Albert Maysles never got to watch his last film with an audience, passing away just a month before “In Transit” premiered at the 2015 Tribeca Film Festival, but simply completing the documentary marked the realization of a long-held dream. Maysles had wanted to shoot a film about passengers on a train for decades, but had trouble finding funding for a documentary whose subjects could only be discovered after shooting began.
Now, the film is finally released — but its future remains uncertain.
“In Transit” played at roughly a dozen film festivals and was being prepped by Al Jazeera America for a theatrical run with the help of sales agent Submarine Deluxe when Al Jazeera’s U.S. arm was abruptly shuttered in 2016, leaving the rights to the film in legal limbo. Part of the problem was that Al Jazeera had agreed to finance a 50-minute documentary for TV, not a feature film, so determining who had the rights to the feature-length version was a legal quandary.
The Maysles Documentary Center has been trying to purchase the rights to the documentary themselves, a more than two-year process that remains unresolved; in the meantime, they’ve been able to arrange for one-week runs at the organization’s own cinema and at New York’s Metrograph, starting on Friday. The team behind the film hopes to introduce the documentary to more audiences in the future, whether through traditional distribution or self-distribution.
Read More: Review: Albert Maysles’ Intimate Iris Apfel Documentary ‘Iris’
These prolonged efforts are only the latest chapter in a project that, decades before its completion, had taken on a mythological quality. “People refer to it as his white whale,” said co-director Lynn True. “It just never came together for a lot of reasons, one being that it’s rather unwieldy just boarding a train and spontaneously meeting people and capturing their stories.”
In 2013, Maysles finally attracted the financial backing of Al Jazeera America, and with the help of co-directors True, David Usui, Nelson Walker and Ben Wu, began interviewing passengers on on Amtrak’s Empire Builder, the busiest long-distance train route in America, which makes the three-day trip between Seattle and Chicago.
The movie marked the first original production of the Harlem-based Maysles Documentary Center, which has its own 55-seat cinema. That wound up working in its favor — the original contract with Al Jazeera included the right to screen the film at the theater that carried the director’s name, so “In Transit” was always destined to show in at least one theater. (The Metrograph screenings were set up in negotiation between the theater and the film’s producers, not Al Jazeera, which is unaffiliated with the release; the producers declined to comment on the arrangement with the broadcaster, and Al Jazeera did not return requests for comment.)
Shot in the tradition of Direct Cinema, the documentary is made up of a series of interconnected vignettes, where passengers share their fears, hopes and dreams, or simply let the filmmakers capture conversations with friends, family and new acquaintances on the train.
“We just had to board the train cross our fingers that we would find interesting people who would let us film them,” said True. As she and the other filmmakers soon discovered, the simple act of asking where someone is going could be all it took to stumble upon fascinating documentary subjects. The “characters” in the film range from a young woman who opened up about being raised by crackheads to an elderly woman who had just visited a daughter she gave up for adoption 47 years earlier.
Shot during the height of the U.S. oil boom, the filmmakers frequently found workers traveling to and from the oil fields in North Dakota, or wives and partners of these workers, most of whom talked about the challenges of being away from loved ones for extended periods of time.
One of the central figures of the documentary is a pregnant passenger who was already passed her due date upon boarding the train, creating a uniquely stressful situation for the Amtrak crew, which had to monitor her on a daily basis and became something like an extended family. “That was just documentary magic,” said True.
Though Maysles had no way of knowing whether his decades-long ambition of shooting passengers on a train would lead to footage that could be edited into a compelling narrative, he was always drawn to how trains could bring strangers together, according to True. “He loved trains because of this unique ability they had to kind of support these unlikely friendships and interactions,” she said. “It was pretty interesting to me how many of the stories played into Albert’s vision so precisely — this idea that trains afford strangers the opportunity to connect in a way that they wouldn’t necessarily if they were just passing on the street.”
During segments in which single individuals speak directly to the camera, “In Transit” reveals that, regardless of age, gender or background, most people have a natural inclination to show their own vulnerability. “If you give people the chance to really be honest, people are so much more similar than we all give them credit for,” True said.
One of the key components to Maysles approach to documentary filmmaking was to avoid entering any situation with preconceived ideas or any sort of end goal. “He was such a proponent of observing quietly and listening and allowing stories to unfold on their own terms and follow things wherever they led,” True said.
According to Maysles’ daughter Rebekah Maysles, who served as a producer on his 2014 documentary “Iris,” about fashion icon Iris Apfel, one of her father’s original ideas for the film was to follow passengers off the train and continue shooting footage in their homes. As with most of his documentaries, however, formulating a strict plan was not part of the equation. “He didn’t really prepare himself at all,” she said. “I think it worked.”
Read More: Film Community Pays Tribute to Albert Maysles
Maysles wasn’t around to celebrate when “In Transit” won a special mention in the documentary feature category at Tribeca, but more important to Rebekah Maysles was her father’s reaction to seeing the finished film. “He loved it,” she said.
“In Transit” opens Friday, June 23 at the Metrograph and Maysles Documentary Center.
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Related stories'Documentary Now!': The Secrets to Recreating Film History the Right WayDaily Reads: How Hollywood Disrespects Respect Melissa McCarthy's Success, 'Unbreakable Kimmy Schmidt's' Post-Identity Comedy Utopia, and MoreMetrograph and Criterion Team Up to Bring You Criterion Live! With D.A. Pennebaker...
Now, the film is finally released — but its future remains uncertain.
“In Transit” played at roughly a dozen film festivals and was being prepped by Al Jazeera America for a theatrical run with the help of sales agent Submarine Deluxe when Al Jazeera’s U.S. arm was abruptly shuttered in 2016, leaving the rights to the film in legal limbo. Part of the problem was that Al Jazeera had agreed to finance a 50-minute documentary for TV, not a feature film, so determining who had the rights to the feature-length version was a legal quandary.
The Maysles Documentary Center has been trying to purchase the rights to the documentary themselves, a more than two-year process that remains unresolved; in the meantime, they’ve been able to arrange for one-week runs at the organization’s own cinema and at New York’s Metrograph, starting on Friday. The team behind the film hopes to introduce the documentary to more audiences in the future, whether through traditional distribution or self-distribution.
Read More: Review: Albert Maysles’ Intimate Iris Apfel Documentary ‘Iris’
These prolonged efforts are only the latest chapter in a project that, decades before its completion, had taken on a mythological quality. “People refer to it as his white whale,” said co-director Lynn True. “It just never came together for a lot of reasons, one being that it’s rather unwieldy just boarding a train and spontaneously meeting people and capturing their stories.”
In 2013, Maysles finally attracted the financial backing of Al Jazeera America, and with the help of co-directors True, David Usui, Nelson Walker and Ben Wu, began interviewing passengers on on Amtrak’s Empire Builder, the busiest long-distance train route in America, which makes the three-day trip between Seattle and Chicago.
The movie marked the first original production of the Harlem-based Maysles Documentary Center, which has its own 55-seat cinema. That wound up working in its favor — the original contract with Al Jazeera included the right to screen the film at the theater that carried the director’s name, so “In Transit” was always destined to show in at least one theater. (The Metrograph screenings were set up in negotiation between the theater and the film’s producers, not Al Jazeera, which is unaffiliated with the release; the producers declined to comment on the arrangement with the broadcaster, and Al Jazeera did not return requests for comment.)
Shot in the tradition of Direct Cinema, the documentary is made up of a series of interconnected vignettes, where passengers share their fears, hopes and dreams, or simply let the filmmakers capture conversations with friends, family and new acquaintances on the train.
“We just had to board the train cross our fingers that we would find interesting people who would let us film them,” said True. As she and the other filmmakers soon discovered, the simple act of asking where someone is going could be all it took to stumble upon fascinating documentary subjects. The “characters” in the film range from a young woman who opened up about being raised by crackheads to an elderly woman who had just visited a daughter she gave up for adoption 47 years earlier.
Shot during the height of the U.S. oil boom, the filmmakers frequently found workers traveling to and from the oil fields in North Dakota, or wives and partners of these workers, most of whom talked about the challenges of being away from loved ones for extended periods of time.
One of the central figures of the documentary is a pregnant passenger who was already passed her due date upon boarding the train, creating a uniquely stressful situation for the Amtrak crew, which had to monitor her on a daily basis and became something like an extended family. “That was just documentary magic,” said True.
Though Maysles had no way of knowing whether his decades-long ambition of shooting passengers on a train would lead to footage that could be edited into a compelling narrative, he was always drawn to how trains could bring strangers together, according to True. “He loved trains because of this unique ability they had to kind of support these unlikely friendships and interactions,” she said. “It was pretty interesting to me how many of the stories played into Albert’s vision so precisely — this idea that trains afford strangers the opportunity to connect in a way that they wouldn’t necessarily if they were just passing on the street.”
During segments in which single individuals speak directly to the camera, “In Transit” reveals that, regardless of age, gender or background, most people have a natural inclination to show their own vulnerability. “If you give people the chance to really be honest, people are so much more similar than we all give them credit for,” True said.
One of the key components to Maysles approach to documentary filmmaking was to avoid entering any situation with preconceived ideas or any sort of end goal. “He was such a proponent of observing quietly and listening and allowing stories to unfold on their own terms and follow things wherever they led,” True said.
