Zeitgeist Films in association with Kino Lorber has acquired North American rights to director Jeff Zimbalist’s documentary How to Come Alive With Norman Mailer.
The film made its North American premiere at Doc NYC last autumn and will be released theatrically by Zeitgeist in late June, with an educational, home video and digital release by Kino Lorber to follow.
The documentary was executive produced by Stu Schreiberg, Vinnie Malhotra and John Buffalo Mailer, and produced by Zimbalist and Vicki Marquette. The production companies were Triage Entertainment and All Rise Films.
The portrait of one of America’s most famous...
The film made its North American premiere at Doc NYC last autumn and will be released theatrically by Zeitgeist in late June, with an educational, home video and digital release by Kino Lorber to follow.
The documentary was executive produced by Stu Schreiberg, Vinnie Malhotra and John Buffalo Mailer, and produced by Zimbalist and Vicki Marquette. The production companies were Triage Entertainment and All Rise Films.
The portrait of one of America’s most famous...
- 2/9/2024
- ScreenDaily
Distributing films by Todd Haynes, Guy Maddin, Abbas Kiarostami, Laura Poitras, Olivier Assayas, and even Jacques Demy, Zeitgeist Film has been one of the most vital caretakers of independent and international cinema in the last few decades. Founded in New York City in 1988 by Nancy Gerstman and Emily Russo, they will now get a well-deserved celebration at NYC’s Metrograph beginning this Friday, November 3, with the series Zeitgeist Films at 35, and we’re pleased to exclusively debut the trailer.
Along with Olivier Assayas’ Irma Vep, Todd Haynes’ Poison, Derek Jarman’s The Garden, Abbas Kiarostami’s Taste of Cherry, Atom Egoyan’s Speaking Parts, and Jacques Demy’s Umbrellas of Cherbourg (released in a new restoration by Zeitgeist in 1996), the series features premieres of new 4K remasters of Guy Maddin’s Archangel and Marc Rothemund’s Sophie Scholl: The Final Days, plus an exclusive series closing night Member Preview of...
Along with Olivier Assayas’ Irma Vep, Todd Haynes’ Poison, Derek Jarman’s The Garden, Abbas Kiarostami’s Taste of Cherry, Atom Egoyan’s Speaking Parts, and Jacques Demy’s Umbrellas of Cherbourg (released in a new restoration by Zeitgeist in 1996), the series features premieres of new 4K remasters of Guy Maddin’s Archangel and Marc Rothemund’s Sophie Scholl: The Final Days, plus an exclusive series closing night Member Preview of...
- 10/31/2023
- by Jordan Raup
- The Film Stage
Neon’s Spencer with Kristin Stewart rang in an opening weekend of $2.149 million on 996 screens, a per screen average of $2,158 as the film failed to connect in a market that remains a stubbornly hard sell for specialty and independent films.
The well-reviewed (with raves for Stewart as Lady Diana) reimagining by director Pablo Larraín of a few fateful days at the Queen’s Sandringham Estate when the most famous royal marriage imploded took in an estimated $783,110 Friday; $780,697 Sat.; $585,522 Sunday.
Edgar Wright’s Last Night In Soho in 3,016 theatres took in $1.8 million its second weekend out for a total cume of $7.7M. Los Angeles was the top market, followed by New York, Chicago, San Francisco, Dallas, Boston, Toronto (which broke into the top ten this weekend), Washington, D.C., Philadelphia and Denver. The Music Box in Chicago, Village East in Manhattan, Alamo Brooklyn and Forum in Montreal were among the top ten best performing theaters,...
The well-reviewed (with raves for Stewart as Lady Diana) reimagining by director Pablo Larraín of a few fateful days at the Queen’s Sandringham Estate when the most famous royal marriage imploded took in an estimated $783,110 Friday; $780,697 Sat.; $585,522 Sunday.
Edgar Wright’s Last Night In Soho in 3,016 theatres took in $1.8 million its second weekend out for a total cume of $7.7M. Los Angeles was the top market, followed by New York, Chicago, San Francisco, Dallas, Boston, Toronto (which broke into the top ten this weekend), Washington, D.C., Philadelphia and Denver. The Music Box in Chicago, Village East in Manhattan, Alamo Brooklyn and Forum in Montreal were among the top ten best performing theaters,...
- 11/7/2021
- by Jill Goldsmith
- Deadline Film + TV
Exclusive: Jeff Goldblum-narrated documentary Fiddler’s Journey To The Big Screen, about Norman Jewison classic Fiddler On The Roof, is getting U.S. distribution via Zeitgeist Films and Kino Lorber.
The movie charts the story behind director Norman Jewison’s quest to recreate the lost world of Jewish life in Tsarist Russia and re-envision the beloved stage hit as a wide-screen epic.
Daniel Raim (Harold and Lillian: A Hollywood Love Story) directs the film, drawing on behind-the-scenes footage and never-before-seen stills as well as original interviews with Jewison, Topol, composer John Williams, production designer Robert F. Boyle, film critic Kenneth Turan, lyricist Sheldon Harnick, and actresses Rosalind Harris, Michele Marsh, and Neva Small.
The deal was negotiated by producers Daniel Raim and Sasha Berman, and Richard Lorber on behalf of Zeitgeist, which is planning a spring 2022 release.
The acquisition comes exactly 50 years since Jewison’s musical was released in the U.
The movie charts the story behind director Norman Jewison’s quest to recreate the lost world of Jewish life in Tsarist Russia and re-envision the beloved stage hit as a wide-screen epic.
Daniel Raim (Harold and Lillian: A Hollywood Love Story) directs the film, drawing on behind-the-scenes footage and never-before-seen stills as well as original interviews with Jewison, Topol, composer John Williams, production designer Robert F. Boyle, film critic Kenneth Turan, lyricist Sheldon Harnick, and actresses Rosalind Harris, Michele Marsh, and Neva Small.
The deal was negotiated by producers Daniel Raim and Sasha Berman, and Richard Lorber on behalf of Zeitgeist, which is planning a spring 2022 release.
The acquisition comes exactly 50 years since Jewison’s musical was released in the U.
- 11/4/2021
- by Andreas Wiseman
- Deadline Film + TV
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