Berlin-based sales agent M-Appeal has boarded queer Brazilian sex worker tale “Streets of Glória,” and will present the film to buyers during the upcoming European Film Market. The project is described as “an uninhibited portrayal of passion and sex work, and a journey toward self-acceptance.”
Brazilian writer-director Felipe Sholl’s second feature, produced by Daniel van Hoogstraten of Syndrome Films in Brazil, was presented at Ventana Sur in Primer Corte, a work-in-progress section, and has already garnered attention for its provocative narrative and emotionally charged performances.
The film follows the story of Gabriel (Caio Macedo), a young literature teacher, who has just moved to Rio. He discovers The Glória, a bar and cruising spot in Rio’s neighborhood Glória, where he soon becomes friends with the magnetic owner Monica (Diva Menner) and is introduced to her tight-knit group of friends: Laila (Jade Sassará), Mateus (Alan Ribeiro) and Roger (Sandro Aliprandini...
Brazilian writer-director Felipe Sholl’s second feature, produced by Daniel van Hoogstraten of Syndrome Films in Brazil, was presented at Ventana Sur in Primer Corte, a work-in-progress section, and has already garnered attention for its provocative narrative and emotionally charged performances.
The film follows the story of Gabriel (Caio Macedo), a young literature teacher, who has just moved to Rio. He discovers The Glória, a bar and cruising spot in Rio’s neighborhood Glória, where he soon becomes friends with the magnetic owner Monica (Diva Menner) and is introduced to her tight-knit group of friends: Laila (Jade Sassará), Mateus (Alan Ribeiro) and Roger (Sandro Aliprandini...
- 1/30/2024
- by Leo Barraclough
- Variety Film + TV
A chaotic and bittersweet love affair meets a compelling journey toward radical self acceptance in Brazilian writer-director Felipe Sholl’s second feature, “Glória,” which screens as part of Ventana Sur’s Primer Corte strand on Wednesday in Buenos Aires.
Produced by Daniel van Hoogstraten at Brazil’s Syndrome Films, the plot follows bereft literature professor Gabriel as he moves to Río in an attempt to escape his close minded family after the death of his grandmother. There, he meets the enigmatic Monica (Diva Menner) who owns the neighborhood bar and becomes fast friends with regulars Mateus (Alan Ribeiro), Roger (Sandro Aliprandini) and Laila (Jade Sassará), who moonlight as sex workers. Quickly devoured by a tumultuous relationship with reclusive Uruguayan transplant Adriano, his sense of intimacy and care is distorted as he tries to contort into versions of himself that quickly prove futile.
With grace the themes are sewn together into...
Produced by Daniel van Hoogstraten at Brazil’s Syndrome Films, the plot follows bereft literature professor Gabriel as he moves to Río in an attempt to escape his close minded family after the death of his grandmother. There, he meets the enigmatic Monica (Diva Menner) who owns the neighborhood bar and becomes fast friends with regulars Mateus (Alan Ribeiro), Roger (Sandro Aliprandini) and Laila (Jade Sassará), who moonlight as sex workers. Quickly devoured by a tumultuous relationship with reclusive Uruguayan transplant Adriano, his sense of intimacy and care is distorted as he tries to contort into versions of himself that quickly prove futile.
With grace the themes are sewn together into...
- 11/30/2023
- by Holly Jones
- Variety Film + TV
Uruguay-based Agustina Chiarino, one of the drivers of the new Latin American cinema industry and at the forefront of pan-regional co-production, is kicking-off early projects at her recently launched production-distribution company Bocacha Films.
Chiarino attended last week’s Malaga Film Festival edition to present Pablo Solarz’s official section contender comedy “Desperté con un sueño” (“I Woke Up With a Dream”), which she produced at Mutante Cine, the Montevideo-based outfit Chiarino and editor-producer Fernando Epstein co-founded in 2011.
After “I Woke Up With a Dream,” two feature debuts are finishing production stage under the Mutante Cine brand: Vanina Spataro’s “Naufragios,” teaming with Kino Films in Argentina, and Sebastián Peña Escobar’s documentary “The Last” in partnership with Paraguay’s La Babosa Cine.
They will be “the last three movies Mutante Cine will be launching before disbanding,” Chiarino said.
Having produced more than 15 Latin American films, Chiarino is now embarking on a solo project,...
Chiarino attended last week’s Malaga Film Festival edition to present Pablo Solarz’s official section contender comedy “Desperté con un sueño” (“I Woke Up With a Dream”), which she produced at Mutante Cine, the Montevideo-based outfit Chiarino and editor-producer Fernando Epstein co-founded in 2011.
After “I Woke Up With a Dream,” two feature debuts are finishing production stage under the Mutante Cine brand: Vanina Spataro’s “Naufragios,” teaming with Kino Films in Argentina, and Sebastián Peña Escobar’s documentary “The Last” in partnership with Paraguay’s La Babosa Cine.
They will be “the last three movies Mutante Cine will be launching before disbanding,” Chiarino said.
Having produced more than 15 Latin American films, Chiarino is now embarking on a solo project,...
