Thank goodness for no-shows. Had the controller of what was then BBC Choice turned up to the ‘rehearsed read’ for a potential studio sitcom in the very late 1990s and liked what they’d seen, we wouldn’t have Peep Show. As it reportedly went: BBC Two passed on it. BBC Choice didn’t see it. And everything ended happily ever after.
Peep Show creators Jesse Armstrong and Sam Bain first met the show’s stars David Mitchell and Robert Webb on a BBC comedy writing project in 1998. That went nowhere, but sparked a partnership that led to the acclaimed nine-series sitcom on Channel 4. Before it led there, it almost led to “All Day Breakfast”, the rejected comedy out of which Peep Show grew.
As Robert Webb describes it in the introduction to 2008’s Peep Show: The Scripts and More, “All Day Breakfast” was about “two men in their mid-twenties,...
Peep Show creators Jesse Armstrong and Sam Bain first met the show’s stars David Mitchell and Robert Webb on a BBC comedy writing project in 1998. That went nowhere, but sparked a partnership that led to the acclaimed nine-series sitcom on Channel 4. Before it led there, it almost led to “All Day Breakfast”, the rejected comedy out of which Peep Show grew.
As Robert Webb describes it in the introduction to 2008’s Peep Show: The Scripts and More, “All Day Breakfast” was about “two men in their mid-twenties,...
- 2/14/2024
- by Louisa Mellor
- Den of Geek
David Mitchell leads new BBC crime drama Ludwig, and the first details of the show have landed.
David Mitchell has become a familiar face in UK comedy, whether trying to discern who’s telling the truth in Would I Lie To You? or as the uptight Mark Corrigan alongside long time comedy partner Robert Webb in Jesse Armstrong and Sam Bain’s Peep Show.
He also took on the role of William Shakespeare in Ben Elton’s sitcom Upstart Crow, and reprised the role for a stage adaptation that opened in 2020 and then again when the play was restaged in 2022
Just as Alan Davies took a left turn from stand-up comedy to drama in David Renwick’s superb Jonathan Creek, Mitchell is now moving into the realm of crime drama to play the title role in six part BBC series Ludwig.
The synopsis reads as follows:
When John ‘Ludwig’ Taylor’s (David Mitchell) identical twin,...
David Mitchell has become a familiar face in UK comedy, whether trying to discern who’s telling the truth in Would I Lie To You? or as the uptight Mark Corrigan alongside long time comedy partner Robert Webb in Jesse Armstrong and Sam Bain’s Peep Show.
He also took on the role of William Shakespeare in Ben Elton’s sitcom Upstart Crow, and reprised the role for a stage adaptation that opened in 2020 and then again when the play was restaged in 2022
Just as Alan Davies took a left turn from stand-up comedy to drama in David Renwick’s superb Jonathan Creek, Mitchell is now moving into the realm of crime drama to play the title role in six part BBC series Ludwig.
The synopsis reads as follows:
When John ‘Ludwig’ Taylor’s (David Mitchell) identical twin,...
- 1/11/2024
- by Jake Godfrey
- Film Stories
It’s been almost six months since the series finale of Succession, and Jesse Armstrong has been enjoying the rest.
“There was some sadness about the show ending,” says the British creator and showrunner of HBO’s multiple Emmy-winning drama, which followed the misadventures of the deliriously dysfunctional Roy family, owners of media and entertainment conglomerate Waystar Royco. “[But] doing the show was such a rush of pleasure and anxieties and hard work, of pondering the next season and worrying that you’re going to screw it up [that] is is very, very nice to have time to read again. And to travel.”
Since Succession finished, Armstrong has been on a bit of a victory lap, attending international television festivals and book tours (Faber and Faber published a series of authorized Succession script books) while pondering what to do next.
He’s had an incredible run so far.
Even before Succession, which has won 13 Emmys,...
“There was some sadness about the show ending,” says the British creator and showrunner of HBO’s multiple Emmy-winning drama, which followed the misadventures of the deliriously dysfunctional Roy family, owners of media and entertainment conglomerate Waystar Royco. “[But] doing the show was such a rush of pleasure and anxieties and hard work, of pondering the next season and worrying that you’re going to screw it up [that] is is very, very nice to have time to read again. And to travel.”
Since Succession finished, Armstrong has been on a bit of a victory lap, attending international television festivals and book tours (Faber and Faber published a series of authorized Succession script books) while pondering what to do next.
He’s had an incredible run so far.
Even before Succession, which has won 13 Emmys,...
- 11/17/2023
- by Scott Roxborough
- The Hollywood Reporter - Movie News
Warning: contains spoilers for the Succession season four finale.
In the final scene of British comedy Peep Show (2003 – 2015), longtime flatmates Jez and Mark are watching TV and idly swapping murder methods they’d use on each other. “Aw,” Jez thinks in voiceover as he gazes fondly over at Mark, “we do love each other really.” In silence, Mark looks back at Jez as his own inner monologue concludes, “I simply must get rid of him.”
Roll credits.
It’s the perfect ending to a nigh-on perfect male friendship comedy – funny, unsentimental, and truthful. You can be married to somebody, related to somebody, or like Mark and Jez, be two mismatched socks paired up by tumble dryer static decades ago who never had the wherewithal to peel yourselves apart, and still never know what another person is really thinking.
Take Tom Wambsgans and Shiv Roy, the billionaire husband and wife who...
In the final scene of British comedy Peep Show (2003 – 2015), longtime flatmates Jez and Mark are watching TV and idly swapping murder methods they’d use on each other. “Aw,” Jez thinks in voiceover as he gazes fondly over at Mark, “we do love each other really.” In silence, Mark looks back at Jez as his own inner monologue concludes, “I simply must get rid of him.”
Roll credits.
It’s the perfect ending to a nigh-on perfect male friendship comedy – funny, unsentimental, and truthful. You can be married to somebody, related to somebody, or like Mark and Jez, be two mismatched socks paired up by tumble dryer static decades ago who never had the wherewithal to peel yourselves apart, and still never know what another person is really thinking.
Take Tom Wambsgans and Shiv Roy, the billionaire husband and wife who...
- 6/6/2023
- by Louisa Mellor
- Den of Geek
Minnie Driver (Speechless) and Amandla Jahava (Rap Sh*t) have been cast as the leads in FX’s Peep Show, a half-hour comedy pilot written and produced by Atlanta and What We Do in the Shadows exec producer Stefani Robinson, who also serves as showrunner. Yana Gorskaya (What We Do in the Shadows) has been tapped to direct.
This marks Driver’s return to FX, where she starred in The Riches, for which she received Emmy and Golden Globe nominations.
Inspired by the UK series, Peep Show follows the relationship between a long-suffering assistant (Jahava) and her boss (Driver), an emotionally unstable tech entrepreneur.
Related: 2023 FX Pilots & Series Orders
Robinson executive produces along with Dianne McGunigle (Atlanta), Jesse Armstrong, Sam Bain, and Hannah Mackay and Ben Farrell for Objective Fiction (Feel Good, Peep Show [UK]), part of All3Media’s Objective Media Group. Gorskaya will...
This marks Driver’s return to FX, where she starred in The Riches, for which she received Emmy and Golden Globe nominations.
Inspired by the UK series, Peep Show follows the relationship between a long-suffering assistant (Jahava) and her boss (Driver), an emotionally unstable tech entrepreneur.
Related: 2023 FX Pilots & Series Orders
Robinson executive produces along with Dianne McGunigle (Atlanta), Jesse Armstrong, Sam Bain, and Hannah Mackay and Ben Farrell for Objective Fiction (Feel Good, Peep Show [UK]), part of All3Media’s Objective Media Group. Gorskaya will...
- 4/13/2023
- by Nellie Andreeva
- Deadline Film + TV
Minnie Driver and Amandla Jahava are set to play the lead roles in FX’s “Peep Show” pilot, Variety has learned. In addition, Yana Gorskaya (“What We Do in the Shadows”) has come onboard to direct the pilot.
The pilot, a reboot of the British comedy series of the same name, was originally commissioned at FX in December 2022. It hails from writer, executive producer, and showrunner Stefani Robinson.
The official logline states, “Taking inspiration from the original UK series ‘Peep Show’ and its unique narrative format, the pilot follows the relationship between a long-suffering assistant (Jahava) and her boss (Driver), an emotionally unstable tech entrepreneur.”
The role marks a return to FX for Driver, who previously starred in the series “The Riches” at the cable network. She is best known for her feature work, including her Oscar-nominated role in “Good Will Hunting.” Her other feature credits include “Circle of Friends,...
The pilot, a reboot of the British comedy series of the same name, was originally commissioned at FX in December 2022. It hails from writer, executive producer, and showrunner Stefani Robinson.
The official logline states, “Taking inspiration from the original UK series ‘Peep Show’ and its unique narrative format, the pilot follows the relationship between a long-suffering assistant (Jahava) and her boss (Driver), an emotionally unstable tech entrepreneur.”
