations of the Holocaust. […] The result is claustrophobic...
One can read our rave review, which says, “By approaching his material through a purely experiential style that purposely eschews psychology, Nemes has crafted a towering landmark for filmic fictionalizations of the Holocaust. […] The result is claustrophobic...
- 11/18/2015
- by Jordan Raup
- The Film Stage
The American Film Institute announced today the films that will screen in the World Cinema, Breakthrough, Midnight, Shorts and Cinema’s Legacy programs at AFI Fest 2015 presented by Audi.
AFI Fest will take place November 5 – 12, 2015, in the heart of Hollywood. Screenings, Galas and events will be held at the historic Tcl Chinese Theatre, the Tcl Chinese 6 Theatres, Dolby Theatre, the Lloyd E. Rigler Theatre at the Egyptian, the El Capitan Theatre and The Hollywood Roosevelt.
World Cinema showcases the most acclaimed international films of the year; Breakthrough highlights true discoveries of the programming process; Midnight selections will grip audiences with terror; and Cinema’s Legacy highlights classic movies and films about cinema. World Cinema and Breakthrough selections are among the films eligible for Audience Awards. Shorts selections are eligible for the Grand Jury Prize, which qualifies the winner for Academy Award®consideration. This year’s Shorts jury features filmmaker Janicza Bravo,...
AFI Fest will take place November 5 – 12, 2015, in the heart of Hollywood. Screenings, Galas and events will be held at the historic Tcl Chinese Theatre, the Tcl Chinese 6 Theatres, Dolby Theatre, the Lloyd E. Rigler Theatre at the Egyptian, the El Capitan Theatre and The Hollywood Roosevelt.
World Cinema showcases the most acclaimed international films of the year; Breakthrough highlights true discoveries of the programming process; Midnight selections will grip audiences with terror; and Cinema’s Legacy highlights classic movies and films about cinema. World Cinema and Breakthrough selections are among the films eligible for Audience Awards. Shorts selections are eligible for the Grand Jury Prize, which qualifies the winner for Academy Award®consideration. This year’s Shorts jury features filmmaker Janicza Bravo,...
- 10/22/2015
- by Melissa Thompson
- WeAreMovieGeeks.com
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