As December begins, you might be looking forward to spending time with friends and family over the holidays—and in need of some gift-giving inspiration. Look no further than Notebook's Cinephile Gift Guide, the proverbial online Shop Around the Corner (1940).Below is our third annual, lovingly curated guide to the holiday season. It's sure to spread film-themed cheer, and we hope it's thorough enough to surprise all of the film fans in your life.Jump to a category:Books about cinemaBooks by filmmakers and artistsHome videoMusicHome goods, posters, and gamesApparel Books About CINEMAFirst up is UK culture and music critic Ian Penman’s kaleidoscopic, genre-bending offering to Rainer Werner Fassbinder, Fassbinder Thousands of Mirrors. The book has drawn comparisons to Charles Baudelaire and Roland Barthes, but is undoubtedly a sui generis response to a singular legacy.On offer this year from Another Gaze Editions is My Cinema by Marguerite Duras, a...
- 12/12/2023
- MUBI
Further winners included Paul B. Preciado’s French documentary ‘Orlando, My Political Biography’.
There Is A Stone by Japanese filmmaker Tatsunari Ota and From You by Korea’s Shin Dongmin were awarded the top prizes at South Korea’s Jeonju International Film Festival on Wednesday (May 3).
There Is A Stone took the grand prize in the international competition, which included an award of KW20m. The meditative drama, which premiered at Tokyo Filmex before screening at the Berlinale in February, follows a woman and man who meet by a river and pass the time together before twilight.
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There Is A Stone by Japanese filmmaker Tatsunari Ota and From You by Korea’s Shin Dongmin were awarded the top prizes at South Korea’s Jeonju International Film Festival on Wednesday (May 3).
There Is A Stone took the grand prize in the international competition, which included an award of KW20m. The meditative drama, which premiered at Tokyo Filmex before screening at the Berlinale in February, follows a woman and man who meet by a river and pass the time together before twilight.
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- 5/3/2023
- by Silvia Wong
- ScreenDaily
This article was originally published as "Life Is Nothing But Glances" in the Spring 2021 issue of Trafic. It is being presented here through the generosity of the author, newly retitled at his request, and in a new translation by Ted Fendt. It is preceded by a short note shared by Moullet after the death of Jean-Luc Godard:Godard represents, first of all, a search for novelty, one defined by risk and an openness to the possibility of making mistakes over the course of many experiments (over 100 films). For him, a failed film was not a serious matter.Godard made films against: against the milieu from which he came, against dominant rules, and also against himself and his previous films.Godard’s thinking can only be defined by seeing his films, and not through his statements which are often not worthwhile for what they say but for his desire to provoke.
- 12/2/2022
- MUBI
Ted Fendt's Outside Noise is showing exclusively on Mubi in most countries starting August 31, 2022, in the series The New Auteurs as well as the series Missed Connections: Three Films by Ted Fendt.The feeling hasn’t changed. I write this having just returned to Germany from the United States. Like my past two visits, it again confirmed to me that I was right to follow the nagging pull and leave. To a large degree, Outside Noise deals with the last years I spent in New York. At some point, a strong sense of stasis, the feeling that I couldn’t develop any further there, began to overwhelm me. Perhaps there were things I could have changed, but I couldn’t articulate what was in my head. Through a bit of chance or gentle encouragement, circumstances led me to Vienna and Berlin, and toward this film.It is clear to me now,...
- 8/31/2022
- MUBI
Mubi has announced its lineup of streaming offerings for next month and amongst the highlights are a Ricky D’Ambrose double bill, including his new film The Cathedral, as well as a trio of films by Maurice Pialat, Gaspar Noé’s Vortex, David Osit’s Mayor, Paul Thomas Anderson’s The Master, an expansion of their Tilda Swinton series, and more.
Also including films by Tsai Ming-liang, Sky Hopinka, Nacho Vigalondo, Anton Corbijn, and more check out the lineup below and get 30 days free here.
September 1 – Classical Period, directed by Ted Fendt | Ted Fendt Focus
September 2 – 2 Days in New York, directed by Julie Delpy
September 3 – Timecrimes, directed by Nacho Vigalondo
September 4 – Małni – Towards the Ocean, Towards the Shore, directed by Sky Hopinka
September 6 – Mayor, directed by David Osit
September 7 – Friendship’s Death, directed by Peter Wollen | The One and Only: Tilda Swinton
September 8 – Hideous, directed by Yann Gonzalez | Brief Encounters
September 9 – The Cathedral,...
Also including films by Tsai Ming-liang, Sky Hopinka, Nacho Vigalondo, Anton Corbijn, and more check out the lineup below and get 30 days free here.
September 1 – Classical Period, directed by Ted Fendt | Ted Fendt Focus
September 2 – 2 Days in New York, directed by Julie Delpy
September 3 – Timecrimes, directed by Nacho Vigalondo
September 4 – Małni – Towards the Ocean, Towards the Shore, directed by Sky Hopinka
September 6 – Mayor, directed by David Osit
September 7 – Friendship’s Death, directed by Peter Wollen | The One and Only: Tilda Swinton
September 8 – Hideous, directed by Yann Gonzalez | Brief Encounters
September 9 – The Cathedral,...
- 8/29/2022
- by Jordan Raup
- The Film Stage
Ted Fendt’s enigmatic and unhurried conversational feature offers existential issues in a casual, naturalistic narrative
Vienna was a pitstop between adolescence and adulthood for Julie Delpy and Ethan Hawke in Before Sunrise, and this short, equally conversational 16mm feature by Ted Fendt picks up that baton. At one point one of its three twentysomething seekers, Mia (Mia Sellman), refers to an anthropological rites of passage theory she has picked up during her studies – and the “liminal”, uncertain phase in the middle. If insomnia, missing wallets and annoying small-press owners qualify as rites of passage, the liminal phase is where we are.
Floaty, soft-smiling insomniac Daniela (Daniela Zahlner) makes a stop in Berlin to visit Mia, a quietly intense master’s student she met while travelling in New York; the two chat about sleep issues, loll around the city, fail to go out dancing with Natascha (Natascha Manthe), a colleague...
Vienna was a pitstop between adolescence and adulthood for Julie Delpy and Ethan Hawke in Before Sunrise, and this short, equally conversational 16mm feature by Ted Fendt picks up that baton. At one point one of its three twentysomething seekers, Mia (Mia Sellman), refers to an anthropological rites of passage theory she has picked up during her studies – and the “liminal”, uncertain phase in the middle. If insomnia, missing wallets and annoying small-press owners qualify as rites of passage, the liminal phase is where we are.