The role marks a return to FX for Driver, who previously starred in the series “The Riches” at the cable network. She is best known for her feature work, including her Oscar-nominated role in “Good Will Hunting.” Her other feature credits include “Circle of Friends,...
- 4/13/2023
- by Joe Otterson
- Variety Film + TV
‘Dead Pixels’ Remake Set At India’s Disney+ Hotstar
India’s Disney+ Hotstar has greenlit a remake of gamer comedy Dead Pixels, the British show produced by Succession creator Jesse Armstrong, Sam Bain and Phil Clarke’s Various Artists Limited. BBC Studios India and Tamada Media are behind the remake, which will be in Telugu and follows the journey of three young friends whose lives revolve around an online video game, with the ultimate goal of defeating a virtual villain. The Indian version moves from the UK to Hyderabad, depicting the main characters’ obsession with the game and how it interferes in different aspects of their daily lives. Aditya Mandala is director, Akshay Poolla is writer and the version stars Niharika Konidela, Harsha Chemudu, Sai Ronak, Akshay Lagusani and Bhavana Sagi. The British Dead Pixels has aired for two seasons on E4 and was picked up in the U.S.
India’s Disney+ Hotstar has greenlit a remake of gamer comedy Dead Pixels, the British show produced by Succession creator Jesse Armstrong, Sam Bain and Phil Clarke’s Various Artists Limited. BBC Studios India and Tamada Media are behind the remake, which will be in Telugu and follows the journey of three young friends whose lives revolve around an online video game, with the ultimate goal of defeating a virtual villain. The Indian version moves from the UK to Hyderabad, depicting the main characters’ obsession with the game and how it interferes in different aspects of their daily lives. Aditya Mandala is director, Akshay Poolla is writer and the version stars Niharika Konidela, Harsha Chemudu, Sai Ronak, Akshay Lagusani and Bhavana Sagi. The British Dead Pixels has aired for two seasons on E4 and was picked up in the U.S.
- 2/27/2023
- by Max Goldbart and Jesse Whittock
- Deadline Film + TV
Charlotte Ritchie fans are very excited for Charlotte Ritchie. The star of Fresh Meat and Call The Midwife is much-loved on her home turf but her fans predict a new wave of stateside stans. “Charlotte Ritchie’s fame era incoming,” reads one tweet. Another laments: “It’s gonna be hard to gatekeep Charlotte Ritchie now.” Others skew more unhinged. A few are of the “I’d let Charlotte Ritchie step on me” variety. “That’s so worrying!” Ritchie, who is absent from social media and therefore cloistered from its deranged dialect, laughs. “Flattering – but worrying!”
Her fans are probably right. Soon an international audience will awaken to Ritchie’s charms thanks to her role in Netflix’s hit show You. The series – which, in a coup of casting, sees Gossip Girl hearthrob Penn Badgley play a serial stalker, sometimes murderer – is Ritchie’s most international foray yet. Now in its fourth season,...
Her fans are probably right. Soon an international audience will awaken to Ritchie’s charms thanks to her role in Netflix’s hit show You. The series – which, in a coup of casting, sees Gossip Girl hearthrob Penn Badgley play a serial stalker, sometimes murderer – is Ritchie’s most international foray yet. Now in its fourth season,...
- 2/9/2023
- by Annabel Nugent
- The Independent - TV
British sitcoms have long been the source of reboot attempts in America.
The big one that springs to mind is The Office, which became a global hit and, following its addition to Netflix, one of its most-watched titles. A recent success has been Ghosts, which received acclaim upon its debut in 2021.
However, there have been many botched attempts – Spaced, The Inbetweeners and The It Crowd, to name a few.
There have also been several attempts to do a US version of Peep Show in the past, all of which have failed – but FX is going to give it another go, with series creators Jesse Armstrong and Sam Bain on board as executive producers.
However, the former will not be scripting the pilot due to his commitments with HBO’s Succession. Emmy-nominated Stefani Robinson, who worked on Atlanta and What We Dp in the Shadows, will write the first episode.
As...
The big one that springs to mind is The Office, which became a global hit and, following its addition to Netflix, one of its most-watched titles. A recent success has been Ghosts, which received acclaim upon its debut in 2021.
However, there have been many botched attempts – Spaced, The Inbetweeners and The It Crowd, to name a few.
There have also been several attempts to do a US version of Peep Show in the past, all of which have failed – but FX is going to give it another go, with series creators Jesse Armstrong and Sam Bain on board as executive producers.
However, the former will not be scripting the pilot due to his commitments with HBO’s Succession. Emmy-nominated Stefani Robinson, who worked on Atlanta and What We Dp in the Shadows, will write the first episode.
As...
- 12/14/2022
- by Jacob Stolworthy
- The Independent - TV
FX has ordered a pilot for an American reboot of the British comedy series “Peep Show.”
The half-hour project hails from writer Stefani Robinson. Per the official series logline, the new version “takes inspiration from the original U.K. series and its unique narrative format. It follows the relationship between a long-suffering assistant and her boss, an emotionally unstable tech entrepreneur.”
Robinson will executive produce the pilot in addition to writing. Dianne McGunigle will also executive produce along with Jesse Armstrong and Sam Bain, two of the co-creators of the original series. Hannah Mackay and Ben Farrell of Objective Fiction, which produced the original series, will also executive produce.
“Peep Show” aired from 2003-2015 on Channel 4 in the U.K. for nine seasons. The series was unique in that nearly every shot was from the main characters’ point of view, while the audience is also able to hear their...
The half-hour project hails from writer Stefani Robinson. Per the official series logline, the new version “takes inspiration from the original U.K. series and its unique narrative format. It follows the relationship between a long-suffering assistant and her boss, an emotionally unstable tech entrepreneur.”
Robinson will executive produce the pilot in addition to writing. Dianne McGunigle will also executive produce along with Jesse Armstrong and Sam Bain, two of the co-creators of the original series. Hannah Mackay and Ben Farrell of Objective Fiction, which produced the original series, will also executive produce.
“Peep Show” aired from 2003-2015 on Channel 4 in the U.K. for nine seasons. The series was unique in that nearly every shot was from the main characters’ point of view, while the audience is also able to hear their...
- 12/13/2022
- by Joe Otterson
- Variety Film + TV
FX has ordered the comedy pilot “Peep Show” from writer and executive producer Stefani Robinson.
Inspired by the UK sitcom of the same name, additional executive producers include Dianne McGunigle (“Atlanta”), Hannah Mackay and Ben Farrell for Objective Fiction (behind the original series). Jesse Armstrong (“Succession”) and Sam Bain, both of whom co-created the UK format, also serve as EPs.
Produced by FX Productions, the half-hour pilot follows the relationship between a long-suffering assistant and her boss, an emotionally unstable tech entrepreneur.
Also Read:
‘Kindred’ Review: FX’s Historical Sci-Fi Adaptation Doesn’t Dig Deep Enough
The original series, starring David Mitchell and Robert Webb, ran for nine seasons from 2003 through 2015 on Channel 4, becoming the network’s longest on-air sitcom. Regarded as one of the top-rated British programs, the cult classic comedy was also twice nominated for a BAFTA TV Award, including for Best Scripted Comedy.
Shot in point-of-view style,...
Inspired by the UK sitcom of the same name, additional executive producers include Dianne McGunigle (“Atlanta”), Hannah Mackay and Ben Farrell for Objective Fiction (behind the original series). Jesse Armstrong (“Succession”) and Sam Bain, both of whom co-created the UK format, also serve as EPs.
Produced by FX Productions, the half-hour pilot follows the relationship between a long-suffering assistant and her boss, an emotionally unstable tech entrepreneur.
Also Read:
‘Kindred’ Review: FX’s Historical Sci-Fi Adaptation Doesn’t Dig Deep Enough
The original series, starring David Mitchell and Robert Webb, ran for nine seasons from 2003 through 2015 on Channel 4, becoming the network’s longest on-air sitcom. Regarded as one of the top-rated British programs, the cult classic comedy was also twice nominated for a BAFTA TV Award, including for Best Scripted Comedy.
Shot in point-of-view style,...
- 12/13/2022
- by Natalie Oganesyan
- The Wrap
Peep Show, the long-running British comedy starring David Mitchell and Robert Webb, is getting another shot in the U.S.
FX has ordered a pilot for this latest remake attempt written by Atlanta and What We Do In The Shadows exec producer Stefani Robinson.
It marks the latest attempt for the Channel 4 cult classic.
The Disney-owned network had a script in development in 2019 from Portlandia and Superstore writer and co-exec producer Karey Dornetto. Starz attempted a remake in 2016, while Fox took a run at a pilot, starring The Big Bang Theory’s Johnny Galecki, in 2005 and Spike gave it a shot in 2008.
This version, however, doesn’t necessarily attempt to remake the show beat-by-beat and will feature two female leads unlike the original.
The network said the pilot will “take inspiration” from the original with its “unique narrative format” – essentially the show is shot largely from the points of...
