Oh, Canada debuting this week on the Croisette is high time to see lesser-seen Schrader on the Criterion Channel, who’ll debut an 11-title series including the likes of Touch, The Canyons, and Patty Hearst, while Old Boyfriends (written with his brother Leonard) and his own “Adventures in Moviegoing” are also programmed. Five films by Jean Grémillon, a rather underappreciated figure of French cinema, will be showing
Series-wise, there’s an appreciation of the synth soundtrack stretching all the way back to 1956’s Forbidden Planet while, naturally, finding its glut of titles in the ’70s and ’80s––Argento and Carpenter, obviously, but also Tarkovsky and Peter Weir. A Prince and restorations of films by Bob Odenkirk, Obayashi, John Greyson, and Jacques Rivette (whose Duelle is a masterpiece of the highest order) make streaming debuts. I Am Cuba, Girlfight, The Royal Tenenbaums, and Dazed and Confused are June’s Criterion Editions.
Series-wise, there’s an appreciation of the synth soundtrack stretching all the way back to 1956’s Forbidden Planet while, naturally, finding its glut of titles in the ’70s and ’80s––Argento and Carpenter, obviously, but also Tarkovsky and Peter Weir. A Prince and restorations of films by Bob Odenkirk, Obayashi, John Greyson, and Jacques Rivette (whose Duelle is a masterpiece of the highest order) make streaming debuts. I Am Cuba, Girlfight, The Royal Tenenbaums, and Dazed and Confused are June’s Criterion Editions.
- 5/14/2024
- by Nick Newman
- The Film Stage
The 2024 Cannes Film Festival may be lighter on glitz and glamour than in years past, but that means arthouse and international fare from emerging and established filmmakers will get a chance to shine. Still, at least two American auteurs, Francis Ford Coppola (“Megalopolis”) and Paul Schrader, have films in the main competition for the first time in decades. David Cronenberg (“The Shrouds”) and Yorgos Lanthimos (“Kinds of Kindness”) are also back at the festival, with both making personal stories in their own way: Cronenberg, here, reckons with grief over the death of his wife seven years ago, while Lanthimos appears to retreat back into “Dogtooth” territory in a film that’s almost a rebuke of the global success he’s acquired with “Poor Things” and “The Favourite.”
Sean Baker, Andrea Arnold, Ali Abbasi, Jia Zhangke, Karim Aïnouz, and Paolo Sorrentino are also back at Cannes this year with new films in the competition.
Sean Baker, Andrea Arnold, Ali Abbasi, Jia Zhangke, Karim Aïnouz, and Paolo Sorrentino are also back at Cannes this year with new films in the competition.
- 5/14/2024
- by Ryan Lattanzio, David Ehrlich and Kate Erbland
- Indiewire
Cannes Competition titles Bird by Andrea Arnold and Emila Perez by Jacques Audiard are among the films eligible for the Queer Palm at this year’s festival.
Any title playing in Cannes which deals in anyway with Lgbtqiaa+ themes is eligible for the Queer Palm, whose jury this year will be presided over by Belgian filmmaker Lukas Dhont. Competing films are drawn from all Cannes selections: Official Selection, Un Certain Regard, Critics’ Week, Directors’ Fortnight and Acid.
Bird centres on a 12-year-old who lives with her single father and brother in a squat and seeks attention and adventure elsewhere; among...
Any title playing in Cannes which deals in anyway with Lgbtqiaa+ themes is eligible for the Queer Palm, whose jury this year will be presided over by Belgian filmmaker Lukas Dhont. Competing films are drawn from all Cannes selections: Official Selection, Un Certain Regard, Critics’ Week, Directors’ Fortnight and Acid.
Bird centres on a 12-year-old who lives with her single father and brother in a squat and seeks attention and adventure elsewhere; among...
- 5/9/2024
- ScreenDaily
Sffilm has announced the winners of the juried Golden Gate Awards competition and the Audience Awards at the 67th San Francisco International Film Festival (Sffilm Festival). The awards serve as a launching pad for internationally renowned filmmakers who are early in their careers, and they qualify films under 40 minutes for the Oscars. Past Golden Gate Award winners include Panah Panahi, Reid Davenport, Nadav Lapid, Marlon Riggs, Céline Sciamma, Jia Zhang-ke, Stanley Nelson, and Tasha Van Zandt.
This year, the 2024 Sffilm Festival ran five days from April 24 – 28 rather than its usual sprawling two weeks. The Sffilm board opted to pull back conservatively where others would have gone bigger to keep a more expansive footprint. Altogether they brought in 130 filmmakers this year, an excellent global selection of films despite the calendar disadvantage of being caught between Sundance and Cannes.
The big talk at this year’s Sffilm was the news that San...
This year, the 2024 Sffilm Festival ran five days from April 24 – 28 rather than its usual sprawling two weeks. The Sffilm board opted to pull back conservatively where others would have gone bigger to keep a more expansive footprint. Altogether they brought in 130 filmmakers this year, an excellent global selection of films despite the calendar disadvantage of being caught between Sundance and Cannes.
The big talk at this year’s Sffilm was the news that San...
- 4/30/2024
- by Ryan Lattanzio and Anne Thompson
- Indiewire
In what looks to be another robust year in the making, the 77th edition of the Cannes Film Festival will bring together several iconic filmmakers, including Francis Ford Coppola with “Megalopolis” starring Adam Driver, George Miller with “Furiosa” starring Anya Taylor-Joy, as well as George Lucas who will be feted with an honorary Palme d’Or. Kevin Costner will also be on hand with the first installment of his Western epic “Horizon, an American Saga.”
Some of the high-profile films in the pipeline for this year’s competition include Yorgos Lanthimos’ “Kinds of Kindness,” a stylized three-part story set in the present that reunites the “Poor Things” helmer with Emma Stone and Willem Dafoe; Paul Schrader’s “Oh, Canada” with Richard Gere, based on a novel by the late Russell Banks (“Affliction”); Jacques Audiard’s musical melodrama “Emilia Perez” starring Zoe Saldana and Selena Gomez; Paolo Sorrentino’s “Parthenope” with...
Some of the high-profile films in the pipeline for this year’s competition include Yorgos Lanthimos’ “Kinds of Kindness,” a stylized three-part story set in the present that reunites the “Poor Things” helmer with Emma Stone and Willem Dafoe; Paul Schrader’s “Oh, Canada” with Richard Gere, based on a novel by the late Russell Banks (“Affliction”); Jacques Audiard’s musical melodrama “Emilia Perez” starring Zoe Saldana and Selena Gomez; Paolo Sorrentino’s “Parthenope” with...
- 4/11/2024
- by Elsa Keslassy, Ellise Shafer, Alex Ritman and Peter Debruge
- Variety Film + TV
From gritty banlieue drama Girlhood to period piece Portrait of a Lady on Fire and animation My Life As a Courgette, the French director’s films never fail to connect eloquently with us
“Does French film-maker Céline Sciamma ever put a foot wrong?” That’s a question I posed in my 2021 Observer review of Petite Maman, a sublime modern fable in which a young girl meets her soulmate – a mirror-image child who appears to be a young incarnation of her mother. The film is an astonishing work, a U-certificate masterpiece for children of all ages, conjuring a magical reality in which characters converse across generational divides in disarmingly matter-of-fact fashion. The time-travelling setup may be fantastical, but there’s nothing fanciful or far-fetched about the emotions the film provokes. On the contrary, Sciamma adopts the magical elements of ghost stories and fairytales to create a down-to-earth coming-of-age parable notable for just how real it feels.
“Does French film-maker Céline Sciamma ever put a foot wrong?” That’s a question I posed in my 2021 Observer review of Petite Maman, a sublime modern fable in which a young girl meets her soulmate – a mirror-image child who appears to be a young incarnation of her mother. The film is an astonishing work, a U-certificate masterpiece for children of all ages, conjuring a magical reality in which characters converse across generational divides in disarmingly matter-of-fact fashion. The time-travelling setup may be fantastical, but there’s nothing fanciful or far-fetched about the emotions the film provokes. On the contrary, Sciamma adopts the magical elements of ghost stories and fairytales to create a down-to-earth coming-of-age parable notable for just how real it feels.
- 4/6/2024
- by Mark Kermode
- The Guardian - Film News
Ryûsuke Hamaguchi, Christopher Nolan, Spike Lee, Chantal Akerman, Theo Angelopoulos, Lynne Ramsay, Tsai Ming-liang, Michael Haneke, Lee Chang-dong, Terence Davies, Shōhei Imamura, Bi Gan, Hou Hsiao-hsien, Jia Zhangke, Wong Kar-wai, Yorgos Lanthimos, Denis Villleneuve, Céline Sciamma, Guillermo del Toro, Kelly Reichardt. Those are just a few of the filmmakers introduced to New York audiences at New Directors/New Films over the last half-century across over 1,100 premieres.