According to Maysles’ daughter Rebekah Maysles, who served as a producer on his 2014 documentary “Iris,” about fashion icon Iris Apfel, one of her father’s original ideas for the film was to follow passengers off the train and continue shooting footage in their homes. As with most of his documentaries, however, formulating a strict plan was not part of the equation. “He didn’t really prepare himself at all,” she said. “I think it worked.”
Read More: Film Community Pays Tribute to Albert Maysles
Maysles wasn’t around to celebrate when “In Transit” won a special mention in the documentary feature category at Tribeca, but more important to Rebekah Maysles was her father’s reaction to seeing the finished film. “He loved it,” she said.
“In Transit” opens Friday, June 23 at the Metrograph and Maysles Documentary Center.
Stay on top of the latest in gear and filmmaking news! Sign up for the Indiewire Toolkit newsletter here.
Related stories'Documentary Now!': The Secrets to Recreating Film History the Right WayDaily Reads: How Hollywood Disrespects Respect Melissa McCarthy's Success, 'Unbreakable Kimmy Schmidt's' Post-Identity Comedy Utopia, and MoreMetrograph and Criterion Team Up to Bring You Criterion Live! With D.A. Pennebaker...
- 6/23/2017
- by Graham Winfrey
- Indiewire
Glenn here. Each Tuesday we bring you reviews and features on documentaries from theatres, festivals, and on demand. This week we look at the final work of Albert Maysles, In Transit.
Last week we looked at Chantal Akerman's final film, and this week completely by accident I am reviewing another final film by another towering name in documentary filmmaking. In a career that includes Grey Gardens, Salesman, Gimme Shelter, and Monterey Pop, Albert Maysles has made many films that are considered among the greatest non-fiction titles ever made. And while last year’s glimpse into the life of aging fashion icon Iris Apfel, Iris, was billed as his last work, it is in fact this deeply searching piece of cinema verite made in collaboration with Lynn True, David Usui, Nelson Walker III, and Benjamin Wu that is his last work and an incredibly fitting one, too. It’s the...
Last week we looked at Chantal Akerman's final film, and this week completely by accident I am reviewing another final film by another towering name in documentary filmmaking. In a career that includes Grey Gardens, Salesman, Gimme Shelter, and Monterey Pop, Albert Maysles has made many films that are considered among the greatest non-fiction titles ever made. And while last year’s glimpse into the life of aging fashion icon Iris Apfel, Iris, was billed as his last work, it is in fact this deeply searching piece of cinema verite made in collaboration with Lynn True, David Usui, Nelson Walker III, and Benjamin Wu that is his last work and an incredibly fitting one, too. It’s the...
- 6/7/2016
- by Glenn Dunks
- FilmExperience
Above: Us poster for Salesman (Maysles Brothers & Charlotte Zwerin, USA, 1968). Designer: Henry Wolf. Courtesy of Film/Art Gallery.Starting today, Film Forum in New York is hosting The Maysles & Co., a comprehensive two-week long retrospective of the work of the legendary “Direct Cinema” documentarians Albert and David Maysles—best known for Gimme Shelter (1970) and Grey Gardens (1976)—and their various collaborators, most especially Charlotte Zwerin. Grey Gardens, a film whose title has entered the lingua franca, is the only documentary ever to be turned into a Tony-winning Broadway musical, an Emmy-winning TV dramatization, and an SNL-alumni parody, but its poster, a simple framing of a photograph by Herb Goro, doesn’t really do the film justice. Gimme Shelter, on the other hand—the Maysles’ biggest international success—has inspired a wide variety of designs. For me, the stand-out is the stark black and white one sheet with all-Helvetica type, the first one featured below.
- 4/16/2016
- by Adrian Curry
- MUBI
You’re forgiven if you didn’t know much about the Denver Film Festival. Nevertheless, there’s a lot to talk about in the aftermath of the ten day affair. Highlights included very interesting industry panels (a new addition this year), a few films slated for a wide release, and a local debut for a major Colorado-produced film, The Boat Builder. In a state where most of the money for films was recently devoured by Tarantino’s The Hateful Eight, it was nice to see a Colorado-made film get a warm reception.
I wasn’t able to finagle my way into every film I wanted to; such is the tragedy of any festival. But, I was able to see a variety of films big and small and elbow my way into a few industry panels. Below are brief reviews of every film I saw, from the incredible — to the barely edible.
I wasn’t able to finagle my way into every film I wanted to; such is the tragedy of any festival. But, I was able to see a variety of films big and small and elbow my way into a few industry panels. Below are brief reviews of every film I saw, from the incredible — to the barely edible.
- 11/27/2015
- by Max
- SoundOnSight
The Look Of Silence, Meru, The Wolfpack and Amy all received multiple nominations for this year’s non-fiction awards.Scroll Down For Full List
The 9th Cinema Eye Honours, the international non-fiction awards, were revealed last night at the Cph:dox festival in Copenhagen.
Cartel Land, Matthew Heineman’s film about violence on both sides of the Us-Mexico border, leads the pack with five nominations, including the top prize - Outstanding Achievement in Non-fiction Feature Filmmaking.
Also competing for the main award are: Joshua Oppenheimer’s The Look Of Silence, which received four nominations; Asif Kapadia’s Amy, which received three; Crystal Moselle’s The Wolfpack, which also received three; Stevan Riley’s Listen To Me Marlon, which received two; and Camilla Nielsson’s Democrats, which also received two nominations.
This year’s Cinema Eye Honours nominations committee included: Claire Aguilar from Sheffield Doc/Fest; Charlottee Cook from Hot Docs; David Courier from Sundance; and Cara Cusumano from Tribeca...
The 9th Cinema Eye Honours, the international non-fiction awards, were revealed last night at the Cph:dox festival in Copenhagen.
Cartel Land, Matthew Heineman’s film about violence on both sides of the Us-Mexico border, leads the pack with five nominations, including the top prize - Outstanding Achievement in Non-fiction Feature Filmmaking.
Also competing for the main award are: Joshua Oppenheimer’s The Look Of Silence, which received four nominations; Asif Kapadia’s Amy, which received three; Crystal Moselle’s The Wolfpack, which also received three; Stevan Riley’s Listen To Me Marlon, which received two; and Camilla Nielsson’s Democrats, which also received two nominations.
This year’s Cinema Eye Honours nominations committee included: Claire Aguilar from Sheffield Doc/Fest; Charlottee Cook from Hot Docs; David Courier from Sundance; and Cara Cusumano from Tribeca...
- 11/12/2015
- ScreenDaily
Aferim!This year, Tribeca moved back home, swapping out the East Village’s AMC Loew’s 7 for the venue they once used, the nearly invisible Regal Battery Park Stadium 11 as one of the festival’s main theater locations. Whether it is coincidence or just one of the festival’s grand themes, the finest films I saw were about movement. Characters search high and low for someone or something. While carrying strange cargo, they journey to the West, to the East, wherever, going from point A to point B. If not travelling, then characters are stuck, stranded, or even trapped in a spot, but desiring to move, move, move. There’s a whole lotta riding and talking going on in Radu Jude’s Aferim! Shot on black-and-white film (Kodak Double-x), the film is set in 1855 Wallachia, a time in which the Romani people had subhuman status, being slaves to landowning Boyars,...
- 5/4/2015
- by Tanner Tafelski
- MUBI
The Tribeca Film Festival of 2015 closed the books on Sunday as it always does, with a day full of screenings of the prize-winning films. And, as I noted on Day Three, it bears noting that the festival’s reputation of being for “indies that aren’t really indies” almost never bears out during the awards ceremony. All of the films that played on Sunday will be launching new talent into American arthouses, rather than showing a new dimension for established stars.
The Tribeca jury gives awards to Actor, Actress, Screenplay, Editing, Cinematography, New Director for each of narrative and documentary, Director for each of narrative and documentary, a special Nora Ephron prize honoring new female filmmakers, Best Documentary Feature, and Best Narrative feature. The Tribeca Audience Awards cover the best narrative film and best documentary as well. I confess to being completely unable to judge good editing, but I will...
The Tribeca jury gives awards to Actor, Actress, Screenplay, Editing, Cinematography, New Director for each of narrative and documentary, Director for each of narrative and documentary, a special Nora Ephron prize honoring new female filmmakers, Best Documentary Feature, and Best Narrative feature. The Tribeca Audience Awards cover the best narrative film and best documentary as well. I confess to being completely unable to judge good editing, but I will...
- 4/29/2015
- by Mark Young
- SoundOnSight
Read More: Tribeca Review: Albert Maysles' 'In Transit' is a Fitting End to His Career During Indiewire and Apple's Tribeca Talk for "In Transit," which was hosted at the Apple Store in Soho, Manhattan during the Tribeca Film Festival, co-director Nelson Walker expressed appreciation for the collaborative directing that characterized the film's production. He and directors Lynn True, David Usit and Ben Wu contributed to Albert Maysles' final project. "It helped that there were so many different shooters, because we all had different sensibilities and could connect with different types of people," said Walker during the talk, which was moderated by Indiewire's Eric Kohn. "Sometimes we would see somebody who was interesting; sometimes the people would come to us." The documentary is the final project of legendary filmmaker and direct cinema pioneer Albert Maysles ("Salesman," "Grey Gardens"), and explores the unique...
