A few years ago, I had the chance to visit the set of the Brazilian horror film The Trace We Leave Behind (a.k.a. O Rastro), which didn’t quite get the big international release it was originally supposed to, but did turn out to be a cool movie. You can read my review at This Link. The Trace We Leave Behind turned out so well, I’m very glad to hear that producer André Pereira has made a new horror film, this time teaming up with History of the Occult director Cristian Ponce for A Mother’s Embrace.
Variety got their hands on a couple first-look images from A Mother’s Embrace, and those can be seen at the bottom of this article.
Directed by Ponce from a script he wrote with Pereira and Gabriela Capello, this film is set in 1996, during one of the biggest storms to ever hit Rio de Janeiro.
Variety got their hands on a couple first-look images from A Mother’s Embrace, and those can be seen at the bottom of this article.
Directed by Ponce from a script he wrote with Pereira and Gabriela Capello, this film is set in 1996, during one of the biggest storms to ever hit Rio de Janeiro.
- 6/23/2023
- by Cody Hamman
- JoBlo.com
Brazil’s Lupa Filmes has revealed first-look images for Cristian Ponce’s upcoming survival horror “A Mother’s Embrace” – co-produced by Morbido Group’s Pablo Guisa Koestinger – ahead of its bow at Cannes’ Fantastic Pavilion, where genre industry professionals will also be treated to the sneak peak of the trailer.
Previously behind animated webseries “The Kirlian Frequency”, acquired by Netflix, in 2020 Ponce directed big breakout “History of the Occult,” which marked his feature debut. The film was described as the highest-rated horror movie of 2021 on Letterboxd’s Year in Review roundup, as voted by users of the film rating social platform.
Set in 1996, during one of the biggest storms to ever hit Rio de Janeiro, “A Mother’s Embrace” will see a team of firefighters trying to evacuate a nursing home at risk of collapsing. But its mysterious residents have other plans.
“Rio is known for its warm weather and beaches,...
Previously behind animated webseries “The Kirlian Frequency”, acquired by Netflix, in 2020 Ponce directed big breakout “History of the Occult,” which marked his feature debut. The film was described as the highest-rated horror movie of 2021 on Letterboxd’s Year in Review roundup, as voted by users of the film rating social platform.
Set in 1996, during one of the biggest storms to ever hit Rio de Janeiro, “A Mother’s Embrace” will see a team of firefighters trying to evacuate a nursing home at risk of collapsing. But its mysterious residents have other plans.
“Rio is known for its warm weather and beaches,...
- 5/11/2023
- by Marta Balaga
- Variety Film + TV
One of Brazil’s biggest film-tv stars, Marjorie Estiano – an International Emmy nominee for her performance in Globo’s “Under Pressure” and star of Marco Dutra and Juliana Rojas’ Locarno winner “Good Manners” – is attached to take the lead in one of the most awaited Latin American genre films of 2023, Brazilian horror feature “A Mother’s Embrace.”
The sophomore feature from Argentina’s Cristian Ponce, director of Argentine genre breakout “History of the Occult,” the highest-rated horror title on Letterboxd’s 2021 Year in Review.
“A Mother’s Embrace” is scheduled to go into production next March.
It is written by Ponce and pic’s producer André Pereira, who has Carrión at Ventana Sur’s Blood Window and whose company, Lupa Filmes, produced “The Trace We Leave Behind,” which broke 30-year-old box-office records for a Brazilian horror movie.
“A Mother¡s Embrace” proved a highlight a the Sanfic Morbido Lab 2022, where it won the pitching prize.
The sophomore feature from Argentina’s Cristian Ponce, director of Argentine genre breakout “History of the Occult,” the highest-rated horror title on Letterboxd’s 2021 Year in Review.
“A Mother’s Embrace” is scheduled to go into production next March.
It is written by Ponce and pic’s producer André Pereira, who has Carrión at Ventana Sur’s Blood Window and whose company, Lupa Filmes, produced “The Trace We Leave Behind,” which broke 30-year-old box-office records for a Brazilian horror movie.
