Until recently, Taylor Mac was known for making epic avant-garde theater that crossed easy categorization. His groundbreaking art concert, A 24-Decade History of Popular Music, was Mac’s subjective history of the United States told through 246 songs — everything from World War I ditties to The Mikado to a mash-up of the Bee Gees’ “Stayin’ Alive” and Led Zeppelin’s “Kashmir” — told with the help of radical drag queens and other special guests. Since then, the genre-busting artist was recognized as a Pulitzer Prize finalist and MacArthur fellow. Now he’s...
- 3/11/2019
- by Jerry Portwood
- Rollingstone.com
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