Now returning for its 53rd edition at Film at Lincoln Center and The Museum of Modern Art from April 3-14, this year’s lineup features 35 new films, presenting prizewinners from Berlin, Cannes, Locarno, Sarajevo, and Sundance film festivals. Ahead of the festival kicking off next week, we’ve gathered fourteen films to see, and one can explore the full lineup and schedule here.
All, or Nothing at All (Jiajun “Oscar” Zhang)
In All, or Nothing at all, director Jiajun “Oscar” Zhang employs an experimental...
Now returning for its 53rd edition at Film at Lincoln Center and The Museum of Modern Art from April 3-14, this year’s lineup features 35 new films, presenting prizewinners from Berlin, Cannes, Locarno, Sarajevo, and Sundance film festivals. Ahead of the festival kicking off next week, we’ve gathered fourteen films to see, and one can explore the full lineup and schedule here.
All, or Nothing at All (Jiajun “Oscar” Zhang)
In All, or Nothing at all, director Jiajun “Oscar” Zhang employs an experimental...
- 4/1/2024
- by The Film Stage
- The Film Stage
Bettina Blümner’s “Vamos a la playa” won ArteKino Festival’s European Audience Award at a ceremony co-organized by the iconic French fashion house Chanel in Paris.
Held at La Femis, Paris’ prestigious film school, the event also included a conversation with French filmmaker Rebecca Zlotowski (“Other People’s Children”), followed by a ceremony honoring Blümner and a screening of “Vamos a la playa,” as well as a posh cocktail which brought together film talent, executives and students.
ArteKino Festival is a competitive online event taking place in December and showcasing director-driven films which are made available in six language across 32 countries on the website of Arte and its YouTube channel.
“Vamos a la playa” was one of the 12 feature films selected for the latest edition of ArteKino Festival, an initiative spearheaded by Remi Burah, ArteKino Foundation president and CEO of Arte France Cinema, the film division of the TV network.
Held at La Femis, Paris’ prestigious film school, the event also included a conversation with French filmmaker Rebecca Zlotowski (“Other People’s Children”), followed by a ceremony honoring Blümner and a screening of “Vamos a la playa,” as well as a posh cocktail which brought together film talent, executives and students.
ArteKino Festival is a competitive online event taking place in December and showcasing director-driven films which are made available in six language across 32 countries on the website of Arte and its YouTube channel.
“Vamos a la playa” was one of the 12 feature films selected for the latest edition of ArteKino Festival, an initiative spearheaded by Remi Burah, ArteKino Foundation president and CEO of Arte France Cinema, the film division of the TV network.
- 3/27/2024
- by Elsa Keslassy
- Variety Film + TV
The entire film industry is soon to descend upon the Côte d’Azur this May as the Cannes Film Festival readies for its 77th edition. From May 14 through May 25, the iconic festival event of the year will host much-awaited new works for auteurs and rising directors alike, across sections like the Competition, Directors’ Fortnight, Un Certain Regard (with jury president Xavier Dolan), and Critics’ Week. Major prizes will come at the end of the festival, and will no doubt set the tone for the movie year ahead.
Such was the case last year when Justine Triet’s eventual Oscar winner “Anatomy of a Fall” took home the top award, the Palme d’Or, the fourth consecutive film distributed by Neon to do so. Jonathan Glazer’s 2023 Grand Prize winner “The Zone of Interest” also won two Academy Awards, while Competition entries “Perfect Days” and “May December” earned Oscar nominations, too.
Such was the case last year when Justine Triet’s eventual Oscar winner “Anatomy of a Fall” took home the top award, the Palme d’Or, the fourth consecutive film distributed by Neon to do so. Jonathan Glazer’s 2023 Grand Prize winner “The Zone of Interest” also won two Academy Awards, while Competition entries “Perfect Days” and “May December” earned Oscar nominations, too.
- 3/27/2024
- by Ryan Lattanzio, Kate Erbland and David Ehrlich
- Indiewire
StudioCanal said today that it has set plans to launch a new film and TV genre label led by Jed Benedict, who will rejoin the company to lead the brand.
Benedict will be based in the UK and report to EVP, of Global Production Ron Halpern. The company said he will be responsible for “ensuring StudioCanal’s editorial line in genre content as Head of StudioCanal new genre label.” He will also work with the StudioCanal French production team.
The company has said the new label will “encompass film and TV series development, production, and distribution.”
“I am so delighted to return to StudioCanal, who have fully embraced the opportunity to create a destination for talented artists – established and new – with bold and daring visionary ambition,” Benedict said.
Benedict added that the new genre label will have the “freedom of working in the shadows where we believe the genre film...
Benedict will be based in the UK and report to EVP, of Global Production Ron Halpern. The company said he will be responsible for “ensuring StudioCanal’s editorial line in genre content as Head of StudioCanal new genre label.” He will also work with the StudioCanal French production team.
The company has said the new label will “encompass film and TV series development, production, and distribution.”
“I am so delighted to return to StudioCanal, who have fully embraced the opportunity to create a destination for talented artists – established and new – with bold and daring visionary ambition,” Benedict said.
Benedict added that the new genre label will have the “freedom of working in the shadows where we believe the genre film...
- 3/6/2024
- by Zac Ntim
- Deadline Film + TV
Belgian filmmaker Lukas Dhont will preside over this year’s Queer Palm jury at Cannes.
The director won the award himself in 2015 with his debut feature Girl as well as picking up the Camera d’Or. His second feature Close was nominated when it premiered at the festival in 2022 and went on to win the grand prix.
As previously announced, Dhont will mentor the inaugural Queer Palm Lab later this year where five young filmmakers participate in a year-long residency with their first queer feature film. Applications open next month.
Last year, the Queer Palm was presented to Hirokazu Kore-eda...
The director won the award himself in 2015 with his debut feature Girl as well as picking up the Camera d’Or. His second feature Close was nominated when it premiered at the festival in 2022 and went on to win the grand prix.
As previously announced, Dhont will mentor the inaugural Queer Palm Lab later this year where five young filmmakers participate in a year-long residency with their first queer feature film. Applications open next month.
Last year, the Queer Palm was presented to Hirokazu Kore-eda...
- 2/21/2024
- ScreenDaily
Arthouse streamer Mubi has unveiled a deal to take a majority stake in Benelux indie distributor Cineart.
Terms of the deal were not disclosed, but the agreement will see the management team at Cineart remain intact, while co-CEOs and longtime execs Marc Smit and Stephan De Potter will retain “significant” stakes in the company.
“I’ve known and worked with Marc and Stephan for over 15 years, and admire what they’ve done with Cinéart. They are two of the most sophisticated and visionary operators in the business. We are delighted to be partnering with them and the whole team at Cineart, and can’t wait to bring more great films to audiences in Benelux together,” Efe Cakarel, founder and CEO of Mubi, said in a statement on Tuesday.
Cineart was part of a multi-territory deal for Sofia Coppola’s feature Priscilla ahead of a world premiere at the Venice Film Festival.
Terms of the deal were not disclosed, but the agreement will see the management team at Cineart remain intact, while co-CEOs and longtime execs Marc Smit and Stephan De Potter will retain “significant” stakes in the company.
“I’ve known and worked with Marc and Stephan for over 15 years, and admire what they’ve done with Cinéart. They are two of the most sophisticated and visionary operators in the business. We are delighted to be partnering with them and the whole team at Cineart, and can’t wait to bring more great films to audiences in Benelux together,” Efe Cakarel, founder and CEO of Mubi, said in a statement on Tuesday.
Cineart was part of a multi-territory deal for Sofia Coppola’s feature Priscilla ahead of a world premiere at the Venice Film Festival.
- 2/6/2024
- by Etan Vlessing
- The Hollywood Reporter - Movie News
Mubi has acquired a majority stake in Amsterstam and Brussels-based distributor Cineart.
Led by Marc Smit and Stephan De Potter, Cineart focuses on releasing independent films across Benelux. Over the years, it has handled titles such as Slumdog Millionaire, The Artist, Son Of Saul, The Worst Person In The World, The Whale and The Zone Of Interest.
Cineart is the latest European company acquisition by streamer and distributor Mubi. Two years ago, Mubi acquired sales agent and production company The Match Factory and Match Factory Productions.
In a statement, Mubi said that Cineart’s management team will continue to lead...
Led by Marc Smit and Stephan De Potter, Cineart focuses on releasing independent films across Benelux. Over the years, it has handled titles such as Slumdog Millionaire, The Artist, Son Of Saul, The Worst Person In The World, The Whale and The Zone Of Interest.
Cineart is the latest European company acquisition by streamer and distributor Mubi. Two years ago, Mubi acquired sales agent and production company The Match Factory and Match Factory Productions.
In a statement, Mubi said that Cineart’s management team will continue to lead...
- 2/6/2024
- ScreenDaily
Exclusive: Cannes Marché du Film has unveiled the four film industry professionals who will select the projects for the second edition of its Investors Circle initiative.