- 4/28/2015
- by Becca Nadler
- Indiewire
Virgin Mountain and Bridgend were among the winners at the 14th annual Tribeca Film Festival; King Jack and Transfatty Lives take the audience awards.
It was also announced that, starting this year, the new name of the Best New Documentary Director Award is The Albert Maysles New Documentary Director Award, which was awarded on Thursday by the filmmaker’s children Philip Maysles and Sara Maysles.
The winners of the audience awards sponsored by At&T were King Jack, directed by Felix Thompson, in the narrative category, and TransFatty Lives, directed by Patrick O’Brien, in the documentary category .
World Narrative Competition Categories
The Founders Award for Best Narrative Feature – Virgin Mountain (Iceland-Denmark), dir Dagur Kári. Winner receives $25,000 sponsored by At&T and the art award Ash Eroded Film Reel by Daniel Arsham.
Best Actor in a Narrative Feature Film – Gunnar Jónsson as Fúsi in Virgin Mountain. Winner receives $2,500 sponsored by Citrin Cooperman.
Best Actress...
It was also announced that, starting this year, the new name of the Best New Documentary Director Award is The Albert Maysles New Documentary Director Award, which was awarded on Thursday by the filmmaker’s children Philip Maysles and Sara Maysles.
The winners of the audience awards sponsored by At&T were King Jack, directed by Felix Thompson, in the narrative category, and TransFatty Lives, directed by Patrick O’Brien, in the documentary category .
World Narrative Competition Categories
The Founders Award for Best Narrative Feature – Virgin Mountain (Iceland-Denmark), dir Dagur Kári. Winner receives $25,000 sponsored by At&T and the art award Ash Eroded Film Reel by Daniel Arsham.
Best Actor in a Narrative Feature Film – Gunnar Jónsson as Fúsi in Virgin Mountain. Winner receives $2,500 sponsored by Citrin Cooperman.
Best Actress...
- 4/24/2015
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
Virgin Mountain and Bridgend were among the winners at the 14th annual Tribeca Film Festival’s New York awards show at Spring Studios on Thursday night.
It was also announced that, starting this year, the new name of the Best New Documentary Director Award is The Albert Maysles New Documentary Director Award, which was awarded on Thursday by the filmmaker’s children Philip Maysles and Sara Maysles.
The winners of the audience awards sponsored by At&T will be announced on April 25.
World Narrative Competition Categories
The Founders Award for Best Narrative Feature – Virgin Mountain (Iceland-Denmark), dir Dagur Kári. Winner receives $25,000 sponsored by At&T and the art award Ash Eroded Film Reel by Daniel Arsham.
Best Actor in a Narrative Feature Film – Gunnar Jónsson as Fúsi in Virgin Mountain. Winner receives $2,500 sponsored by Citrin Cooperman.
Best Actress in a Narrative Feature Film – Hannah Murray as Sara in Bridgend (Denmark, pictured). Winner...
It was also announced that, starting this year, the new name of the Best New Documentary Director Award is The Albert Maysles New Documentary Director Award, which was awarded on Thursday by the filmmaker’s children Philip Maysles and Sara Maysles.
The winners of the audience awards sponsored by At&T will be announced on April 25.
World Narrative Competition Categories
The Founders Award for Best Narrative Feature – Virgin Mountain (Iceland-Denmark), dir Dagur Kári. Winner receives $25,000 sponsored by At&T and the art award Ash Eroded Film Reel by Daniel Arsham.
Best Actor in a Narrative Feature Film – Gunnar Jónsson as Fúsi in Virgin Mountain. Winner receives $2,500 sponsored by Citrin Cooperman.
Best Actress in a Narrative Feature Film – Hannah Murray as Sara in Bridgend (Denmark, pictured). Winner...
- 4/24/2015
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
Virgin Mountain and Bridgend were among the winners at the 14th annual Tribeca Film Festival’s New York awards show at Spring Studios on Thursday night.
It was also announced that, starting this year, the new name of the Best New Documentary Director Award is The Albert Maysles New Documentary Director Award, which was awarded on Thursday by the filmmaker’s children Philip Maysles and Sara Maysles.
The winners of the audience awards sponsored by At&T will be announced on April 25.
World Narrative Competition Categories
The Founders Award for Best Narrative Feature – Virgin Mountain (Iceland-Denmark, pictured), dir Dagur Kári. Winner receives $25,000 sponsored by At&T and the art award Ash Eroded Film Reel by Daniel Arsham.
Best Actor in a Narrative Feature Film – Gunnar Jónsson as Fúsi in Virgin Mountain. Winner receives $2,500 sponsored by Citrin Cooperman.
Best Actress in a Narrative Feature Film – Hannah Murray as Sara in Bridgend (Denmark). Winner receives $2,500 sponsored by Citrin Cooperman...
It was also announced that, starting this year, the new name of the Best New Documentary Director Award is The Albert Maysles New Documentary Director Award, which was awarded on Thursday by the filmmaker’s children Philip Maysles and Sara Maysles.
The winners of the audience awards sponsored by At&T will be announced on April 25.
World Narrative Competition Categories
The Founders Award for Best Narrative Feature – Virgin Mountain (Iceland-Denmark, pictured), dir Dagur Kári. Winner receives $25,000 sponsored by At&T and the art award Ash Eroded Film Reel by Daniel Arsham.
Best Actor in a Narrative Feature Film – Gunnar Jónsson as Fúsi in Virgin Mountain. Winner receives $2,500 sponsored by Citrin Cooperman.
Best Actress in a Narrative Feature Film – Hannah Murray as Sara in Bridgend (Denmark). Winner receives $2,500 sponsored by Citrin Cooperman...
- 4/24/2015
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
Virgin Mountain and Bridgend were among the winners at the 14th annual Tribeca Film Festival’s New York awards show at Spring Studios on Thursday night.
It was also announced that, starting this year, the new name of the Best New Documentary Director Award is The Albert Maysles New Documentary Director Award, which was awarded on Thursday by the filmmaker’s children Philip Maysles and Sara Maysles.
The winners of the audience awards sponsored by At&T will be announced on April 25.
World Narrative Competition Categories
The Founders Award for Best Narrative Feature – Virgin Mountain (Iceland-Denmark, pictured), dir Dagur Kári. Winner receives $25,000 sponsored by At&T and the art award Ash Eroded Film Reel by Daniel Arsham.
Best Actor in a Narrative Feature Film – Gunnar Jónsson as Fúsi in Virgin Mountain. Winner receives $2,500 sponsored by Citrin Cooperman.
Best Actress in a Narrative Feature Film – Hannah Murray as Sara in Bridgend (Denmark). Winner receives $2,500 sponsored by Citrin Cooperman...
It was also announced that, starting this year, the new name of the Best New Documentary Director Award is The Albert Maysles New Documentary Director Award, which was awarded on Thursday by the filmmaker’s children Philip Maysles and Sara Maysles.
The winners of the audience awards sponsored by At&T will be announced on April 25.
World Narrative Competition Categories
The Founders Award for Best Narrative Feature – Virgin Mountain (Iceland-Denmark, pictured), dir Dagur Kári. Winner receives $25,000 sponsored by At&T and the art award Ash Eroded Film Reel by Daniel Arsham.
Best Actor in a Narrative Feature Film – Gunnar Jónsson as Fúsi in Virgin Mountain. Winner receives $2,500 sponsored by Citrin Cooperman.
Best Actress in a Narrative Feature Film – Hannah Murray as Sara in Bridgend (Denmark). Winner receives $2,500 sponsored by Citrin Cooperman...
- 4/24/2015
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
Read More: Meet the 2015 Tribeca Filmmakers In advance of this year's Tribeca Film Festival, Indiewire sent out a questionnaire to the filmmakers taking their work to Tribeca. Below you'll find a selection of their responses to the question of which films inspired them. Andrew Renzi ("Franny") "I'm inspired by all sorts of films, but among the ones I already mentioned, for 'Franny,' I was inspired by 'The Great Beauty,' 'The Leopard,' 'The Cable Guy' and 'Divorce Italian Style.'" Lynn True, Nelson Walker, Ben Wu and David Usui ("In Transit") Lynn True: "There are too many to name, but I'll admit being totally inspired by 'The Making of Michael Jackson's Thriller,' which I saw when I was about seven years old when I probably didn't even know what a documentary was." Nelson Walker: "It's sort of cheating, but I'd...
- 4/21/2015
- by Travis Clark
- Indiewire
Read More: Meet the 2015 Tribeca Film Festival Filmmakers Numerous documentaries have attempted to create a diverse portrait of the United States of America, but none has ever achieved this solely by boarding our country's busiest long-distance train, the Empire Builder. In the documentary "In Transit," filmmakers Lynn True, Nelson Walker, Ben Wu and David Usui take the ride to hear stories from the train's various passengers and learn about the dreams and desires that are universal among us, regardless of where we come from or where we're going.What's your film about in 140 characters or less? "In Transit" is a portrait of America told through the stories of passengers aboard the Empire Builder, our nation's busiest long-distance train route. Now what's it Really about?"In Transit" is about finding common ground with our fellow passengers, and recognizing that we share many of the same hopes, fears and dreams, regardless of where we've come from or.
- 4/21/2015
- by Zack Sharf
- Indiewire
As beautiful spring weather moves into New York City for the first time this year, the lines for TriBeCa movies only get longer. And, for all of the talk that TriBeCa is a festival for “indies that aren’t really indies” because of the A-list stars in their casts, the greatest masters’ films always draw the longest lines.
