Doctor Who has thousands of unproduced story concepts. Indeed, the first ever story ‘An Unearthly Child’ was based on a completely different idea: C.E. Webber’s ‘The Giants’, in which the Doctor and co. would have been shrunken down and faced comparatively massive Earth insects, was in an original series document produced for Doctor Who, and had Rex Tucker assigned to direct.
‘The Giants’ was vetoed for a combination of technical reasons: the small and outdated studio assigned to Doctor Who wasn’t up to the task of giant insects. Said insects drew the ire of Doctor Who co-creator Sydney Newman, who famously disliked bug-eyed monsters – you can’t get any more bug-eyed than literal bugs. Aspects of it ended up in the Season 2 story ‘Planet of Giants’, and the opening scene – where teenager Sue and her teachers Cliff and Lola meet Dr Who (sic) in the fog – was adapted...
‘The Giants’ was vetoed for a combination of technical reasons: the small and outdated studio assigned to Doctor Who wasn’t up to the task of giant insects. Said insects drew the ire of Doctor Who co-creator Sydney Newman, who famously disliked bug-eyed monsters – you can’t get any more bug-eyed than literal bugs. Aspects of it ended up in the Season 2 story ‘Planet of Giants’, and the opening scene – where teenager Sue and her teachers Cliff and Lola meet Dr Who (sic) in the fog – was adapted...
- 4/16/2024
- by Louisa Mellor
- Den of Geek
New York, NY — April 15, 2024 — The 92nd Street Y, New York (92Ny), one of New York’s leading cultural venues, presents Cotton: Denyce Graves, mezzo-soprano and Justin Austin, baritone on Thursday, April 18, 2024 at 7:30 pm at Kaufmann Concert Hall. Tickets start at $30 and are available at https://www.92ny.org/event/denyce-graves-and-justin-austin.
Celebrated mezzo-soprano Denyce Graves, acclaimed for her riveting performances on the world’s great opera stages, her activism in support of diversity in the arts, and her championing of new music, is featured with exciting rising star baritone Justin Austin and pianist Laura Ward in the New York premiere of this immersive exploration of African American stories through song, poetry, and photography.
A poignant and powerful multidisciplinary work that speaks to the resilience of soul and psyche, Cotton is inspired by photographer John E. Dowell’s haunting images of South Carolina cotton fields – captured in his 2018 exhibit Cotton: The Soft,...
Celebrated mezzo-soprano Denyce Graves, acclaimed for her riveting performances on the world’s great opera stages, her activism in support of diversity in the arts, and her championing of new music, is featured with exciting rising star baritone Justin Austin and pianist Laura Ward in the New York premiere of this immersive exploration of African American stories through song, poetry, and photography.
A poignant and powerful multidisciplinary work that speaks to the resilience of soul and psyche, Cotton is inspired by photographer John E. Dowell’s haunting images of South Carolina cotton fields – captured in his 2018 exhibit Cotton: The Soft,...
- 4/15/2024
- by Music MCM
- Martin Cid Music
Skydance Sports, the media company’s Jv with the NFL, has made some key appointments to its creative and production leadership across film and television, hiring Nancy Cotton and Sandino Moya-Smith as, respectively, EVP, Television, and SVP, Feature Film. Both were previously at Amazon MGM.
Danette Trosclair was promoted to EVP, Production, moving from Skydance Television to oversee all physical production for the Skydance Sports’ slate of scripted series including production, finance, and post-production.
As EVP, Television — a newly created role — Cotton will lead development and production of the sports studio’s scripted series across broadcast, cable and streaming platforms. She will be responsible for sourcing material and shepherding series through development, packaging, production and beyond.
Cotton and Trosclair will report to Jason Reed, Head of Skydance Sports.
Moya-Smith will be responsible for bringing in feature projects to the studio and overseeing the films throughout every phase from inception to release.
Danette Trosclair was promoted to EVP, Production, moving from Skydance Television to oversee all physical production for the Skydance Sports’ slate of scripted series including production, finance, and post-production.
As EVP, Television — a newly created role — Cotton will lead development and production of the sports studio’s scripted series across broadcast, cable and streaming platforms. She will be responsible for sourcing material and shepherding series through development, packaging, production and beyond.
Cotton and Trosclair will report to Jason Reed, Head of Skydance Sports.
Moya-Smith will be responsible for bringing in feature projects to the studio and overseeing the films throughout every phase from inception to release.
- 4/10/2024
- by Jill Goldsmith
- Deadline Film + TV
One of the biggest brands on YouTube is planning a significant expansion, and has locked up a massive investment to do it.
Dude Perfect, perhaps best known for their elaborate trick shot videos on YouTube and other video platforms, have secured a nine-figure investment from Highmount Capital in a play to build out their business in new areas and to expand their core programming.
Terms of the deal were not disclosed, though a source pegged the value of the investment at greater than $100 million, a huge number for a brand originally built on YouTube.
“We’ve had a lot of dreams and big visions that we haven’t yet been able to tackle with the size team that we have, or the amount of capital that we’ve had so far, and so this was something that we’ve been looking into for the past year, and we were really excited when Highmount came along,...
Dude Perfect, perhaps best known for their elaborate trick shot videos on YouTube and other video platforms, have secured a nine-figure investment from Highmount Capital in a play to build out their business in new areas and to expand their core programming.
Terms of the deal were not disclosed, though a source pegged the value of the investment at greater than $100 million, a huge number for a brand originally built on YouTube.
“We’ve had a lot of dreams and big visions that we haven’t yet been able to tackle with the size team that we have, or the amount of capital that we’ve had so far, and so this was something that we’ve been looking into for the past year, and we were really excited when Highmount came along,...
- 4/9/2024
- by Alex Weprin
- The Hollywood Reporter - Movie News
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