My favorite comic strips are the ones where the characters' physicality has no basis in reality. Think of Calvin's untenable head-to-body-size ratio in "Calvin and Hobbes" or how every living creature in "The Far Side" is built like a pillow with sticks for arms and legs. The funny pages, like animation, have no real limits when it comes to the physics of their worlds, so why should their inhabitants be any different?
Charles Addams, in particular, wholly embraced this idea and ran with it while drawing his off-kilter, satirical "Addams Family" comic panels for The New Yorker from the 1930s up until his death in the '80s. The titular clan of ghoulish aristocrats embodied everything that stereotypical white American families did not in the 20th century, which manifested itself in their appearances. The Addamses had preternaturally oblong or round faces and builds. Most notably, the stocky, pale-white Uncle Fester...
Charles Addams, in particular, wholly embraced this idea and ran with it while drawing his off-kilter, satirical "Addams Family" comic panels for The New Yorker from the 1930s up until his death in the '80s. The titular clan of ghoulish aristocrats embodied everything that stereotypical white American families did not in the 20th century, which manifested itself in their appearances. The Addamses had preternaturally oblong or round faces and builds. Most notably, the stocky, pale-white Uncle Fester...
- 4/27/2024
- by Sandy Schaefer
- Slash Film
Anyone familiar with the often disquieting solo work of directors María Alché and Benjamín Naishtat may be put on high uneasiness-alert by the opening scene of “Puan,” their first co-directed feature. Despite the jaunty pop song playing, an older man going for a morning jog in a scrubby Buenos Aires park, suddenly keels over dead of a heart attack. Given the surreal griefscape of Alché’s “A Family Submerged” or the sinister tides of Naishtat’s superb “Rojo”, there’s every possibility that the music is a red herring, and the death portends what is to come. But perhaps that is “Puan”‘s first joke.
In fact, Alché and Naishtat seem to have found the experience of writing together in the captivity of lockdown a liberation of a looser, funnier storytelling mode. What transpires is a fleet-footed if sharply pointed existential-crisis comedy, shot with unobstrusive, naturalistic dynamism by Hélène Louvart,...
In fact, Alché and Naishtat seem to have found the experience of writing together in the captivity of lockdown a liberation of a looser, funnier storytelling mode. What transpires is a fleet-footed if sharply pointed existential-crisis comedy, shot with unobstrusive, naturalistic dynamism by Hélène Louvart,...
- 9/29/2023
- by Jessica Kiang
- Variety Film + TV
Sylvester Stallone has been a fixture of pop culture for some 50 years, and it began with "Rocky," one of Hollywood's biggest success stories. That is not hyperbole. Stallone wrote a script that took him from obscurity and made him an Oscar-nominated actor and writer with instant star power and a few million in the bank.
Hopes were high for Stallone. Roger Ebert, for instance, wrote that the young actor reminded him of Marlon Brando, who had played a journeyman fighter in "On The Waterfront." However, thanks to mindless vanity pieces like "Cobra" and "Rambo: First Blood Part II," it wouldn't be long before such a comparison was viewed with derision.
Still, people shouldn't forget what made Stallone a success from 1976 to 1982, during which he proved himself as an actor of intelligence, naturalism, and heart. A mixture of ego and '80s commercialism reoriented his dramatic foundation throughout the rest of the decade,...
Hopes were high for Stallone. Roger Ebert, for instance, wrote that the young actor reminded him of Marlon Brando, who had played a journeyman fighter in "On The Waterfront." However, thanks to mindless vanity pieces like "Cobra" and "Rambo: First Blood Part II," it wouldn't be long before such a comparison was viewed with derision.
Still, people shouldn't forget what made Stallone a success from 1976 to 1982, during which he proved himself as an actor of intelligence, naturalism, and heart. A mixture of ego and '80s commercialism reoriented his dramatic foundation throughout the rest of the decade,...
- 4/15/2023
- by Jack Hawkins
- Slash Film
John Lithgow and Sebastian Stan in “Sharper,” now streaming on Apple TV+. By the time John Lithgow was cast as Richard Hobbes in the film Sharper, Sebastian Stan had already been attached to the role of Max, who is introduced as Hobbes’s girlfriend’s son. And though the film’s script called for the relationship between the two characters to be a tense one, the relationship between the two actors was anything but tense. Lithgow told us that the more he got to work with Stan, the more impressed he was by Stan’s energy and personality. (Click on the media bar below to hear John Lithgow) https://www.hollywoodoutbreak.com/wp-content/uploads/2023/03/John_Lithgow_Sebastian_Stan_.mp3 Sharper is currently streaming on Apple TV+.
The post ‘Sharper’ Gives John Lithgow A ‘Great New Friend,’ Sebastian Stan appeared first on Hollywood Outbreak.
The post ‘Sharper’ Gives John Lithgow A ‘Great New Friend,’ Sebastian Stan appeared first on Hollywood Outbreak.
- 3/7/2023
- by Hollywood Outbreak
- HollywoodOutbreak.com
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