The one-day event – taking place within the framework of this year’s market, running from May 14 to 22 – is aimed at connecting elevated, international feature film projects with film financiers and high-net worth individuals with a desire to invest in cinema.
This year’s selection committee comprises Arte France Cinéma CEO Remi Burah; French film and TV biz entrepreneur Serge Hayat; Georgian cinema professional Tamara Tatishvili, who is currently head of the International Film Festival Rotterdam’s Hubert Bals Fund, and Korean co-production expert Wonsun Shin.
The projects are gathered through a combination of networking and scouting as well as direct submissions to the Cannes Marché du Film up until February 29. The Selection Committee will meet throughout March to decide the final line-up.
Aleksandra Zakharchenko,...
The one-day event – taking place within the framework of this year’s market, running from May 14 to 22 – is aimed at connecting elevated, international feature film projects with film financiers and high-net worth individuals with a desire to invest in cinema.
This year’s selection committee comprises Arte France Cinéma CEO Remi Burah; French film and TV biz entrepreneur Serge Hayat; Georgian cinema professional Tamara Tatishvili, who is currently head of the International Film Festival Rotterdam’s Hubert Bals Fund, and Korean co-production expert Wonsun Shin.
The projects are gathered through a combination of networking and scouting as well as direct submissions to the Cannes Marché du Film up until February 29. The Selection Committee will meet throughout March to decide the final line-up.
Aleksandra Zakharchenko,...
- 2/6/2024
- by Melanie Goodfellow
- Deadline Film + TV
Arthouse streamer and distributor Mubi has acquired a majority stake in leading Benelux indie distributor Cinéart, further bolstering its global firepower as it continues to expand outside of its core streaming business.
Financial details of the deal were not revealed, but the acquisition will see Cinéart’s management team continue to lead the company as an independent European distributor, with no changes in operations. Cinéart will maintain its current team structure and slate of films, and will carry on working closely with its long time partners. Co-CEOs of Cinéart, Marc Smit and Stephan De Potter, will remain significant shareholders of the company.
Founded in 1975 by the late Eliane Dubois, Cinéart has offices in Amsterdam and Brussels and has released numerous prestige independent films, including “Slumdog Millionaire,” “The Artist,” “Amour,” “I Daniel Blake,” “Deux Jours Une Nuit,” “Son of Saul,” “The Worst Person in the World,” “The Whale” and current awards contender “The Zone of Interest.
Financial details of the deal were not revealed, but the acquisition will see Cinéart’s management team continue to lead the company as an independent European distributor, with no changes in operations. Cinéart will maintain its current team structure and slate of films, and will carry on working closely with its long time partners. Co-CEOs of Cinéart, Marc Smit and Stephan De Potter, will remain significant shareholders of the company.
Founded in 1975 by the late Eliane Dubois, Cinéart has offices in Amsterdam and Brussels and has released numerous prestige independent films, including “Slumdog Millionaire,” “The Artist,” “Amour,” “I Daniel Blake,” “Deux Jours Une Nuit,” “Son of Saul,” “The Worst Person in the World,” “The Whale” and current awards contender “The Zone of Interest.
- 2/6/2024
- by Alex Ritman
- Variety Film + TV
NYC Weekend Watch is our weekly round-up of repertory offerings.
Museum of Modern Art
A massive run of Luis Buñuel’s Mexican films begins; “To Save and Project,” continues.
Film at Lincoln Center
“Never Look Away: Serge Daney’s Radical 1970s” brings films by Tati, Samuel Fuller, Nicholas Ray (x2), Godard, Straub-Huillet, Pasolini, and more.
Film Forum
“Sapph-o-rama” highlights lesbian cinema with films by Chantal Akerman, Lizzie Borden, Ulrike Ottinger, Yvonne Rainer, Celine Sciamma, and more; a 4K restoration of The Pianist, I Heard It Through the Grapevine, and The Third Man continue; a print of Calamity Jane plays on Sunday.
IFC Center
As Francis Ford Coppola’s latest recut, One from the Heart: Reprise, continues, Bertrand Bonello’s masterpiece Coma gets a New York premiere and a Dario Argento series begins; Barb and Star Go to Vista Del Mar plays late.
Roxy Cinema
Cronenberg’s Crash and Keith McNally...
Museum of Modern Art
A massive run of Luis Buñuel’s Mexican films begins; “To Save and Project,” continues.
Film at Lincoln Center
“Never Look Away: Serge Daney’s Radical 1970s” brings films by Tati, Samuel Fuller, Nicholas Ray (x2), Godard, Straub-Huillet, Pasolini, and more.
Film Forum
“Sapph-o-rama” highlights lesbian cinema with films by Chantal Akerman, Lizzie Borden, Ulrike Ottinger, Yvonne Rainer, Celine Sciamma, and more; a 4K restoration of The Pianist, I Heard It Through the Grapevine, and The Third Man continue; a print of Calamity Jane plays on Sunday.
IFC Center
As Francis Ford Coppola’s latest recut, One from the Heart: Reprise, continues, Bertrand Bonello’s masterpiece Coma gets a New York premiere and a Dario Argento series begins; Barb and Star Go to Vista Del Mar plays late.
Roxy Cinema
Cronenberg’s Crash and Keith McNally...
- 2/2/2024
- by Nick Newman
- The Film Stage
Two years ago, Souheila Yacoub took a call from an unknown number – and on the other end of line was Denis Villeneuve.
“I was so blacked out thinking how unreal it all was that I didn’t really understand everything that happened,” the actor tells Variety. “All I know is he asked me to read for ‘Dune: Part Two’ and shortly thereafter he offered me the part – and I was trying to stay professional, but on the inside I was crying, ‘This is so surreal!’”
One question the Swiss-born, Paris-based gymnast-turned-actor thought best not to ask was how she found her way onto Villeneuve’s radar to begin with.
“I was so nervous that he’d made mistake – that he was actually thinking of someone else – that I never dared to ask,” she laughs. “So I just signed the contract and showed up on set.”
With a pedigree that includes...
“I was so blacked out thinking how unreal it all was that I didn’t really understand everything that happened,” the actor tells Variety. “All I know is he asked me to read for ‘Dune: Part Two’ and shortly thereafter he offered me the part – and I was trying to stay professional, but on the inside I was crying, ‘This is so surreal!’”
One question the Swiss-born, Paris-based gymnast-turned-actor thought best not to ask was how she found her way onto Villeneuve’s radar to begin with.
“I was so nervous that he’d made mistake – that he was actually thinking of someone else – that I never dared to ask,” she laughs. “So I just signed the contract and showed up on set.”
With a pedigree that includes...
- 1/23/2024
- by Ben Croll
- Variety Film + TV
When in office, Barack Obama would release his picks for his bracket for NCAA’s March Madness during the college basketball season, as well as cap off the year with a list of his favorite films of the year. Last year’s list consisted of Steven Spielberg’s The Fabelmans, Park Chan-wook’s Decision to Leave, Gina Prince-Bythewood’s The Woman King, Charlotte Wells’ Aftersun, John Patton Ford’s Emily the Criminal, Celine Sciamma’s Petite Maman, Margaret Brown’s Descendant, Audrey Diwane’s Happening, Chinonye Chukwu’s Till, Daniels’ Everything Everywhere All at Once, Fernando León de Aranoa’s The Good Boss, Ryusuke Hamaguchi’s Wheel of Fortune and Fantasy, Asghar Farhadi’s A Hero, Panah Panahi’s Hit the Road, Todd Field’s Tar and Kogonada’s After Yang.
This year, Obama posted his list on social media with the caption, “Earlier this year, writers and actors...
This year, Obama posted his list on social media with the caption, “Earlier this year, writers and actors...
- 12/28/2023
- by EJ Tangonan
- JoBlo.com
Noémie Merlant plays the titular role in the erotic drama based on a script co-written by Diwan and Rebecca Zlotowski.
Naomi Watts and Will Sharpe have rounded out the cast of Audrey Diwan’s English-language feature Emmanuelle that has just wrapped production in Paris. Pathé will release the film in France and France Télévisions has pre-bought the film for local TV broadcast.
Emmanuelle is Diwan’s first English-language feature from Venice Golden Lion-winning Happening director Diwan also features Jamie Campbell Bower, Chacha Huang and Anthony Wong in supporting roles. Shooting started in October and took place in Hong Kong and Paris.
Naomi Watts and Will Sharpe have rounded out the cast of Audrey Diwan’s English-language feature Emmanuelle that has just wrapped production in Paris. Pathé will release the film in France and France Télévisions has pre-bought the film for local TV broadcast.
Emmanuelle is Diwan’s first English-language feature from Venice Golden Lion-winning Happening director Diwan also features Jamie Campbell Bower, Chacha Huang and Anthony Wong in supporting roles. Shooting started in October and took place in Hong Kong and Paris.
