Fears of a future where artificial intelligence overpowers flesh-and-blood humans have always been a paramount tenet of sci-fi storytelling. And when these sentient robots closely resemble human behavior and exterior appearance (as in “Blade Runner” or “AI Artificial Intelligence”), then the conundrum of whether they should be granted human dignity rather than being seen as disposable presents itself. But the closer that such a hypothetical reality feels to our present — with generative AI threatening artistic creation, for example — the less likely it seems we will ever feel compassion for these entities.
French director Jérémie Périn’s cyberpunk mystery “Mars Express” manages to further complicate our sentiments with its dense yet satisfying world-building. A gripping, heady and refreshing 2D animated take on the perils of man and machine coexisting, Périn’s first feature as a director inserts the necessary exposition in a mostly natural manner so we incrementally become aware of how this reality functions.
French director Jérémie Périn’s cyberpunk mystery “Mars Express” manages to further complicate our sentiments with its dense yet satisfying world-building. A gripping, heady and refreshing 2D animated take on the perils of man and machine coexisting, Périn’s first feature as a director inserts the necessary exposition in a mostly natural manner so we incrementally become aware of how this reality functions.
- 5/3/2024
- by Carlos Aguilar
- Variety Film + TV
Like so many cyberpunk movies before it, Jérémie Périn’s ultra-cool and dazzlingly animated “Mars Express” is sustained by the vertigo between the boundlessness of computer technology and the banality of what people do with it. What separates this accomplished French “Ghost in the Shell” homage from its most obvious touchstone — and from several other detective stories in which a police team of people and androids investigate what it means to be human — is the film’s determination to dismantle that dynamic.
Much less nakedly philosophical than anything Mamoru Oshii has ever made, “Mars Express” is nevertheless fascinated by the future that artificial intelligence might choose for itself if it were unshackled from the limits of our mortal imaginations (and from the anxieties that come along with them). Périn is humble enough to only half-guess at an answer, but his steadfast conviction that humans and robots could mutually inhibit the...
Much less nakedly philosophical than anything Mamoru Oshii has ever made, “Mars Express” is nevertheless fascinated by the future that artificial intelligence might choose for itself if it were unshackled from the limits of our mortal imaginations (and from the anxieties that come along with them). Périn is humble enough to only half-guess at an answer, but his steadfast conviction that humans and robots could mutually inhibit the...
- 5/1/2024
- by David Ehrlich
- Indiewire
This article contains spoilers for "X-Men '97."
The sixth and latest episode of "X-Men '97" was titled "Lifedeath – Part 2." Sure enough, it continued the story of Storm and Forge (adapting a classic "X-Men" comic), culminating with Ororo regaining her mutant gifts as she pounds her fears (including claustrophobia and a demon owl) into submission. Gaining her Og Dave Cockrum-designed costume and white locks to show for it, Storm (once more Mistress of the Elements) called down a lightning strike seen from orbit and soared like Superman. But that wasn't all.
Like the previous "Lifedeath," this episode was bifurcated with an unrelated story — a story set a whole galaxy away. The X-Men have told the world that their founder and mentor Charles "Professor X" Xavier is dead, assassinated by anti-mutant extremist Henry Gyrich. That's why Magneto, Charles' heir, has taken his best frenemy's place as team leader (and rekindled his...
The sixth and latest episode of "X-Men '97" was titled "Lifedeath – Part 2." Sure enough, it continued the story of Storm and Forge (adapting a classic "X-Men" comic), culminating with Ororo regaining her mutant gifts as she pounds her fears (including claustrophobia and a demon owl) into submission. Gaining her Og Dave Cockrum-designed costume and white locks to show for it, Storm (once more Mistress of the Elements) called down a lightning strike seen from orbit and soared like Superman. But that wasn't all.
Like the previous "Lifedeath," this episode was bifurcated with an unrelated story — a story set a whole galaxy away. The X-Men have told the world that their founder and mentor Charles "Professor X" Xavier is dead, assassinated by anti-mutant extremist Henry Gyrich. That's why Magneto, Charles' heir, has taken his best frenemy's place as team leader (and rekindled his...
- 4/18/2024
- by Devin Meenan
- Slash Film
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