The winners for the 2020 American Cinema Editors Awards were announced Friday, January 17 at the Beverly Hilton Hotel in Los Angeles. These are the 70th annual edition of the Ace Eddie Awards, which honor the best in feature film and television editing for the 2019 calendar year. Four Oscar nominees for Best Film Editing contend for the guild’s drama prize with the fifth recognized over on the comedy side (“Jojo Rabbit”). Scroll down to see the complete list of Ace Eddie winners, which are marked in gold.
SEE2020 Ace Eddie Awards preview: Which Oscar nominee for Best Film Editing will win here first?
The Eddies have an excellent track record for predicting the ultimate Oscar winner for Best Film Editing, with 22 of the last 29 matching up including last year’s champion “Bohemian Rhapsody.” In addition, since the guild split their top award into two prizes in 2000, eight of their 20 winners went...
SEE2020 Ace Eddie Awards preview: Which Oscar nominee for Best Film Editing will win here first?
The Eddies have an excellent track record for predicting the ultimate Oscar winner for Best Film Editing, with 22 of the last 29 matching up including last year’s champion “Bohemian Rhapsody.” In addition, since the guild split their top award into two prizes in 2000, eight of their 20 winners went...
- 1/18/2020
- by Marcus James Dixon
- Gold Derby
The influential Ace Eddie Awards nominees for editing include the prestige dramas “Ford v Ferrari, ” “The Irishman,” “Joker,” “Marriage Story,” and “Parasite,” Left out was Sam Mendes’ late-breaking bold, single-cut “1917” from Oscar-winner Lee Smith (“Dunkirk”), which does not bode well for an Academy Award nomination. Best Picture contender “Once Upon a Time in Hollywood” made the cut as a comedy nominee along with “Dolemite Is My Name,” “The Farewell,” “Jojo Rabbit,” and “Knives Out.”
This makes for a competitive Oscar race, with three-time Academy Award-winner Thelma Schoonmaker as the frontrunner for “The Irishman,” Martin Scorsese’s deeply personal, character-driven, non-linear ode to mob life, complicated by Ilm’s experimental VFX de-aging of Robert De Niro, Al Pacino, and Joe Pesci. “Once Upon a Time in Hollywood,” Quentin Tarantino’s complex love letter to Tinseltown, should earn a nomination for Fred Raskin; Todd Phillips’ bending of reality and fantasy around...
This makes for a competitive Oscar race, with three-time Academy Award-winner Thelma Schoonmaker as the frontrunner for “The Irishman,” Martin Scorsese’s deeply personal, character-driven, non-linear ode to mob life, complicated by Ilm’s experimental VFX de-aging of Robert De Niro, Al Pacino, and Joe Pesci. “Once Upon a Time in Hollywood,” Quentin Tarantino’s complex love letter to Tinseltown, should earn a nomination for Fred Raskin; Todd Phillips’ bending of reality and fantasy around...
- 12/11/2019
- by Bill Desowitz and Libby Hill
- Indiewire
The American Cinema Editors nominations for the Eddie Awards announced on Wednesday (December 11) include our Oscar frontrunner for Best Film Editing, “The Irishman,” along with three of the other four films we’re predicting to reap bids in that race: “Ford v Ferrari,” “Once Upon a Time in Hollywood” and “Parasite.” While the WWI epic “1917,” which is made to look like one continuous shot, was snubbed by the guild we expect it to be the fifth Academy Awards contender.
The Ace Eddie Awards divide their prizes for editing between dramas and comedies/musicals. “Ford v Ferrari,” “The Irishman” and “Parasite” contend here in the drama race, which is rounded out by “Joker” and “Marriage Story.” Facing off against “Once Upon a Time in Hollywood” on the comedy side are “Dolemite is My Name,” “The Farewell,” “Jojo Rabbit” and “Knives Out.”
In 1992, the Eddies went from three to five nominees...
The Ace Eddie Awards divide their prizes for editing between dramas and comedies/musicals. “Ford v Ferrari,” “The Irishman” and “Parasite” contend here in the drama race, which is rounded out by “Joker” and “Marriage Story.” Facing off against “Once Upon a Time in Hollywood” on the comedy side are “Dolemite is My Name,” “The Farewell,” “Jojo Rabbit” and “Knives Out.”
In 1992, the Eddies went from three to five nominees...
- 12/11/2019
- by Paul Sheehan
- Gold Derby
The American Cinema Editors has nominated “Ford v Ferrari,” “Joker,” “The Irishman,” “Marriage Story” and “Parasite” for its Ace Eddie top feature film drama award.
