Palatin Media, European Star Cinema and Rocket Rights have teamed up on a new innovative drama series, “The Capelli Code,” which uses state-of-the-art VFX technology to better create localized versions.
The technology means the series contains “built-in elements” enabling localized versions to use local stars at an affordable price.
Swiss-based European Star Cinema, a production and technology company, raised over €20 million ($23.7 million) to create the technology which they then used while producing “The Capelli Code,” using the scripted German drama as a test subject. The technology means it is available as a first run series globally.
The aim is to “facilitate production of multiple language versions, each with local stars out of every country, like Hollywood did in the 1930s before dubbing was invented,” according to a spokesperson for Rocket Rights, the distribution company founded by David and Matthew Frank.
The technology is similar to that used on “The Mandalorian,...
The technology means the series contains “built-in elements” enabling localized versions to use local stars at an affordable price.
Swiss-based European Star Cinema, a production and technology company, raised over €20 million ($23.7 million) to create the technology which they then used while producing “The Capelli Code,” using the scripted German drama as a test subject. The technology means it is available as a first run series globally.
The aim is to “facilitate production of multiple language versions, each with local stars out of every country, like Hollywood did in the 1930s before dubbing was invented,” according to a spokesperson for Rocket Rights, the distribution company founded by David and Matthew Frank.
The technology is similar to that used on “The Mandalorian,...
- 9/6/2021
- by K.J. Yossman
- Variety Film + TV
Never Look Away (Werk ohne Autor) Sony Pictures Classics Reviewed by: Harvey Karten Director: Florian Henckel von Donnersmarck Screenwriter: Florian Henckel von Donnersmarck Cast: Tom Schilling, Sebastian Koch, Paula Beer, Saskia Rosendahl, Cai Cohrs, Oliver Masucci, Ina Weisse, Rainer Bock, Johanna Gastdorf, Jeanette Hain, Hinnerk Schönemann, Florian Bartholomäi,Hans-Uwe Bauer, Jörg Schüttauf, Ben Becker, Lars Eidinger […]
The post Never Look Away Movie Review appeared first on Shockya.com.
The post Never Look Away Movie Review appeared first on Shockya.com.
- 11/16/2018
- by Harvey Karten
- ShockYa
Shoot is underway in Berlin on The Lives Of Others director’s third film.
German sales agent Beta Cinema has reunited with the Oscar-winning director Florian Henckel von Donnersmarck on his third feature, Werk Ohne Autor [Work Without Author], after having handled international sales on his debut The Lives Of Others in 2006.
In psychological thriller Work Without Author, young artist Kurt Barnert (Tom Schilling) has fled to West-Germany, but he continues to be tormented by the experiences he made in his childhood and youth in the Nazi years and during the Gdr-regime.
When he meets the student Ellie (Paula Beer), he is convinced that he has met the love of his life and begins to create paintings that mirror not only his own fate, but also the traumas of an entire generation.
Sebastian Koch, who was catapulted into the international spotlight after his lead role in The Lives of Others, has also been cast as one of the leads in [link...
German sales agent Beta Cinema has reunited with the Oscar-winning director Florian Henckel von Donnersmarck on his third feature, Werk Ohne Autor [Work Without Author], after having handled international sales on his debut The Lives Of Others in 2006.
In psychological thriller Work Without Author, young artist Kurt Barnert (Tom Schilling) has fled to West-Germany, but he continues to be tormented by the experiences he made in his childhood and youth in the Nazi years and during the Gdr-regime.
When he meets the student Ellie (Paula Beer), he is convinced that he has met the love of his life and begins to create paintings that mirror not only his own fate, but also the traumas of an entire generation.
Sebastian Koch, who was catapulted into the international spotlight after his lead role in The Lives of Others, has also been cast as one of the leads in [link...
- 6/21/2016
- by screen.berlin@googlemail.com (Martin Blaney)
- ScreenDaily
Spielberg's version of the equine first world war yarn is an unconvincing attempt at summoning up the spirit of the time
Suffused in a buttery-digital glow, as if shot on special film made of liquid fudge, Steven Spielberg's disappointing, coercively sentimental version of War Horse has a baffling, soulless, artificial look. This is the story of young Albert Narracott, played by newcomer Jeremy Irvine, the son of tough West Country farming folk Ted and Rose (Peter Mullan and Emily Watson). He is so passionately devoted to their horse, Joey, that when the poor beast is sold off to the army in 1914, Albert lies about his age to join up, on a desperate mission to find Joey, and is destined for a heart-stopping reunion with his beloved horse on the field of battle itself.
I had hoped that this movie would combine Et-Spielberg and Saving-Private-Ryan-Spielberg in a massive double-whammy. Neither is forthcoming.
Suffused in a buttery-digital glow, as if shot on special film made of liquid fudge, Steven Spielberg's disappointing, coercively sentimental version of War Horse has a baffling, soulless, artificial look. This is the story of young Albert Narracott, played by newcomer Jeremy Irvine, the son of tough West Country farming folk Ted and Rose (Peter Mullan and Emily Watson). He is so passionately devoted to their horse, Joey, that when the poor beast is sold off to the army in 1914, Albert lies about his age to join up, on a desperate mission to find Joey, and is destined for a heart-stopping reunion with his beloved horse on the field of battle itself.
I had hoped that this movie would combine Et-Spielberg and Saving-Private-Ryan-Spielberg in a massive double-whammy. Neither is forthcoming.
- 1/13/2012
- by Peter Bradshaw
- The Guardian - Film News
If ever a film was openly seeking Oscar recognition, it’s Steven Spielberg’s latest solemn contender, War Horse, coming hot off the heels of his recent fun family adventure, The Adventures of Tintin: The Secret of the Unicorn.
No stranger to evoking emotions when he so desires in his dramatic cinematic offerings that include Schindler’s List, Saving Private Ryan and E.T., the visionary filmmaker puts his money on a guaranteed winner in the Awards race – Joey the horse: It’s a shame there are no animal Oscars up for grabs.
Set around the time of the Great War, a young Devonshire farm boy called Albert (Jeremy Irvine) forms a deep bond with a spirited horse called Joey, and with some training and a lot of trust, tries to save his struggling parents, the Narracotts (played by Peter Mullan and Emily Watson), from financial ruin at the hands of...
No stranger to evoking emotions when he so desires in his dramatic cinematic offerings that include Schindler’s List, Saving Private Ryan and E.T., the visionary filmmaker puts his money on a guaranteed winner in the Awards race – Joey the horse: It’s a shame there are no animal Oscars up for grabs.
Set around the time of the Great War, a young Devonshire farm boy called Albert (Jeremy Irvine) forms a deep bond with a spirited horse called Joey, and with some training and a lot of trust, tries to save his struggling parents, the Narracotts (played by Peter Mullan and Emily Watson), from financial ruin at the hands of...
- 12/22/2011
- by Lisa Giles-Keddie
- HeyUGuys.co.uk
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