Floaty, soft-smiling insomniac Daniela (Daniela Zahlner) makes a stop in Berlin to visit Mia, a quietly intense master’s student she met while travelling in New York; the two chat about sleep issues, loll around the city, fail to go out dancing with Natascha (Natascha Manthe), a colleague...
- 8/29/2022
- by Phil Hoad
- The Guardian - Film News
Mubi has announced its lineup of streaming offerings for next month and amongst the highlights is a tribute to Tilda Swinton, featuring I Am Love and a trio of early films: Cycling Frame, The Box, and Egomania: Island Without Hope. There’s also a handful of notable festival favorites and new releases from the past year or so, including Maureen Fazendeiro and Miguel Gomes’ The Tsugua Diaries, Charlotte Gainsbourg’s Jane by Charlotte, Ted Fendt’s Outside Noise, Émilie Aussel’s Our Eternal Summer, and Kofi Ofosu-Yeboah’s Public Toilet Africa.
Also including films by Takashi Miike, Fatih Akin, Zhang Yimou, Albert Maysles, Andrew Dominik, Rick Alverson, and more check out the lineup below and get 30 days free here.
August 1 – Ichi the Killer, directed by Takashi Miike | Takashi Miike: A Double Bill
August 2 – Nest, directed by Hlynur Palmason | Brief Encounters
August 3 – Our Eternal Summer, directed by Émilie Aussel | Festival Focus:...
Also including films by Takashi Miike, Fatih Akin, Zhang Yimou, Albert Maysles, Andrew Dominik, Rick Alverson, and more check out the lineup below and get 30 days free here.
August 1 – Ichi the Killer, directed by Takashi Miike | Takashi Miike: A Double Bill
August 2 – Nest, directed by Hlynur Palmason | Brief Encounters
August 3 – Our Eternal Summer, directed by Émilie Aussel | Festival Focus:...
- 7/26/2022
- by Jordan Raup
- The Film Stage
Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI.NEWSSian Heder's Coda took home the Best Picture award at the 94th Academy Awards, Ryusuke Hamaguchi's Drive My Car took Best International Feature, and Jane Campion won Best Director for The Power of the Dog. Find more of this year's Oscars winners here. We're saddened by the loss of Japanese filmmaker Shinji Aoyama, who recently died at the age of 57. Most revered for his 2000 film Eureka, about a trio who embark on a road trip after surviving a bus hijacking, Aoyama continued his humanist exploration of violence, family, and generation gaps in films like Desert Moon (2001) and Sad Vacation (2007), the loose sequel to Eureka. He was also a prolific novelist and critic, with his novelization of Eureka awarded the Yukio Mishima prize in 2001. Il Cinema Ritrovato has announced the programs of this year's festivities,...
- 3/30/2022
- MUBI
I distinctly remember precisely where I was when I watched my first Ted Fendt film, his 2011 short Shattered Sleep. I can very easily envision the room (not my own) and where the laptop (also not my own) was positioned. My experience watching it is also very clear. I remember feeling somewhat befuddled at first—where did this film and filmmaker come from?—but soon that befuddlement turned into amazement. The work was funny, weird, genuine and utterly original—rare qualities then and even rarer qualities now. Since that fateful night, I’ve been thankful to share noodles, tacos, unending pastries and even an […]
The post The Gold Mine of Uncomfortable Social Interactions: Ted Fendt on Outside Noise first appeared on Filmmaker Magazine.
The post The Gold Mine of Uncomfortable Social Interactions: Ted Fendt on Outside Noise first appeared on Filmmaker Magazine.
- 3/25/2022
- by Gina Telaroli
- Filmmaker Magazine-Director Interviews
I distinctly remember precisely where I was when I watched my first Ted Fendt film, his 2011 short Shattered Sleep. I can very easily envision the room (not my own) and where the laptop (also not my own) was positioned. My experience watching it is also very clear. I remember feeling somewhat befuddled at first—where did this film and filmmaker come from?—but soon that befuddlement turned into amazement. The work was funny, weird, genuine and utterly original—rare qualities then and even rarer qualities now. Since that fateful night, I’ve been thankful to share noodles, tacos, unending pastries and even an […]
The post The Gold Mine of Uncomfortable Social Interactions: Ted Fendt on Outside Noise first appeared on Filmmaker Magazine.
The post The Gold Mine of Uncomfortable Social Interactions: Ted Fendt on Outside Noise first appeared on Filmmaker Magazine.
- 3/25/2022
- by Gina Telaroli
- Filmmaker Magazine - Blog
Beijing-based distributor Hugoeast Media has acquired Chinese distribution rights to Cannes Directors’ Fortnight film “The Tale of King Crab,” the first feature venture into narrative fiction of Italian filmmakers Alessio Rigo de Righi and Matteo Zoppis.
Hugoeast Media plans a limited theatrical release in Chinese theaters in the course of 2022.
The deal with Hugoeast Media was closed by the international sales arm of France’s Shellac. It adds to a North American pick-up by Oscilloscope Laboratories, negotiated by Shellac’s Thomas Ordonneau and Egle Cepaite and announced a week after “Crab King” world premiered at the Cannes Festival.
An out-there tale of tragedy and redemption, “The Tale of King Crab” is based on vague local legend picked up by the filmmakers of a man, Luciano, living in a benighted Italian village in the late 1800s or early twentieth century decried as a “madman, an aristocrat, a saint and a drunkard.
Hugoeast Media plans a limited theatrical release in Chinese theaters in the course of 2022.
The deal with Hugoeast Media was closed by the international sales arm of France’s Shellac. It adds to a North American pick-up by Oscilloscope Laboratories, negotiated by Shellac’s Thomas Ordonneau and Egle Cepaite and announced a week after “Crab King” world premiered at the Cannes Festival.
An out-there tale of tragedy and redemption, “The Tale of King Crab” is based on vague local legend picked up by the filmmakers of a man, Luciano, living in a benighted Italian village in the late 1800s or early twentieth century decried as a “madman, an aristocrat, a saint and a drunkard.