FX has ordered a pilot for this latest remake attempt written by Atlanta and What We Do In The Shadows exec producer Stefani Robinson.
It marks the latest attempt for the Channel 4 cult classic.
The Disney-owned network had a script in development in 2019 from Portlandia and Superstore writer and co-exec producer Karey Dornetto. Starz attempted a remake in 2016, while Fox took a run at a pilot, starring The Big Bang Theory’s Johnny Galecki, in 2005 and Spike gave it a shot in 2008.
This version, however, doesn’t necessarily attempt to remake the show beat-by-beat and will feature two female leads unlike the original.
The network said the pilot will “take inspiration” from the original with its “unique narrative format” – essentially the show is shot largely from the points of...
- 12/13/2022
- by Peter White
- Deadline Film + TV
Click here to read the full article.
FX is trying its hand at a Peep Show update again.
The Disney-backed basic-cable network has handed out a pilot order to an update of the cult favorite U.K. series from Succession creator Jesse Armstrong. Atlanta grad Stefani Robinson will pen the script and exec produce the half-hour comedy that will be produced in-house via her overall deal with FX Productions.
Armstrong, who has an exclusive overall deal with Warner Bros. Discovery-backed HBO, is attached to exec produce but will not be involved with the series given his commitments to Disney’s corporate rival and the premium cable network’s Emmy-winning drama Succession.
The new Peep Show will take inspiration from the U.K. original and its unique narrative format. It will follow the relationship between a long-suffering assistant and her boss, an emotionally unstable tech entrepreneur.
Robinson, whose credits also...
FX is trying its hand at a Peep Show update again.
The Disney-backed basic-cable network has handed out a pilot order to an update of the cult favorite U.K. series from Succession creator Jesse Armstrong. Atlanta grad Stefani Robinson will pen the script and exec produce the half-hour comedy that will be produced in-house via her overall deal with FX Productions.
Armstrong, who has an exclusive overall deal with Warner Bros. Discovery-backed HBO, is attached to exec produce but will not be involved with the series given his commitments to Disney’s corporate rival and the premium cable network’s Emmy-winning drama Succession.
The new Peep Show will take inspiration from the U.K. original and its unique narrative format. It will follow the relationship between a long-suffering assistant and her boss, an emotionally unstable tech entrepreneur.
Robinson, whose credits also...
- 12/13/2022
- by Lesley Goldberg
- The Hollywood Reporter - Movie News
Exclusive: We have learned that filmmaker Sally El Hosaini has signed with CAA.
El Hosaini recently directed the upcoming Netflix movie The Swimmers, from a screenplay that she co-wrote with Jack Thorne.
The movie is produced by Working Title’s Eric Fellner and Tim Bevan, Ali Jaafar, and Tim Cole. Stephen Daldry serves as EP.
Swimmers follows the miraculous journey made by swimming sisters Yusra and Sarah Mardini who fled as refugees from war-torn Syria all the way to the 2016 Rio Olympics.
Her directorial debut feature, My Brother the Devil, premiered at the 2012 Sundance Festival and has since played at 40 festivals around the globe. The film won Best European Film at the Berlin International Film Festival, the Best Newcomer Award at the BFI London Film Festival, and was nominated for Best Debut at the British Independent Film Awards.
El Hosaini also directed the final three episodes of Babylon, a British...
El Hosaini recently directed the upcoming Netflix movie The Swimmers, from a screenplay that she co-wrote with Jack Thorne.
The movie is produced by Working Title’s Eric Fellner and Tim Bevan, Ali Jaafar, and Tim Cole. Stephen Daldry serves as EP.
Swimmers follows the miraculous journey made by swimming sisters Yusra and Sarah Mardini who fled as refugees from war-torn Syria all the way to the 2016 Rio Olympics.
Her directorial debut feature, My Brother the Devil, premiered at the 2012 Sundance Festival and has since played at 40 festivals around the globe. The film won Best European Film at the Berlin International Film Festival, the Best Newcomer Award at the BFI London Film Festival, and was nominated for Best Debut at the British Independent Film Awards.
El Hosaini also directed the final three episodes of Babylon, a British...
- 7/26/2022
- by Anthony D'Alessandro
- Deadline Film + TV
Various Artists Limited (Val), the Emmy and BAFTA winning production company behind “I May Destroy You,” “Sally4Ever” and “Dead Pixels” has appointed Channel 4 commissioning editor Jack Bayles as head of comedy.
London-based Val was founded in 2017 by “Peep Show” co-creator Sam Bain and “Succession” showrunner Jesse Armstrong, together with producers and ex-Channel 4 commissioners, Phil Clarke and Roberto Troni.
Reporting into Clarke and based in London and Brighton, Bayles will join from August and will be responsible for overseeing Val’s comedy slate as well as developing new projects. He previously produced Channel 4’s hit comedy “Catastrophe” with Sharon Horgan and Rob Delaney, and in 2017 was appointed commissioning editor for the channel, where he was responsible for BAFTA winning “Stath Lets Flats,” “Derry Girls,” Aisling Bea’s “This Way Up,” “Michell & Webb’s Back,” “The Curse” and “Hullraisers.”
Bayles said: “Channel 4 comedy is a vital and precious voice in British comedy,...
London-based Val was founded in 2017 by “Peep Show” co-creator Sam Bain and “Succession” showrunner Jesse Armstrong, together with producers and ex-Channel 4 commissioners, Phil Clarke and Roberto Troni.
Reporting into Clarke and based in London and Brighton, Bayles will join from August and will be responsible for overseeing Val’s comedy slate as well as developing new projects. He previously produced Channel 4’s hit comedy “Catastrophe” with Sharon Horgan and Rob Delaney, and in 2017 was appointed commissioning editor for the channel, where he was responsible for BAFTA winning “Stath Lets Flats,” “Derry Girls,” Aisling Bea’s “This Way Up,” “Michell & Webb’s Back,” “The Curse” and “Hullraisers.”
Bayles said: “Channel 4 comedy is a vital and precious voice in British comedy,...
- 6/15/2022
- by Naman Ramachandran
- Variety Film + TV
I May Destroy You and Sally4Ever producer Various Artists Limited (Val) has hired Channel 4 Commissioning Editor Jack Bayles as its Head of Comedy.
Bayles will take up the role from August and will be based in London and Brighton. He’ll be responsible for overseeing Val’s comedy slate and developing new projects. Val said the exec, who has 20 years’ experience in comedy, will provide “creative leadership and artistic vision to the role.”
The company was founded in 2017 by Sam Bain, his writing partner and Succession creator Jesse Armstrong and a pair of former Channel 4 commissioners, Phil Clarke and Roberto Troni. Bayles will report to Clarke.
Tanya Qureshi was Val’s previous Head of Comedy until March 2021 but left to join the BBC.
Prior to Val, Bayles produced Channel 4 and Amazon comedy Catastrophe with Sharon Horgan and Rob Delaney, and in 2017 was appointed Commissioning Editor for the broadcaster,...
Bayles will take up the role from August and will be based in London and Brighton. He’ll be responsible for overseeing Val’s comedy slate and developing new projects. Val said the exec, who has 20 years’ experience in comedy, will provide “creative leadership and artistic vision to the role.”
The company was founded in 2017 by Sam Bain, his writing partner and Succession creator Jesse Armstrong and a pair of former Channel 4 commissioners, Phil Clarke and Roberto Troni. Bayles will report to Clarke.
Tanya Qureshi was Val’s previous Head of Comedy until March 2021 but left to join the BBC.
Prior to Val, Bayles produced Channel 4 and Amazon comedy Catastrophe with Sharon Horgan and Rob Delaney, and in 2017 was appointed Commissioning Editor for the broadcaster,...
- 6/15/2022
- by Jesse Whittock
- Deadline Film + TV
Ed Helms & Mike Falbo’s Pacific Electric Picture Company has upped executive Brett Harris to Vice President. Brett will continue to work across the company’s film, scripted & unscripted television, and podcast slates.
At Pacific Electric, Harris most recently worked on True Story with Ed & Randall for Peacock. Prior to that, he served as a Producer on Aunty Donna’s Big Ol’ House of Fun for Netflix/Universal TV, which currently holds a 100 on Rotten Tomatoes. On the feature side, Harris co-produced Coffee & Kareem for Netflix in 2020 and associate produced Corporate Animals and Ode To Joy, both of which were released in 2019. He began his career as an assistant at Universal Pictures before joining Pacific Electric.
Founded by Ed Helms and Mike Falbo in 2012, Pacific Electric Picture Co. is a production company with a first look deal at Universal Television. On the feature side they produce Coffee & Kareem for...
At Pacific Electric, Harris most recently worked on True Story with Ed & Randall for Peacock. Prior to that, he served as a Producer on Aunty Donna’s Big Ol’ House of Fun for Netflix/Universal TV, which currently holds a 100 on Rotten Tomatoes. On the feature side, Harris co-produced Coffee & Kareem for Netflix in 2020 and associate produced Corporate Animals and Ode To Joy, both of which were released in 2019. He began his career as an assistant at Universal Pictures before joining Pacific Electric.