- 12/19/2023
- by Rebecca Leffler
- ScreenDaily
Two-time Oscar nominee Naomi Watts has joined the cast of “Emmanuelle,” Audrey Diwan’s highly anticipated erotic drama, Variety has confirmed.
Diwan’s follow-up to the Venice-prizewinning “Happening,” the film is inspired by Emmanuelle Arsan’s novel and is based on a script co-developed by Diwan and Rebecca Zlotowski (“Other People’s Children”). The book centers on a woman and the series of erotic fantasies that she entertains. It was previously made into a 1974 film of the same name, directed by Just Jaeckin and starring Sylvia Kristel, which became a cult hit.
Watts revealed the news when she posted a now-deleted Instagram Story with “Emmanuelle” co-star Noemie Merlant, a critically acclaimed French actor who broke through in Céline Sciamma’s “Portrait of a Lady on Fire” and made her English-speaking debut in Todd Field’s Oscar-nominated film “Tar.” Merlant plays the titular role in “Emmanuelle.” The rest of the cast comprises...
Diwan’s follow-up to the Venice-prizewinning “Happening,” the film is inspired by Emmanuelle Arsan’s novel and is based on a script co-developed by Diwan and Rebecca Zlotowski (“Other People’s Children”). The book centers on a woman and the series of erotic fantasies that she entertains. It was previously made into a 1974 film of the same name, directed by Just Jaeckin and starring Sylvia Kristel, which became a cult hit.
Watts revealed the news when she posted a now-deleted Instagram Story with “Emmanuelle” co-star Noemie Merlant, a critically acclaimed French actor who broke through in Céline Sciamma’s “Portrait of a Lady on Fire” and made her English-speaking debut in Todd Field’s Oscar-nominated film “Tar.” Merlant plays the titular role in “Emmanuelle.” The rest of the cast comprises...
- 12/19/2023
- by Elsa Keslassy
- Variety Film + TV
In “Àma Gloria,” directed by Marie Amachoukeli, childhood is the domain of formative gains and losses. After opening this year’s Cannes Critics’ Week, the film screened as part of the Meet the Neighbors+ competition at the Thessaloniki Film Festival. Amachoukeli previously co-directed “Party Girl,” which won Cannes’ Camera d’Or in 2014.
“Àma Gloria” introduces us to six-year-old Cléo (Louise Mauroy-Panzani), who lives in Paris with her widower dad Arnaud (Arnaud Rebotini) and her nanny Gloria (Ilça Moreno Zego). A blissfully constructed day-to-day routine keeps the world in order until one day Gloria has to return to her Cape Verdean family. In preparation to leave France for good, she invites Cléo to spend the summer with her in Cape Verde.
“Àma Gloria” unfolds as an exploration of childhood through the eyes of its young protagonist. Reviewing the film for Variety, critic Jessica Kiang called it “a debut made dazzling by...
“Àma Gloria” introduces us to six-year-old Cléo (Louise Mauroy-Panzani), who lives in Paris with her widower dad Arnaud (Arnaud Rebotini) and her nanny Gloria (Ilça Moreno Zego). A blissfully constructed day-to-day routine keeps the world in order until one day Gloria has to return to her Cape Verdean family. In preparation to leave France for good, she invites Cléo to spend the summer with her in Cape Verde.
“Àma Gloria” unfolds as an exploration of childhood through the eyes of its young protagonist. Reviewing the film for Variety, critic Jessica Kiang called it “a debut made dazzling by...
- 11/14/2023
- by Savina Petkova
- Variety Film + TV
Neon is circling U.S. rights to Audrey Diwan’s English-language debut, “Emmanuelle,” an erotic drama that started filming in September in Paris with Noemie Merlant starring in the titular role.
The film is inspired by Emmanuelle Arsan’s novel and is based on a script co-developed by Diwan and Rebecca Zlotowski (“Other People’s Children”). The book centers on a woman and the series of erotic fantasies that she entertains. It was previously made into a 1974 film of the same name, directed by Just Jaeckin, and starring Sylvia Kristel. That film developed as a cult hit.
Diwan is best known for her sophomore outing, “Happening,” which received critical raves and won the Golden Lion at the Venice Film Festival. “Happening” tells the story of a woman obtaining an illegal abortion in the 1960s. After its Venice premiere, the film went on to win the César Award for best female newcomer...
The film is inspired by Emmanuelle Arsan’s novel and is based on a script co-developed by Diwan and Rebecca Zlotowski (“Other People’s Children”). The book centers on a woman and the series of erotic fantasies that she entertains. It was previously made into a 1974 film of the same name, directed by Just Jaeckin, and starring Sylvia Kristel. That film developed as a cult hit.
Diwan is best known for her sophomore outing, “Happening,” which received critical raves and won the Golden Lion at the Venice Film Festival. “Happening” tells the story of a woman obtaining an illegal abortion in the 1960s. After its Venice premiere, the film went on to win the César Award for best female newcomer...
- 11/2/2023
- by Elsa Keslassy
- Variety Film + TV
An eight-year-old struggles with her gender identity one long, hot summer in Basque director Estibaliz Urresola Solaguren’s beguiling debut feature
There’s something transformative about the summer holidays. Those long, relaxed weeks released from the constraints and expectations of school offer the promise of reinvention, of hitherto undreamed of freedoms. The blank slate of vacation friendships, forged in the moment, with no historical baggage to drag along, gives a chance to start again. It’s no coincidence that so many coming-of-age films unfold against the languid backdrop of an endless childhood summer. But for some kids, that sense of release brings with it its own particular stresses and anxieties. 20,000 Species of Bees, the assured feature debut from Basque director Estibaliz Urresola Solaguren joins pictures such as Céline Sciamma’s Tomboy and Carla Simón’s Summer 1993 in using summer as the foundation for a story of a child struggling...
There’s something transformative about the summer holidays. Those long, relaxed weeks released from the constraints and expectations of school offer the promise of reinvention, of hitherto undreamed of freedoms. The blank slate of vacation friendships, forged in the moment, with no historical baggage to drag along, gives a chance to start again. It’s no coincidence that so many coming-of-age films unfold against the languid backdrop of an endless childhood summer. But for some kids, that sense of release brings with it its own particular stresses and anxieties. 20,000 Species of Bees, the assured feature debut from Basque director Estibaliz Urresola Solaguren joins pictures such as Céline Sciamma’s Tomboy and Carla Simón’s Summer 1993 in using summer as the foundation for a story of a child struggling...
- 10/29/2023
- by Wendy Ide
- The Guardian - Film News
After 21 years at the helm, festival director Wiederspiel steps down after this year’s edition.
The 31st Filmfest Hamburg opens today (September 28) with Jordanian filmmaker Amjad Al Rasheed’s Inshallah A Boy and will close on October 7 with Mika Gustafson’s Paradise Is Burning.
The festival’s accompanying Industry Days from October 2-6 will address issues such as the promotion of young talents in German cinema, diversity and intersectionality, and green producing before rounding off with the fourth edition of the Explorer Conference on October 6.
Festival director Albert Wiederspiel and director of programming Kathrin Kohlstedde talk about preparing their final...
The 31st Filmfest Hamburg opens today (September 28) with Jordanian filmmaker Amjad Al Rasheed’s Inshallah A Boy and will close on October 7 with Mika Gustafson’s Paradise Is Burning.
The festival’s accompanying Industry Days from October 2-6 will address issues such as the promotion of young talents in German cinema, diversity and intersectionality, and green producing before rounding off with the fourth edition of the Explorer Conference on October 6.
Festival director Albert Wiederspiel and director of programming Kathrin Kohlstedde talk about preparing their final...
- 9/28/2023
- by Martin Blaney
- ScreenDaily
When thinking of the best French movies of the 21st century, there are some titles that leap to mind immediately, even if the past 23 years haven’t appeared to be as creatively fecund as the heady heights of the New Wave period. Celine Sciamma, François Ozon, Bruno Dumont, and Julia Ducournau have all produced stunning, instantly canonical works. But what’s interesting is to consider how expansive the idea of “Frenchness” in cinema has been this century: on the list below, Austrian Michael Haneke, Iranian Abbas Kiarostami, and American Julian Schnabel appear, with the main criterion for inclusion being simply the use of the French language.
Their inclusion does call into question a bit the idea of national cinemas. And yet, even in this highly interconnected, global 21st century, France singularly remains one of the medium’s most essential guiding lights. From the pioneer era of the Lumiere brothers to...
Their inclusion does call into question a bit the idea of national cinemas. And yet, even in this highly interconnected, global 21st century, France singularly remains one of the medium’s most essential guiding lights. From the pioneer era of the Lumiere brothers to...
- 9/25/2023
- by Eric Kohn and David Ehrlich
- Indiewire
In a surprising twist of events, France’s Oscar committee has chosen the culinary romance “The Taste of Things” over “Anatomy of a Fall,” Justine Triet’s Palme d’Or winning film, to represent the country in the international feature film race.