- 9/21/2021
- by John Hopewell
- Variety Film + TV
Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI.NEWSAbove: Sonny Chiba in Kill Bill: Volume 1 (2003). Sonny Chiba, the prolific and singular actor, martial artist and choreographer, has died at the age of 82.New York Film Festival has unveiled its Currents section, featuring a strong slate that includes Artavazd Peleshian, Ted Fendt, Shengze Zhu, Christopher Harris, Shireen Seno, Matías Piñeiro and more. NYFF will also be screening seven programs dedicated to the centenary of the late film programmer and festival co-founder Amos Vogel. The retrospective includes works by Glauber Rocher, Oskar Fischinger, and Dušan Makavejev. The Berwick Film & Media Arts Festival has announced its lineup. This year's Focus program will showcase the works of Cambodian production company Anti-Archive, Nguyễn Trinh Thí, Rajee Samarasinghe, and Sps Community Media. Organized by Arsenal – Institute for Film and Video Art, Archival Assembly #1 will take place from...
- 8/25/2021
- MUBI
Ricky D’Ambrose’s “The Cathedral” is set to bow at the Venice Film Festival.
Starring Monica Barbaro and Brian D’Arcy James, the film was selected for the Biennale College Cinema 2020-2021 program, the development workshop created by the Venice Biennale for emerging filmmakers to produce micro-budget feature-length films.
Semi-autobiographical in scope, the film focuses on Jesse, the only child of Richard (D’Arcy James) and Lydia (Barbaro) Damrosch. It is an only child’s meditative, impressionistic account of an American family’s rise and fall over two decades.
The film is produced by Graham Swon (Matías Piñeiro’s “Hermia & Helena”), Ted Fendt (“Classical Periods”) and D’Ambrose’s Ravenser Odd. The film is executive produced by David Lowery.
James is best known for his portrayal of Matt Carroll in Tom McCarthy’s 2016 Academy Award-winning film “Spotlight.” He is represented by Gersh, Thruline Entertainment and attorney Amy Nickin.
Barbaro is represented by UTA,...
Starring Monica Barbaro and Brian D’Arcy James, the film was selected for the Biennale College Cinema 2020-2021 program, the development workshop created by the Venice Biennale for emerging filmmakers to produce micro-budget feature-length films.
Semi-autobiographical in scope, the film focuses on Jesse, the only child of Richard (D’Arcy James) and Lydia (Barbaro) Damrosch. It is an only child’s meditative, impressionistic account of an American family’s rise and fall over two decades.
The film is produced by Graham Swon (Matías Piñeiro’s “Hermia & Helena”), Ted Fendt (“Classical Periods”) and D’Ambrose’s Ravenser Odd. The film is executive produced by David Lowery.
James is best known for his portrayal of Matt Carroll in Tom McCarthy’s 2016 Academy Award-winning film “Spotlight.” He is represented by Gersh, Thruline Entertainment and attorney Amy Nickin.
Barbaro is represented by UTA,...
- 8/20/2021
- by Jazz Tangcay
- Variety Film + TV
Above: Haruhara San's RecorderNow in its 32nd year, FIDMarseille found itself in a unique position in 2021. Starting just two days after the Cannes Film Festival wrapped its comeback edition—which was delayed two months due to the pandemic—Fid welcomed a number of critics, programmers, and filmmakers straight from the Croisette. While the philosophical differences between the festivals have always been pronounced, this year the calendar proximity only underscored the curatorial disparity—proving not so much Cannes’ authority as Fid’s significance in presenting a fuller picture of contemporary cinema. Freely mingling its documentary roots with au courant trends in art cinema, Fid offers a snapshot of what’s new and exciting in international filmmaking. Case in point: Apichatpong Weerasethakul, fresh off sharing the Jury Prize in Cannes for his latest film, Memoria, and recipient of this year’s Grand prix d’honneur; the Thai director’s first feature, Mysterious...
- 8/19/2021
- MUBI
Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI.NEWSAbove: Pedro Almodóvar's Parallel Mothers (2021). The lineup for the 2021 Venice Film Festival has been unveiled, featuring the latest from Pedro Almodóvar, Maggie Gyllenhaal, Pablo Larraín, Paul Schrader, Ridley Scott, and more. Find the full lineup here. The New York Film Festival has announced that this year's Centerpiece Selection will be Jane Campion's Power of the Dog, an adaptation of Thomas Savage's novel starring Jesse Plemons, Kirsten Dunst, and Benedict Cumberbatch. New additions to the TIFF roster include Joachim Trier's The Worst Person In The World, Masaaki Yuasa's Inu-Oh, and Ho Wi Ding's Terrorizers. A24 has won the rights to Octavia E. Butler's science-fiction novel Parable of the Sower, and Time director Garrett Bradley is set to direct. The novel follows a girl with a unique gift who rises to...
- 7/28/2021
- MUBI
The winner of the grand prix is directed by Japan’s Kyoshi Sugita.
Japanese director Kyoshi Sugita’s Haruhara San’s Recorder has won the main prize of France’s FIDMarseille festival, the grand prix of the international competition.
Inspired by a poem by Naoko Higashi, the film was produced by Jun Higeno of Iha Films. It is stars Chika Araki as a woman who has just moved into a new apartment.
Festival director Jean-Pierre Rehm described the film as “uncompromising” and as “a pure cinematographic poem,” one that “abandons the lazy, tired concept of plot to progress by successive...
Japanese director Kyoshi Sugita’s Haruhara San’s Recorder has won the main prize of France’s FIDMarseille festival, the grand prix of the international competition.
Inspired by a poem by Naoko Higashi, the film was produced by Jun Higeno of Iha Films. It is stars Chika Araki as a woman who has just moved into a new apartment.
Festival director Jean-Pierre Rehm described the film as “uncompromising” and as “a pure cinematographic poem,” one that “abandons the lazy, tired concept of plot to progress by successive...
- 7/26/2021
- by Geoffrey Macnab
- ScreenDaily
Festival unveils competition titles for 2021 edition.
FIDMarseille has unveiled the full line-up for its 2021 edition (July 19-25), which includes a retrospective and honorary award for Thai filmmaker Apichatpong Weerasethakul.
The acclaimed writer/director, who won the Palme d’Or at Cannes in 2010 with Uncle Boonmee Who Can Recall His Past Lives, will attend the festival in France to accept the Grand Prix d’Honneur, introduce several screenings from throughout his career and present a masterclass.
Weerasethakul’s latest feature, Memoria starring Tilda Swinton, is set to play in Competition at Cannes Film Festival and his visit to Marseille will come after that premiere.
FIDMarseille has unveiled the full line-up for its 2021 edition (July 19-25), which includes a retrospective and honorary award for Thai filmmaker Apichatpong Weerasethakul.
