In a typical scene from “An Endless Sunday,” three teenage delinquents wander beside a canal. They end up killing a frog with a brick. Another group of children slightly younger than they are are also mucking about, and one of them is playing the recorder, blasting out a wobbly but recognizable version of Beethoven’s Ninth Symphony, the second movement. It’s a musical cue that in cinema, when accompanying youths up to no good, evokes Stanley Kubrick’s “A Clockwork Orange.” While this Italian debut feature from Alain Parroni has more in common stylistically with Andrea Arnold’s “American Honey,” there’s a streak of nihilism and disregard for the future that would call to mind Kubrick’s droogs even without the audio shout-out.
The teens here are a trio: moody lunkish Alex (Enrico Bassetti) and his girlfriend Brenda (Federica Valentini), who acts older than she is but looks younger,...
The teens here are a trio: moody lunkish Alex (Enrico Bassetti) and his girlfriend Brenda (Federica Valentini), who acts older than she is but looks younger,...
- 9/9/2023
- by Catherine Bray
- Variety Film + TV
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.