“The Taste of Things” (previously titled “The Pot-au-Feu”) won best director at Cannes for French-Vietnamese filmmaker Trần Anh Hùng. Starring Juliette Binoche and Benoit Magimel, the period movie was bought by IFC Films and Sapan Studios.
“Anatomy of a Fall,” meanwhile, was acquired by Neon, the Oscar-maker behind “Parasite,” at Cannes. The movie has been thriving at the French box office with approximately 8 million euros grossed from nearly 1 million admissions. It’s one of the biggest B.O. scores for a Palme d’Or winning film in France in years.
Neon will release “Anatomy of a Fall” in the U.S. on Oct. 13 and is still committed to...
“The Taste of Things” (previously titled “The Pot-au-Feu”) won best director at Cannes for French-Vietnamese filmmaker Trần Anh Hùng. Starring Juliette Binoche and Benoit Magimel, the period movie was bought by IFC Films and Sapan Studios.
“Anatomy of a Fall,” meanwhile, was acquired by Neon, the Oscar-maker behind “Parasite,” at Cannes. The movie has been thriving at the French box office with approximately 8 million euros grossed from nearly 1 million admissions. It’s one of the biggest B.O. scores for a Palme d’Or winning film in France in years.
Neon will release “Anatomy of a Fall” in the U.S. on Oct. 13 and is still committed to...
- 9/21/2023
- by Elsa Keslassy and Clayton Davis
- Variety Film + TV
“Portrait of a Lady on Fire” was Céline Sciamma’s big breakout moment, but the French director was clearly a major talent in the making from the very start of her career.
In 2007, the then 29-year-old filmmaker premiered her first feature at Cannes Film Festival, after writing the movie’s script during her final year at the prestigious film school La Fémis. The story of three teen girls awakening to their sexualities during a single summer, “Water Lillies” featured Sciamma’s future romantic partner and collaborator Adèle Haenel, and established the type of female-focused and queer stories she would spend her entire career bringing to the screen.
Following the positive reception of “Water Lillies,” Sciamma chased it with 2011’s “Tomboy,” a sharply observed coming-of-age about a 10-year-old exploring their gender identity. 2014’s “Girlhood,” about four Black teen girls living in Paris, brought Sciamma further attention, thanks to a much talked...
In 2007, the then 29-year-old filmmaker premiered her first feature at Cannes Film Festival, after writing the movie’s script during her final year at the prestigious film school La Fémis. The story of three teen girls awakening to their sexualities during a single summer, “Water Lillies” featured Sciamma’s future romantic partner and collaborator Adèle Haenel, and established the type of female-focused and queer stories she would spend her entire career bringing to the screen.
Following the positive reception of “Water Lillies,” Sciamma chased it with 2011’s “Tomboy,” a sharply observed coming-of-age about a 10-year-old exploring their gender identity. 2014’s “Girlhood,” about four Black teen girls living in Paris, brought Sciamma further attention, thanks to a much talked...
- 9/12/2023
- by Wilson Chapman
- Indiewire
Some might say it’s impossible to craft a best movie list that everyone agrees with, but that doesn’t stop us from reading them and letting everyone know how wrong they are. In celebration of their 25th anniversary, Rotten Tomatoes has created a list of the best movies of the last 25 years. Approved Tomatometer critics (including our own Chris Bumbray) were asked to choose their top five movies in no particular order. The votes were then tallied and narrowed down to the 25 most popular selections.
Related Martin Scorsese calls Rotten Tomatoes a “disgusting spectacle”
You can check out the Rotten Tomatoes list of the best movies of the last 25 years below:
Mad Max: Fury Road (George Miller) Parasite (Bong Joon-ho) Mulholland Dr. (David Lynch) The Dark Knight (Christopher Nolan) Portrait of a Lady on Fire (Céline Sciamma) In the Mood for Love (Kar-Wai Wong) Spirited Away (Hayao Miyazaki) Pan’s Labyrinth...
Related Martin Scorsese calls Rotten Tomatoes a “disgusting spectacle”
You can check out the Rotten Tomatoes list of the best movies of the last 25 years below:
Mad Max: Fury Road (George Miller) Parasite (Bong Joon-ho) Mulholland Dr. (David Lynch) The Dark Knight (Christopher Nolan) Portrait of a Lady on Fire (Céline Sciamma) In the Mood for Love (Kar-Wai Wong) Spirited Away (Hayao Miyazaki) Pan’s Labyrinth...
- 8/31/2023
- by Kevin Fraser
- JoBlo.com
Venice parallel section Giornate degli Autori (GdA), running alongside the main festival from August 30 to September 9, celebrates its 20th edition this year.
Partly modeled on Cannes Directors’ Fortnight, GdA (which is still often referred to by its initial name of Venice Days in English) was launched in 2004 as an alternative space for independent filmmakers to the star-studded, red-carpet focus of the main festival.
The compact 12-title inaugural edition featured Hubert Sauper’s feature-doc Darwin’s Nightmare, which was later nominated for an Oscar; This Is England director-writer Shaun Meadows’ fifth feature Dead Man’s Shoes and John Lvoff’s drama Now And Then, featuring Julie Depardieu in her first starring role.
Over the past 19 years, the event has expanded to include also special screenings, tributes and talks.
This year’s 10-title Competition line-up includes quirky Canadian teen vampire tale Humanist Vampire Seeking Consenting Suicidal Person; Moroccan road movie Backstage, Spanish adoption drama Foremost By Night,...
Partly modeled on Cannes Directors’ Fortnight, GdA (which is still often referred to by its initial name of Venice Days in English) was launched in 2004 as an alternative space for independent filmmakers to the star-studded, red-carpet focus of the main festival.
The compact 12-title inaugural edition featured Hubert Sauper’s feature-doc Darwin’s Nightmare, which was later nominated for an Oscar; This Is England director-writer Shaun Meadows’ fifth feature Dead Man’s Shoes and John Lvoff’s drama Now And Then, featuring Julie Depardieu in her first starring role.
Over the past 19 years, the event has expanded to include also special screenings, tributes and talks.
This year’s 10-title Competition line-up includes quirky Canadian teen vampire tale Humanist Vampire Seeking Consenting Suicidal Person; Moroccan road movie Backstage, Spanish adoption drama Foremost By Night,...
- 8/29/2023
- by Melanie Goodfellow
- Deadline Film + TV
Australian Film Television and Radio School
Australia’s leading screen arts and broadcast school benefits from a beautiful Sydney campus and a deep pool of industry lecturers and close ties with the Australian film community. Notable alumni include multi-Oscar nominee Jane Campion (The Power of the Dog), Phillip Noyce (The Quiet American) and Black Widow filmmaker Cate Shortland, plus a slew of esteemed craftspeople like Margaret Sixel (editing on Mad Max: Fury Road), David White (sound editing for Mad Max: Fury Road), Andrew Lesnie (cinematography for The Lord of the Rings) and Tony McNamara (best original screenplay Oscar nominee for The Favourite).
Beijing Film Academy
The USC of the world’s second-largest film industry, China’s most prestigious film school offers its graduates a wealth of industry ties to some of the country’s most prominent working actors and directors. Bfa also now has an undergraduate film program taught in English.
Australia’s leading screen arts and broadcast school benefits from a beautiful Sydney campus and a deep pool of industry lecturers and close ties with the Australian film community. Notable alumni include multi-Oscar nominee Jane Campion (The Power of the Dog), Phillip Noyce (The Quiet American) and Black Widow filmmaker Cate Shortland, plus a slew of esteemed craftspeople like Margaret Sixel (editing on Mad Max: Fury Road), David White (sound editing for Mad Max: Fury Road), Andrew Lesnie (cinematography for The Lord of the Rings) and Tony McNamara (best original screenplay Oscar nominee for The Favourite).
Beijing Film Academy
The USC of the world’s second-largest film industry, China’s most prestigious film school offers its graduates a wealth of industry ties to some of the country’s most prominent working actors and directors. Bfa also now has an undergraduate film program taught in English.
- 8/11/2023
- by Patrick Brzeski, Alex Ritman, Scott Roxborough and Etan Vlessing
- The Hollywood Reporter - Movie News
La BêteCOMPETITIONComandante (Edoardo De Angelis)The Promised Land (Nikolaj Arcel)Dogman (Luc Besson) La Bête (Bertrand Bonello) Hors-Saison (Stéphane Brizé) Enea (Pietro Castellitto) Maestro (Bradley Cooper)Priscilla (Sofia Coppola)Finalmente L’Alba (Saverio Costanzo)Lubo (Giorgio Diritti) Origin (Ava DuVernay) The Killer (David Fincher)Memory (Michel Franco)Io capitano (Matteo Garrone)Evil Does Not Exist (Ryûsuke Hamaguchi)The Green Border (Agnieszka Holland)The Theory of Everything (Timm Kröger)Poor Things (Yorgos Lanthimos)El conde (Pablo Larrain)Ferrari (Michael Mann)Adagio (Stefano Sollima)Woman OfHolly (Fien Troch)Out Of COMPETITIONFictionSociety of the Snow (J.A. Bayona)Coup de Chance (Woody Allen)The Wonderful Story of Henry Sugar (Wes Anderson)The Penitent (Luca Barbareschi)L’Ordine Del Tempo (Liliana Cavani)Vivants (Alix Delaporte)Welcome to Paradise (Leonardo di Constanzo)Daaaaaali! (Quentin Dupieux)The Caine Mutiny Court-Martial (William Friedkin)Making of (Cedric Kahn)Aggro Dr1ft (Harmony Korine)Hitman (Richard Linklater)The Palace (Roman Polanski...