The acclaimed writer/director, who won the Palme d’Or at Cannes in 2010 with Uncle Boonmee Who Can Recall His Past Lives, will attend the festival in France to accept the Grand Prix d’Honneur, introduce several screenings from throughout his career and present a masterclass.
Weerasethakul’s latest feature, Memoria starring Tilda Swinton, is set to play in Competition at Cannes Film Festival and his visit to Marseille will come after that premiere.
- 6/24/2021
- by Michael Rosser
- ScreenDaily
Festival to open with Srdan Golubovic’s ‘Father’ and close with Aurel’s ‘Josep’.
South Korea’s Jeonju International Film Festival (Jiff) has announced its second pandemic edition will again run as a hybrid event, but with more physical screenings than last year.
The festival is set to run April 29 to May 8 in cinemas and venues around Jeonju as well as on streaming platform wavve. Jiff has selected 186 films from 48 countries, of which 141 will screen online.
“Last year’s Jeonju International Film Festival was [one of] the first to open after the pandemic struck the world so we didn’t have a...
South Korea’s Jeonju International Film Festival (Jiff) has announced its second pandemic edition will again run as a hybrid event, but with more physical screenings than last year.
The festival is set to run April 29 to May 8 in cinemas and venues around Jeonju as well as on streaming platform wavve. Jiff has selected 186 films from 48 countries, of which 141 will screen online.
“Last year’s Jeonju International Film Festival was [one of] the first to open after the pandemic struck the world so we didn’t have a...
- 4/6/2021
- by Jean Noh
- ScreenDaily
Under the slogan “Film Goes On,” the Jeonju International Film Festival sets off to prepare for this year’s festival on April 49, unveiling four Jeonju Cinema Project titles for this year. Jeonju Cinema Project is revealed before any other sections of the 22nd edition.
Jeonju Cinema Project is a significant section of Jeonju Iff, which provides production support for creative and experimental features and documentary films. Completed projects are world premiered at Jeonju Iff each year. For this year, two Korean and two international films were selected as Jeonju Cinema Project titles: The Man with High Hopes directed by Min Hwan-ki, Hug directed by Im Heung-soon, Outside Noise directed by Ted Fendt, and A Flower In the Mouth directed by Éric Baudelaire.
Min Hwan-ki’s The Man with High Hopes is a documentary film about the late Korean politician Roh Hoe-chan, who devoted his life to social justice. The film...
Jeonju Cinema Project is a significant section of Jeonju Iff, which provides production support for creative and experimental features and documentary films. Completed projects are world premiered at Jeonju Iff each year. For this year, two Korean and two international films were selected as Jeonju Cinema Project titles: The Man with High Hopes directed by Min Hwan-ki, Hug directed by Im Heung-soon, Outside Noise directed by Ted Fendt, and A Flower In the Mouth directed by Éric Baudelaire.
Min Hwan-ki’s The Man with High Hopes is a documentary film about the late Korean politician Roh Hoe-chan, who devoted his life to social justice. The film...
- 2/23/2021
- by Grace Han
- AsianMoviePulse
In the past decade, a series of directors have come out of the New York repertory film scene, people who’ve watched countless amounts of movies and have distilled that labor of pure love for cinema into films made within that context. Filmmakers like Ted Fendt, Gina Telaroli, and Ricky D’Ambrose jump to mind immediately in that context, as well as the resurgence of Dan Sallit, who since his 2012 feature The Unspeakable Act has managed to get more festival and theater distribution than ever before; or the case of Argentinian filmmaker Matías Piñeiro, who moved to New York to teach but also became a usual presence in the city at repertory cinemas. One thing all of these filmmakers have in common is a name that repeats in most of their recent work: Graham Swon as producer.Graham Swon is also part of that intense type of cinephile filmmakers that...
- 10/30/2019
- MUBI
Outside of Pedro Costa and Ted Fendt, it’s been hard to detect the aesthetic influence of radical filmmaking duo Jean-Marie Straub and Danièle Huillet on contemporary cinema. But the addition of Eloy Enciso’s Endless Night to the rather small canon frankly makes sense for the moment we’re in, politically speaking. As an attempt to reckon with a lingering sense of fascist takeover in both Europe and North America today, the film takes us to Galicia, Spain during the Franco regime, as the wandering Anxo (Misha Bies Golas) returns home amidst turmoil. Taking place over chapters; we see long, talky encounters on public transit, in bars or the countryside between workers, peasants and those in the highest echelons of power. The poor are getting boots to their asses, what else is new?
While there’s no doubt that the text-driven approach is indebted to the beliefs in depicting...
While there’s no doubt that the text-driven approach is indebted to the beliefs in depicting...
- 9/5/2019
- by Ethan Vestby
- The Film Stage
A Straub-Huillet Companion is a series of short essays on the films of Jean-Marie Straub and Danièle Huillet, subject of a Mubi retrospective. Straub-Huillet's Not Reconciled, Or Only Violence Helps Where Violence Rules (1965) is showing on Mubi from May 8 – June 6, 2019.Critics have often noted Straub/Huillet's preference for diagonals, for instance, but have underestimated the aesthetic and thematic significance of the contrast with more symmetrical composition. Scenes in Not Reconciled involving the characters' inability to reconcile past and present are most often shot in diagonals. In addition to making a simple set “vibrate with life,” Straub/Huillet's diagonal shots keep the viewer from relaxing at the point of a perspective triangle in relation to the screen. In this way they are able to vary the sense of narrative space inherent in all three-dimensional pictorial representations. Not only is the viewer not at rest as the subject for whom the composition...
- 5/9/2019
- MUBI
Best picture went to Helvecio Marins Jr.’s ‘Homing’.
The 20th Jeonju International Film Festival’s Grand Prize in the International Competition has gone to From Tomorrow On, I Will, directed by Ivan Markovic and Wu Linfeng.
Running May 2-11 this year, the fest held its awards ceremony last night (May 8) and will close May 11 with Guy Nattiv’s Skin, starring Jamie Bell.
A China-Germany-Serbia co-production which made its world premiere in the Berlinale Forum, From Tomorrow On, I Will follows a night watchman in the megacity of Beijing.
Festival director Lee Choong-jik told Screen, “In the first five days of the festival,...
The 20th Jeonju International Film Festival’s Grand Prize in the International Competition has gone to From Tomorrow On, I Will, directed by Ivan Markovic and Wu Linfeng.
Running May 2-11 this year, the fest held its awards ceremony last night (May 8) and will close May 11 with Guy Nattiv’s Skin, starring Jamie Bell.