In this case, the great master is the late, legendary documentarian Albert Maysles, whose final film In Transit made its world premiere. Maysles had been wanting to make a movie about passenger trains for decades, but an actual opportunity to do so only appeared in the last year and a half. Over that period, Maysles and his four collaborators (Nelson Walker, Lynn True, David Usui, and Ben Wu are listed as directors, but an opening title card announces “an Albert Maysles film”) observed the Empire Builder line between Chicago and Seattle, interviewing...
In this case, the great master is the late, legendary documentarian Albert Maysles, whose final film In Transit made its world premiere. Maysles had been wanting to make a movie about passenger trains for decades, but an actual opportunity to do so only appeared in the last year and a half. Over that period, Maysles and his four collaborators (Nelson Walker, Lynn True, David Usui, and Ben Wu are listed as directors, but an opening title card announces “an Albert Maysles film”) observed the Empire Builder line between Chicago and Seattle, interviewing...
- 4/21/2015
- by Mark Young
- SoundOnSight
Read More: The 2015 Indiewire Tribeca Bible Albert Maysles and his brother David's pioneering work with the direct cinema tradition — also known as cinema verite — revealed extraordinary details in small, unscripted moments. Though both siblings have now passed away, Albert continued producing work up until his death earlier this year, with "In Transit" marking his final cinematic achievement and a satisfying consolidation of his style. A resolutely humble project built around various drifter types riding the Amtrak's Empire Builder train, the movie makes no grand claims. But with its tender collage of people and places, it offers wise and telling exchanges in fragments, yielding an apt final chapter in the Maysles filmography. "In Transit" features an extensive list of co-directing credits for Nelson Walker, Lynn True, David Usai and Ben Wu, which reflects the scope of footage in play. An opening title card explains that as the train's route heads between.
- 4/19/2015
- by Eric Kohn
- Indiewire
Albert Maysles at Simon Trevor's White Gold premiere at MoMA Photo: Anne-Katrin Titze
Documentary filmmakers Morgan Neville (2014 Oscar winner for 20 Feet From Stardom), Fabien Constant (Mademoiselle C), Varon Bonicos (A Man's Story) and Keyhole director Guy Maddin share their thoughts on the passing of the great documentarian Albert Maysles at the age of 88, Thursday, March 5, in New York City.
Author and journalist Gay Talese on an American Assignment for the New York Times in Selma, Alabama, sent a note, upon hearing the news, from the place where Gay had covered the civil rights march and "Bloody Sunday" 50 years ago.
Albert Maysles with Iris Apfel, the subject of his film Iris
Tribeca Film Festival Artistic Director Frédéric Boyer wrote "…this is very sad to lose a master of Cinema. We are playing his last film in the Tribeca [World Documentary] Competition,..." In Transit, co-directed by Maysles with Nelson Walker, Lynn True, David Usui,...
Documentary filmmakers Morgan Neville (2014 Oscar winner for 20 Feet From Stardom), Fabien Constant (Mademoiselle C), Varon Bonicos (A Man's Story) and Keyhole director Guy Maddin share their thoughts on the passing of the great documentarian Albert Maysles at the age of 88, Thursday, March 5, in New York City.
Author and journalist Gay Talese on an American Assignment for the New York Times in Selma, Alabama, sent a note, upon hearing the news, from the place where Gay had covered the civil rights march and "Bloody Sunday" 50 years ago.
Albert Maysles with Iris Apfel, the subject of his film Iris
Tribeca Film Festival Artistic Director Frédéric Boyer wrote "…this is very sad to lose a master of Cinema. We are playing his last film in the Tribeca [World Documentary] Competition,..." In Transit, co-directed by Maysles with Nelson Walker, Lynn True, David Usui,...
- 3/7/2015
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Andrew Renzi‘s directorial debut about a third wheel starring Richard Gere, Dakota Fanning and Theo James, Reed Morano‘s relationship testing drama featuring Olivia Wilde and Luke Wilson, Onur Tukel‘s secret unleashed on the airwaves and Gregory Kohn‘s hallucinatory tale with Eléonore Hendricks topling are part of the American independent offerings at the 14th Tribeca Film Festival. Renzi’s Franny and Morano’s Meadowland will be competing in the dozen selected in the World Narrative Competition while Tukel’s Applesauce and Kohn’s Come Down Molly are among the in the Viewpoints sidebar. Here are the selected titles below sans synopsis.
World Narrative Feature Competition (12)
The Adderall Diaries, directed and written by Pamela Romanowsky. (USA) – World Premiere.
Bridgend, directed by Jeppe Rønde, co-written by Jeppe Rønde, Torben Bech, and Peter Asmussen. (Denmark) – North American Premiere.
Dixieland, directed and written by Hank Bedford. (USA) – World Premiere
Franny, directed and written by Andrew Renzi.
World Narrative Feature Competition (12)
The Adderall Diaries, directed and written by Pamela Romanowsky. (USA) – World Premiere.
Bridgend, directed by Jeppe Rønde, co-written by Jeppe Rønde, Torben Bech, and Peter Asmussen. (Denmark) – North American Premiere.
Dixieland, directed and written by Hank Bedford. (USA) – World Premiere
Franny, directed and written by Andrew Renzi.
- 3/3/2015
- by Eric Lavallee
- IONCINEMA.com
Top brass at the 2015 Tribeca Film Festival (Tff) presented by At&T have announced the World Narrative and Documentary Competition and Viewpoints selections.
Organisers also said that At&T’s Film For All Friday will return with free screenings on April 24. The festival is set to run in New York City from April 15-26 and the festival hub is Spring Studios.
Tuesday’s announcement covers 51 films out of a total 97 features at the upcoming 14th edition. As previously announced, Tribeca will open with the documentary Live From New York!
The line-up includes world premieres of Andrew Renzi’s Franny starring Richard Gere, Pamela Romanowsky’s The Adderall Diaries with James Franco, Amber Heard, Ed Harris and Cynthia Nixon and documentaries In My Father’s House by Ricki Stern and Annie Sundberg and In Transit from Albert Maysles and four co-directors.
Thirty of the festival’s feature film directors are women –the highest percentage in Tribeca history. Nine of...
Organisers also said that At&T’s Film For All Friday will return with free screenings on April 24. The festival is set to run in New York City from April 15-26 and the festival hub is Spring Studios.
Tuesday’s announcement covers 51 films out of a total 97 features at the upcoming 14th edition. As previously announced, Tribeca will open with the documentary Live From New York!
The line-up includes world premieres of Andrew Renzi’s Franny starring Richard Gere, Pamela Romanowsky’s The Adderall Diaries with James Franco, Amber Heard, Ed Harris and Cynthia Nixon and documentaries In My Father’s House by Ricki Stern and Annie Sundberg and In Transit from Albert Maysles and four co-directors.
Thirty of the festival’s feature film directors are women –the highest percentage in Tribeca history. Nine of...
- 3/3/2015
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
Ballet drama "Black Swan" triumphed at the 2011 Film Independent Spirit Awards and won for Best Feature, Best Director for Darren Aronofsky, Best Female Lead for Natalie Portman, and Best Cinematography for Matthew Libatique.
Oscar nominee Natalie Portman added this victory to her impressive collection of awards she took home this season, including a Golden Globe, BAFTA and SAG Award for Best Actress. Best Supporting Female went to Dale Dickey for "Winter's Bone."
15 Facts about Natalie Portman!
Oscar nominee Natalie Portman added this victory to her impressive collection of awards she took home this season, including a Golden Globe, BAFTA and SAG Award for Best Actress. Best Supporting Female went to Dale Dickey for "Winter's Bone."
15 Facts about Natalie Portman!
- 2/27/2011
- Extra
With all the "Black Swan" hoopla, am I the only one who thinks that the film, while well-made, is not deserving of all these hyper-crazed adulations? Portman was good, but I prefer Annette Bening's understated performance in "The Kids Are All Right." Or heck, Jennifer Lawrence's "Winter's Bone" performance could easily outdance Portman's delusional ballerina portrayal any day.
And "Winter's Bone," celebrating its true independent spirit, was virtually snubbed at last night's Independent Spirit Awards. Sure, the excellent supporting cast was honored with Dale Dickey winning Best Supporting Female and John Hawkes for Best Supporting Male, but the engaging and deeply haunting Debra Granik movie (with the most nominations totaling to seven nods) lost out to...you guessed it, Darren Aronofsky's "Black Swan." (Check out my "Winter's Bone" movie review right here)
And yes, I do admire Aronofsky, I thought "The Wrestler" was one of his personal...
And "Winter's Bone," celebrating its true independent spirit, was virtually snubbed at last night's Independent Spirit Awards. Sure, the excellent supporting cast was honored with Dale Dickey winning Best Supporting Female and John Hawkes for Best Supporting Male, but the engaging and deeply haunting Debra Granik movie (with the most nominations totaling to seven nods) lost out to...you guessed it, Darren Aronofsky's "Black Swan." (Check out my "Winter's Bone" movie review right here)
And yes, I do admire Aronofsky, I thought "The Wrestler" was one of his personal...