- 7/29/2023
- MUBI
Earlier this week, the Venice Film Festival announced the line-up for its 80th edition, including new films from Michael Mann, Bradley Cooper, David Fincher, Woody Allen, and more. Now it’s time for Venice’s parallel section, Giornate Degli Autori (previously known as Venice Days), to promote the line-up of its 20th edition. What leads the pack there? Deadline has the scoop there.
Continue reading Venice’s Giornate Degli Autori Line-Up Features New Short From Céline Sciamma, Jean-Marc Vallée Tribute & More at The Playlist.
Continue reading Venice’s Giornate Degli Autori Line-Up Features New Short From Céline Sciamma, Jean-Marc Vallée Tribute & More at The Playlist.
- 7/27/2023
- by Ned Booth
- The Playlist
Isabelle Huppert Drama, Peter Sarsgaard Spanish Flu Satire, Celine Sciamma Short Set for Venice Days
The Giornate Degli Autori — the independently run event that takes place alongside the Venice Film Festival and is often referred to simply as Venice Days — has unveiled the lineup for its 2023 edition (also it’s 20th).
Among the 10 titles world premiering in competition is Elise Girard’s drama Sidonie in Japan, starring Isabelle Huppert as a French writer mourning her husband’s death while on a book tour. Out of competition, Coup! — a satire set during the 1918 Spanish Flu epidemic and starring Peter Sarsgaard and Billy Magnussen — will bow, while special events include the world premiere of This Is How a Child Becomes a Poet, a short from Portrait of a Lady on Fire director Céline Sciamma (who was previously president of the Venice Days jury). There will also be a special daylong event in honor of late Canadian director Jean-Marc Vallée, including a screening of his 2005 drama C.R.A.Z.Y.
Venice...
Among the 10 titles world premiering in competition is Elise Girard’s drama Sidonie in Japan, starring Isabelle Huppert as a French writer mourning her husband’s death while on a book tour. Out of competition, Coup! — a satire set during the 1918 Spanish Flu epidemic and starring Peter Sarsgaard and Billy Magnussen — will bow, while special events include the world premiere of This Is How a Child Becomes a Poet, a short from Portrait of a Lady on Fire director Céline Sciamma (who was previously president of the Venice Days jury). There will also be a special daylong event in honor of late Canadian director Jean-Marc Vallée, including a screening of his 2005 drama C.R.A.Z.Y.
Venice...
- 7/27/2023
- by Alex Ritman
- The Hollywood Reporter - Movie News
The Giornate degli Autori folks will be celebrating the twentieth edition of the section and a pair of auteurs in Céline Sciamma and Teona Strugar Mitevska will be gifting them with specially made (insubordination-friendly) new cinema. The spirit and memory of Quebecois filmmaker Jean-Marc Vallée will be honored with a special screening of C.R.A.Z.Y and we’ve got some buzz-worthy titles in the shape of Élise Girard (Isabelle Huppert is front and center in Sidonie au Japon), Delphine Girard‘s Quitter la nuit (with Selma Alaoui and Veerle Baetens), Chong Keat Aun‘s Snow in Midsummer, and sticking with the French Canadian theme we got Ariane Louis-Seize‘s feature debut coming-of-ager comedy Vampire humaniste cherche suicidaire consentant among the dozen plus features (ten comp films) and trimmings — including world cinema’s new shinning filmmaker stars in Lila Avilés and Antoneta Alamat Kusijanović packing their Miu Miu Women’S Tales shorts.
- 7/27/2023
- by Eric Lavallée
- IONCINEMA.com
Venice parallel section Giornate degli Autori (GdA) has unveiled the selection for its 20th edition running from August 30 to September 9, featuring a surprise short by Céline Sciamma, a new feature by Teona Strugar Mitevska as well as a tribute to late Canadian director Jean-Marc Vallée.
The line-up spans 10 films in competition, seven special events, eight titles in Venetian Nights as well as a special day-long event devoted Vallée and the cinema of Québec, featuring a screening of his 2005 coming of age drama C.R.A.Z.Y.
Highlights of the competition include Canadian filmmaker Ariane Louis-Seize’s quirky vampire tale Humanist Vampire Seeking Consenting Suicidal Person; Atlas Mountains-set ensemble theatre group road movie Backstage by directorial debut Afef Ben Mahmoud and Khalil Benkirane; Through The Night, in which Belgian director Delphine Girard expands her Oscar-nominated short A Sister, and Sidonie In Paris, starring Isabelle Huppert as a writer mourning the...
The line-up spans 10 films in competition, seven special events, eight titles in Venetian Nights as well as a special day-long event devoted Vallée and the cinema of Québec, featuring a screening of his 2005 coming of age drama C.R.A.Z.Y.
Highlights of the competition include Canadian filmmaker Ariane Louis-Seize’s quirky vampire tale Humanist Vampire Seeking Consenting Suicidal Person; Atlas Mountains-set ensemble theatre group road movie Backstage by directorial debut Afef Ben Mahmoud and Khalil Benkirane; Through The Night, in which Belgian director Delphine Girard expands her Oscar-nominated short A Sister, and Sidonie In Paris, starring Isabelle Huppert as a writer mourning the...
- 7/27/2023
- by Melanie Goodfellow
- Deadline Film + TV
French director Élise Girard’s “Sidonie in Japan,” starring Isabelle Huppert as a French writer mourning her husband’s death while on a book tour of Japan, is among titles set to launch from the Venice Film Festival’s independently run Giornate Degli Autori.
The section, also known as Venice Days, has unveiled its lineup comprising 10 titles world premiering in competition – six of which are first works – and in other sections displaying a wide range of genres and visual styles, but tied together by “a common discourse,” said the section’s artistic director Gaia Furrer.
The selected films “with all their thematic or formal eclecticism, still dialogue with each other,” Furrer said in a statement.
Opening the section in competition is Italian director Tommaso Santambrogio’s black-and-white drama “Oceans Are the Real Continents,” set and shot in decadent contemporary Cuba (see image below). This is Santambrogio’s first feature, but...
The section, also known as Venice Days, has unveiled its lineup comprising 10 titles world premiering in competition – six of which are first works – and in other sections displaying a wide range of genres and visual styles, but tied together by “a common discourse,” said the section’s artistic director Gaia Furrer.
The selected films “with all their thematic or formal eclecticism, still dialogue with each other,” Furrer said in a statement.
Opening the section in competition is Italian director Tommaso Santambrogio’s black-and-white drama “Oceans Are the Real Continents,” set and shot in decadent contemporary Cuba (see image below). This is Santambrogio’s first feature, but...
- 7/27/2023
- by Nick Vivarelli
- Variety Film + TV
Marie Amachoukeli’s Ama Gloria has won the Best International Film Prize at the 40th edition of the Jerusalem Film Festival, running from July 13 to July 26.
The feature, which world premiered as the opening film of Cannes Critics’ Week in May, revolves around a motherless six-year-old girl who travels to Cape Verde to reunite with her longtime nanny.
The jury presided over by Claire Denis, and also figuring Whit Stillman, Florian Zeller, Joana Vicente, and Maria Schrader praised the film’s “extraordinary poignancy, beauty and insight”.
Ama Gloria is produced by Bénédicte Couvreur, the long-time producer of Céline Sciamma and her films Petite Maman and Portrait Of A Lady On Fire.
Other winners in the International Competition include Best Director for Mexico’s Lila Avilés for Berlinale-selected family drama Totem and a Special Mention for the ensemble cast of Argentinian director Rodrigo Moreno’s The Delinquents, which debuted in Un Certain Regard this year.
The feature, which world premiered as the opening film of Cannes Critics’ Week in May, revolves around a motherless six-year-old girl who travels to Cape Verde to reunite with her longtime nanny.
The jury presided over by Claire Denis, and also figuring Whit Stillman, Florian Zeller, Joana Vicente, and Maria Schrader praised the film’s “extraordinary poignancy, beauty and insight”.
Ama Gloria is produced by Bénédicte Couvreur, the long-time producer of Céline Sciamma and her films Petite Maman and Portrait Of A Lady On Fire.
Other winners in the International Competition include Best Director for Mexico’s Lila Avilés for Berlinale-selected family drama Totem and a Special Mention for the ensemble cast of Argentinian director Rodrigo Moreno’s The Delinquents, which debuted in Un Certain Regard this year.
