As Paramount’s British series “A Gentleman in Moscow” hopes to break into the highly competitive limited series races, the show has submitted for 20 Primetime Emmys, including lead actor for star Ewan McGregor and supporting actress for Mary Elizabeth Winstead.
The eight-episode series follows an aristocrat, Count Alexander Ilyich Rostov, who spends decades banished to an attic hotel room following the October Revolution after being sentenced to house arrest by a Bolshevik tribunal. Based on the 2016 novel by Amor Towles, the series was written by Ben Vanstone, who also serves as the executive producer and showrunner, and whose pilot episode titled “A Master of Circumstance” is submitted for consideration. The same episode will represent Sam Miller in the directing race, who has previously landed three Emmy bids: one for “Luther” in 2012 and two “I May Destroy You” in 2021.
The series received solid reviews from critics and boasted an impressive 91% on Rotten Tomatoes.
The eight-episode series follows an aristocrat, Count Alexander Ilyich Rostov, who spends decades banished to an attic hotel room following the October Revolution after being sentenced to house arrest by a Bolshevik tribunal. Based on the 2016 novel by Amor Towles, the series was written by Ben Vanstone, who also serves as the executive producer and showrunner, and whose pilot episode titled “A Master of Circumstance” is submitted for consideration. The same episode will represent Sam Miller in the directing race, who has previously landed three Emmy bids: one for “Luther” in 2012 and two “I May Destroy You” in 2021.
The series received solid reviews from critics and boasted an impressive 91% on Rotten Tomatoes.
- 5/28/2024
- by Clayton Davis
- Variety Film + TV
Barbie is the most nominated film for the 2024 Guild of Music Supervisors Awards, landing three nominations, including two in the best song for film category for “What Was I Made For?” and “I’m Just Ken.”
Barbie is nominated for best music supervision for film budgeted over $25 million and scored two nods for best song written and/or recorded for a film for Billie Eilish and Finneas’ “What Was I Made For?” and Mark Ronson and Andrew Wyatt’s “I’m Just Ken,” performed by Ryan Gosling.
The music supervisors with the most individual nominations are Mike Ladman and Mara Techam, each with five nominations, whose work in advertising includes collaborations with brands like Levis, The New York Times, Hennessy and others.
The 14th annual Guild of Music Supervisors Awards are set to take place in-person and virtually at Los Angeles’ Wiltern Theatre on Sunday, March 3.
A full list of nominees follows.
Barbie is nominated for best music supervision for film budgeted over $25 million and scored two nods for best song written and/or recorded for a film for Billie Eilish and Finneas’ “What Was I Made For?” and Mark Ronson and Andrew Wyatt’s “I’m Just Ken,” performed by Ryan Gosling.
The music supervisors with the most individual nominations are Mike Ladman and Mara Techam, each with five nominations, whose work in advertising includes collaborations with brands like Levis, The New York Times, Hennessy and others.
The 14th annual Guild of Music Supervisors Awards are set to take place in-person and virtually at Los Angeles’ Wiltern Theatre on Sunday, March 3.
A full list of nominees follows.
- 1/22/2024
- by Hilary Lewis
- The Hollywood Reporter - Movie News
Luca Guadagnino’s “Bones and All” feels like the movie he’s been working towards for his entire career. A beautiful, coming-of-age road movie that follows two lovestruck cannibals (played by Taylor Russell and Timothée Chalamet) who venture out on an odyssey across Reagan’s America. It combines the deeply felt emotional honesty of something like “Call Me By Your Name” with the Grand Guignol expressiveness of his “Suspiria” remake. What might be even more incredible than how snugly “Bones and All” fits into Guadagnino’s filmography is the fact that he almost didn’t do it at all.
“Well, when I read the book, I thought a lot about Luca because we had just had two relatively back-to-back collaborations on ‘A Bigger Splash’ and ‘Suspiria.’ And Luca wasn’t available to take on another project at the time,” writer David Kajganich told TheWrap.
Instead, Kajganich developed the film with Antonio Campos,...
“Well, when I read the book, I thought a lot about Luca because we had just had two relatively back-to-back collaborations on ‘A Bigger Splash’ and ‘Suspiria.’ And Luca wasn’t available to take on another project at the time,” writer David Kajganich told TheWrap.
Instead, Kajganich developed the film with Antonio Campos,...
- 11/23/2022
- by Drew Taylor
- The Wrap
The entertainment industry’s “unsung heroes” — as Quentin Tarantino has described Mary Ramos for her significant contribution to his entire filmography — celebrated the outstanding achievements of their peers at the 10th annual Guild of Music Supervisors Awards on Thursday night at the Wiltern. And who can blame these hardworking but vastly underpaid professionals for tooting their own horns since the Motion Picture Academy refuses to validate their work with an Oscar category? Coincidentally, the winners also helped to shine a light on critically acclaimed films featuring black casts that were snubbed by the Academy, much like music supervisors themselves.
The big news of the night: Women rock! Unlike every other Hollywood award show, the majority of winners — 10 out of 15, in fact — were female. (But then this may be the only guild that has nearly achieved gender parity among members and women outnumber men as board members.) “I met Quentin Tarantino 28 years ago and after that,...
The big news of the night: Women rock! Unlike every other Hollywood award show, the majority of winners — 10 out of 15, in fact — were female. (But then this may be the only guild that has nearly achieved gender parity among members and women outnumber men as board members.) “I met Quentin Tarantino 28 years ago and after that,...