- 2/27/2011
- by Manny
- Manny the Movie Guy
Well, every year the Independent Spirit Awards are handed out the night before the Oscars, and every year, it seems that they are honouring a completely different set of films, despite having a number of overlapping nominees. At this point, it almost seems like you don't want to win a Spirit Award because if you do, it means you won't end up winning the Oscar. Assuming history repeats itself, James Franco's chances of winning Best Actor for 127 Hours just got a little worse (not that he really had a shot in the first place), and Natalie Portman might not be the lock that everyone thinks she is. Black Swan also ended up taking home Best Feature, Best Director, and Best Cinematography, while John Hawkes and Dale Dickey took home Supporting Actor and Actress awards for Winter's Bone. The Kids Are All Right ended up getting Best Screenplay, while Exit Through the Gift Shop...
- 2/27/2011
- by Sean
- FilmJunk
I went 10/13 with my predictions of the Indie Spirits today -- my misfires came in the Best Picture and Best Actress categories thinking that Winter's Bone had the edge over Black Swan. Not that Winter's Bone didn't have a good night (it won in the Best Supporting categories - I thought that Bill Murray had the edge over John Hawkes is where I flubbed as well) but it was indeed a Black Swan event -- with additional wins for Directing (Darren Aronofsky) and Cinematography (Matthew Libatique). You can find the winners in bold below. Best Feature 127 Hours Black Swan Greenberg The Kids Are All Right Winter's Bone Best Director Darren Aronofsky, Black Swan Danny Boyle, 127 Hours Lisa Cholodenko, The Kids Are All Right Debra Granik, Winter's Bone John Cameron Mitchell, Rabbit Hole Best Screenplay Stuart Blumberg, Lisa Cholodenko, The Kids Are All Right Debra Granik, Anne Rosellini, Winter's Bone Nicole Holofcener,...
- 2/27/2011
- IONCINEMA.com
Tune in to IFC tonight at 10:00 p.m. Et/Pt to catch all the action at the 2011 Film Independent Spirit Awards, with actor and comedian Joel McHale hosting.
Highlights include: Joel getting caught in a 127 Hours situation with only Dale Dickey, “Banksy” and John Waters to help him out; See how this year’s best feature nominees stack up against porn and the big studios; Catch the Spirit Awards’ version of a dead people montage; and more! The show was produced by Film Independent in association with Dick Clark productions, Inc.
The Spirit Awards was the first event to exclusively honor independent film, and over the past 26 years, has become the premier awards show for the independent film community, celebrating films made by filmmakers who embody independence and originality.
The following is a complete list of the winners:
Winners List
Best Feature: 'Black Swan'
Best Director: Darren Aronofsky,...
Highlights include: Joel getting caught in a 127 Hours situation with only Dale Dickey, “Banksy” and John Waters to help him out; See how this year’s best feature nominees stack up against porn and the big studios; Catch the Spirit Awards’ version of a dead people montage; and more! The show was produced by Film Independent in association with Dick Clark productions, Inc.
The Spirit Awards was the first event to exclusively honor independent film, and over the past 26 years, has become the premier awards show for the independent film community, celebrating films made by filmmakers who embody independence and originality.
The following is a complete list of the winners:
Winners List
Best Feature: 'Black Swan'
Best Director: Darren Aronofsky,...
- 2/27/2011
- by brians
- GeekTyrant
The 2011 Independent Spirit Awards were handed out a few hours ago and Black Swan won in all four categories it was nominated in including Best Picture, Best Director (Darren Aronofsky), Best Actress (Natalie Portman) and Best Cinematography (Matthew Libatique). Winter's Bone earned the most nominations at seven and dominated the supporting categories with wins for both Dale Dickey and John Hawkes, of the two only Hawkes earned an Oscar nomination, but he'll be facing off against both Christian Bale and Geoffrey Rush tomorrow night so I'm not counting on two awards in two days, though his performance in that film is one to remember.
Elsewhere, James Franco won Best Actor for 127 Hours, though he wasn't facing the stiffest of competition when it comes to most talked about performances of the year as he is the only one of the five nominees to also be nominated for an Oscar. Exit Through the Gift Shop...
Elsewhere, James Franco won Best Actor for 127 Hours, though he wasn't facing the stiffest of competition when it comes to most talked about performances of the year as he is the only one of the five nominees to also be nominated for an Oscar. Exit Through the Gift Shop...
- 2/27/2011
- by Brad Brevet
- Rope of Silicon
By Sean O’Connell
Hollywoodnews.com: The day before the annual Academy Awards ceremony belongs to the Spirit Awards, when Hollywood’s independent film community – which currently reflects the Oscar community thanks to double-dipping films like “Black Swan,” “Winter’s Bone” and “The Kids Are All Right” – takes to the sands in Santa Monica for what host Joel McHale calls “the coolest awards show, because it’s casual, in a tent on a beach, and people are drinking, and vomiting.”
Let’s hope there isn’t as much throw up as McHale predicts. We wouldn’t want 2011 Spirit Awards nominees Annette Bening, Nicole Kidman, Natalie Portman, James Franco, Ben Stiller or John C. Reilly slipping in someone else’s vomit on the way to the stage.
All kidding aside, the Spirit Awards are a laid-back affair, a lighter appetizer to the glamorous Oscars. The ceremony will be televised in IFC beginning at 10 p.
Hollywoodnews.com: The day before the annual Academy Awards ceremony belongs to the Spirit Awards, when Hollywood’s independent film community – which currently reflects the Oscar community thanks to double-dipping films like “Black Swan,” “Winter’s Bone” and “The Kids Are All Right” – takes to the sands in Santa Monica for what host Joel McHale calls “the coolest awards show, because it’s casual, in a tent on a beach, and people are drinking, and vomiting.”
Let’s hope there isn’t as much throw up as McHale predicts. We wouldn’t want 2011 Spirit Awards nominees Annette Bening, Nicole Kidman, Natalie Portman, James Franco, Ben Stiller or John C. Reilly slipping in someone else’s vomit on the way to the stage.
All kidding aside, the Spirit Awards are a laid-back affair, a lighter appetizer to the glamorous Oscars. The ceremony will be televised in IFC beginning at 10 p.
- 2/26/2011
- by Sean O'Connell
- Hollywoodnews.com
Best Documentary "Exit Through the Gift Shop" It's hard to know whether street artist Banksy's feature documentary is what it claims to be—a doc about an obsessive man who falls in love with the world of street art (where artists place their work in public, risking arrest for vandalism), fashioning himself as the most financially successful street artist in history—or is Banksy's best prank to date. The film follows the life of buffoonish French expatriate Thierry Guetta, a happy-go-lucky proprietor of an overpriced hipster-wear store in West Hollywood with the curious habit of videotaping everything that happens to him. Guetta persuades his cousin, a street artist known as Space Invader, to become the subject of a "documentary," which leads Guetta to other street artists like Obama icon-maker Shepard Fairey and ultimately to the white whale of street artists: the ultra-secretive Banksy (interviewed in silhouette, of course...
- 1/20/2011
- backstage.com
The Canadian film “The Whistleblower” won the Audience Award while France’s official Oscar entry “Of Gods and Men” took the Fipresci Award for Best Foreign Language Film of the Year at the 22nd Annual Palm Springs International Film Festival, which announced its winners over the weekend.
The festival, which concludes today, screened 205 films from 69 countries, including 41 of the 65 foreign language entries for this year’s Academy Awards.
Said festival director Darryl Macdonald in a statement, “It’s been a hugely successful year for the festival, with record attendance, incredibly smooth operations, and much higher numbers of filmmakers and industry guests attending, with a marked jump in film sales activities as a result. Everything, from our film lineup to the stellar Awards Gala honorees, to our Talking Pictures events and our tribute to Michael Douglas, have been warmly embraced by audiences and industry alike, marking this as a banner year for us.
The festival, which concludes today, screened 205 films from 69 countries, including 41 of the 65 foreign language entries for this year’s Academy Awards.
Said festival director Darryl Macdonald in a statement, “It’s been a hugely successful year for the festival, with record attendance, incredibly smooth operations, and much higher numbers of filmmakers and industry guests attending, with a marked jump in film sales activities as a result. Everything, from our film lineup to the stellar Awards Gala honorees, to our Talking Pictures events and our tribute to Michael Douglas, have been warmly embraced by audiences and industry alike, marking this as a banner year for us.
- 1/17/2011
- by admin
- Moving Pictures Network
hollywoodnews.com: Film Independent, the non-profit arts organization that produces the Spirit Awards and the Los Angeles Film Festival, announced the winners of its four filmmaker grant awards at the Spirit Awards Filmmaker Grant and Nominee Brunch held at Boa Steakhouse in West Hollywood. Sandra Oh and Terrence Howard hosted the casual event and handed out the honors.
Winners for the additional categories will be revealed at the 2011 Film Independent Spirit Awards at Santa Monica beach on Saturday, February 26, 2011. The ceremony will air exclusively on IFC at 10:00 p.m. Et/Pt, and as previously announced, actor and comedian Joel McHale will serve as host.
“This is the 18th year we have given out these grant awards, and they have now helped 47 emerging artists share their work with a larger audience, pay bills for their film, or get them started on their next project,” said Film Independent Executive Director Dawn Hudson.
Winners for the additional categories will be revealed at the 2011 Film Independent Spirit Awards at Santa Monica beach on Saturday, February 26, 2011. The ceremony will air exclusively on IFC at 10:00 p.m. Et/Pt, and as previously announced, actor and comedian Joel McHale will serve as host.
