Her incandescent beauty, innocent sensuality, and effervescent persona still send hearts aflutter and earned her the sobriquet of “Venus of Indian films”, but Madhubala’s enigmatic and beguiling smile and charm masked a lifetime of pain and suffering.
Madhubala, who passed away on this day (February 23) in 1969, earned tributes that have rarely been matched, leave alone surpassed.
She acted in a film named after her when she was not even midway through her career, was being copied or parodied when she was still acting, and is possibly the only Indian, film or otherwise, with a song dedicated to her being played at the Olympics.
She was also compared to the near-contemporary Marilyn Monroe – the two would pass away within a few years of each other, both aged 36, but did not welcome this as she did not consider herself a sex symbol.
Performances as the captivating but star-crossed Anarkali of “Mughal-e-Azam...
Madhubala, who passed away on this day (February 23) in 1969, earned tributes that have rarely been matched, leave alone surpassed.
She acted in a film named after her when she was not even midway through her career, was being copied or parodied when she was still acting, and is possibly the only Indian, film or otherwise, with a song dedicated to her being played at the Olympics.
She was also compared to the near-contemporary Marilyn Monroe – the two would pass away within a few years of each other, both aged 36, but did not welcome this as she did not consider herself a sex symbol.
Performances as the captivating but star-crossed Anarkali of “Mughal-e-Azam...
- 2/23/2024
- by Agency News Desk
- GlamSham
She had a film named after her even before she hit her career’s peak, was being parodied when she was still active, and is the only Indian film actress who has a song to her played at the Olympics. That was the spell of Madhubala, whose angelic features, beguiling yet enigmatic smile, and incandescent beauty, coupled with her restrained but undeniable talent, made her part of some of Hindi cinema’s most iconic films.
While she is imprinted in the hearts and minds of film-watchers as the winsome, entrancing but star-crossed Anarkali of “Mughal-e-Azam” (1960), as the entrancing nightclub singer in “Howrah Bridge”, and for her exuberant, effusive, and elfin charm in romantic comedies “Chalti Ka Naam Gaadi” (1958), “Jhumroo” (1961) and “Half Ticket” (1962), she left her mark across film genres from ghost/gothic stories to comic crime capers to film noir, beyond the usual romantic dramas in a relatively short career.
While she is imprinted in the hearts and minds of film-watchers as the winsome, entrancing but star-crossed Anarkali of “Mughal-e-Azam” (1960), as the entrancing nightclub singer in “Howrah Bridge”, and for her exuberant, effusive, and elfin charm in romantic comedies “Chalti Ka Naam Gaadi” (1958), “Jhumroo” (1961) and “Half Ticket” (1962), she left her mark across film genres from ghost/gothic stories to comic crime capers to film noir, beyond the usual romantic dramas in a relatively short career.
- 2/14/2023
- by News Bureau
- GlamSham
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