Founded by Ed Helms and Mike Falbo in 2012, Pacific Electric Picture Co. is a production company with a first look deal at Universal Television. On the feature side they produce Coffee & Kareem for...
- 5/12/2022
- by Justin Kroll
- Deadline Film + TV
Sales
Channel 4’s classic series “Fresh Meat,” a still-popular dramatic comedy about student life, will celebrate its ten-year anniversary this weekend with a cast and creators’ reunion in London, and global distributor All3Media has announced several recent sales deal for the program ahead of the event.
Agreements for the series have been closed in the U.S. and Canada on the Roku Channel (AVOD) as well as on Tubi (also U.S. and Canada AVOD) and on Crackle for AVOD in the U.S. The show is also available on Amazon Prime Video in the US.
Created by Jesse Armstrong and Sam Bain for Channel 4 from Objective Media Group, U.K., the series’ six key cast members – Jack Whitehall, Charlotte Ritchie, Zawe Ashton, Joe Thomas, Kimberly Nixon and Greg McHugh – will all return for the reunion. The group will be joined by the creators for an in-person discussion and...
Channel 4’s classic series “Fresh Meat,” a still-popular dramatic comedy about student life, will celebrate its ten-year anniversary this weekend with a cast and creators’ reunion in London, and global distributor All3Media has announced several recent sales deal for the program ahead of the event.
Agreements for the series have been closed in the U.S. and Canada on the Roku Channel (AVOD) as well as on Tubi (also U.S. and Canada AVOD) and on Crackle for AVOD in the U.S. The show is also available on Amazon Prime Video in the US.
Created by Jesse Armstrong and Sam Bain for Channel 4 from Objective Media Group, U.K., the series’ six key cast members – Jack Whitehall, Charlotte Ritchie, Zawe Ashton, Joe Thomas, Kimberly Nixon and Greg McHugh – will all return for the reunion. The group will be joined by the creators for an in-person discussion and...
- 1/13/2022
- by Jamie Lang
- Variety Film + TV
Jesse Armstrong had a great year. The “Succession” showrunner saw the third season of his HBO show air to continued acclaim, and it was renewed for a fourth season. And after the success of “I May Destroy You,” Armstrong’s Various Artists Ltd. — which produced the Michaela Coel miniseries — doubled its profits, according to a year-end report filed by the company.
The report, filed by Various Artists earlier this month with the U.K. government, shows the company more than doubled its post-tax profit for the fiscal year ending in March. It reported a profit of £2.6 million, compared to £1.2 million the prior year. The document singles out the success of “I May Destroy You” as a key performance indicator for the company founded in 2017.
“In particular, ‘I May Destroy You’ was one of the most talked about and critically acclaimed television shows in living memory, winning awards including 5 BAFTAs, 3 Rts awards and 2 Emmys.
The report, filed by Various Artists earlier this month with the U.K. government, shows the company more than doubled its post-tax profit for the fiscal year ending in March. It reported a profit of £2.6 million, compared to £1.2 million the prior year. The document singles out the success of “I May Destroy You” as a key performance indicator for the company founded in 2017.
“In particular, ‘I May Destroy You’ was one of the most talked about and critically acclaimed television shows in living memory, winning awards including 5 BAFTAs, 3 Rts awards and 2 Emmys.
- 12/26/2021
- by Chris Lindahl
- Indiewire
Jesse Armstrong’s Various Artists Ltd has posted post-tax profits of £2.6 million ($3.5 million) following the success of “I May Destroy You.”
The profits for the year ending March 2021 are more than double those of the previous year, which amounted to £1.2 million ($1.6 million) according to Various Artist Ltd’s latest financial report, which was filed at the U.K.’s Companies House on Dec. 17.
Armstrong, who is also the showrunner for hit HBO series “Succession,” co-founded Various Artists Ltd in 2017 with his “Peep Show” collaborator Sam Bain and former Channel 4 commissioners Phil Clarke and Roberto Troni. (Various Artists Ltd does not produce “Succession.”)
BBC Studios own a minority stake in the company.
Various Artists Ltd’s year-end financial report credits “I May Destroy You,” which was written by and starred Michaela Coel, as one of the main drivers of the company’s “considerable success to date, relative to the short life of the company.
The profits for the year ending March 2021 are more than double those of the previous year, which amounted to £1.2 million ($1.6 million) according to Various Artist Ltd’s latest financial report, which was filed at the U.K.’s Companies House on Dec. 17.
Armstrong, who is also the showrunner for hit HBO series “Succession,” co-founded Various Artists Ltd in 2017 with his “Peep Show” collaborator Sam Bain and former Channel 4 commissioners Phil Clarke and Roberto Troni. (Various Artists Ltd does not produce “Succession.”)
BBC Studios own a minority stake in the company.
Various Artists Ltd’s year-end financial report credits “I May Destroy You,” which was written by and starred Michaela Coel, as one of the main drivers of the company’s “considerable success to date, relative to the short life of the company.
- 12/24/2021
- by K.J. Yossman
- Variety Film + TV
A day after the European premiere of season three of his HBO series Succession at the London Film Festival, the show’s creator, Jesse Armstrong, took to the stage with comedian Nish Kumar to discuss the art of screenwriting.
In between dispensing pearls of wisdom for aspiring comedy writers, Armstrong recalled a varied and eclectic career that, surprisingly, began on children’s TV with shows such as ITV’s My Parents Are Aliens and BBC’s The Queen’s Nose.
Armstrong discussed his work with veteran writing partner Sam Bain, recalling how an unsuccessful pitch for a stoner comedy called Spencer, about a “mildly sarcastic” video store clerk, was a rare misfire for the duo, who went on to create popular Channel 4 shows such as Peep Show and Fresh Meat. They would go on to collaborate with Armando Iannucci on BBC’s...
In between dispensing pearls of wisdom for aspiring comedy writers, Armstrong recalled a varied and eclectic career that, surprisingly, began on children’s TV with shows such as ITV’s My Parents Are Aliens and BBC’s The Queen’s Nose.
Armstrong discussed his work with veteran writing partner Sam Bain, recalling how an unsuccessful pitch for a stoner comedy called Spencer, about a “mildly sarcastic” video store clerk, was a rare misfire for the duo, who went on to create popular Channel 4 shows such as Peep Show and Fresh Meat. They would go on to collaborate with Armando Iannucci on BBC’s...
- 10/16/2021
- by Damon Wise
- Deadline Film + TV
I May Destroy You was one of the most critically-acclaimed and most-talked about television shows of 2020, despite what the Golden Globes say.
However, Michaela Coel has always said that the 12-episode series, which is a co-production between HBO and the BBC, was intended as a one-off. “When you see the final episode, you’ll know,” she said last year.
That said, HBO would like to remain in business with the Chewing Gum creator, who also runs her own Falkna Productions, for whatever she is planning next.
“She is noodling ideas and I hope anything she comes up with, we would be able to participate in,” Casey Bloys, chief content officer of HBO and HBO Max told Deadline.
Coel herself told the Obsessed With… podcast that she did have an idea for another series. “It is in the back of my mind,” she said. “And I keep telling this idea to...
However, Michaela Coel has always said that the 12-episode series, which is a co-production between HBO and the BBC, was intended as a one-off. “When you see the final episode, you’ll know,” she said last year.
That said, HBO would like to remain in business with the Chewing Gum creator, who also runs her own Falkna Productions, for whatever she is planning next.
“She is noodling ideas and I hope anything she comes up with, we would be able to participate in,” Casey Bloys, chief content officer of HBO and HBO Max told Deadline.
Coel herself told the Obsessed With… podcast that she did have an idea for another series. “It is in the back of my mind,” she said. “And I keep telling this idea to...
- 2/11/2021
- by Peter White
- Deadline Film + TV
Peep Show, Sam Bain and Jesse Armstrong’s long-running Channel 4 comedy about flatmates Mark and Jez, exposed a great comic truth. By letting us eavesdrop on its characters’ inner monologues, it showed us that we’re all idiots on the inside. Petty, vain, furious, paranoid, self-congratulatory yet self-hating at the same time… Just like Mark and Jez, we may pretend to know what we’re doing, but really, we’re all just few inevitable steps away from eating dog meat on a barge.
Series one of E4 gamer flatshare comedy Dead Pixels – created by Jon Brown and executive produced by Bain and Armstrong – was built on a similar truth minus the façade of normality. Its leads were just as entertainingly idiotic as Mark and Jez, but their shared gaming obsession with Mmorpg Kingdom Scrolls stripped them of any fitting-in pretence. Meg and Nicky (Alexa Davies and Will Merrick) were...
