The Australian maestro is at the top of one of the world’s most male dominated industries. A new documentary, executive produced by Tár’s Cate Blanchett, charts her rise
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There’s a ventilator humming in the maestro’s interview room – and it’s like a ticking time bomb.
“It’s in E flat – and after a certain amount of time, it will drive me nuts,” says Simone Young, who says she’s a theatre tech’s worst nightmare. There will always be a fixture on a lighting grid somewhere that is gnawing at her ear. In F sharp. Fix it. Please.
Get our weekend culture and lifestyle email
There’s a ventilator humming in the maestro’s interview room – and it’s like a ticking time bomb.
“It’s in E flat – and after a certain amount of time, it will drive me nuts,” says Simone Young, who says she’s a theatre tech’s worst nightmare. There will always be a fixture on a lighting grid somewhere that is gnawing at her ear. In F sharp. Fix it. Please.
- 2/10/2023
- by Kelly Burke
- The Guardian - Film News
Foxtel Arts has joined the Queensland Symphony Orchestra as its 2016 season broadcast partner.
The collaboration will deliver the first locally-produced orchestral content made for Foxtel which will complement the international orchestral programming that already plays each week on Foxtel Arts.
Specifically, the Foxtel Arts-Queensland Symphony Orchestra partnership will see orchestral concerts recorded exclusively for the channel in high-definition and broadcast throughout the first half of 2016..
Foxtel Arts will also promote live attendance at the Qso.s 2016 season - both at its home in Brisbane and across its extensive regional touring calendar.
.Foxtel Arts group operations manager, premium entertainment and channel manager, Fraser Stark, said: .The world-class Qso has programmed an incredibly strong season next year . including the addition of many high-profile soloists and conductors," he said.
"Either in person at the concert hall, or via the screen, we are delighted to bring a passionate arts audience to see and hear...
The collaboration will deliver the first locally-produced orchestral content made for Foxtel which will complement the international orchestral programming that already plays each week on Foxtel Arts.
Specifically, the Foxtel Arts-Queensland Symphony Orchestra partnership will see orchestral concerts recorded exclusively for the channel in high-definition and broadcast throughout the first half of 2016..
Foxtel Arts will also promote live attendance at the Qso.s 2016 season - both at its home in Brisbane and across its extensive regional touring calendar.
.Foxtel Arts group operations manager, premium entertainment and channel manager, Fraser Stark, said: .The world-class Qso has programmed an incredibly strong season next year . including the addition of many high-profile soloists and conductors," he said.
"Either in person at the concert hall, or via the screen, we are delighted to bring a passionate arts audience to see and hear...
- 8/28/2015
- by Inside Film Correspondent
- IF.com.au
As always, there are biases at play here; my greatest interests are symphonic music, choral music, and piano music, so that's what comes my way most often. There are some paired reviews; the ranking of the second of each pair might not be the true, exact ranking, but it works better from a writing standpoint this way.
1. Brahms: Symphonies Nos. 1-4; Academic Festival Overture, Op. 80 Tragic Overture, Op. 81; Variations on a Theme by Haydn, Op. 56a; 3 Hungarian Dances; 9 Liebeslieder Waltzes; Intermezzi, Op. 116 No. 4 & Op. 117 No. 1 Gewandhausorchester/Riccardo Chailly (Decca)
It is not easy, at this point in recording history, to match the giants of the baton in a Brahms cycle, but Chailly has done it (this is my fiftieth Brahms cycle, and I have more than another fifty Brahms Firsts, and upwards of thirty each of the other symphonies outside those cycles, so I've got some basis for comparison...
1. Brahms: Symphonies Nos. 1-4; Academic Festival Overture, Op. 80 Tragic Overture, Op. 81; Variations on a Theme by Haydn, Op. 56a; 3 Hungarian Dances; 9 Liebeslieder Waltzes; Intermezzi, Op. 116 No. 4 & Op. 117 No. 1 Gewandhausorchester/Riccardo Chailly (Decca)
It is not easy, at this point in recording history, to match the giants of the baton in a Brahms cycle, but Chailly has done it (this is my fiftieth Brahms cycle, and I have more than another fifty Brahms Firsts, and upwards of thirty each of the other symphonies outside those cycles, so I've got some basis for comparison...
- 1/6/2014
- by SteveHoltje
- www.culturecatch.com
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