“Dolemite Is My Name,” “The Farewell,” “Jojo Rabbit,” “Knives Out” and “Once Upon a Time in Hollywood” received nominations in the feature comedy category. Nominated animated films include “Frozen 2,” “I Lost My Body” and “Toy Story 4.”
For the first time in Ace’s 70-year history, three foreign language films are among the nominees — “The Farewell,” which is partly in Mandarin, French animated film “I Lost My Body” and Korean-language “Parasite.”
On the television side, the spy thriller “Killing Eve” scored Ace nominations for Dan Crinnion for the “Desperate Times” episode and the “Smell Ya Later” episode for Al Morrow.
Winners will be revealed during Ace’s annual black-tie awards ceremony on Jan. 17 at the Beverly Hilton Hotel and will be presided over by Ace president Stephen Rivkin.
“Dolemite Is My Name,” “The Farewell,” “Jojo Rabbit,” “Knives Out” and “Once Upon a Time in Hollywood” received nominations in the feature comedy category. Nominated animated films include “Frozen 2,” “I Lost My Body” and “Toy Story 4.”
For the first time in Ace’s 70-year history, three foreign language films are among the nominees — “The Farewell,” which is partly in Mandarin, French animated film “I Lost My Body” and Korean-language “Parasite.”
On the television side, the spy thriller “Killing Eve” scored Ace nominations for Dan Crinnion for the “Desperate Times” episode and the “Smell Ya Later” episode for Al Morrow.
Winners will be revealed during Ace’s annual black-tie awards ceremony on Jan. 17 at the Beverly Hilton Hotel and will be presided over by Ace president Stephen Rivkin.
- 12/11/2019
- by Dave McNary
- Variety Film + TV
American Cinema Editors has spliced together its nominations for the 70th annual Ace Eddie Awards, which recognize outstanding editing in 11 categories of film, television and documentaries. The honorary society will dole out its hardware during the January 17 ceremony at the Beverly Hilton.
Final balloting opens December 16 and closes January 6. Check out the list below.
For the first time, three foreign-language films are among the Eddie Awards nominees — The Farewell, I Lost My Body and Parasite — despite there not being a specific category for films predominantly in a foreign language.
Last year’s big winner on the feature side was Bohemian Rhapsody, which went on to score the Oscar for John Ottman.
Here are the nominees for the 70th annual Ace Eddie Awards:
Best Edited Feature Film (Drama)
Ford v Ferrari
Michael McCusker, Ace & Andrew Buckland
The Irishman
Thelma Schoonmaker, Ace
Joker
Jeff Groth
Marriage Story
Jennifer Lame, Ace
Parasite
Jinmo Yang...
Final balloting opens December 16 and closes January 6. Check out the list below.
For the first time, three foreign-language films are among the Eddie Awards nominees — The Farewell, I Lost My Body and Parasite — despite there not being a specific category for films predominantly in a foreign language.
Last year’s big winner on the feature side was Bohemian Rhapsody, which went on to score the Oscar for John Ottman.
Here are the nominees for the 70th annual Ace Eddie Awards:
Best Edited Feature Film (Drama)
Ford v Ferrari
Michael McCusker, Ace & Andrew Buckland
The Irishman
Thelma Schoonmaker, Ace
Joker
Jeff Groth
Marriage Story
Jennifer Lame, Ace
Parasite
Jinmo Yang...
- 12/11/2019
- by Erik Pedersen
- Deadline Film + TV
“Ford v Ferrari,” “The Irishman,” “Joker,” “Marriage Story” and “Parasite” have been nominated in the dramatic-film category at the American Cinema Editors’ Ace Eddie Awards, which honor the best in film editing.
In the comedy category, the nominees were “Dolemite Is My Name,” “The Farewell,” “Jojo Rabbit,” “Knives Out” and “Once Upon a Time … in Hollywood.”
The most notable omission was “1917,” which contains dozens of cuts but was designed to look as if it was filmed in one continuous, unbroken shot.
Also Read: Golden Globes 2020: The Complete List of Nominees
In recent years, more than 90 percent of the Oscar nominees in the Best Film Editing category have first been recognized by the American Cinema Editors. The majority of Oscar nominees have come from the Ace Eddie dramatic category – though for the last two years, the Academy has taken three nominees from the Ace Eddies’ comedy category and only two from the drama category.
In the comedy category, the nominees were “Dolemite Is My Name,” “The Farewell,” “Jojo Rabbit,” “Knives Out” and “Once Upon a Time … in Hollywood.”
The most notable omission was “1917,” which contains dozens of cuts but was designed to look as if it was filmed in one continuous, unbroken shot.