- 7/20/2023
- by Melanie Goodfellow
- Deadline Film + TV
Love is Free from recent Nfts graduate Hannah Renton provides a haunting multi-decade portrayal of one woman’s experience of and attitude towards love, something which has been significantly impacted by her upbringing and the influence of her unconventional yet loving father. Renton’s triptych short takes us from a young girl overhearing her warring parents as they argue about her father’s blatant infidelity, through to that same girl herself as a mother many years later still struggling with her father’s eccentricities as she is pushed to revisit her own childhood. With sharp and abrupt endings to each chapter, Renton invites her audience to mentally draw in the life lived between the three depicted moments, bringing us closer to the wrought emotions playing out on screen. With Love is Free premiering on Dn today we spoke to the UK-based filmmaker about casting multiple actors in the same parts...
- 7/13/2023
- by Sarah Smith
- Directors Notes
Exclusive: Deadline spoke to leading international sales firm Playtime about why it made sense to join new European film and TV studio Vuelta Group, which we revealed earlier this morning.
Paris-based Playtime, founded in 1997, is well known for handling leading European projects including Oscar winner Son Of Saul, Cannes winner 120 Bpm and horror hit Goodnight Mommy. The firm, which handles the international rights to a library of more than 600 titles, has collaborated with filmmakers including Céline Sciamma, Jacques Audiard, François Ozon, Claire Denis, Olivier Assayas, Naomi Kawase and Nanni Moretti.
It was most recently at the Cannes Film Festival with Competition titles About Dry Grasses by Nuri Bilge Ceylan and Homecoming by Catherine Corsini. It is currently financing and pre-selling Monsieur Aznavour with Tahar Rahim.
In addition to its Paris office, the Playtime Group includes sales and financing companies Films Boutique in Berlin, Be For Films in Brussels and Film Constellation in London.
Paris-based Playtime, founded in 1997, is well known for handling leading European projects including Oscar winner Son Of Saul, Cannes winner 120 Bpm and horror hit Goodnight Mommy. The firm, which handles the international rights to a library of more than 600 titles, has collaborated with filmmakers including Céline Sciamma, Jacques Audiard, François Ozon, Claire Denis, Olivier Assayas, Naomi Kawase and Nanni Moretti.
It was most recently at the Cannes Film Festival with Competition titles About Dry Grasses by Nuri Bilge Ceylan and Homecoming by Catherine Corsini. It is currently financing and pre-selling Monsieur Aznavour with Tahar Rahim.
In addition to its Paris office, the Playtime Group includes sales and financing companies Films Boutique in Berlin, Be For Films in Brussels and Film Constellation in London.
- 7/6/2023
- by Andreas Wiseman
- Deadline Film + TV
The French drama explores the close relationship between a six-year-old girl and her nanny
BFI Distribution has picked up Marie Amachoukeli’s Cannes Critics’ Week opener Ama Gloria for the UK and Ireland. The French drama was acquired from Pyramide International.
The film, which is set to be released in 2024, explores the close relationship between a six-year-old girl and her nanny as they spend their last summer together in Cape Verde.
Pyramide has also sold the film to Transformer in Japan, Hugoeast in China, Cinéart in Benelux, Alambique in Portugal, Ama Films in Greece, Surtsey in Spain, and I Wonder in Italy.
BFI Distribution has picked up Marie Amachoukeli’s Cannes Critics’ Week opener Ama Gloria for the UK and Ireland. The French drama was acquired from Pyramide International.
The film, which is set to be released in 2024, explores the close relationship between a six-year-old girl and her nanny as they spend their last summer together in Cape Verde.
Pyramide has also sold the film to Transformer in Japan, Hugoeast in China, Cinéart in Benelux, Alambique in Portugal, Ama Films in Greece, Surtsey in Spain, and I Wonder in Italy.
- 6/9/2023
- by Ellie Calnan
- ScreenDaily
Eva Vik’s ‘Serpentine’ Starring Barbara Palvin To Make European Premiere at Taormina
Eva Vik’s short film Serpentine, starring supermodel Barbara Palvin, will make its European premiere at the 69th edition of Italy’s Taormina Film Festival, running from June 23 to July 1. Czech writer and director Eva Vik explores the possibilities of interspecies development in the film, which was previously nominated for the X Award at the Tribeca Film Festival. Set within a mysterious snake cult, the stylistic body-horror follows attempts to initiate a snake-human hybrid through genetic engineering – creating an extraterrestrial higher power intelligence as a new influential force. Palvin is joined in the cast by Soo Joo Park, and Luke Brandon Field. The film’s official partner is Bulgari brand, and it was produced by Evasion Pictures. The film will play in Taormina’s Influential Shorts program, a special gala event curated by Bella Thorne. “I look...
Eva Vik’s short film Serpentine, starring supermodel Barbara Palvin, will make its European premiere at the 69th edition of Italy’s Taormina Film Festival, running from June 23 to July 1. Czech writer and director Eva Vik explores the possibilities of interspecies development in the film, which was previously nominated for the X Award at the Tribeca Film Festival. Set within a mysterious snake cult, the stylistic body-horror follows attempts to initiate a snake-human hybrid through genetic engineering – creating an extraterrestrial higher power intelligence as a new influential force. Palvin is joined in the cast by Soo Joo Park, and Luke Brandon Field. The film’s official partner is Bulgari brand, and it was produced by Evasion Pictures. The film will play in Taormina’s Influential Shorts program, a special gala event curated by Bella Thorne. “I look...
- 6/9/2023
- by Zac Ntim, Max Goldbart and Melanie Goodfellow
- Deadline Film + TV
The Video Essay is a joint project of Mubi and Filmadrid International Film Festival. Film analysis and criticism found a completely new and innovative path with the arrival of the video essay. The limits of this discipline are constantly expanding; new essayists are finding innovative ways to study the history of cinema working within images. With this non-competitive section of the festival, both Mubi and Filmadrid will offer the video essay format the platform and visibility it deserves. The seven selected works will premiere online from June 5 through June 11, 2023, on Mubi's online publication Notebook. The selection was made by the Notebook editors and Filmadrid.Where Is Little Trixie? by Carlos BaixauliLittle Trixie is bored. She looks for ways to distract herself, but she gets lost between the gardens of Céline Sciamma and Alice Guy. Small "coincidences" of elements bind together Petite Maman (2021) and Falling Leaves (1912).—Carlos Baixauli...
- 6/6/2023
- MUBI
(Welcome to Movies Are Gay, a Pride Month series where we explore the intentional, or accidental, ways Lgbtqia+ themes, characters, and creatives have shaped cinema.)
Celine Sciamma's 2019 romance "Portrait of a Lady on Fire" is a gorgeous and wonderful work of art, a love story so intense and beautiful that when it was released straight to the Criterion Collection, most critics merely nodded in approval. It felt right. There also didn't seem to be many complaints when the film was elected as the thirtieth greatest film of all time on the Sight & Sound 2022 poll.
"Portrait of a Lady on Fire" follows two women who are essentially left alone on an island together. There are no men here. When women gather, it's to perform impromptu a cappella numbers on a cliff at night, bonding around a fire, and reveling in feminine energy. Late in the film, a mansion house servant...
Celine Sciamma's 2019 romance "Portrait of a Lady on Fire" is a gorgeous and wonderful work of art, a love story so intense and beautiful that when it was released straight to the Criterion Collection, most critics merely nodded in approval. It felt right. There also didn't seem to be many complaints when the film was elected as the thirtieth greatest film of all time on the Sight & Sound 2022 poll.
"Portrait of a Lady on Fire" follows two women who are essentially left alone on an island together. There are no men here. When women gather, it's to perform impromptu a cappella numbers on a cliff at night, bonding around a fire, and reveling in feminine energy. Late in the film, a mansion house servant...
- 6/3/2023
- by Witney Seibold
- Slash Film
Last year at Cannes, there was a notable void in the vocal female activism that has characterized the festival since the start of the #MeToo movement, as both Time’s Up U.S. and its French corollary, Collectif 50/50, had recently imploded in controversy.
But unlike Time’s Up, which is now effectively defunct in the U.S., the French organization has relaunched with a new board — a group that is younger, less famous and more demographically diverse than its predecessor — and a new sense of purpose.
“None of us is a celebrity, which is quite a change,” says new Collectif 50/50 board member Laura Pertuy, a film programmer and journalist.
Here at Cannes, the group is holding panels spotlighting female composers and inclusion initiatives in countries like Egypt and Brazil. And it’s also providing a fact-check on the festival’s claims of progress on the gender front — Cannes has touted its...
But unlike Time’s Up, which is now effectively defunct in the U.S., the French organization has relaunched with a new board — a group that is younger, less famous and more demographically diverse than its predecessor — and a new sense of purpose.