“This is the 18th year we have given out these grant awards, and they have now helped 47 emerging artists share their work with a larger audience, pay bills for their film, or get them started on their next project,” said Film Independent Executive Director Dawn Hudson.
- 1/16/2011
- by HollywoodNews.com
- Hollywoodnews.com
The 8th annual Big Sky Documentary Film Festival is all set to run for ten days this Feb. 11-20 in Missoula, Montana. This year, the fest will have a whopping 140 film programs, a growth that necessitates an expansion from its regular home at the Historic Wilma Theatre — where it will occupy two screens — to also feature screenings at the former Pipestone Mountaineering store.
Special events at the fest include a free opening night screening of How to Die in Oregon sponsored by HBO Documentary Films. The film, directed by Peter D. Richardson, examines the impact the legalization of physician-assisted suicide has had on the state. (In 1994, Oregon was the first state to legalize the practice.)
Also, indie rock band Yo La Tengo will perform their acclaimed live score of the films of pioneering French underwater documentary film director Jean Painlevé, something they have done for other film festivals all over the world.
Special events at the fest include a free opening night screening of How to Die in Oregon sponsored by HBO Documentary Films. The film, directed by Peter D. Richardson, examines the impact the legalization of physician-assisted suicide has had on the state. (In 1994, Oregon was the first state to legalize the practice.)
Also, indie rock band Yo La Tengo will perform their acclaimed live score of the films of pioneering French underwater documentary film director Jean Painlevé, something they have done for other film festivals all over the world.
- 1/15/2011
- by Mike Everleth
- Underground Film Journal
Every year, the Spirit Awards celebrate the best in independent film.
The nominees were announced for the 26th Annual Spirits, to be handed out on Saturday, February 26, 2011 at 10pm Et/Pt, live on the Independent Film Channel (IFC).
After winning the top prize at the Gotham Awards, Winter’s Bone leads with seven nominations.
Winter’s Bone was nominated for Best Film, Best Actress, Best Screenplay, Best Director, Best Supporting Actor, Best Supporting Actress and Best Cinematography.
The Best Film nominees also include 127 Hours, Greenberg, The Kids Are All Right and Black Swan.
The Kids Are All Right had five nominations while Black Swan, Greenberg and Rabbit Hole each landed four.
127 Hours, Jack Goes Boating and Tiny Furniture found three each.
Rabbit Hole received nominations for its performances from Nicole Kidman and Aaron Eckhart playing grieving parents, as well as a director’s nod for John Cameron Mitchell, best known...
The nominees were announced for the 26th Annual Spirits, to be handed out on Saturday, February 26, 2011 at 10pm Et/Pt, live on the Independent Film Channel (IFC).
After winning the top prize at the Gotham Awards, Winter’s Bone leads with seven nominations.
Winter’s Bone was nominated for Best Film, Best Actress, Best Screenplay, Best Director, Best Supporting Actor, Best Supporting Actress and Best Cinematography.
The Best Film nominees also include 127 Hours, Greenberg, The Kids Are All Right and Black Swan.
The Kids Are All Right had five nominations while Black Swan, Greenberg and Rabbit Hole each landed four.
127 Hours, Jack Goes Boating and Tiny Furniture found three each.
Rabbit Hole received nominations for its performances from Nicole Kidman and Aaron Eckhart playing grieving parents, as well as a director’s nod for John Cameron Mitchell, best known...
- 12/2/2010
- by Fiona
- Filmofilia
The nominations of 2011 Film Independent Spirit Awards have been announced on Tuesday, November 30 in Los Angeles by Jeremy Renner and Eva Mendes. And some movies which have received Oscar buzz such as "127 Hours" and "Black Swan" are touted for Best Feature at the upcoming Spirit Awards.
For this title, the two movies will fight against "Greenberg", "The Kids Are All Right" and "Winter's Bone". The latest mentioned flick, which is fresh from grabbing two kudos at Gotham Independent Film Awards, has a chance to be a big winner at Spirits Awards since it takes the most nods.
The drama leads Debra Granik to be a contender for Best Director prize. She will face a tight competition with Darren Aronofsky, Danny Boyle in addition to Lisa Cholodenko and John Cameron Mitchell for this title.
The cast including Jennifer Lawrence, Dale Dickey and John Hawkes are additionally up for Best Female Lead,...
For this title, the two movies will fight against "Greenberg", "The Kids Are All Right" and "Winter's Bone". The latest mentioned flick, which is fresh from grabbing two kudos at Gotham Independent Film Awards, has a chance to be a big winner at Spirits Awards since it takes the most nods.
The drama leads Debra Granik to be a contender for Best Director prize. She will face a tight competition with Darren Aronofsky, Danny Boyle in addition to Lisa Cholodenko and John Cameron Mitchell for this title.
The cast including Jennifer Lawrence, Dale Dickey and John Hawkes are additionally up for Best Female Lead,...
- 12/1/2010
- by AceShowbiz.com
- Aceshowbiz
Natalie Portman is going to get a stiff competition from Jennifer Lawrence at 2011 Independent Spirit Awards. The nominees for the annual awards dedicated to independent filmmakers have been announced on Tuesday, November 30, and both actresses were unraveled to be among those up for Best Female Lead.
29-year-old Natalie received the nomination for her portrayal of a ballet dancer in "Black Swan", while 20-year-old Jennifer got her nod for her role as a teen on a desperate search to find her missing father in "Winter's Bone". Both of them were nominated along with Annette Bening, Greta Gerwig, Nicole Kidman and Michelle Williams.
In addition to Natalie's acting nom, her psychological thriller "Black Swan" has nabbed three other nods. It is vying for Best Feature along with "Winter's Bone", "127 Hours", "Greenberg" and "The Kids Are All Right". Additionally, it also collected nomination for its director Darren Aronofsky and cinematographer Matthew Libatique.
Jennifer's "Winter's Bone", in the meantime,...
29-year-old Natalie received the nomination for her portrayal of a ballet dancer in "Black Swan", while 20-year-old Jennifer got her nod for her role as a teen on a desperate search to find her missing father in "Winter's Bone". Both of them were nominated along with Annette Bening, Greta Gerwig, Nicole Kidman and Michelle Williams.
In addition to Natalie's acting nom, her psychological thriller "Black Swan" has nabbed three other nods. It is vying for Best Feature along with "Winter's Bone", "127 Hours", "Greenberg" and "The Kids Are All Right". Additionally, it also collected nomination for its director Darren Aronofsky and cinematographer Matthew Libatique.
Jennifer's "Winter's Bone", in the meantime,...
- 12/1/2010
- by celebrity-mania.com
- Celebrity Mania
The 2011 Film Independent Spirit Awards nominees have been announced, and there are a lot of great films that are being recognized. Winter's Bone racked up seven nominations after it won Best Feature at the Gotham Awards. Other films on the list include, 127 Hours, Black Swan, Greenberg, and The Kids Are All Right.There's some great competition this year, 127 Hours, Black Swan, and Winter's Bone are three of the best movies I've seen this year, but I think Winter's Bone will take the win on this one.
These nominations are only given to films which were produced for under $20 million. The awards will be handed out on February 26 live on IFC with host Joel McHale.
Check out the nominee list below and let us know what you think! Who would you like to see win?
Best Feature (Award given to the Producer)
127 Hours
Black Swan
Greenberg
The Kids Are All Right...
These nominations are only given to films which were produced for under $20 million. The awards will be handed out on February 26 live on IFC with host Joel McHale.
Check out the nominee list below and let us know what you think! Who would you like to see win?
Best Feature (Award given to the Producer)
127 Hours
Black Swan
Greenberg
The Kids Are All Right...
- 11/30/2010
- by Venkman
- GeekTyrant
The nominees for the 2011 Independent Spirit Awards were announced this morning from Los Angeles, once again honouring the year's best independent films shot on shoestring budgets (specifically under $20 million). Leading the pack was Debra Granik's Winter's Bone, which picked up seven nods including Best Feature, Best Director, and Best Male and Female Leads. Considering that the film also just won Best Feature at The Gotham Awards [1] this week, could it be gaining momentum as a possible Oscar contender? Other films with multiple nominations include Lisa Cholodenko's The Kids Are All Right, John Cameron Mitchell's Rabbit Hole, and Darren Aronofsky's Black Swan. It was also pretty cool to see The Last Exorcism picking up a few mentions, although Never Let Me Go seems to have been snubbed, getting just one nomination for Best Cinematography. Ouch. We won't find out who wins until Saturday, February 26th, 2011, with a...
- 11/30/2010
- by Sean
- FilmJunk
Every year after the Gotham Awards choose their winners, the nominees for the Independent Spirit Awards are announced. Leading with nominations this year is Danny Boyle’s 127 Hours, Darren Aronofsky’s Black Swan and Debra Granik’s Winter’s Bone. All three may make my best of the year list and each and every year I wholeheartedly agree with their picks. It is by far my favorite awards show and while I sometimes disagree with the winners I am always excited to see the smaller productions receive recognition for their amazing work.
The nominations are only given to films which were produced for under $20 million and the awards will be handed out on February 26 live on IFC.
Missing in action:
Where is Gareth Edwards’ Monsters? It was his first feature and he produced it for under ten grand.
Honestly Rabbit Hole deserves the nomination for best picture more than The Kids Are Alright.