- 3/20/2023
- by Emiliano De Pablos
- Variety Film + TV
Madrid — Diego Lerman’s “Literature Teacher,” Asier Altuna’s “Karmele,” Benjamín Avila’s “The Cardinal” and Mariana Rondón’s “Zafari” will pitch at the 8th San Sebastian Europe-Latin American Co-production Forum, now firmly established as, along with Ventana Sur, the key art film meet exploring that axis.
Featuring new projects from other name auteurs from the region- Pablo Giorgelli, Neto Villalobos, for example – as well as top producers working Europe Latin American production – Tu Vas Voir, Campo Cine, Patagonik, Malbicho Cine, Tarea Fina – the Forum, running Sept.22-25, will attract most of San Sebastian’s now 2,000-plus industry delegates, while offering a glimpse of the market trends now forging the regions’ filmmaking.
Here, for starters, are three:
1.Step Up In Scale Or Mainstream Ambitions
One is a step up in scale, or move towards the mainstream. After winning the Cannes Festival’s Camera d’Or for best first feature with “Las Acacias,...
Featuring new projects from other name auteurs from the region- Pablo Giorgelli, Neto Villalobos, for example – as well as top producers working Europe Latin American production – Tu Vas Voir, Campo Cine, Patagonik, Malbicho Cine, Tarea Fina – the Forum, running Sept.22-25, will attract most of San Sebastian’s now 2,000-plus industry delegates, while offering a glimpse of the market trends now forging the regions’ filmmaking.
Here, for starters, are three:
1.Step Up In Scale Or Mainstream Ambitions
One is a step up in scale, or move towards the mainstream. After winning the Cannes Festival’s Camera d’Or for best first feature with “Las Acacias,...
- 8/13/2019
- by John Hopewell
- Variety Film + TV
Review by Peter BelsitoPortuguese soccer icon Diamantino is the most famous person in the world.
So the film begins. And gets crazier as it moves along but in a very funny way.
After blowing his team’s chances at the 2018 World Cup, Portuguese soccer icon Diamantino retreats in shame to his amazing palatial home. Bereft of purpose, confused and desperate to atone for his act of national humiliation, he is convinced to adopt an African refugee youth in a naive attempt to reinject meaning into his shattered life.
While awaiting the arrival of his new son, he becomes the unwitting victim of a government tax investigation, a neo-fascist plot to seize power, and the daily machinations of his cartoonishly villainous twin sisters.
It doesn’t happen that often that when you see something that takes you completely by surprise.
Diamantino, from the directorial duo of Gabriel Abrantes from Portugal and U.
So the film begins. And gets crazier as it moves along but in a very funny way.
After blowing his team’s chances at the 2018 World Cup, Portuguese soccer icon Diamantino retreats in shame to his amazing palatial home. Bereft of purpose, confused and desperate to atone for his act of national humiliation, he is convinced to adopt an African refugee youth in a naive attempt to reinject meaning into his shattered life.
While awaiting the arrival of his new son, he becomes the unwitting victim of a government tax investigation, a neo-fascist plot to seize power, and the daily machinations of his cartoonishly villainous twin sisters.
It doesn’t happen that often that when you see something that takes you completely by surprise.
Diamantino, from the directorial duo of Gabriel Abrantes from Portugal and U.
- 1/20/2019
- by Sydney Levine
- Sydney's Buzz
Paris-based sales company Charades has acquired “Diamantino,” Gabriel Abrantes and Daniel Schmidt’s zany comedy which will world premiere in competition at Critics’ Week, the sidebar running parallel to Cannes Film Festival.
Written by Abrantes and Schmidt, “Diamantino” follows a disgraced soccer star aspiring to give his life a new purpose who becomes exploited by many people, including a nationalistic party eager to use him as its mascot. Through his frenzied journey, the reconverted soccer star is confronted with Neo-fascism, the refugee crisis and genetic modification.
“Diamantino,” which was pitched at last year’s Work-in-Progress during Les Arcs Film Festival, was produced by Justin Taurand, Maria João Mayer and Daniel van Hoogstraten.
Charles Tesson, the artistic director of Critics’ Week, said “Diamantino” was a jubilant film which addressed serious topics through comedy and fantasy.
The visually stylish film boasts a key crew including the cinematographer Charles Ackley Anderson (“The Unity...
Written by Abrantes and Schmidt, “Diamantino” follows a disgraced soccer star aspiring to give his life a new purpose who becomes exploited by many people, including a nationalistic party eager to use him as its mascot. Through his frenzied journey, the reconverted soccer star is confronted with Neo-fascism, the refugee crisis and genetic modification.
“Diamantino,” which was pitched at last year’s Work-in-Progress during Les Arcs Film Festival, was produced by Justin Taurand, Maria João Mayer and Daniel van Hoogstraten.
Charles Tesson, the artistic director of Critics’ Week, said “Diamantino” was a jubilant film which addressed serious topics through comedy and fantasy.
The visually stylish film boasts a key crew including the cinematographer Charles Ackley Anderson (“The Unity...
- 4/18/2018
- by Elsa Keslassy
- Variety Film + TV
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