Series one of E4 gamer flatshare comedy Dead Pixels – created by Jon Brown and executive produced by Bain and Armstrong – was built on a similar truth minus the façade of normality. Its leads were just as entertainingly idiotic as Mark and Jez, but their shared gaming obsession with Mmorpg Kingdom Scrolls stripped them of any fitting-in pretence. Meg and Nicky (Alexa Davies and Will Merrick) were...
- 1/26/2021
- by Louisa Mellor
- Den of Geek
In theory, The Stand In might sound promising. It stars Drew Barrymore, was written by Four Lions and Peep Show scribe Sam Bain and directed by Jamie Babbit (cult queer classic But I’m a Cheerleader, plus some excellent TV episodes for Silicon Valley and Russian Doll). There are a ton of names in cameo roles (Ellie Kemper, Andrew Rannells and Lena Dunham to name but a few), all enlisted in what could have been a smart rethink of those sclerotic comedy tropes: the lookalike-role-swap and the ambitious-understudy-who eclipses-the-star.
Alas, it is a weirdly inert, obstinately unfunny work, starting from the opening montage ...
Alas, it is a weirdly inert, obstinately unfunny work, starting from the opening montage ...
- 12/18/2020
- The Hollywood Reporter - Film + TV
In theory, The Stand In might sound promising. It stars Drew Barrymore, was written by Four Lions and Peep Show scribe Sam Bain and directed by Jamie Babbit (cult queer classic But I’m a Cheerleader, plus some excellent TV episodes for Silicon Valley and Russian Doll). There are a ton of names in cameo roles (Ellie Kemper, Andrew Rannells and Lena Dunham to name but a few), all enlisted in what could have been a smart rethink of those sclerotic comedy tropes: the lookalike-role-swap and the ambitious-understudy-who eclipses-the-star.
Alas, it is a weirdly inert, obstinately unfunny work, starting from the opening montage ...
Alas, it is a weirdly inert, obstinately unfunny work, starting from the opening montage ...
- 12/18/2020
- The Hollywood Reporter - Movie News
What’s a bigger offense than a movie wasting away a committed Drew Barrymore performance? That would be a movie wasting away two committed Drew Barrymore performances. Alas, here comes “The Stand In,” doing exactly that as a well-intentioned but broad and ill-realized showbiz satire, in which the talented performer plays a pair of characters with polar-opposite existences that intertwine in a painfully unfunny fashion.
Conceived by a promising team — director Jamie Babbit, who made a wholehearted contribution to the LGBTQ canon with her 1999 debut “But I’m A Cheerleader” and “Four Lions” scribe Sam Bain —
On paper, it’s a decent, even hilarious-sounding premise: a “Trading Places”-meets-“All About Eve” comedy of sorts that switches around the lives of a megastar and her stand-in, to dissect fan entitlement, class divergence, the supposed shallowness of the film industry and all the female-specific struggles they culminate in. Sadly, “The Stand In...
Conceived by a promising team — director Jamie Babbit, who made a wholehearted contribution to the LGBTQ canon with her 1999 debut “But I’m A Cheerleader” and “Four Lions” scribe Sam Bain —
On paper, it’s a decent, even hilarious-sounding premise: a “Trading Places”-meets-“All About Eve” comedy of sorts that switches around the lives of a megastar and her stand-in, to dissect fan entitlement, class divergence, the supposed shallowness of the film industry and all the female-specific struggles they culminate in. Sadly, “The Stand In...
- 12/10/2020
- by Tomris Laffly
- Variety Film + TV
When it comes to good decisions, the brass behind “The Stand In” made quite a few, from casting a bonafide mega-star like Drew Barrymore to play a fictional one, Candy Black, to snapping up a talented director like Jamie Babbit to helm it. The screenplay, a tongue-in-cheek Hollywood send-up from “Four Lions” breakout Sam Bain, likely sounded like a safe bet, too. And who wouldn’t want to see a film that includes talents like Holland Taylor, Ellie Kemper, and Michelle Buteau in amusing supporting roles?
The ingredients, oh boy, are they there. The results? Perhaps it would be hyperbolic to call a film like “The Stand In” one of the biggest disappointments of 2020 — that’s a low bar — but given the windfall of prime material and talent that went into the creation of such a messy, mirthless, and just plain mean final product, there’s no other way to put it.
The ingredients, oh boy, are they there. The results? Perhaps it would be hyperbolic to call a film like “The Stand In” one of the biggest disappointments of 2020 — that’s a low bar — but given the windfall of prime material and talent that went into the creation of such a messy, mirthless, and just plain mean final product, there’s no other way to put it.
- 12/8/2020
- by Kate Erbland
- Indiewire
Natasha Phillips joins from ‘I May Destroy You’ production company Various Artists Limited.
The Ink Factory, the London and Los Angeles-based production company behind Fighting With My Family and The Night Manager, has hired Natasha Phillips as development producer.
Based in the London office, Phillips will report into director of development Maggie Boden, whose appointment was announced in April, and creative director Katherine Butler.
Phillips was previously head of drama development at Sam Bain and Jesse Armstrong’s production company Various Artists Limited, with recent credits including a script editing role on Michaela Coel’s HBO/BBC drama I May Destroy You.
The Ink Factory, the London and Los Angeles-based production company behind Fighting With My Family and The Night Manager, has hired Natasha Phillips as development producer.
Based in the London office, Phillips will report into director of development Maggie Boden, whose appointment was announced in April, and creative director Katherine Butler.
Phillips was previously head of drama development at Sam Bain and Jesse Armstrong’s production company Various Artists Limited, with recent credits including a script editing role on Michaela Coel’s HBO/BBC drama I May Destroy You.
- 10/26/2020
- by Michael Rosser
- ScreenDaily
Exclusive: Welsh actress Alexa Davies, who stars in the upcoming UK series Dead Pixels on the CW, and White House Farm on HBO Max, has signed with Atlas Artists for management.
Davies portrays Meg in Dead Pixels, which was acquired by the CW from BBC Studios earlier this year. Based on his 2016 Channel 4 short, Avatards, Dead Pixels was written by BAFTA-winning writer, Jon Brown and produced by Peep Show’s Sam Bain and Jesse Armstrong. It centers on friends Meg (Davies), Nicky and Usman, whose world revolves around their obsession with a fantasy computer game.
Davies also stars in upcoming HBO Max true-crime drama White House Farm, based on the real-life events that took place in August 1985, when five members of the Bamber-Caffell family were shot to death at White House Farm, Essex. Davies plays Julie Mugford in the series alongside Freddie Fox, Gemma Whelan, Alfie Allen,...
Davies portrays Meg in Dead Pixels, which was acquired by the CW from BBC Studios earlier this year. Based on his 2016 Channel 4 short, Avatards, Dead Pixels was written by BAFTA-winning writer, Jon Brown and produced by Peep Show’s Sam Bain and Jesse Armstrong. It centers on friends Meg (Davies), Nicky and Usman, whose world revolves around their obsession with a fantasy computer game.
Davies also stars in upcoming HBO Max true-crime drama White House Farm, based on the real-life events that took place in August 1985, when five members of the Bamber-Caffell family were shot to death at White House Farm, Essex. Davies plays Julie Mugford in the series alongside Freddie Fox, Gemma Whelan, Alfie Allen,...
- 8/17/2020
- by Denise Petski
- Deadline Film + TV
Jamie Babbit directed from screenplay by Sam Bain (Four Lions).
Saban Films has acquired North American rights to Drew Barrymore dual role comedy and official Tribeca Film Festival selection The Stand-In.
The Exchange handles international sales on the story about a disaffected comedy actress who uses her adoring stand-in to play her in life as she tries to escape from the demands of fame.
Eventually, the stand-in takes over the actress’s identity, career and boyfriend, and kicks her out of her own house.
Jamie Babbit directed The Stand-In from a screenplay by Sam Bain (Four Lions), and the cast includes Michael Zegen,...
Saban Films has acquired North American rights to Drew Barrymore dual role comedy and official Tribeca Film Festival selection The Stand-In.
The Exchange handles international sales on the story about a disaffected comedy actress who uses her adoring stand-in to play her in life as she tries to escape from the demands of fame.
Eventually, the stand-in takes over the actress’s identity, career and boyfriend, and kicks her out of her own house.
Jamie Babbit directed The Stand-In from a screenplay by Sam Bain (Four Lions), and the cast includes Michael Zegen,...
- 7/15/2020
- by 36¦Jeremy Kay¦54¦
- ScreenDaily
Saban Films announced Wednesday it has acquired the North American rights to “The Stand-In,” a comedy from Jamie Babbit that stars Drew Barrymore and Drew Barrymore in a dual lead role.
Babbit’s film was a selection of Tribeca and co-stars Michael Zegen, Ellie Kemper, T.J. Miller and Holland Taylor. Sam Bain wrote the script.
“The Stand-In” is the story of a disaffected comedy actress busted for tax evasion and her adoring, ambitious stand-in who she hires to do community service in her place. A co-dependent relationship ensues as the actress begins to use the stand-in in all parts of her life to escape from the stressful demands of fame. Eventually, the stand-in starts to take the actress’s identity, career and boyfriend and finally kicks her out of her own house.