The nominations are only given to films which were produced for under $20 million and the awards will be handed out on February 26 live on IFC.
Missing in action:
Where is Gareth Edwards’ Monsters? It was his first feature and he produced it for under ten grand.
Honestly Rabbit Hole deserves the nomination for best picture more than The Kids Are Alright.
- 11/30/2010
- by Ricky
- SoundOnSight
This morning, Eva Mendes and Jeremy Renner presented the 2011 Film Independent Spirit Award nominations and last night's Gotham Awards big winner, Winter's Bone was this morning's leading nominee with a total of seven nominations including Best Feature, Best Director (Debra Granik), Best Screenplay (Debra Granik and Anne Rosellini), Best Female Lead (Jennifer Lawrence), Best Supporting Female (Dale Dickey), Best Supporting Male (John Hawkes) and Best Cinematography (Michael McDonough).
Coming in second on the nomination list was The Kids are All Right with five, followed by Black Swan, Greenberg and Rabbit Hole, all with four. The only nominee for Best Feature not to have at least four nominations was Danny Boyle's 127 Hours, which earned three noms.
A few things of note when quickly glancing through the list, Winter's Bone is not only making a hard push for a Best Picture nomination, which now appears to be a certainty just as...
Coming in second on the nomination list was The Kids are All Right with five, followed by Black Swan, Greenberg and Rabbit Hole, all with four. The only nominee for Best Feature not to have at least four nominations was Danny Boyle's 127 Hours, which earned three noms.
A few things of note when quickly glancing through the list, Winter's Bone is not only making a hard push for a Best Picture nomination, which now appears to be a certainty just as...
- 11/30/2010
- by Brad Brevet
- Rope of Silicon
Cool! "Winter's Bone" Dominates Independent Spirit Awards Nominations! See Complete List of Nominees
I'm so glad that "Winter's Bone" has been receiving all the accolades. I love this film when it was shown in limited release last summer. The backwoods drama won big at the Gothams Awards winning Best Feature and Best Ensemble, and now, it dominated the Independent Spirit Awards with seven nominations including Best Feature, Director for Debra Granik, Screenplay for Granik and Anne Rosellini, Female Lead for Jennifer Lawrence, Supporting Female for Dale Dickey, Supporting Male for John Hawkes, and Cinematography for Michael McDonough. ("Winter's Bone" Movie Review)
"Winter's Bone" will compete against "127 Hours," "Black Swan," "Greenberg" and "The Kids Are All Right" for best picture.
Related Links:
"127 Hours" interviews with James Franco, Danny Boyle, and Simon Beaufoy
"Greenberg" Movie Review and Interviews with Ben Stiller, Greta Gerwig, and Rhys Ifans
"The Kids Are All Right" Movie Review and Interviews with Julianne Moore, Mark Ruffalo, Mia Wasikowska, Josh Hutcherson, and...
"Winter's Bone" will compete against "127 Hours," "Black Swan," "Greenberg" and "The Kids Are All Right" for best picture.
Related Links:
"127 Hours" interviews with James Franco, Danny Boyle, and Simon Beaufoy
"Greenberg" Movie Review and Interviews with Ben Stiller, Greta Gerwig, and Rhys Ifans
"The Kids Are All Right" Movie Review and Interviews with Julianne Moore, Mark Ruffalo, Mia Wasikowska, Josh Hutcherson, and...
- 11/30/2010
- by Manny
- Manny the Movie Guy
Historically the Spirit Awards tend to honor a few of the major Oscar players each year but a win at the Spirits can sometimesLe be the last hurrah, a consolation prize as some would say, if the work is too "edgy" for lack of a less exhaustively employed word. Last year's big winner was Precious (refresh your memory?) It took home Picture, Director, Actress, Supporting Actress and Adapted Screenplay. There were only three crossover winners from Spirits to Oscars last year : Jeff Bridges (Crazy Heart), Mo'Nique (Precious) and the screenplay for Precious. (The Hurt Locker was considered a 2008 film.)
So what fared well this year? Black Swan got four nods including Best Actress for "sweet girl" Natalie Portman. But it could peak at the right time. Full list after the jump with Winter's Bone (7) and The Kids Are All Right (5) leading the pack.
Eva Mendes and Jeremy Renner announced the nominees.
So what fared well this year? Black Swan got four nods including Best Actress for "sweet girl" Natalie Portman. But it could peak at the right time. Full list after the jump with Winter's Bone (7) and The Kids Are All Right (5) leading the pack.
Eva Mendes and Jeremy Renner announced the nominees.
- 11/30/2010
- by NATHANIEL R
- FilmExperience
After Winter's Bone won Best Feature at the first award ceremony of the season [1] Monday, it kept its momentum up Tuesday by getting seven nominations at the Film Independent Spirit Awards [2]. That's more nominations than any other film on the list, beating out fellow Best Feature nominees 127 Hours, Black Swan, Greenberg, and The Kids Are All Right. These nominations are only given to films which were produced for under $20 million, so other big award contenders like Inception, The Social Network and Toy Story 3 don't qualify. The awards will be handed out on February 26 live on IFC with host Joel McHale. Check out the full list of nominations after the jump. Here are all the nominees. Best Feature (Award given to the Producer) 127 Hours Black Swan Greenberg The Kids Are All Right Winter’s Bone Best Director Darren Aronofsky, Black Swan Danny Boyle, 127 Hours Lisa Cholodenko, The Kids Are All Right Debra Granik,...
- 11/30/2010
- by Germain Lussier
- Slash Film
The announcements came at 11am Est (watch below). The full list of nominees follows underneath the video player (of note, Tanya Hamilton was nominated for Best First Feature for her directorial debut, Night Catches us, and Samuel L. Jackson in the Best Supporting Male category, for his performance in Mother and Child):
The list of nominations:
Best Feature (Award given to the Producer)
127 Hours
Black Swan
Greenberg
The Kids Are All Right
Winter’s Bone
Best Director
Darren Aronofsky, Black Swan
Danny Boyle, 127 Hours
Lisa Cholodenko, The Kids Are All Right
Debra Granik, Winter’s Bone
John Cameron Mitchell, Rabbit Hole
Best First Feature (Award given to the director and producer)
Everything Strange and New
Get Low
The Last Exorcism
Night Catches Us
Tiny Furniture
John Cassavetes Award
(Given to the best feature made for under $500,000; award given to the writer, director, and producer)
Daddy Longlegs
The Exploding Girl
Lbs.
The list of nominations:
Best Feature (Award given to the Producer)
127 Hours
Black Swan
Greenberg
The Kids Are All Right
Winter’s Bone
Best Director
Darren Aronofsky, Black Swan
Danny Boyle, 127 Hours
Lisa Cholodenko, The Kids Are All Right
Debra Granik, Winter’s Bone
John Cameron Mitchell, Rabbit Hole
Best First Feature (Award given to the director and producer)
Everything Strange and New
Get Low
The Last Exorcism
Night Catches Us
Tiny Furniture
John Cassavetes Award
(Given to the best feature made for under $500,000; award given to the writer, director, and producer)
Daddy Longlegs
The Exploding Girl
Lbs.
- 11/30/2010
- by Tambay
- ShadowAndAct
As award season draws nearer, theaters will be flooded with prestige-seeking dramas, stars will tout their recent turns as arrogant survivalists, stuttering monarchs, or grieving mothers, and audiences will clamor to catch up, seeking those films deemed the very best of 2010.
Are you ready? Because it has begun.
This morning in Hollywood, Eva Mendes and Jeremy Renner announced the nominees for the Spirit Awards, which honors the best of independent cinema. Lots of love was shown to Debra Granik’s Winter’s Bone, and Lisa Cholodenko’s The Kids Are All Right, which snagged seven and five nominations respectively, while Darren Aronofsky’s Black Swan earned four nods, as did Noah Baumbach’s Greenberg and John Cameron Mitchell’s Rabbit Hole.
Below is the full list of honorees, courtesy of IFC, which will air the awards ceremony on February 26th at 10Pm.
Best Feature
127 Hours
Black Swan
Greenberg
The Kids Are All Right...
Are you ready? Because it has begun.
This morning in Hollywood, Eva Mendes and Jeremy Renner announced the nominees for the Spirit Awards, which honors the best of independent cinema. Lots of love was shown to Debra Granik’s Winter’s Bone, and Lisa Cholodenko’s The Kids Are All Right, which snagged seven and five nominations respectively, while Darren Aronofsky’s Black Swan earned four nods, as did Noah Baumbach’s Greenberg and John Cameron Mitchell’s Rabbit Hole.
Below is the full list of honorees, courtesy of IFC, which will air the awards ceremony on February 26th at 10Pm.
Best Feature
127 Hours
Black Swan
Greenberg
The Kids Are All Right...
- 11/30/2010
- by Kristy Puchko
- The Film Stage
The Gotham Awards gave their top prize to Debra Granik's Ozark noir "Winter's Bone" last night, and today the film leads the Spirit Award pack with seven nominations. Eva Mendes and Jeremy Renner presented the full list of nominees in West Hollywood this morning, with Lisa Cholodenko's "The Kids Are All Right" pulling in five nominations, and "Black Swan," "Greenberg" and "Rabbit Hole" nabbing four each.