A China-Germany-Serbia co-production which made its world premiere in the Berlinale Forum, From Tomorrow On, I Will follows a night watchman in the megacity of Beijing.
Festival director Lee Choong-jik told Screen, “In the first five days of the festival,...
- 5/9/2019
- by Jean Noh
- ScreenDaily
56th New York Film Festival Projections line-up announced by Anne-Katrin Titze - 2018-08-13 21:31:25
Albert Serra, the director of The Death Of Louis Xiv (La Mort De Louis Xiv), starring Jean-Pierre Léaud, has Roi Soleil, featuring Lluís Serrat in the 56th New York Film Festival Projections line-up Photo: Anne-Katrin Titze
The Film Society of Lincoln Center has announced the 56th New York Film Festival Projections line-up which runs from October 4 through October 7.The program will screen seven feature films: Gabriel Abrantes and Daniel Schmidt's Diamantino; Albert Serra's Roi Soleil; Jodie Mack's The Grand Bizarre; James Benning's 11 x 14; Ted Fendt's Classical Period; Tsai Ming-liang's Your Face, and Dora García's Second Time Around (Segunda Vez).
There will also be five programs of shorts, an Ericka Beckman Program and a Quantification Trilogy by Jeremy Shaw.
Projections is curated by Dennis Lim (Fslc Director of Programming) and Aily Nash (independent curator). Shelby Shaw and Dan Sullivan are Program Assistants.
“This year’s Projections lineup brings together established artists,...
The Film Society of Lincoln Center has announced the 56th New York Film Festival Projections line-up which runs from October 4 through October 7.The program will screen seven feature films: Gabriel Abrantes and Daniel Schmidt's Diamantino; Albert Serra's Roi Soleil; Jodie Mack's The Grand Bizarre; James Benning's 11 x 14; Ted Fendt's Classical Period; Tsai Ming-liang's Your Face, and Dora García's Second Time Around (Segunda Vez).
There will also be five programs of shorts, an Ericka Beckman Program and a Quantification Trilogy by Jeremy Shaw.
Projections is curated by Dennis Lim (Fslc Director of Programming) and Aily Nash (independent curator). Shelby Shaw and Dan Sullivan are Program Assistants.
“This year’s Projections lineup brings together established artists,...
- 8/13/2018
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Radu Jude’s “I Do Not Care If We Go Down in History as Barbarians,” which has its world premiere Monday in Karlovy Vary Film Festival’s main competition, has ruffled as many feathers in his native Romania as the film’s central character does in the town where she is staging a historical reenactment of a chapter from the Holocaust.
In a country where many still refuse to discuss its role as a Nazi ally – in common with several others in Europe – the subject is still raw, says the writer/director. Jude, who won the best director award at the Berlin Film Festival for “Aferim!,” focusing on 19th-century life in Jewish settlements, made “Barbarians” as a co-production with France, Bulgaria, Germany and the Czech Republic. Beta Cinema is handling world sales rights.
Did you face political pressure not to explore this subject as your director character does? How did you handle that?...
In a country where many still refuse to discuss its role as a Nazi ally – in common with several others in Europe – the subject is still raw, says the writer/director. Jude, who won the best director award at the Berlin Film Festival for “Aferim!,” focusing on 19th-century life in Jewish settlements, made “Barbarians” as a co-production with France, Bulgaria, Germany and the Czech Republic. Beta Cinema is handling world sales rights.
Did you face political pressure not to explore this subject as your director character does? How did you handle that?...
- 6/29/2018
- by Will Tizard
- Variety Film + TV
Last week I had coffee with American filmmaker/projectionist/translator Ted Fendt, and he said something that has, as I’d expected, stayed with me during my time watching and thinking about movies in Cannes. He suggested—or at least wondered aloud—that the lack of great writing on Jean-Luc Godard’s late period might be attributable to the fact that it is so difficult for critics to match the radicality of the films themselves. I was immediately inclined to push back against the idea, just as I was intrigued by it, and proceeded to wonder if a thorough exegesis of a Godard film might be […]...
- 5/12/2018
- by Blake Williams
- Filmmaker Magazine-Director Interviews
Last week I had coffee with American filmmaker/projectionist/translator Ted Fendt, and he said something that has, as I’d expected, stayed with me during my time watching and thinking about movies in Cannes. He suggested—or at least wondered aloud—that the lack of great writing on Jean-Luc Godard’s late period might be attributable to the fact that it is so difficult for critics to match the radicality of the films themselves. I was immediately inclined to push back against the idea, just as I was intrigued by it, and proceeded to wonder if a thorough exegesis of a Godard film might be […]...
- 5/12/2018
- by Blake Williams
- Filmmaker Magazine - Blog
Ted Fendt’s fifth film—his second feature—premiered in the Berlinale Forum, rubbing shoulders with all sorts of more outwardly eccentric and ostentatious movies. Dorkiness has always been a central feature of Fendt’s cinema, as it has for his hero Luc Moullet. In his previous films, there was a gulf between the precision of the sounds, images, and edits and the relative formlessness of the dialogues. While the content of these dialogues was rarely involving, it was the de-dramatized nature of the players’ enunciation of them that was so original. Fendt’s actors are marked by a staggering lack of self-consciousness or, rather, a strange sort of freedom to be obtuse, to stand in a unphotogenic fashion, to slink around in a gawky manner reminiscent of the earliest days of the movies, when the relationship between performer and camera was decidedly less developed.But whatever geeky grace existed in the previous four movies,...
- 3/6/2018
- MUBI
Below you will find our favorite films of the 68th Berlin International Film Festival, as well as an index of our coverage.AwardsTOP Pickstop 10(1) Transit (Christian Petzold)(2) Infinite Football (Corneliu Porumboiu)(3) An Elephant Sitting Still (Hu Bo)(4) The Waldheim Waltz (Ruth Beckermann)(5) Season of the Devil (Lav Diaz)(6) In the Realm of Perfection (Julian Faraut)(7) Classical Period (Ted Fendt)(8) Notes on an Appearance (Ricky D'Ambrose)(9) Inland Sea (Kazuhiro Soda) & Unsane (Steven Soderbergh)(Contributors: Annabel Ivy Brady-Brown, Giovanni Marchini Camia, Celluloid Liberation Front, Adam Cook, David Hudson, Jordan Cronk, Daniel Kasman, Olaf Möller, Michael Pattison, Richard Porton, Christopher Small, Barbara Wurm)Daniel Kasman(1) Season of the Devil (2) The Waldheim Waltz (3) Grass (4) Jamila (5) Foreboding (6) Transit (7) An Elephant Sitting Still (8) Infinite Football (9) In the Realm of Perfection (10) Inland SeaADAM Cook(1) Infinite Football (2) The Tree (3) Season of the Devil (4) Transit (5) Grass (6) In the Realm of Perfection (7) Optimism (8) Isle of Dogs (9) The Waldheim Waltz (10) L.
