“Mank,” “Minari,” “Nomadland,” “Sound of Metal” and “The Trial of the Chicago 7” have been nominated in the dramatic-film category at the American Cinema Editors’ 71st annual Ace Eddie Awards, which honors the best in film and television editing.
In the comedy film category, the nominees are “Borat Subsequent Moviefilm,” “I Care a Lot,” “On the Rocks,” “Palm Springs” and “Promising Young Woman.”
The films that were bypassed in the Ace nominations include “Tenet,” “News of the World,” “The Father,” “Da 5 Bloods” and “Ma Rainey’s Black Bottom.”
Over the past decade, 90% of the Oscar nominees for Best Film Editing have first been nominated by the American Cinema Editors. The Oscar nominees are heavily weighted toward the Ace dramatic category, with 34 nominees coming from that category since 2010, as opposed to 11 nominees from the comedy category.
The Ace Eddies’ animated feature nominations went to “The Croods: A New Age,” “Onward,” “Over the Moon,...
In the comedy film category, the nominees are “Borat Subsequent Moviefilm,” “I Care a Lot,” “On the Rocks,” “Palm Springs” and “Promising Young Woman.”
The films that were bypassed in the Ace nominations include “Tenet,” “News of the World,” “The Father,” “Da 5 Bloods” and “Ma Rainey’s Black Bottom.”
Over the past decade, 90% of the Oscar nominees for Best Film Editing have first been nominated by the American Cinema Editors. The Oscar nominees are heavily weighted toward the Ace dramatic category, with 34 nominees coming from that category since 2010, as opposed to 11 nominees from the comedy category.
The Ace Eddies’ animated feature nominations went to “The Croods: A New Age,” “Onward,” “Over the Moon,...
- 3/11/2021
- by Steve Pond
- The Wrap
This year’s American Cinema Editors (Ace) nominations include “Nomadland,” “Mank,” “Minari,” “Sound of Metal” and “The Trial of Chicago 7.”
The guild, which will hand out its awards in a virtual ceremony on April 17, has a good track record forecasting the Oscar best picture winner — it has predicted 18 out of the last 29 winners. Last year, best edited feature film – dramatic went to “Parasite’s” Yang Jin-mo, and the film went on to win best picture at the Oscars. It also has a good record for predicting who wins the best editing Oscar — 23 out of the last 29 winners.
Nominees in comedy feature include “Borat Subsequent Moviefilm,” “I Care a Lot,” “On The Rocks” “Palm Springs” and “Promising Young Woman.”
As previously announced, Spike Lee will receive the Ace Golden Eddie Filmmaker of the Year Award, recognizing a filmmaker who exemplifies distinguished achievement in the art and business of film. Editors Lynzee Klingman...
The guild, which will hand out its awards in a virtual ceremony on April 17, has a good track record forecasting the Oscar best picture winner — it has predicted 18 out of the last 29 winners. Last year, best edited feature film – dramatic went to “Parasite’s” Yang Jin-mo, and the film went on to win best picture at the Oscars. It also has a good record for predicting who wins the best editing Oscar — 23 out of the last 29 winners.
Nominees in comedy feature include “Borat Subsequent Moviefilm,” “I Care a Lot,” “On The Rocks” “Palm Springs” and “Promising Young Woman.”
As previously announced, Spike Lee will receive the Ace Golden Eddie Filmmaker of the Year Award, recognizing a filmmaker who exemplifies distinguished achievement in the art and business of film. Editors Lynzee Klingman...
- 3/11/2021
- by Jazz Tangcay
- Variety Film + TV
Editors on films ranging from Amazon’s Borat Subsequent Moviefilm to Netflix’s The Trial of the Chicago 7 have been nominated for the 71st annual Ace Eddie Awards, presented by the American Cinema Editors to recognize the year’s best in picture editing in 14 film, TV and documentary categories.
Winners will be announced during a virtual awards ceremony April 17, where Spike Lee will receive the Ace Golden Eddie Filmmaker of the Year Award and Lynzee Klingman and Sidney Wolinsky will receive the group’s Career Achievement Awards.
As for today’s nominees, the marquee film categories are split into Dramatic and Comedy. The former features Chicago 7 along with Netflix’s Mank, A24’s Minari, Searchlight’s Nomadland (edited by writer-director Chloé Zhao) and Amazon’s Sound of Metal. The comedy nominees include Borat, Netflix’s I Care a Lot, Apple’s On the Rocks, Neon/Hulu’s Palm Springs...
Winners will be announced during a virtual awards ceremony April 17, where Spike Lee will receive the Ace Golden Eddie Filmmaker of the Year Award and Lynzee Klingman and Sidney Wolinsky will receive the group’s Career Achievement Awards.
As for today’s nominees, the marquee film categories are split into Dramatic and Comedy. The former features Chicago 7 along with Netflix’s Mank, A24’s Minari, Searchlight’s Nomadland (edited by writer-director Chloé Zhao) and Amazon’s Sound of Metal. The comedy nominees include Borat, Netflix’s I Care a Lot, Apple’s On the Rocks, Neon/Hulu’s Palm Springs...
- 3/11/2021
- by Patrick Hipes
- Deadline Film + TV
There was more than enough narrative complexity for editors to tackle in Emmy contenders “The Crown,” “American Gods,” “This Is Us,” “Fargo,” and “Five Came Back.” But through skill and finesse, they helped make these shows compelling and relevant by cutting through the multiple strands of history, mythology, melodrama, and black comedy.
“The Crown” focused on the public and private personas of Queen Elizabeth II (Claire Foy) in post-war England; “American Gods” explored how Old and New Gods fight for attention in modern society; “This Is Us” chose a non-linear structure to show the influence of the past on millennial siblings; “Fargo” dealt with twin brothers (Ewan McGregor) in a third season of absurd crime shenanigans; and “Five Came Back” revealed how the World War II propaganda campaign changed the lives of directors Frank Capra, John Ford, John Huston, George Stevens, and William Wyler.
“The Crown”
In “Hyde Park Corner,...
“The Crown” focused on the public and private personas of Queen Elizabeth II (Claire Foy) in post-war England; “American Gods” explored how Old and New Gods fight for attention in modern society; “This Is Us” chose a non-linear structure to show the influence of the past on millennial siblings; “Fargo” dealt with twin brothers (Ewan McGregor) in a third season of absurd crime shenanigans; and “Five Came Back” revealed how the World War II propaganda campaign changed the lives of directors Frank Capra, John Ford, John Huston, George Stevens, and William Wyler.
“The Crown”
In “Hyde Park Corner,...
- 6/16/2017
- by Bill Desowitz
- Indiewire
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