Also Read: 'Steve Harvey' Vet Jason Kurtz Tapped to Run 'Drew Barrymore Show' This Fall
“Drew...
Babbit’s film was a selection of Tribeca and co-stars Michael Zegen, Ellie Kemper, T.J. Miller and Holland Taylor. Sam Bain wrote the script.
“The Stand-In” is the story of a disaffected comedy actress busted for tax evasion and her adoring, ambitious stand-in who she hires to do community service in her place. A co-dependent relationship ensues as the actress begins to use the stand-in in all parts of her life to escape from the stressful demands of fame. Eventually, the stand-in starts to take the actress’s identity, career and boyfriend and finally kicks her out of her own house.
Also Read: 'Steve Harvey' Vet Jason Kurtz Tapped to Run 'Drew Barrymore Show' This Fall
“Drew...
- 7/15/2020
- by Brian Welk
- The Wrap
Saban Films has secured the North American distribution rights to The Stand-In, the Jamie Babbit-directed comedy starring Drew Barrymore in duel roles alongside Michael Zegen, Ellie Kemper, T.J. Miller, and Emmy award winner Holland Taylor. The pic was an official selection of this year’s Tribeca Film Festival
Written by Sam Bain, the plot centers on a disaffected comedy actress who is busted for tax evasion and her adoring, ambitious stand-in who she hires to do community service in her place. A co-dependent relationship ensues as the actress begins to use the stand-in in all parts of her life to escape from the stressful demands of fame. Eventually, the stand-in starts to take the actress’s identity, career and boyfriend and finally kicks her out of her own house.
Caddy Vanasirikul and Brian O’Shea of The Exchange produced the comedy with Flower Films’ Ember Truesdell and Chris Miller and Tom McNulty.
Written by Sam Bain, the plot centers on a disaffected comedy actress who is busted for tax evasion and her adoring, ambitious stand-in who she hires to do community service in her place. A co-dependent relationship ensues as the actress begins to use the stand-in in all parts of her life to escape from the stressful demands of fame. Eventually, the stand-in starts to take the actress’s identity, career and boyfriend and finally kicks her out of her own house.
Caddy Vanasirikul and Brian O’Shea of The Exchange produced the comedy with Flower Films’ Ember Truesdell and Chris Miller and Tom McNulty.
- 7/15/2020
- by Amanda N'Duka
- Deadline Film + TV
The CW has acquired former DC Universe series Swamp Thing, based on the DC character, along with Canadian drama Coroner and half-hour British comedy Dead Pixels, from BBC Studios, in their U.S. debuts. All will premiere on broadcast and the network’s free ad-supported streaming platforms. They join previously announced Tell Me A Story, from CBS All Access. Premiere dates and times will be announced later.
The CW is known for using acquired scripted series as summer programming. This year is different as there is a lot of uncertainty over when TV series will be able to go into production amid the coronavirus pandemic, so it is possible that the CW would use some of the acquisitions for late summer or fall to give its originals more time to produce new episodes. The CW is expected to unveil its fall schedule on Thursday.
Swamp Thing premiered May 31, 2019 on DC...
The CW is known for using acquired scripted series as summer programming. This year is different as there is a lot of uncertainty over when TV series will be able to go into production amid the coronavirus pandemic, so it is possible that the CW would use some of the acquisitions for late summer or fall to give its originals more time to produce new episodes. The CW is expected to unveil its fall schedule on Thursday.
Swamp Thing premiered May 31, 2019 on DC...
- 5/11/2020
- by Nellie Andreeva and Denise Petski
- Deadline Film + TV
With many broadcast shows in disarray as a result of the coronavirus production shutdown, a trend is emerging of networks turning to streamers and international waters for content to fill their schedule.
Only hours after Fox announced it will air season 1 of the Spectrum series “L.A.’s Finest” this fall, the CW has gone three better by acquiring the broadcast rights to four different series, among them “Swamp Thing” from DC Universe and “Tell Me a Story” from CBS All Access.
In additional news, the Kevin Williamson-created anthology thriller has been canceled by All Access, Variety has confirmed, meaning that the show will end at two seasons, both of which will be heading to CW for a second-window run and will remain available to stream on All Access.
The other two shows that CW has picked up are “Coroner” (two seasons) and “Dead Pixels” (one season), which hail from Canada and the U.
Only hours after Fox announced it will air season 1 of the Spectrum series “L.A.’s Finest” this fall, the CW has gone three better by acquiring the broadcast rights to four different series, among them “Swamp Thing” from DC Universe and “Tell Me a Story” from CBS All Access.
In additional news, the Kevin Williamson-created anthology thriller has been canceled by All Access, Variety has confirmed, meaning that the show will end at two seasons, both of which will be heading to CW for a second-window run and will remain available to stream on All Access.
The other two shows that CW has picked up are “Coroner” (two seasons) and “Dead Pixels” (one season), which hail from Canada and the U.
- 5/11/2020
- by Will Thorne
- Variety Film + TV
I May Destroy You, the sexual consent drama from rising British star Michaela Coel, is set to debut on HBO on Sunday June 7 at 10:30pm.
This comes as the series, which is made up of 12 half-hour episodes, launches on the BBC in the UK on June 8.
The series, which was previously known as January 22nd, explores the question of sexual consent in contemporary life and how, in the new landscape of dating and relationships, we make the distinction between liberation and exploitation. It was created by Chewing Gum creator and Black Earth Rising star Coel.
It also stars Weruche Opia (Inside No9), Paapa Essiedu (Kiri) Aml Ameen (Yardie), Adam James (Belgravia), Sarah Niles (Catastrophe) and Ann Akin (Philip K. Dick’s Electric Dreams), Harriet Webb (Plebs), Ellie James (Giri/Haji), Franc Ashman (Peep Show), Karan Gill (Flesh & Blood), Natalie Walter (Horrible Histories) and newcomer Samson Ajewole.
Coel plays Arabella Essiedu,...
This comes as the series, which is made up of 12 half-hour episodes, launches on the BBC in the UK on June 8.
The series, which was previously known as January 22nd, explores the question of sexual consent in contemporary life and how, in the new landscape of dating and relationships, we make the distinction between liberation and exploitation. It was created by Chewing Gum creator and Black Earth Rising star Coel.
It also stars Weruche Opia (Inside No9), Paapa Essiedu (Kiri) Aml Ameen (Yardie), Adam James (Belgravia), Sarah Niles (Catastrophe) and Ann Akin (Philip K. Dick’s Electric Dreams), Harriet Webb (Plebs), Ellie James (Giri/Haji), Franc Ashman (Peep Show), Karan Gill (Flesh & Blood), Natalie Walter (Horrible Histories) and newcomer Samson Ajewole.
Coel plays Arabella Essiedu,...
- 5/8/2020
- by Peter White
- Deadline Film + TV
The Bong Joon Ho and Han Jin Won-penned South Korean class thriller “Parasite” won Best Original Screenplay and Taika Waititi’s Nazi satire “Jojo Rabbit” won Best Adapted Screenplay at the Writers Guild Awards Saturday night.
The annual awards, which honor the best in film, TV, and radio writing, were handed out at dual ceremonies in New York and Los Angeles.
Both “Parasite” and “Jojo Rabbit” are in the running for Oscars in their respective categories.
“Parasite” bested three Best Original Screenplay nominees up for the Writers Guild Award: “1917,” “Knives Out,” “Marriage Story,” and “Parasite.” The WGA swapped the fifth Oscar-nominated script, “Once Upon a Time in Hollywood,” in favor of a nomination for “Booksmart.”
“Jojo Rabbit” also beat three Best Adapted Screenplay nominees up for the Writers Guild Award: “The Irishman,” “Joker,” and “Little Women.” “A Beautiful Day in the Neighborhood was a WGA nominee and is not up for the Oscar,...
The annual awards, which honor the best in film, TV, and radio writing, were handed out at dual ceremonies in New York and Los Angeles.
Both “Parasite” and “Jojo Rabbit” are in the running for Oscars in their respective categories.
“Parasite” bested three Best Original Screenplay nominees up for the Writers Guild Award: “1917,” “Knives Out,” “Marriage Story,” and “Parasite.” The WGA swapped the fifth Oscar-nominated script, “Once Upon a Time in Hollywood,” in favor of a nomination for “Booksmart.”
“Jojo Rabbit” also beat three Best Adapted Screenplay nominees up for the Writers Guild Award: “The Irishman,” “Joker,” and “Little Women.” “A Beautiful Day in the Neighborhood was a WGA nominee and is not up for the Oscar,...
- 2/2/2020
- by Chris Lindahl
- Indiewire
Dead To Me, Russian Doll in running for new series honours.
Writers of The Crown, Succession and Watchmen are among the television nominees for this year’s Writers Guild Awards, unveiled on Thursday (5) by the East and West branches of the Writers Guild of America (WGA).