“None of us is a celebrity, which is quite a change,” says new Collectif 50/50 board member Laura Pertuy, a film programmer and journalist.
Here at Cannes, the group is holding panels spotlighting female composers and inclusion initiatives in countries like Egypt and Brazil. And it’s also providing a fact-check on the festival’s claims of progress on the gender front — Cannes has touted its...
- 5/18/2023
- by Rebecca Keegan
- The Hollywood Reporter - Movie News
Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI, and sign up for our weekly email newsletter by clicking here.Extra! Extra!A new Notebook publication has been released into the world! Our limited-edition, print-only Notebook Cannes Special is exclusively available at the Cannes Film Festival. It includes interviews with Souleymane Cissé and Alice Rohrwacher, an insider’s guide to the festival, a crossword, a comic, and much more. The publication is pictured above, but the bright red Pantone color must be seen on the page to be truly appreciated! (As an online preview: Yasmina Price's interview with Souleymane Cissé is available online.)NEWSIn production news, writer Durga Chew-Bose will make her directorial debut with an adaptation of Françoise Sagan's Bonjour Tristesse, starring Chloë Sevigny and Claes Bang (The Square). Filming began last week in the south of France.Noémie Merlant (of...
- 5/17/2023
- MUBI
Mk2 Films is set to reunite with Joachim Trier following “The Worst Person in the World,” the Norwegian helmer’s Cannes prize-winning and Oscar-nominated romantic comedy which was also a worldwide box-office hit.
The Paris-based company will handle international sales and co-produce alongside Juliette Schrameck at Agat Films, who was also a co-producer on “The Worst Person in the World,” alongside Nathanaël Karmitz and Elisha Karmitz for Mk Production. Mk2 films, Schrameck and the Karmitz brothers join producers Maria Ekerhovd at Mer Film and Andrea Berentsen Ottmar at Eye Eye Pictures.
Trier is writing his untitled sixth feature with his long-term collaborator Eskil Vogt, with whom he shared an Oscar nomination for best screenplay. “It is an ambitious yet playful family drama. An intimate, moving, and often funny film about family, memory, and how we need to rewrite the stories we tell about ourselves in order to survive,” said the pair.
The Paris-based company will handle international sales and co-produce alongside Juliette Schrameck at Agat Films, who was also a co-producer on “The Worst Person in the World,” alongside Nathanaël Karmitz and Elisha Karmitz for Mk Production. Mk2 films, Schrameck and the Karmitz brothers join producers Maria Ekerhovd at Mer Film and Andrea Berentsen Ottmar at Eye Eye Pictures.
Trier is writing his untitled sixth feature with his long-term collaborator Eskil Vogt, with whom he shared an Oscar nomination for best screenplay. “It is an ambitious yet playful family drama. An intimate, moving, and often funny film about family, memory, and how we need to rewrite the stories we tell about ourselves in order to survive,” said the pair.
- 5/16/2023
- by Elsa Keslassy
- Variety Film + TV
Exclusive: The International Booker Prize, the world’s biggest award for fiction translated into English, is teaming with Mubi, bookseller Foyles and London’s The Garden Cinema on an initiative tied to the six titles nominated for its 2023 edition.
Streaming service, production company and film distributor Mubi has curated a selection of six films to complement each of the works on the 2023 book shortlist, ahead of the winner announcement on May 23. (scroll down for list)
The Garden Cinema will host a special Q&a event featuring the 2023 winners followed by a screening of the film that Mubi had paired with the winning book.
International Booker Prize administrator Fiammetta Rocco said the initiative had been inspired by the changing perception of foreign-language films in the UK, tied in with the fact that the readership for translated fiction is getting younger.
“This is part of a far wider cultural trend in which more and more films,...
Streaming service, production company and film distributor Mubi has curated a selection of six films to complement each of the works on the 2023 book shortlist, ahead of the winner announcement on May 23. (scroll down for list)
The Garden Cinema will host a special Q&a event featuring the 2023 winners followed by a screening of the film that Mubi had paired with the winning book.
International Booker Prize administrator Fiammetta Rocco said the initiative had been inspired by the changing perception of foreign-language films in the UK, tied in with the fact that the readership for translated fiction is getting younger.
“This is part of a far wider cultural trend in which more and more films,...
- 5/16/2023
- by Melanie Goodfellow
- Deadline Film + TV
After one of France’s top actors, Adèle Haenel, announced she was quitting a French film industry that she denounced for “complacency toward sexual aggressors,” Cannes Film Festival chief Thierry Fremaux rejected her criticisms while addressing members of the media Monday.
Haenel, star of the 2019 Cannes entry “Portrait of a Lady on Fire,” last week published an open letter in the Telerama magazine in which the 34-year-old said Cannes and other pillars of the French film industry are “ready to do anything to defend their rapist chiefs.”
Read More: Martin Scorsese Set To Stir Cannes Again, 47 Years After ‘Taxi Driver’
Fremaux strongly disagreed while speaking to journalists before the festival kicks off Tuesday with the premiere of Maïwenn’s historical drama “Jeanne du Barry,” starring Johnny Depp.
“No doubt for somewhat radical reasons, she had to make this comment about Cannes, which was obviously false,” said Fremaux.
In 2019, Haenel accused...
Haenel, star of the 2019 Cannes entry “Portrait of a Lady on Fire,” last week published an open letter in the Telerama magazine in which the 34-year-old said Cannes and other pillars of the French film industry are “ready to do anything to defend their rapist chiefs.”
Read More: Martin Scorsese Set To Stir Cannes Again, 47 Years After ‘Taxi Driver’
Fremaux strongly disagreed while speaking to journalists before the festival kicks off Tuesday with the premiere of Maïwenn’s historical drama “Jeanne du Barry,” starring Johnny Depp.
“No doubt for somewhat radical reasons, she had to make this comment about Cannes, which was obviously false,” said Fremaux.
In 2019, Haenel accused...
- 5/15/2023
- by Divya Goyal
- ET Canada
Writer-director Céline Sciamma’s Petite Maman departs from the filmmaker’s last two feature-length directorial efforts in its comparative modesty. With none of the overt social messaging of Girlhood or the grand romance of Portrait of a Lady on Fire, Sciamma’s precisely composed images and muted dialogue serve a more intimate story about the longing to connect with one’s mother outside the bounds of the parent-offspring relationship.
Petite Maman indulges the same kind of fantasy as Robert Zemeckis’s Back to the Future, answering the question of what it would be like to meet our parents at our own age—though it’s not overly concerned with temporal paradoxes or a high-stakes race to ensure one’s genesis. Rather, Sciamma’s film is contemplative and cool almost to a fault, emphasizing the simple acts of connecting with and parting from people we care about, and the rueful inevitability of time’s passing.
Petite Maman indulges the same kind of fantasy as Robert Zemeckis’s Back to the Future, answering the question of what it would be like to meet our parents at our own age—though it’s not overly concerned with temporal paradoxes or a high-stakes race to ensure one’s genesis. Rather, Sciamma’s film is contemplative and cool almost to a fault, emphasizing the simple acts of connecting with and parting from people we care about, and the rueful inevitability of time’s passing.
- 5/12/2023
- by Pat Brown
- Slant Magazine
Noémie Merlant, the French actor of “Tár,” is reteaming with Celine Sciamma, who directed her in “Portrait of a Lady on Fire,” for her sophomore outing, “The Balconettes.”
The fantastical comedy horror movie is being written by Merlant with the collaboration of Céline Sciamma. MK2 Films will launch sales at the Cannes Film Market. Filming is slated to begin this summer.
Set in a boiling Marseille neighborhood plagued by a heat wave, the movie revolves around three roommates who gleefully meddle in the lives of their neighbors from their balcony. Until a late-night drink turns into a bloody affair. Sometimes gory, sometimes brazen, always playful. Merlant stars in the film alongside Souheila Yacoub (“Dune 2”) and Sanda Codreanu (“Mi Iubita Mon Amour”).
Merlant, who won this year’s Cesar Award for her role in Louis Garrel’s “The Innocent,” made her feature debut as a director with “Mi Iubita Mon Amour” which played at Cannes,...
The fantastical comedy horror movie is being written by Merlant with the collaboration of Céline Sciamma. MK2 Films will launch sales at the Cannes Film Market. Filming is slated to begin this summer.
Set in a boiling Marseille neighborhood plagued by a heat wave, the movie revolves around three roommates who gleefully meddle in the lives of their neighbors from their balcony. Until a late-night drink turns into a bloody affair. Sometimes gory, sometimes brazen, always playful. Merlant stars in the film alongside Souheila Yacoub (“Dune 2”) and Sanda Codreanu (“Mi Iubita Mon Amour”).
Merlant, who won this year’s Cesar Award for her role in Louis Garrel’s “The Innocent,” made her feature debut as a director with “Mi Iubita Mon Amour” which played at Cannes,...
- 5/10/2023
- by Elsa Keslassy
- Variety Film + TV
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