“A Mother¡s Embrace” proved a highlight a the Sanfic Morbido Lab 2022, where it won the pitching prize.
- 11/28/2022
- by John Hopewell
- Variety Film + TV
“History of the Occult” director Cristian Ponce, “The Trace We Leave Behind” producer André Pereira and “Huesera” producer Edher Campos all have projects at the 3rd Sanfic Morbido Lab, Sanfic’s genre/fantastic film showcase which looks packed with riches.
Also noticeable, three of the six projects are set to be directed by female genre auteurs – Argentina’s Laura Sánchez Acosta, Spain’s Marta Medina del Valle and French-Spanish screenwriter Elisa Puerto Aubel – as women create an ever larger number of the most exciting elevated genre movies coming out of Spain and Latin America.
Appropriately enough, given Sanfic takes place in Santiago de Chile, Chile accounts for two projects at the Lab, Daniel Aspillaga’s “Plasma,” a part body horror mockumentary, and Cristián Grez Donoso’s “Magic Word,” turning on an aged and crazed former amusement park actor.
The potential impact of projects is underscored by recent events. On “A Mother’s Embrace,...
Also noticeable, three of the six projects are set to be directed by female genre auteurs – Argentina’s Laura Sánchez Acosta, Spain’s Marta Medina del Valle and French-Spanish screenwriter Elisa Puerto Aubel – as women create an ever larger number of the most exciting elevated genre movies coming out of Spain and Latin America.
Appropriately enough, given Sanfic takes place in Santiago de Chile, Chile accounts for two projects at the Lab, Daniel Aspillaga’s “Plasma,” a part body horror mockumentary, and Cristián Grez Donoso’s “Magic Word,” turning on an aged and crazed former amusement park actor.
The potential impact of projects is underscored by recent events. On “A Mother’s Embrace,...
- 7/29/2022
- by John Hopewell
- Variety Film + TV
Brazilian revenge thriller “Carrion” was Tuesday named as winner of the Bucheon Award, the top prize at the Naff Project Market, which is operated alongside the Bucheon International Fantastic Film Festival (BiFan) in South Korea.
The project (aka “Carnica”) which is currently in development, sees a woman attacked by a gang of outlaws who also steal her child. She makes a pact to have her revenge in this world or, if necessary, in the next. The project is to be directed by Renata Pinheiro and produced by Andre Pereira, who was in Bucheon to pitch to potential buyers, co-producers and financiers.
Entering Naff, the filmmakers had assembled 25,000 of an estimated 1.6 million production budget. The Bucheon prize gives them an additional KRW20 million. Additionally, winning the Blood Window prize, earns them flights, accommodation and accreditation to take the project to the Ventana Sur market in Argentina.
“ ‘Carrion’ represents all the good...
The project (aka “Carnica”) which is currently in development, sees a woman attacked by a gang of outlaws who also steal her child. She makes a pact to have her revenge in this world or, if necessary, in the next. The project is to be directed by Renata Pinheiro and produced by Andre Pereira, who was in Bucheon to pitch to potential buyers, co-producers and financiers.
Entering Naff, the filmmakers had assembled 25,000 of an estimated 1.6 million production budget. The Bucheon prize gives them an additional KRW20 million. Additionally, winning the Blood Window prize, earns them flights, accommodation and accreditation to take the project to the Ventana Sur market in Argentina.
“ ‘Carrion’ represents all the good...
- 7/12/2022
- by Patrick Frater
- Variety Film + TV
Further winners included ‘Posthouse’ from the Philippines.
Brazilian director Renata Pinheiro’s fantasy horror Carrion has claimed the top Bucheon Award at the 15th Network of Asian Fantastic Films (Naff) project market, which runs parallel to the Bucheon International Fantastic Film Festival (Bifan) in South Korea.
The revenge thriller, based on a graphic novel by Brazilian writer and artist Shiko, follows a woman was kidnapped by a gang of outlaws and makes a pact with an otherworldly entity to seek vengeance.
