Among the remarkably large number of documentary films that address the filmmakers' own stories, background or mental state, this radical and unrelenting attempt to make a film that examines the total dysfunction of a Turkish immigrant family stands out. As the film makes strikingly clear, for Biene Pilavci there was no alternative in form or in content. The camera is not just her tool, it is her closest ally, and it backs her up and keeps on running when it is particularly painful for the participants. That was already the case before she absconded with the twelve family members, as the astonishing and cleverly used archive material shows.