Joining the three projects in the list of drama series nominees are writers of The Handmaid’s Tale and Mindhunter. Nominees in the WGA’s new series category include PEN15, Russian Doll and Watchmen.
In the original long form category, nominees include the writers of Chernobyl and True Detective and the adapted long form category includes Fosse/Verdon and Unbelievable.
Writers of The Crown, Succession and Watchmen are among the television nominees for this year’s Writers Guild Awards, unveiled on Thursday (5) by the East and West branches of the Writers Guild of America (WGA).
Joining the three projects in the list of drama series nominees are writers of The Handmaid’s Tale and Mindhunter. Nominees in the WGA’s new series category include PEN15, Russian Doll and Watchmen.
In the original long form category, nominees include the writers of Chernobyl and True Detective and the adapted long form category includes Fosse/Verdon and Unbelievable.
- 12/5/2019
- by 31¦John Hazelton¦0¦
- ScreenDaily
Writers Guild of America West and Writers Guild of America, East have announced nominations for outstanding achievement in television, with Netflix’s The Crown, Hulu’s The Handmaid’s Tale, Netflix’s Mindhunter and HBO’s Succession and Watchmen competing for the top drama trophy.
The outstanding comedy nominees are HBO’s Barry, Amazon Prime’s The Marvelous Mrs. Maisel, Hulu’s PEN15, Netflix’s Russian Doll and HBO’s Veep.
Best new series nominees are PEN15, Russian Doll, Watchmen, Netflix’s Dead To Me and FX’s What We Do In The Shadows.
Also announced were nominees in the new media, news, radio/audio and promotional writing categories.
Winners will be honored at the 2020 Writers Guild Awards on Saturday, February 1, 2020, at concurrent ceremonies in Los Angeles and New York City.
Here is the complete list of nominees:
Television, New Media, And News Nominees
Drama Series
The Crown, Written by James Graham,...
The outstanding comedy nominees are HBO’s Barry, Amazon Prime’s The Marvelous Mrs. Maisel, Hulu’s PEN15, Netflix’s Russian Doll and HBO’s Veep.
Best new series nominees are PEN15, Russian Doll, Watchmen, Netflix’s Dead To Me and FX’s What We Do In The Shadows.
Also announced were nominees in the new media, news, radio/audio and promotional writing categories.
Winners will be honored at the 2020 Writers Guild Awards on Saturday, February 1, 2020, at concurrent ceremonies in Los Angeles and New York City.
Here is the complete list of nominees:
Television, New Media, And News Nominees
Drama Series
The Crown, Written by James Graham,...
- 12/5/2019
- by Greg Evans
- Deadline Film + TV
“The Simpsons” is leading the way with three Writers Guild of America nominations, followed by two each for “Bob’s Burgers,” “The Crown,” “The Marvelous Mrs. Maisel,” “Pen15,” “Russian Doll,” “Succession,” “Veep” and “Watchmen.”
Fox’s “The Simpsons,” which began airing in 1989, scored noms in the animated category for the “Go Big or Go Homer,” “Livin’ La Pura Vida” and “Thanksgiving of Horror” segments. Fox’s “Bob’s Burgers,” which won the category for 2018, received nominations for the “Bed, Bob & Beyond” and “The Gene Mile” segments.
Amazon Prime Video’s “The Marvelous Mrs. Maisel,” which won the WGA comedy series award earlier this year, received nods for comedy series and for the episode “It’s Comedy or Cabbage,” written by showrunner Amy Sherman-Palladino.
The seventh and final season of HBO’s “Veep,” which has won the WGA comedy series award three times, was nominated again in the series category and for the final episode of the season,...
Fox’s “The Simpsons,” which began airing in 1989, scored noms in the animated category for the “Go Big or Go Homer,” “Livin’ La Pura Vida” and “Thanksgiving of Horror” segments. Fox’s “Bob’s Burgers,” which won the category for 2018, received nominations for the “Bed, Bob & Beyond” and “The Gene Mile” segments.
Amazon Prime Video’s “The Marvelous Mrs. Maisel,” which won the WGA comedy series award earlier this year, received nods for comedy series and for the episode “It’s Comedy or Cabbage,” written by showrunner Amy Sherman-Palladino.
The seventh and final season of HBO’s “Veep,” which has won the WGA comedy series award three times, was nominated again in the series category and for the final episode of the season,...
- 12/5/2019
- by Dave McNary
- Variety Film + TV
The Writers Guild of America released the nominees for its 2020 awards on Thursday, which saw newcomers “Watchmen,” “Russian Doll” and “Pen15” each bag a pair of nominations.
Other series to get multiple nods include “Veep,” “Succession,” “The Marvelous Mrs. Maisel,” and “The Crown.”
Ava DuVernay’s Netflix miniseries on the Central Park 5, “When They See Us” did not recieve any nominations, with the WGA instead picking “El Camino,” “Fosse/Verdon,” “The Loudest Voice” and “Unbelieveable” in the adapted longform category. In the original longform category, the nominees were “Chernobyl,” “The Terror: Infamy,” “True Detective” and the upcoming Disney+ movie “Togo.”
Also Read: Aubrey Plaza to Return as Host of 2020 Film Independent Spirit Awards
Winners will be honored at the 2020 Writers Guild Awards on Saturday, February 1, 2020, at concurrent ceremonies in New York City and Los Angeles.
See all the nominees below:
Drama Series
The Crown, Written by James Graham, David Hancock, Peter Morgan; Netflix
The Handmaid’s Tale,...
Other series to get multiple nods include “Veep,” “Succession,” “The Marvelous Mrs. Maisel,” and “The Crown.”
Ava DuVernay’s Netflix miniseries on the Central Park 5, “When They See Us” did not recieve any nominations, with the WGA instead picking “El Camino,” “Fosse/Verdon,” “The Loudest Voice” and “Unbelieveable” in the adapted longform category. In the original longform category, the nominees were “Chernobyl,” “The Terror: Infamy,” “True Detective” and the upcoming Disney+ movie “Togo.”
Also Read: Aubrey Plaza to Return as Host of 2020 Film Independent Spirit Awards
Winners will be honored at the 2020 Writers Guild Awards on Saturday, February 1, 2020, at concurrent ceremonies in New York City and Los Angeles.
See all the nominees below:
Drama Series
The Crown, Written by James Graham, David Hancock, Peter Morgan; Netflix
The Handmaid’s Tale,...
- 12/5/2019
- by Tim Baysinger
- The Wrap
Exclusive: Lensing has begun in Ottawa, Canada on actor-comedian Jerrod Carmichael’s (The Carmichael Show) under-the-radar movie directorial debut On The Count of Three, in which he is starring alongside Christopher Abbott (Girls), Tiffany Haddish (Girls Trip), Henry Winkler (Arrested Development), J.B. Smoove (Curb Your Enthusiasm) and Lavell Crawford (Breaking Bad).
Valparaiso Pictures is producing the darkly comedic thriller with Roseanne and The Conners producer Tom Werner’s Werner Entertainment. Plot details are being kept under wraps.
Script comes from Ramy co-creators Ari Katcher and Ryan Welch. Producers are Werner and Jake Densen of Werner Entertainment, David Carrico and Adam Paulsen at Valparaiso Pictures and Carmichael and Jimmy Price. Christopher Storer is executive producer. UTA Independent Film Group is handling U.S. sales.
The project marks a rare foray into movies for veteran TV exec Werner, also well known for The Cosby Show and 3rd Rock From The Sun, as...
Valparaiso Pictures is producing the darkly comedic thriller with Roseanne and The Conners producer Tom Werner’s Werner Entertainment. Plot details are being kept under wraps.
Script comes from Ramy co-creators Ari Katcher and Ryan Welch. Producers are Werner and Jake Densen of Werner Entertainment, David Carrico and Adam Paulsen at Valparaiso Pictures and Carmichael and Jimmy Price. Christopher Storer is executive producer. UTA Independent Film Group is handling U.S. sales.
The project marks a rare foray into movies for veteran TV exec Werner, also well known for The Cosby Show and 3rd Rock From The Sun, as...
- 11/18/2019
- by Andreas Wiseman
- Deadline Film + TV
Exclusive: HBO is co-producing Michaela Coel’s sexual consent drama January 22nd (w/t) as the drama casts a slew of rising British stars.
The series, which was initially announced by the BBC in August 2018, consists of 12 half-hour episodes and is a co-production between the WarnerMedia-backed premium broadcaster and the British public broadcaster.
It is a “fearless, frank and provocative” that explores the question of sexual consent in contemporary life and how, in the new landscape of dating and relationships, we make the distinction between liberation and exploitation. It was created by Chewing Gum creator and Black Earth Rising star Coel.
It stars Weruche Opia (Inside No9), Paapa Essiedu (Kiri) Aml Ameen (Yardie), Adam James (Belgravia), Sarah Niles (Catastrophe) and Ann Aikin (Philip K. Dick’s Electric Dreams).