Also Read: Golden Globes 2020: The Complete List of Nominees
In recent years, more than 90 percent of the Oscar nominees in the Best Film Editing category have first been recognized by the American Cinema Editors. The majority of Oscar nominees have come from the Ace Eddie dramatic category – though for the last two years, the Academy has taken three nominees from the Ace Eddies’ comedy category and only two from the drama category.
- 12/11/2019
- by Steve Pond
- The Wrap
Awards ceremony takes place in Los Angeles on January 17, 2020.
Parasite, The Farewell and I Lost My Body have earned nominations from the America Cinema Editors (Ace), marking the first time three foreign-language films have garnered nods in the group’s 70-year history.
Bong Joon Ho’s South Korean dark comedy Parasite is nominated in the best edited feature film (drama) category, while Us-Chinese The Farewell is in best edited feature film (comedy), and France’s I Lost My Body is in best edited animated feature film.
The Ace awards ceremony will take place in Los Angeles on January 17, 2020. Final ballots...
Parasite, The Farewell and I Lost My Body have earned nominations from the America Cinema Editors (Ace), marking the first time three foreign-language films have garnered nods in the group’s 70-year history.
Bong Joon Ho’s South Korean dark comedy Parasite is nominated in the best edited feature film (drama) category, while Us-Chinese The Farewell is in best edited feature film (comedy), and France’s I Lost My Body is in best edited animated feature film.
The Ace awards ceremony will take place in Los Angeles on January 17, 2020. Final ballots...
- 12/11/2019
- by 36¦Jeremy Kay¦54¦
- ScreenDaily
Hollywood, aiming for more diversity, hopes inclusion riders will help broaden the composition of behind-the-camera crews. But so far, people with disabilities — who comprise nearly 20% of the population — have been left out of the conversation.
David Shore, creator of Sony TV-ABC’s “The Good Doctor,” is one of the few execs who has been scrupulous about giving opportunities to people with disabilities behind the scenes. “These people are incredibly underrepresented in films and TV,” he says. “It’s important to have characters like this on-screen, but it would be hypocritical to put them in front of the camera and not behind. They’re capable of so much, and we should make it possible.”
Though statistics on below-the-line hiring are shockingly low, some individuals are proving that the practice is successful.
James Cude has been working as an editor for 18 years, on series including MTV’s “Suspect” and Syfy’s “Cosplay Melee” and “Haunted Highway,...
David Shore, creator of Sony TV-ABC’s “The Good Doctor,” is one of the few execs who has been scrupulous about giving opportunities to people with disabilities behind the scenes. “These people are incredibly underrepresented in films and TV,” he says. “It’s important to have characters like this on-screen, but it would be hypocritical to put them in front of the camera and not behind. They’re capable of so much, and we should make it possible.”
Though statistics on below-the-line hiring are shockingly low, some individuals are proving that the practice is successful.
James Cude has been working as an editor for 18 years, on series including MTV’s “Suspect” and Syfy’s “Cosplay Melee” and “Haunted Highway,...
- 8/29/2018
- by Tim Gray
- Variety Film + TV
Here’s your daily dose of an indie film, web series, TV pilot, what-have-you in progress — at the end of the week, you’ll have the chance to vote for your favorite.
In the meantime: Is this a project you’d want to see? Tell us in the comments.
Stolen Innocence
Logline: 12-year-old Jan Broberg was kidnapped by her parents’ best friend and trusted neighbor. Twice.
Elevator Pitch:
In 1974, Jan Broberg was kidnapped by her parents best friend, Robert Bechtold. He drugged her and strapped her to a bed in the back of a motorhome, and drove to Mexico. Upon awakening, Jan heard high-pitched voices, repeating commands through a small intercom, leading her to believe that she and Berchtold had been abducted by aliens. The FBI conducted a nationwide manhunt and found Jan 5 weeks later. Jan’s family remained oblivious to Berchtold’s diabolical intentions towards their daughter. His calculated...
In the meantime: Is this a project you’d want to see? Tell us in the comments.
Stolen Innocence
Logline: 12-year-old Jan Broberg was kidnapped by her parents’ best friend and trusted neighbor. Twice.
Elevator Pitch:
In 1974, Jan Broberg was kidnapped by her parents best friend, Robert Bechtold. He drugged her and strapped her to a bed in the back of a motorhome, and drove to Mexico. Upon awakening, Jan heard high-pitched voices, repeating commands through a small intercom, leading her to believe that she and Berchtold had been abducted by aliens. The FBI conducted a nationwide manhunt and found Jan 5 weeks later. Jan’s family remained oblivious to Berchtold’s diabolical intentions towards their daughter. His calculated...
- 7/25/2016
- by Steve Greene
- Indiewire
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.