- 2/7/2020
- by James Patrick Herman
- Variety Film + TV
In the ten years since the Guild of Music Supervisors was formed, the organization has come a long way. Granted, the job still involves low pay, long hours and little respect, but at least the craft has been validated with Grammy and Emmy categories introduced by the Recording Academy and the Television Academy, respectively. The Gms has its own presence during awards season, as it hosts its own annual awards ceremony on Feb. 6 at the Wiltern Theatre in Los Angeles. (Quite the upgrade for an event that initially consisted of brunch and four trophies held on Grammy morning.)
In addition to celebrating excellence in sonic storytelling across 16 categories — from film and TV to games and advertising to trailers and emerging media — the organization will honor prolific composer and songwriter Burt Bacharach with the Icon Award. Bob Hunka, a veteran music executive and soundtrack pioneer for Sony Pictures Television who also...
In addition to celebrating excellence in sonic storytelling across 16 categories — from film and TV to games and advertising to trailers and emerging media — the organization will honor prolific composer and songwriter Burt Bacharach with the Icon Award. Bob Hunka, a veteran music executive and soundtrack pioneer for Sony Pictures Television who also...
- 2/4/2020
- by Charlie Amter and James Patrick Herman
- Variety Film + TV
Nominees for the 2020 Guild of Music Supervisors (Gms) Awards were announced today. The annual event is scheduled for Feb. 6 at the Wiltern Theater and coincides with the tenth anniversary of the Gms.
Films up for awards include “Once Upon A Time In Hollywood,” “Frozen II,” “Aladdin,” “Ford v Ferrari,” “The Irishman,” “Hustlers” and “Wild Rose,” among others.
Television shows nominated include “Euphoria”; “Pose,” supervised by the dynamo trio of Amanda Krieg Thomas, Alexis Martin Woodall and Ryan Murphy; and “The Marvelous Mrs. Maisel,” an Emmy winner in the music supervision category, although the Gms lists only Robin Urdang, where the Television academy awarded showrunners Amy Sherman-Palladino and Daniel Palladino.
Among the songs recognized are: “Spirit” from “The Lion King,” “Into The Unknown” from “Frozen II,” “Don’t Call Me Angel” from “Charlie’s Angels,” “Invisible Ink” from “This Is Us,” “Jenny of Oldstrones” from “Game of Thrones” and “On a Roll” from “Black Mirror.
Films up for awards include “Once Upon A Time In Hollywood,” “Frozen II,” “Aladdin,” “Ford v Ferrari,” “The Irishman,” “Hustlers” and “Wild Rose,” among others.
Television shows nominated include “Euphoria”; “Pose,” supervised by the dynamo trio of Amanda Krieg Thomas, Alexis Martin Woodall and Ryan Murphy; and “The Marvelous Mrs. Maisel,” an Emmy winner in the music supervision category, although the Gms lists only Robin Urdang, where the Television academy awarded showrunners Amy Sherman-Palladino and Daniel Palladino.
Among the songs recognized are: “Spirit” from “The Lion King,” “Into The Unknown” from “Frozen II,” “Don’t Call Me Angel” from “Charlie’s Angels,” “Invisible Ink” from “This Is Us,” “Jenny of Oldstrones” from “Game of Thrones” and “On a Roll” from “Black Mirror.
- 1/9/2020
- by Shirley Halperin
- Variety Film + TV
Beyonce, Regina Spektor and Mary Steenburgen are among the songwriters who have been nominated by the Guild of Music Supervisors, which announced its annual awards for film, television and videogame music and music supervision on Thursday.
N0minees in the Best Song Written for a Film category are Beyonce, Ilya Salmanzadeh and Timothy Mckenzie for “Spirit” from “The Lion King”; Regina Spektor for “One Little Soldier” from “Bombshell”; Kristen Anderson-Lopez and Robert Lopez for “Into the Unknown” from “Frozen II”; Caityln Smith, Kate York and Mary Steenburgen for “Glasgow (No Place Like Home)” from “Wild Rose”; and Alma-Sofia Miettinen, Ariana Grande, Ilya Salmanzadeh, Elizabeth Grant, Max Martin, Miley Cyrus and Savan Kotecha for “Don’t Call Me Angel” from “Charlie’s Angels.”
Neither “One Little Soldier” nor “Don’t Call Me Angel” were on the Academy’s list of the 75 songs eligible for the Best Original Song Oscar. The other three...
N0minees in the Best Song Written for a Film category are Beyonce, Ilya Salmanzadeh and Timothy Mckenzie for “Spirit” from “The Lion King”; Regina Spektor for “One Little Soldier” from “Bombshell”; Kristen Anderson-Lopez and Robert Lopez for “Into the Unknown” from “Frozen II”; Caityln Smith, Kate York and Mary Steenburgen for “Glasgow (No Place Like Home)” from “Wild Rose”; and Alma-Sofia Miettinen, Ariana Grande, Ilya Salmanzadeh, Elizabeth Grant, Max Martin, Miley Cyrus and Savan Kotecha for “Don’t Call Me Angel” from “Charlie’s Angels.”
Neither “One Little Soldier” nor “Don’t Call Me Angel” were on the Academy’s list of the 75 songs eligible for the Best Original Song Oscar. The other three...
- 1/9/2020
- by Steve Pond
- The Wrap
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