Coel plays Arabella Essiedu, a self-assured, care-free Londoner with a group of great friends, a holiday fling turned aspirational boyfriend in...
The series, which was initially announced by the BBC in August 2018, consists of 12 half-hour episodes and is a co-production between the WarnerMedia-backed premium broadcaster and the British public broadcaster.
It is a “fearless, frank and provocative” that explores the question of sexual consent in contemporary life and how, in the new landscape of dating and relationships, we make the distinction between liberation and exploitation. It was created by Chewing Gum creator and Black Earth Rising star Coel.
It stars Weruche Opia (Inside No9), Paapa Essiedu (Kiri) Aml Ameen (Yardie), Adam James (Belgravia), Sarah Niles (Catastrophe) and Ann Aikin (Philip K. Dick’s Electric Dreams).
Coel plays Arabella Essiedu, a self-assured, care-free Londoner with a group of great friends, a holiday fling turned aspirational boyfriend in...
- 10/23/2019
- by Peter White
- Deadline Film + TV
Maybe it’s because of its Emmy categorization in drama, but recently, there’s been a lot of discussion about “Succession” as though it’s not intentionally funny; as though the idea that it could be looked at as a comedy — albeit, a dementedly dark comedy — is preposterous. It tends to end up being compared to very clear-cut comedies, especially its cable network-mate, the terrific “The Righteous Gemstones,” in a way that describes those series as “the funny version of ‘Succession'”… as though “Succession” itself isn’t inherently the funny version of “Succession.”
“Succession” has always been a dark comedy masquerading as a prestige drama. HBO’s hourlong critical darling honestly has more in common with “Fleabag” or “Flowers” than it does “Ozark.” But that’s also because it’s specifically a dark British comedy conveniently masquerading as an American prestige drama.
Succession is just Arrested Development minus jokes.
“Succession” has always been a dark comedy masquerading as a prestige drama. HBO’s hourlong critical darling honestly has more in common with “Fleabag” or “Flowers” than it does “Ozark.” But that’s also because it’s specifically a dark British comedy conveniently masquerading as an American prestige drama.
Succession is just Arrested Development minus jokes.
- 10/8/2019
- by LaToya Ferguson
- Indiewire
Yes, it’s that time again. You know the one, where we catch up on all of the theatrical releases that haven’t gotten a review yet in one fell swoop (such is the case during the busy fall season). Today, it’s three very unique films, all hoping to get your attention this weekend. We have the comedy Corporate Animals, the foreign biopic/satire Loro, and the Hollywood drama/thriller Zeroville, based on the acclaimed book of the same name. Each movie has something to offer, but do they all offer enough to warrant a recommendation? Do any? Well, you’ll just have to read on below to find out… Corporate Animals Back at the Sundance Film Festival, buzz was pretty strong initially for Corporate Animals, a satirical comedy. Most of it centered on how Demi Moore would fare in a baity role. Well, Sundance came and went, with middling response to the film.
- 9/21/2019
- by Joey Magidson
- Hollywoodnews.com
Ah, corporate team-building exercises — those games and group activities designed to help you and your officemates become a better, stronger, more-productive-in-the-fiscal-year’s-third-quarter squad! Most bosses would settle for organizing a few trust walks or maybe an afternoon of blindfolded egg races and human knots; if you’re Lucy Vanderton (Demi Moore), founder and CEO of Incredible Edible Cutlery, you’re going to kick things up a notch. She’s transported eight of her company’s employees into the desert for a weekend of bonding, including a long hike. Their guide (Ed Helms,...
- 9/17/2019
- by David Fear
- Rollingstone.com
Corporate Animals Screen Media Reviewed for Shockya.com & BigAppleReviews.net linked from Rotten Tomatoes by: Harvey Karten Director: Patrick Brice Screenwriter: Sam Bain Cast: Demi Moore, Ed Helms, Jessica Williams, Karan Soni, Isiah Whitlock Jr., Calum Worthy Screened at: Park Ave., NYC, 6/14/19 Opens: Sept. 20, 2019 Where would we be without the liberal media, especially […]
The post Corporate Animals Review: The gags are mostly of the off-color appeared first on Shockya.com.
The post Corporate Animals Review: The gags are mostly of the off-color appeared first on Shockya.com.
- 9/15/2019
- by Harvey Karten
- ShockYa
Cult British comedy Peep Show is getting another chance at a U.S. adaptation with a script in development at FX. The series, which ran for nine seasons on Channel 4, is getting a gender role reversal with the two leads – played by David Mitchell and Robert Webb in the UK original – set to be played by women.
Portlandia and Superstore writer and co-exec producer Karey Dornetto is writing the adaptation.
It is the latest attempt after Starz attempted a remake in 2016, while Fox took a run at a pilot, starring The Big Bang Theory’s Johnny Galecki, in 2005 and Spike gave it a chance in 2008.
Sam Bain, who created the series with Jesse Armstrong (Succession), revealed the development in a self-penned article in The Guardian about diversity. “People sometimes ask if I look at my earlier work differently now – whether my shows would have been better if they had been more diverse.
Portlandia and Superstore writer and co-exec producer Karey Dornetto is writing the adaptation.
It is the latest attempt after Starz attempted a remake in 2016, while Fox took a run at a pilot, starring The Big Bang Theory’s Johnny Galecki, in 2005 and Spike gave it a chance in 2008.
Sam Bain, who created the series with Jesse Armstrong (Succession), revealed the development in a self-penned article in The Guardian about diversity. “People sometimes ask if I look at my earlier work differently now – whether my shows would have been better if they had been more diverse.
- 5/26/2019
- by Peter White
- Deadline Film + TV
Sundance Institute and Picturehouse announced today the programme of feature films, short films and panel discussions to take place at ‘Sundance Film Festival’ London between 30 May – 2 June at Picturehouse Central.
The festival will present 12 feature films from this year’s Sundance Film Festival in Park City, Utah, U.S.A., selected for London by the Sundance Institute programming team in collaboration with Picturehouse. The festival will open with the European premiere of Late Night (Nisha Ganatra), written by and starring Mindy Kaling alongside Emma Thompson. The festival will close four days later with the UK premiere of Penny Lane’s Hail Satan?.
Alongside the opening and closing night films, the festival will present a selection of fearless filmmaking: The Nightingale, a striking revenge drama starring Aisling Franciosi and Sam Claflin, marks Jennifer Kent’s anticipated follow-up to her critically acclaimed debut, The Babadook.
Time Out gala film, Animals (dir. Sophie Hyde,...
The festival will present 12 feature films from this year’s Sundance Film Festival in Park City, Utah, U.S.A., selected for London by the Sundance Institute programming team in collaboration with Picturehouse. The festival will open with the European premiere of Late Night (Nisha Ganatra), written by and starring Mindy Kaling alongside Emma Thompson. The festival will close four days later with the UK premiere of Penny Lane’s Hail Satan?.
Alongside the opening and closing night films, the festival will present a selection of fearless filmmaking: The Nightingale, a striking revenge drama starring Aisling Franciosi and Sam Claflin, marks Jennifer Kent’s anticipated follow-up to her critically acclaimed debut, The Babadook.
Time Out gala film, Animals (dir. Sophie Hyde,...
- 4/16/2019
- by Zehra Phelan
- HeyUGuys.co.uk
Total of 12 features set for London offshoot of Utah event.
This year’s Sundance London, the satellite offshoot of January’s Sundance Film Festival in Utah, has unveiled its programme for the event taking place May 30 - June 2.
On the industry side, talks range from focuses on risk-taking in independent filmmaking to how women directors are being affected by the industry putting an increased emphasis on inclusivity.
In the latter panel, Animals director Sophie Hyde will join Sundance director of programming Kim Yutani and writer and activist Kate Muir to debate the future of indie film for women.
Corporate Animals...
This year’s Sundance London, the satellite offshoot of January’s Sundance Film Festival in Utah, has unveiled its programme for the event taking place May 30 - June 2.
On the industry side, talks range from focuses on risk-taking in independent filmmaking to how women directors are being affected by the industry putting an increased emphasis on inclusivity.
In the latter panel, Animals director Sophie Hyde will join Sundance director of programming Kim Yutani and writer and activist Kate Muir to debate the future of indie film for women.
Corporate Animals...
- 4/16/2019
- by Tom Grater
- ScreenDaily
Kumail Nanjiani is teaming up with Adam McKay‘s Gary Sanchez Productions for No Glory, a spy action comedy based on a true story. Sam Bain, writer of the horror comedy Corporate Animals and the extremely dark (but funny!) comedy Four Lions, will adapt a still-unpublished manuscript from National Security Operative and author Scott Shephard. Specifics about the story are […]
The post Kumail Nanjiani to Star in Spy Action Comedy ‘No Glory’ for Adam McKay appeared first on /Film.
The post Kumail Nanjiani to Star in Spy Action Comedy ‘No Glory’ for Adam McKay appeared first on /Film.
- 3/1/2019
- by Chris Evangelista
- Slash Film
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