- 3/6/2018
- MUBI
At the Berlinale, the place to be surprised by the best kind of nonfiction films is clearly the Forum, which has festival highlights The Waldheim Waltz and Jamila and now has premiered a highly unusual sports documentary by Julien Faraut. In the Realm of Perfection uses remarkable footage shot on 16mm as part of an ongoing research project by director Gil de Kermadec that focused on the French Open as a way to study the movement and play of tennis players. Faraut sets up this context and lets us revel in the footage shot the early and mid-1980s as the sport and its broadcast was changing. He connects the recordings to early cinema studies of the mysteries of human movement captured in film’s frame-by-frame detail and vouchsafes the analysis as cinematic by using Cahiers du cinéma critic and Trafic magazine founder Serge Daney’s brilliant writing on tennis as occasional commentary.
- 2/20/2018
- MUBI
Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI.NEWSSharunas Bartas has been accused of sexual misconduct by two past collaborators. Read the full story at The Hollywood Reporter.On the positive news front: Abel Ferrara has secured funding for his previously delayed production Siberia, starring Willem Dafoe, Isabelle Huppert, and Nicholas Cage.Recommended VIEWINGThe trailer for the gorgeous new restoration of the Jacques Rivette masterpiece La belle noiseuse.Watch a rare in-depth discussion with Bela Tarr for the Morelia International Film Festival.Another beautiful restoration trailer—this time for Michael Powell & Emeric Pressburger's A Matter of Life and Death.Somehow we missed this: a trailer for a new Kiyoshi Kurosawa TV series. If anyone has further information on this, we're all ears!Recommended READINGIn the event of Grasshopper's forthcoming Blu-ray release, Straub-Huillet scholar & filmmaker Ted Fendt offers a new essay on...
- 11/22/2017
- MUBI
Originally published as an editorial in the Frankfurter Allgemeine Zeitung on March 27, 2017The debate about "our nation's visible memory" (German Minister of Culture Monika Grütters on the medium of film) is fortunately now gaining a certain visibility of its own, which it has never before had in Germany. What is less fortunate is the way in which the preservation of this memory is frequently being discussed and promoted publicly as well as politically – namely, in a reductive manner and using misleading images and concepts. This applies to the representatives of film archives and cinematheques who, in their pursuit of better funding, primarily use only terminology established by the media market. And it applies even to experienced commentators engaged in film culture who run the risk of bogging themselves down in an already-forgotten, secondary front by placing "especially valuable" spheres and contents of German film heritage against each other (most recently in this newspaper,...
- 10/17/2017
- MUBI
Get in touch to send in cinephile news and discoveriesNEWSSeijun SuzukiThe great Japanese studio rabble rouser Seijun Suzuki, best known for his crazed remixes of pulp genre films in the late 1950s and 1960s (Tokyo Drifter, Branded to Kill) and also for his late career renaissance (Pistol Opera, Princess Raccoon), has died at the age of 92.On the other side of the industry, Time critic and documentary filmmaker Richard Shickel has also passed away.On a more positive note, the second film program for the great Knoxville music festival Big Eats has been announced, and it's a humdinger, ranging from a focus on directors Jonathan Demme and Kevin Jerome Everson to programs of new avant-garde work.Recommended Viewinga researcher in Quebec has identified the only known moving image footage of Marcel Proust, found in a 1904 recording of a wedding.Finally, a view at Terrence Malick's long-in-the-works drama set in the Austin music scene,...
- 2/22/2017
- MUBI
I'm drawn to Straub-Huillet’s usage of direct quotations rather than adapting or interpreting original material for a film. To me this is, among other things, a very straightforward and concrete way of highlighting that people are much less original than they are often assumed to be. (I think that Danièle Huillet once said this, but she was certainly not the first one.) It might be worth being reminded of this, especially today, in a time where we see and seek constant innovation and renewal everywhere while nothing really changes at the core. But for Straub-Huillet, quotation is also about something else. Every film of theirs is a documentation of their loving relationship to a preexisting text, artwork, or artist. The films are more genuinely about the work of the other and less about the couple's so-called vision. Quotation, to Straub-Huillet, is an act of respect, one...
- 2/7/2017
- MUBI
MartírioWhat does a film festival mean after the election of Trump? This is perhaps too far-reaching to expect to be resolved in a mere matter of some hundreds of words, let alone with the President-elect having not taken office yet. And, indeed, I wouldn’t fault a reader for rolling their eyes at such a query, asking: “What does one have to do with the other?” The answer is everything, especially when you get on a plane only a few days after said election to travel to the Mar del Plata Film Festival in Argentina. Mar del Plata can’t be faulted for being viewed in the lens of extreme political angst, having only born the poor chance of being scheduled in close proximity to November 8, 2016. However, this reality meant that it was only a matter of time before casual conversations turned to the topic of Donald Trump and what to do next,...
- 12/19/2016
- MUBI
A Fugitive from the PastFilm history is full of holes, but some are filled in more reluctantly than others. Consider, for example, the strange case of Tomu Uchida (1898-1970). In his home country Japan, he is considered a canonized master. In the West, he was mostly a name without any practical meaning, at least until a (still slimmed-down) touring series in the wake of Tokyo FilmEx’s 2004 13-film-retrospective made the rounds for a few years, e.g. to International Film Festival Rotterdam in 2005 and New York’s BAMcinématek in 2008, allowing for the first time the appreciation of a sizable selection from Uchida’s rich and diverse body of work, with emphasis on his fascinating post-war period.Although Uchida is discussed in standard texts on Japanese cinema—especially his realistic classic Tsuchi (Earth, 1939)—and individual films appear time and again in other contexts (back then he was even in competition in...
