Make room for a genuine rarity, come back from the cinema graveyard in excellent condition: a lavish color musical extravaganza from 1930 that’s been effectively Mia for generations. Universal undertook a daunting restoration of this ‘revue-‘ style spectacle, which includes a full presentation of George Gershwin’s Rhapsody in Blue in its original orchestration.
King of Jazz
Blu-ray
The Criterion Collection 915
1930 / Color / 1:33 flat full frame / 98 105 min. / available through The Criterion Collection / Street Date March 27, 2018 / 39.95
Starring: Paul Whiteman, John Boles, Bing Crosby (unbilled),
Laura La Plante, Jeanette Loff, Glenn Tryon, Wiliam Kent, Slim Summerville, The Rhythm Boys, Kathryn Crawford, Beth Laemmle, Stanley Smith, Charles Irwin, George Chiles, Jack White, Frank Leslie, Walter Brennan, Churchill Ross, Johnson Arledge, Al Norman, Jacques Cartier, Paul Howard, Nell O’Day, The Tommy Atkins Sextette, Marion Stadler, Don Rose, The Russell Markert Girls.
Cinematography: Hal Mohr, Jerry Ash, Ray Rennahan
Film Editor: Maurice Pivar, Robert Carlisle...
King of Jazz
Blu-ray
The Criterion Collection 915
1930 / Color / 1:33 flat full frame / 98 105 min. / available through The Criterion Collection / Street Date March 27, 2018 / 39.95
Starring: Paul Whiteman, John Boles, Bing Crosby (unbilled),
Laura La Plante, Jeanette Loff, Glenn Tryon, Wiliam Kent, Slim Summerville, The Rhythm Boys, Kathryn Crawford, Beth Laemmle, Stanley Smith, Charles Irwin, George Chiles, Jack White, Frank Leslie, Walter Brennan, Churchill Ross, Johnson Arledge, Al Norman, Jacques Cartier, Paul Howard, Nell O’Day, The Tommy Atkins Sextette, Marion Stadler, Don Rose, The Russell Markert Girls.
Cinematography: Hal Mohr, Jerry Ash, Ray Rennahan
Film Editor: Maurice Pivar, Robert Carlisle...
- 3/10/2018
- by Glenn Erickson
- Trailers from Hell
‘Gilda,’ ‘Pulp Fiction’: 2013 National Film Registry movies (photo: Rita Hayworth in ‘Gilda’) See previous post: “‘Mary Poppins’ in National Film Registry: Good Timing for Disney’s ‘Saving Mr. Banks.’” Billy Woodberry’s UCLA thesis film Bless Their Little Hearts (1984). Stanton Kaye’s Brandy in the Wilderness (1969). The Film Group’s Cicero March (1966), about a Civil Rights march in an all-white Chicago suburb. Norbert A. Myles’ Daughter of Dawn (1920), with Hunting Horse, Oscar Yellow Wolf, Esther Labarre. Bill Morrison’s Decasia (2002), featuring decomposing archival footage. Alfred E. Green’s Ella Cinders (1926), with Colleen Moore, Lloyd Hughes, Vera Lewis. Fred M. Wilcox’s Forbidden Planet (1956), with Walter Pidgeon, Anne Francis, Leslie Nielsen, Warren Stevens, Jack Kelly, Robby the Robot. Charles Vidor’s Gilda (1946), with Rita Hayworth, Glenn Ford, George Macready. John and Faith Hubley’s Oscar-winning animated short The Hole (1962). Stanley Kramer’s Judgment at Nuremberg (1961), with Best Actor Oscar winner Maximilian Schell,...
- 12/20/2013
- by Andre Soares
- Alt Film Guide
From Farran Nehme comes word of the passing of Barbara Kent at the age of 103. Farran's "seen only two pictures starring Barbara Kent," one being "the 1933 shoestring Oliver Twist, with Kent as Rose. The other is Flesh and the Devil, in which Kent had the unenviable task of the being the forsaken lover to Garbo's lascivious temptress. Still, it's the silent Flesh and the Devil that left a far stronger impression. Sound seemed to diminish this diminutive actress, as it did so many others. In pantomime, her tiny body made her even sweeter and more fragile, and it added poignance to her hurt over John Gilbert's betrayal…. The Siren always knew she would most likely live to see every silent-film artist depart the planet before she did. But the Siren still wishes she'd gotten the chance to tell Kent, or any of the other artists that Kevin Brownlow has spent a lifetime celebrating,...
- 10/21/2011
- MUBI
One of the last stars of the silent movie era
It is in the nature of cinema that an actor who made her last film appearance more than seven decades ago, and who retreated from public view in the late 1940s, refusing photographs and interviews ever since, can still be appreciated on screen as young, as lovely and as fresh as ever. Barbara Kent, who has died aged 103, was one of the last surviving stars of the silent era. She appeared in the last great silent American film, Lonesome (1928), Paul Fejos's masterpiece of urban poetry. Kent played Mary, a switchboard operator, who meets Jim (Glenn Tryon), a factory worker, in Coney Island. They spend the day together, fall in love, and then lose each other in the crowd. The simple tale of "little people" is raised by the sincerity of the performances and by the director's expressive use of location,...
It is in the nature of cinema that an actor who made her last film appearance more than seven decades ago, and who retreated from public view in the late 1940s, refusing photographs and interviews ever since, can still be appreciated on screen as young, as lovely and as fresh as ever. Barbara Kent, who has died aged 103, was one of the last surviving stars of the silent era. She appeared in the last great silent American film, Lonesome (1928), Paul Fejos's masterpiece of urban poetry. Kent played Mary, a switchboard operator, who meets Jim (Glenn Tryon), a factory worker, in Coney Island. They spend the day together, fall in love, and then lose each other in the crowd. The simple tale of "little people" is raised by the sincerity of the performances and by the director's expressive use of location,...
- 10/21/2011
- by Ronald Bergan
- The Guardian - Film News
Barbara Kent, a minor leading lady during the transition from silent to sound films, died October 13 in Palm Desert, in Southern California. A resident of the local Marrakesh Country Club, Kent was either 103 or 104. No cause of death was given. Barbara Kent was never a star. Not even close. In fact, most of her 35 movies were probably forgotten the week after their release. Paradoxically, Kent has become one of the most important performers of the silent era. No, not because she was Harold Lloyd's leading lady in his first talkie, Welcome Danger (1929). Or because of her career highlight: romancing Glen Tryon in Paul Fejos' naturalistic drama Lonesome (1928), frequently compared to F. W. Murnau's Sunrise. Barbara Kent has taken an importance incommensurate to her actual movie career because she was the very last individual to have had notable adult leads in American silent films. Everybody else, from Lillian Gish to Joan Crawford,...
- 10/21/2011
- by Andre Soares
- Alt Film Guide
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