Of the 10 films up for best picture, no fewer than six run 199 minutes or more. On one extreme, James Cameron’s punishing “Avatar” sequel is long enough to require bathroom breaks. At the other, Daniels’ Adhd-styled “Everything Everywhere All at Once” proves equally exhausting, dedicating every hyperkinetic second to stimulating easily distracted audiences. It’s enough to make folks grateful for the lower-profile but still engaging live-action shorts category, where nominees are bound by a strict 40-minute time limit. This year’s crop — the so-so “2023 Oscar Nominated Short Films: Live Action” program — clocks in at under two hours. Available in theaters and on myriad streaming platforms, the international assembly may be a hit-and-miss affair, but never outstays its welcome.
Set in a rarely seen corner of Greenland, “Ivalu” follows a Native girl as she tries to make sense of her sister’s disappearance. It’s a visually striking 16 minutes,...
Set in a rarely seen corner of Greenland, “Ivalu” follows a Native girl as she tries to make sense of her sister’s disappearance. It’s a visually striking 16 minutes,...
- 3/4/2023
- by Peter Debruge
- Variety Film + TV
In the most prominent Oscar categories, many of the nominees are fairly established; the short film categories, and the Best Live Action short in particular, provide more room for discoveries. It was here, 18 years ago, that “The Banshees of Inisherin” writer-director Martin McDonagh won for his short “Six Shooter,” and where Andrea Arnold won a year prior for “Wasp,” from a category of nominees that also included Taika Waititi and Nacho Vigalondo.
It’s also a category that can attract support from major Hollywood talent, as with last year’s winner “The Long Goodbye,” starring and produced by Riz Ahmed, who shared the award with director Aneil Karia. Yet even in that case, the winner of the category — a spoken-word indictment of racial violence — was more daring and inventive than the bulk of the feature nominees.
In that regard, this year’s set of contenders all stand out for one...
It’s also a category that can attract support from major Hollywood talent, as with last year’s winner “The Long Goodbye,” starring and produced by Riz Ahmed, who shared the award with director Aneil Karia. Yet even in that case, the winner of the category — a spoken-word indictment of racial violence — was more daring and inventive than the bulk of the feature nominees.
In that regard, this year’s set of contenders all stand out for one...
- 2/17/2023
- by Eric Kohn
- Indiewire
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