- 11/8/2016
- MUBI
Rushes collects news, articles, images, videos and more for a weekly roundup of essential items from the world of film.NEWSLiam Neeson in Martin Scorsese's SilenceWe're still waiting for Martin Scorsese's new film set in 17th century Japan, Silence (an adaptation of the same book Masahiro Shinoda's 1971 film is based on), but things may be moving quickly for his next project, the long-in-gestation The Irishman, set to star Robert De Niro, Al Pacino, and Joe Pesci. We'll believe it when we see it, but we sure want to see it!Cannes begins! If this week's Rushes seems a bit threadbare, it's because we've arrive at the Cannes Film Festival and can't think of anything else. Stay tuned on the Notebook for our festival coverage.Recommended VIEWINGOur very favorite video essayist, Tag Gallagher, has made a new one for Sight & Sound on Raoul Walsh's classic noir western,...
- 5/11/2016
- MUBI
The 17th Jeonju International Film Festival (Jiff) saw its Grand Prize in the International Competition go to Elite Zexer’s Israeli film Sand Storm today (May 5).Scroll down for full list of winners
Set in a Bedouin village, the film deals with the conflict between tradition and modern values in the family as the mother prepares her husband’s wedding to a second wife and the daughter has a forbidden relationship with a boy from the next village. The award comes with a prize of KW20m ($17,140).
International Competition jury member Jean-Francois Rauger said: “We wish to see more directors putting their efforts observing phases of society.”
Best Picture Prize ($10,000) for International Competition went to Ted Fendt’s Short Stay, which follows an everyday man who moves to Philadelphia to run his friend’s walking tour company.
The Special Jury Prize, which comes with KW7m ($6,000), went to Emir Baigazin’s The Wounded Angel, which follows...
Set in a Bedouin village, the film deals with the conflict between tradition and modern values in the family as the mother prepares her husband’s wedding to a second wife and the daughter has a forbidden relationship with a boy from the next village. The award comes with a prize of KW20m ($17,140).
International Competition jury member Jean-Francois Rauger said: “We wish to see more directors putting their efforts observing phases of society.”
Best Picture Prize ($10,000) for International Competition went to Ted Fendt’s Short Stay, which follows an everyday man who moves to Philadelphia to run his friend’s walking tour company.
The Special Jury Prize, which comes with KW7m ($6,000), went to Emir Baigazin’s The Wounded Angel, which follows...
- 5/5/2016
- by hjnoh2007@gmail.com (Jean Noh)
- ScreenDaily
Starting tomorrow, May 6, and on through June 6, MoMA will present the first complete North American retrospective of the films of Jean-Marie Straub and Danièle Huillet. The program will then tour North America and Europe and coincides with the Austrian Film Museum's publication of Jean-Marie Straub & Danièle Huillet, a collection of essays by John Gianvito, Harun Farocki, Jean-Pierre Gorin and others edited by critic, translator and filmmaker Ted Fendt. We're collecting critical assessments, beginning with J. Hoberman's for the New York Times. » - David Hudson...
- 5/5/2016
- Keyframe
Starting tomorrow, May 6, and on through June 6, MoMA will present the first complete North American retrospective of the films of Jean-Marie Straub and Danièle Huillet. The program will then tour North America and Europe and coincides with the Austrian Film Museum's publication of Jean-Marie Straub & Danièle Huillet, a collection of essays by John Gianvito, Harun Farocki, Jean-Pierre Gorin and others edited by critic, translator and filmmaker Ted Fendt. We're collecting critical assessments, beginning with J. Hoberman's for the New York Times. » - David Hudson...
- 5/5/2016
- Fandor: Keyframe
Rushes collects news, articles, images, videos and more for a weekly roundup of essential items from the world of film.NEWSDirector Guy Hamilton, Sean Connery, and Honor Blackman on the set of Goldfinger.We're still stunned from the sudden death of music legend Prince, at a time when Bowie is still on our minds and in our hearts.Last week we also lost director Guy Hamilton, an action director who began as an Ad for Carol Reed (on The Fallen Idol and The Third Man, among others), and best known for leading several James Bond entries, starting with Goldfinger in 1964.The Tribeca Film Festival wrapped in New York over the weekend, and the winners have been announced, including best international feature to Junction 48 and best documentary feature to Do Not Resist.There is no other cinematic project we're more looking forward to than 2017's continuation of David Lynch and Mark Frost's Twin Peaks.
- 4/27/2016
- MUBI
A friend and a contributor to the Notebook has taken a deep breath of air and expanded his droll short films—which we’ve featured on Mubi—into a modest feature that received a decidedly impressive premiere at the Berlin International Film Festival in February and will next show at the New Directors/New Films collaboration between New York's Film Society of Lincoln Center and the Museum of Modern Art.Short Stay does not feel like a bigger film than director Ted Fendt's charmingly ill-fitting shorts, but rather is more robust, fuller in passing detail and commonplace incident. In other words: unassuming, but charged. This new movie very much resembles Fendt’s wonderful shorts, which feature young people of unenunciated dissatisfaction and nearly inscrutable psychology living small scale lives full of long-time acquaintances, a few friendships, over-visited family homes, and well-trod suburban and small town strolls. Fendt is also...
- 3/19/2016
- by Daniel Kasman
- MUBI
Below you will find our favorite films of the 66th Berlin International Film Festival, as well as an index of our coverage.Daniel Kasmantop Picksi. From the Notebook Of..., Marble Ass, Tout une nuitII. A Quiet Passion, The Adventure of Denchu-Kozo & Isolation of 1/880000, Creepy, Things to Come, Short StayIII. Hanasareru Gang, Tempestad, Karla, A Lullaby to the Sorrowful Mystery, Le fils de Joseph, Ta'angIV. Between Fences, Fire at Sea, Doomed Love – A Journey through German Genre FilmsCOVERAGEAwardsHail...Cinema?: Hail Caesar! (Joel & Ethan Coen)Two Women in Mexico's Storm: Tempestad (Tatiana Huezo)Why Not Stay in Philly?: Short Stay (Ted Fendt)The Title Says It Best: Creepy (Kiyoshi Kurosawa)Women Poets and Philosophers: A Quiet Passion (Terence Davies), Things to Come (Mia Hansen-Løve)Refugee Cinema: Fire at Sea (Gianfranco Rosi), Ta'ang (Wang Bing), Havarie (Philip Scheffner)Cryptograms: Crosscurrent (Yang Chao), Life After Life (Zhang Hanyi)Lost Souls of the...
