While Luca Guadagnino is reigning supreme this summer with “Challengers” and Cannes-premiered “Queer” both opening, Film at Lincoln Center is celebrating all Italian auteurs for the 23rd edition of annual festival “Open Roads: New Italian Cinema.”
This year’s festival takes place from May 30 through June 6 and includes North American, U.S., and New York premieres, with appearances and discussions by several of the filmmakers. Co-presented by Cinecittà, “Open Roads: New Italian Cinema” serves as a showcase of the best in new Italian cinema.
“I think we have an especially strong lineup at this year’s ‘Open Roads,’ which is nothing if not an encouraging sign of things to come as we continue to move forward from the production pauses and shutdowns wrought by the Covid-19 pandemic,” Dan Sullivan, Flc Programmer, said. “A satisfying mix of the familiar and the new, of low- and higher-budget movies, of fresh takes on...
This year’s festival takes place from May 30 through June 6 and includes North American, U.S., and New York premieres, with appearances and discussions by several of the filmmakers. Co-presented by Cinecittà, “Open Roads: New Italian Cinema” serves as a showcase of the best in new Italian cinema.
“I think we have an especially strong lineup at this year’s ‘Open Roads,’ which is nothing if not an encouraging sign of things to come as we continue to move forward from the production pauses and shutdowns wrought by the Covid-19 pandemic,” Dan Sullivan, Flc Programmer, said. “A satisfying mix of the familiar and the new, of low- and higher-budget movies, of fresh takes on...
- 5/22/2024
- by Samantha Bergeson
- Indiewire
When it comes to director Piero Messina’s Another End, it’s almost necessary to begin with its ending. But only to say that its denouement isn’t unlike that of M. Night Shyamalan’s Sixth Sense, for how it confers meaning retroactively to the plot and will, most likely, leave you dumbfounded. Revealing more would mean spoiling this science-fiction film, which is as guilty of overtly sentimental dialogue as it is meticulous about revealing the rules of its world little by little. The screenplay’s last-minute plot twist is so astonishing that it all but makes one forget the hackneyed elements that structure the film.
What the atmosphere of Another End tells us from the start is that the world has become a perpetual penumbra. Its inhabitants look disaffected, if not depressed. That’s certainly the case with Sal (Gael García Bernal), who enters his elderly neighbor’s apartment...
What the atmosphere of Another End tells us from the start is that the world has become a perpetual penumbra. Its inhabitants look disaffected, if not depressed. That’s certainly the case with Sal (Gael García Bernal), who enters his elderly neighbor’s apartment...
- 2/22/2024
- by Diego Semerene
- Slant Magazine
It’s ironic that memory is the central theme of Piero Messina’s Berlin Competition title “Another End,” when so many of its twists and turns are so directly lifted from other films that it feels like you’ve seen them before; even watching it for the first time feels like rewatching. But if that makes this elegiac literalization of the timeless theme of “what is grief but love persevering?” a rather edgeless experience it’s not a wholly unpleasant one. Less designed to provoke than to soothe, perhaps the very familiarity of much of the movie is a virtue, letting us enjoy its sleek surfaces safe in the knowledge that there’s nothing much lurking in the depths to alarm us.
Indeed, the story’s central alarming incident has happened some time before the film even begins: a car crash for which Sal (Gael García Bernal) believes he was...
Indeed, the story’s central alarming incident has happened some time before the film even begins: a car crash for which Sal (Gael García Bernal) believes he was...
- 2/17/2024
- by Jessica Kiang
- Variety Film + TV
What would you do if you could extend loved ones’ lives through their memories?
Another End, the latest film directed by Piero Messina and his writing team including Giacomo Bendotti, Valentina Gaddi and Sebastiano Melloni, boasts a cast led by Gael García Bernal, Renate Reinsve and Bérénice Bejo. It aspires to weave a complex narrative exploring the boundaries of human connection, the grieving process and the possibility of extending life through technological means. Yet, despite its ambitious premise, the film falls short of its potential, unraveling as a perplexing and ultimately unrewarding cinematic experience.
In a world where technology blurs the lines between life and death, Sal (Bernal) experiences a haunting blend of grief and hope. He visits an elderly couple; as they share tea, a disturbing scene unfolds. Men in white coats arrive, sedate the old man, wrap him in a white tarp, and whisk him away to Another End,...
Another End, the latest film directed by Piero Messina and his writing team including Giacomo Bendotti, Valentina Gaddi and Sebastiano Melloni, boasts a cast led by Gael García Bernal, Renate Reinsve and Bérénice Bejo. It aspires to weave a complex narrative exploring the boundaries of human connection, the grieving process and the possibility of extending life through technological means. Yet, despite its ambitious premise, the film falls short of its potential, unraveling as a perplexing and ultimately unrewarding cinematic experience.
In a world where technology blurs the lines between life and death, Sal (Bernal) experiences a haunting blend of grief and hope. He visits an elderly couple; as they share tea, a disturbing scene unfolds. Men in white coats arrive, sedate the old man, wrap him in a white tarp, and whisk him away to Another End,...
- 2/17/2024
- by Valerie Complex
- Deadline Film + TV
Good news: Death is not the end of love any more than love is the end of death. On the contrary, you might find that losing someone can help you to find them in places you never thought to look when they were alive; distance can allow for clarity, and that clarity can allow for a new kind of closeness.
Bad news: That process is fraught with unanswerable questions, and we’re thinking up weird new ones to ask every day. Once upon a time you could leave it at: “How are you supposed to achieve closure when death opens so many doors to potential discovery?” Now, with the endless amount of digital artifacts we all carry in our pockets and the nascent promise that A.I. might be able to preserve someone’s consciousness for centuries to come, technology has compelled us to consider the practical applications of thought...
Bad news: That process is fraught with unanswerable questions, and we’re thinking up weird new ones to ask every day. Once upon a time you could leave it at: “How are you supposed to achieve closure when death opens so many doors to potential discovery?” Now, with the endless amount of digital artifacts we all carry in our pockets and the nascent promise that A.I. might be able to preserve someone’s consciousness for centuries to come, technology has compelled us to consider the practical applications of thought...
- 2/17/2024
- by David Ehrlich
- Indiewire
Gael García Bernal and Renate Reinsve (“The Worst Person in the World”) star as lovers caught in an unusual bind in Italian director Piero Messina’s unconventional sci-fi film “Another End,” which is competing in Berlin.
Set in a near-future when a new technology exists that can put the consciousness of a dead person back into a living body in an attempt to ease the grief of separation, the English-language film sees Bernal play Sal, a man who loses his wife. Reinsve plays Zoe, the woman who rents her body for the implantation of Bernal’s wife’s consciousness. Rounding out the cast is Bérénice Bejo as Sal’s sister Ebe. Newen Connect is handling international sales of the Indigo Films-Rai Cinema production.
What attracted Bernal to the role was “the philosophical journey that he goes on, because this film challenges an elemental question, which is: What happens after death?...
Set in a near-future when a new technology exists that can put the consciousness of a dead person back into a living body in an attempt to ease the grief of separation, the English-language film sees Bernal play Sal, a man who loses his wife. Reinsve plays Zoe, the woman who rents her body for the implantation of Bernal’s wife’s consciousness. Rounding out the cast is Bérénice Bejo as Sal’s sister Ebe. Newen Connect is handling international sales of the Indigo Films-Rai Cinema production.
What attracted Bernal to the role was “the philosophical journey that he goes on, because this film challenges an elemental question, which is: What happens after death?...
- 2/17/2024
- by Nick Vivarelli
- Variety Film + TV
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