Scoll down for full list of winners
The project, produced by Andre Pereira for Rio-based Lupa Filmes, received a cash prize of KRW20 million.
Brazilian director Renata Pinheiro’s fantasy horror Carrion has claimed the top Bucheon Award at the 15th Network of Asian Fantastic Films (Naff) project market, which runs parallel to the Bucheon International Fantastic Film Festival (Bifan) in South Korea.
The revenge thriller, based on a graphic novel by Brazilian writer and artist Shiko, follows a woman was kidnapped by a gang of outlaws and makes a pact with an otherworldly entity to seek vengeance.
Scoll down for full list of winners
The project, produced by Andre Pereira for Rio-based Lupa Filmes, received a cash prize of KRW20 million.
- 7/12/2022
- by Silvia Wong
- ScreenDaily
Taking place on site in five cities – Madrid, São Paulo, Mexico City, Bogotá and Santiago de Chile – and online for the rest of the world, Ventana Sur, Latin America’s biggest film market, climaxed Friday with a virtual awards ceremony for its major industry competitions hosted out of Buenos Aires.
Awards went to some buzzed up titles from major production houses, as well as others – “Me & The Beasts,” for example, which came from seemingly nowhere to take multiple industry sponsors by storm.
Following, the prize winners:
Primer Corte
Venezuelan Nico Manzano’s “Me & The Beasts” – an original, fantasy-tinged drama turning on a singer seeking inspiration as Venezuela’s crisis roils – won three of the six prizes on offer at Ventana Sur’s 2020 Primer Corte, its art film pix-in-post competition. Post-production prizes took in a Dcp copy (Nmf/Colorfront), color correction and Vxf supervision (Sofia Films) and a final mix check (La Mayor.
Awards went to some buzzed up titles from major production houses, as well as others – “Me & The Beasts,” for example, which came from seemingly nowhere to take multiple industry sponsors by storm.
Following, the prize winners:
Primer Corte
Venezuelan Nico Manzano’s “Me & The Beasts” – an original, fantasy-tinged drama turning on a singer seeking inspiration as Venezuela’s crisis roils – won three of the six prizes on offer at Ventana Sur’s 2020 Primer Corte, its art film pix-in-post competition. Post-production prizes took in a Dcp copy (Nmf/Colorfront), color correction and Vxf supervision (Sofia Films) and a final mix check (La Mayor.
- 12/4/2020
- by John Hopewell, Emilio Mayorga and Jamie Lang
- Variety Film + TV
Exclusive: Palestinian hybrid work Ghost Hunting and Brazil’s The Trace [pictured] among works to be presented.
The Marché du Film’s Producers Network at the Cannes Film Festival (May 11-22) will put the spotlight on film projects from Brazil and Palestine this year in two separate sessions scheduled for one of its networking breakfasts.
The initiative adds a new dimension to the traditional breakfast “Spotlights” which have previously focused on producers from different territories.
“The idea is to do brief presentations of the projects at the beginning of the breakfasts so that those who are interested can then set up individual meetings,” said Marché chief Jerome Paillard.
“We’re not trying to branch into co-production in any big way, the Cannes Atélier already does that, we just want to set up a framework to support these projects.”
The five other “Spotlights” will present producers from South Africa (Kwazulu Natal Region), the Netherlands, Mexico, Canada...
The Marché du Film’s Producers Network at the Cannes Film Festival (May 11-22) will put the spotlight on film projects from Brazil and Palestine this year in two separate sessions scheduled for one of its networking breakfasts.
The initiative adds a new dimension to the traditional breakfast “Spotlights” which have previously focused on producers from different territories.
“The idea is to do brief presentations of the projects at the beginning of the breakfasts so that those who are interested can then set up individual meetings,” said Marché chief Jerome Paillard.
“We’re not trying to branch into co-production in any big way, the Cannes Atélier already does that, we just want to set up a framework to support these projects.”
The five other “Spotlights” will present producers from South Africa (Kwazulu Natal Region), the Netherlands, Mexico, Canada...
- 3/23/2016
- ScreenDaily
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