- 3/7/2016
- by Notebook
- MUBI
Reviewed in today's Berlinale Diary: Heiner Carow's The Journey to Sundevit; Ted Fendt's Short Stay with Meaghan Lydon, Marta Sicinksa and Mike Maccherone; André Téchiné's Being 17, co-written with Céline Sciamma and starring Sandrine Kiberlain, Kacey Mottet Klein, Corentin Fila and Alexis Loret; Ivo M. Ferreira's Letters from War with Miguel Nunes, Margarida Vila-Nova, Ricardo Pereira, João Pedro Vaz and João Pedro Mamede; Philip Scheffner's Havarie; Anne Zohra Berrached's 24 Weeks with Julia Jentsch, Bjarne Mädel, Johanna Gastdorf, Emilia Pieske and Maria Dragus; and Rachid Bouchareb's Road to Istanbul with Astrid Whettnall, Pauline Burlet, Patricia Ide and Abel Jafri. » - David Hudson...
- 2/15/2016
- Keyframe
Reviewed in today's Berlinale Diary: Heiner Carow's The Journey to Sundevit; Ted Fendt's Short Stay with Meaghan Lydon, Marta Sicinksa and Mike Maccherone; André Téchiné's Being 17, co-written with Céline Sciamma and starring Sandrine Kiberlain, Kacey Mottet Klein, Corentin Fila and Alexis Loret; Ivo M. Ferreira's Letters from War with Miguel Nunes, Margarida Vila-Nova, Ricardo Pereira, João Pedro Vaz and João Pedro Mamede; Philip Scheffner's Havarie; Anne Zohra Berrached's 24 Weeks with Julia Jentsch, Bjarne Mädel, Johanna Gastdorf, Emilia Pieske and Maria Dragus; and Rachid Bouchareb's Road to Istanbul with Astrid Whettnall, Pauline Burlet, Patricia Ide and Abel Jafri. » - David Hudson...
- 2/15/2016
- Fandor: Keyframe
A friend and a contributor to the Notebook has taken a deep breath of air and expanded his droll short films—which we’ve featured on Mubi—into a modest feature that is receiving a decidedly impressive premiere in Berlin. Short Stay does not feel like a bigger film than director Ted Fendt's charmingly ill-fitting shorts, but rather is a more robust, fuller in passing detail and commonplace incident. In other words: unassuming, but charged. This new feature very much resembles Fendt’s wonderful shorts, which feature young people of unenunciated dissatisfaction and nearly inscrutable psychology living small scale lives full of long-time acquaintances, a few friendships, over-visited family homes, and well-trod suburban and small town strolls. Fendt is also a distinctly regional filmmaker; though based in New York, where he is a projectionist and translator, the director chooses to film in and around his home town in south...
- 2/14/2016
- by Daniel Kasman
- MUBI
The 46th Berlinale Forum will feature 44 films, including 34 world premieres, with a timely focus on films and filmmakers from the Arab World. Among these is Syrian-American director Avo Kaprealian's "Manazil bela abwab" ("Houses without Doors"), featuring clashes on the streets of Aleppo filmed from the window of his housing block over the course of several years. Read More: "Terence Davies' Emily Dickinson Biopic, 'A Quiet Passion,' to Premiere in Berlin" The three American independents in the Forum, which has a distinct international flavor, are "Kate Plays Christine," another test of the boundaries of nonfiction from "Actress" director Robert Greene (world premiering at Sundance); Offer Egozy's noir-influenced "Fantastic," in which a telegram from a missing painter brings together an ambitious sheriff, a former lover and two old acquaintances; and Ted Fendt's "Short Stay," the only film in...
- 1/19/2016
- by Matt Brennan
- Thompson on Hollywood
Programme includes 34 world premieres.
The line-up for the 46th Berlinale Forum has been announced and will feature a total of 44 films in its main programme, of which 34 are world premieres and nine international premieres.
One focus of this year’s programme is the Arab region, with films shot by mainly young directors from an area that stretches between Egypt and Saudi Arabia, exploring both the past and present of their homelands.
In A Magical Substance Flows into Me, artist Jumana Manna sets out in search of the musical diversity of the Palestinian region.
Tamer El Said’s feature In the Last Days of the City (Akher ayam el madina) sends his alter-ego Khalid through the director’s home city of Cairo, which is in a state of uproar.
Maher Abi Samra’s documentary A Maid for Each (Makhdoumin) grapples with the employment of maids from the Global South in middle-class Lebanese households, a practice...
The line-up for the 46th Berlinale Forum has been announced and will feature a total of 44 films in its main programme, of which 34 are world premieres and nine international premieres.
One focus of this year’s programme is the Arab region, with films shot by mainly young directors from an area that stretches between Egypt and Saudi Arabia, exploring both the past and present of their homelands.
In A Magical Substance Flows into Me, artist Jumana Manna sets out in search of the musical diversity of the Palestinian region.
Tamer El Said’s feature In the Last Days of the City (Akher ayam el madina) sends his alter-ego Khalid through the director’s home city of Cairo, which is in a state of uproar.
Maher Abi Samra’s documentary A Maid for Each (Makhdoumin) grapples with the employment of maids from the Global South in middle-class Lebanese households, a practice...
- 1/19/2016
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
The 46th Berlinale Forum will be screening 44 films from February 11 through 21. Among the highlights will be Eugène Green's Le Fils de Joseph with Mathieu Amalric, a new documentaries from Wang Bing and Nikolaus Geyrhalter, Ted Fendt's Short Stay, the only film screening on 35mm, Robert Greene’s Kate Plays Christine with Kate Lyn Sheil, plus new work by Avi Mograbi, Bence Fliegauf, Jumana Manna, Tamer El Said, Philip Scheffner, Daichi Sugimoto, Rachel Lang, Mahmoud Sabbagh, Volker Koepp, Ahu Öztürk, Andrea Bussmann and Nicolás Pereda. » - David Hudson...
- 1/19/2016
- Keyframe
The 46th Berlinale Forum will be screening 44 films from February 11 through 21. Among the highlights will be Eugène Green's Le Fils de Joseph with Mathieu Amalric, a new documentaries from Wang Bing and Nikolaus Geyrhalter, Ted Fendt's Short Stay, the only film screening on 35mm, Robert Greene’s Kate Plays Christine with Kate Lyn Sheil, plus new work by Avi Mograbi, Bence Fliegauf, Jumana Manna, Tamer El Said, Philip Scheffner, Daichi Sugimoto, Rachel Lang, Mahmoud Sabbagh, Volker Koepp, Ahu Öztürk, Andrea Bussmann and Nicolás Pereda. » - David Hudson...
- 1/19/2016
- Fandor: Keyframe
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