After his two attempts at the international glory with English-language movies “The Sense of an Ending” (2014) and “Our Souls at Night” (2017), Ritesh Batra is back to the territory he is most familiar with, the heart-warming Indian romance he created with his feature debut “The Lunchbox” (2013) which became a huge festival hit. His newest film, “Photograph” (2019) walks pretty much the same ground, content-, execution-, and festival distribution-wise. After its world premiere at Sundance last year and European premiere at Berlinale, it went on an extended, seemingly never-ending festival tour, parallel with the wide cinema release. Better late than never, could be said for its screening at this year’s online edition of Zagreb Film Festival and the review here.
Our man Rafi (Nawazuddin Siddiqui) is a forty-something street photographer whose pitch to the tourists at The Gateway of India is that the photograph is an all-senses memory experience: once they see the photograph,...
Our man Rafi (Nawazuddin Siddiqui) is a forty-something street photographer whose pitch to the tourists at The Gateway of India is that the photograph is an all-senses memory experience: once they see the photograph,...
- 11/18/2020
- by Marko Stojiljković
- AsianMoviePulse
<div>Producer, director, screenplay writer, lead actor...'Aisha' is one of those rare Bollywood projects where women seem to have called the shots for every little thing.</div><div></div><div>And rightly so, says Rhea Kapoor, Bollywood star Anil Kapoor's younger daughter, who at 23 is proudly the youngest Bollywood producer. The film has her elder sister Sonam Kapoor in the lead.</div><div></div><div>'Women do think in a way which is more detailed and meticulous than men. And they want to make everything around them beautiful. They have a mother-like feeling towards whatever they do and that's why so many women gravitated towards 'Aisha' because it was like everybody's baby,' Rhea told Ians.</div><div></div><div>While Rhea pumped in money, Rajshree Ojha wielded the megaphone, Devika Bhagat wrote the screenplay, Amita Sehgal was the casting director, and the production designing was done by Shruti Gupte.</div><div></div><div>In the dialogues department, Devika teamed up...
- 7/24/2010
- Filmicafe
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