The Spirit Awards, an annual celebration of the best in indie film, will take place Saturday, February 26th and will be hosted by Joel McHale this year. IFC will be broadcasting the event that night at 10pm. You can find out more about the awards and how the nominations and voting process work here.
The nominees:
Best Feature
127 Hours
Black Swan
Greenberg
The Kids Are All Right
Winter's Bone
Best Director
Darren Aronofsky, Black Swan
Danny Boyle, 127 Hours
Lisa Cholodenko, The Kids Are All Right
Debra Granik,...
The Spirit Awards, an annual celebration of the best in indie film, will take place Saturday, February 26th and will be hosted by Joel McHale this year. IFC will be broadcasting the event that night at 10pm. You can find out more about the awards and how the nominations and voting process work here.
The nominees:
Best Feature
127 Hours
Black Swan
Greenberg
The Kids Are All Right
Winter's Bone
Best Director
Darren Aronofsky, Black Swan
Danny Boyle, 127 Hours
Lisa Cholodenko, The Kids Are All Right
Debra Granik,...
- 11/30/2010
- by Alison Willmore
- ifc.com
"Winter's Bone" and "The Kids Are All Right" leads the field of nominees for the 2011 Independent Spirit Awards. The full list is after the jump.
The nominees are:
Best Feature
"127 Hours"
"Black Swan"
"Greenberg"
"The Kids Are All Right"
"Winter's Bone"
Best Director
Darren Aronofsky, "Black Swan"
Danny Boyle, "127 Hours"
Lisa Cholodenko, "The Kids Are All Right"
Debra Granik, "Winter's Bone"
John Cameron Mitchell, "Rabbit Hole"
Best First Feature
"Everything Strange and New"
"Get Low"
"The Last Exorcism"
"Night Catches Us"
"Tiny Furniture"
John Cassavetes Award
"Daddy Longlegs"
"Lbs."
"Lovers of Hate"
"Obselidia"
"The Exploding Girl"
Best Screenplay
Lisa Cholodenko and Stuart Blumberg, "The Kids Are All Right"
Debra Granik and Anne Roselini, "Winter's Bone"
Nicole Holofcener, "Please Give"
David Lindsay-Abaire, "Rabbit Hole"
Todd Solondz, "Life During Wartime"
Best First Screenplay
Diane Bell, "Obselidia"
Lena Dunham, "Tiny Furniture"
Nik Fackler, "Lovely, Still"
Robert Glaudini, "Jack Goes Boating"
Dana Adam Shapiro and Evan M. Wiener,...
The nominees are:
Best Feature
"127 Hours"
"Black Swan"
"Greenberg"
"The Kids Are All Right"
"Winter's Bone"
Best Director
Darren Aronofsky, "Black Swan"
Danny Boyle, "127 Hours"
Lisa Cholodenko, "The Kids Are All Right"
Debra Granik, "Winter's Bone"
John Cameron Mitchell, "Rabbit Hole"
Best First Feature
"Everything Strange and New"
"Get Low"
"The Last Exorcism"
"Night Catches Us"
"Tiny Furniture"
John Cassavetes Award
"Daddy Longlegs"
"Lbs."
"Lovers of Hate"
"Obselidia"
"The Exploding Girl"
Best Screenplay
Lisa Cholodenko and Stuart Blumberg, "The Kids Are All Right"
Debra Granik and Anne Roselini, "Winter's Bone"
Nicole Holofcener, "Please Give"
David Lindsay-Abaire, "Rabbit Hole"
Todd Solondz, "Life During Wartime"
Best First Screenplay
Diane Bell, "Obselidia"
Lena Dunham, "Tiny Furniture"
Nik Fackler, "Lovely, Still"
Robert Glaudini, "Jack Goes Boating"
Dana Adam Shapiro and Evan M. Wiener,...
- 11/30/2010
- by editorial@zap2it.com
- Pop2it
What was once a Sundance darling is now a Gothams Award winner! Debra Granik's "Winter's Bone" won big at the 20th Gotham Independent Film Awards taking home the Best Feature and the Best Ensemble Performance awards.
It's safe to say that "Winter's Bone," which earned two Sundance prizes last January including Best Drama Film and Screenwriting, is on its way to the Academy Awards. ("Winter's Bone" Movie Review)
"The Hurt Locker" started its ascend to Oscar victory last year with its two-punch Best Feature and Best Ensemble Gotham Awards.
Here's the complete list of winners and nominees of the 20th Gotham Independent Film Awards: (Winners are highlighted)
Best Feature
Black Swan -- Darren Aronofsky, director; Mike Medavoy, Arnold W. Messer, Brian Oliver, Scott Franklin, producers (Fox Searchlight Pictures)
Blue Valentine -- Derek Cianfrance, director; Jamie Patricof, Lynette Howell, Alex Orlovsky, producers (The Weinstein Company)
The Kids Are All Right -- Lisa Cholodenko,...
It's safe to say that "Winter's Bone," which earned two Sundance prizes last January including Best Drama Film and Screenwriting, is on its way to the Academy Awards. ("Winter's Bone" Movie Review)
"The Hurt Locker" started its ascend to Oscar victory last year with its two-punch Best Feature and Best Ensemble Gotham Awards.
Here's the complete list of winners and nominees of the 20th Gotham Independent Film Awards: (Winners are highlighted)
Best Feature
Black Swan -- Darren Aronofsky, director; Mike Medavoy, Arnold W. Messer, Brian Oliver, Scott Franklin, producers (Fox Searchlight Pictures)
Blue Valentine -- Derek Cianfrance, director; Jamie Patricof, Lynette Howell, Alex Orlovsky, producers (The Weinstein Company)
The Kids Are All Right -- Lisa Cholodenko,...
- 11/30/2010
- by Manny
- Manny the Movie Guy
Big congrats goes to the producers Frederick Thornton, Laura Ragsdale, Sierra Leoni and helmer Mike Ott whose Littlerock - a film that played at the San Francisco, Torino, Vienna and AFI Fest festivals receives a pretty sweet upstart package: a one week showing at the Cinema Village, and other cash prizes including some theatrical release strategy help from the fine folks at Donna Daniels PR. Other Noms: Kati with an i Robert Greene, director; Douglas Tirola, Susan Bedusa, producers On Coal River Francine Cavanaugh and Adams Wood, directors; Jillian Elizabeth, Adams Wood, Francine Cavanaugh, producers Summer Pasture Lynn True and Nelson Walker, directors/producers; Tsering Perlo, co-director/co-producer The Wolf Knife Laurel Nakadate, director/producer Previous Winners 2009: Ry Russo-Young's You Won't Miss Me 2008: Nina Paley's Sita Sings the Blues 2007: Ronald Bronstein's Frownland 2006: Steve Barron's Choking Man...
- 11/30/2010
- IONCINEMA.com
I thought we'd take a closer look at the five films selected in the Best Film Not Playing at a Theater Near You category a.k.a the "fringe" titles that receive a helping hand and some extra love just by being nominated and have very little to do with batch of other films mentioned in yesterday's Gotham award nominations announcement. Previous winners in the section include 2009's You Wont Miss Me, 2008's Sita Sings the Blues, 2007's Frownland, 2006's Choking Man and 2005's I Am a Sex Addict, but this year a documentary could win with a ratio that sees three docs and a pair of narratives. I was only familiar with two of the five in Robert Greene's Kati with an i and Mike Ott's Littlerock, so logically I thought about whipping up breakdown of the section and presenting the mentioned pair and Francine Cavanaugh and...
- 10/19/2010
- IONCINEMA.com
So how do you define “independent” again?
The nominees for Ifp’s 20th annual Gotham Independent Film Awards (which some refer to as the official start to awards season) were announced moments ago.
The Gotham Awards will be held on November 29th. More here: http://gotham.ifp.org.
Here’s the list of “Independent Film” nominees:
Best Feature
Black Swan
Darren Aronofsky, director; Mike Medavoy, Arnold W. Messer, Brian Oliver, Scott Franklin, producers (Fox Searchlight Pictures)
Blue Valentine
Derek Cianfrance, director; Jamie Patricof, Lynette Howell, Alex Orlovsky, producers (The Weinstein Company)
The Kids Are All Right
Lisa Cholodenko, director; Gary Gilbert, Jeffrey Levy-Hinte, Celine Rattray, Jordan Horowitz, Daniela Taplin Lundberg, Philippe Hellmann, producers (Focus Features)
Let Me In
Matt Reeves, director; Simon Oakes, Alex Brunner, Guy East, Tobin Armbrust, Donna Gigliotti, John Nording, Carl Molinder, producers (Overture Films)
Winter’s Bone
Debra Granik, director; Anne Rosellini, Alix Madigan-Yorkin, producers (Roadside Attractions...
The nominees for Ifp’s 20th annual Gotham Independent Film Awards (which some refer to as the official start to awards season) were announced moments ago.
The Gotham Awards will be held on November 29th. More here: http://gotham.ifp.org.
Here’s the list of “Independent Film” nominees:
Best Feature
Black Swan
Darren Aronofsky, director; Mike Medavoy, Arnold W. Messer, Brian Oliver, Scott Franklin, producers (Fox Searchlight Pictures)
Blue Valentine
Derek Cianfrance, director; Jamie Patricof, Lynette Howell, Alex Orlovsky, producers (The Weinstein Company)
The Kids Are All Right
Lisa Cholodenko, director; Gary Gilbert, Jeffrey Levy-Hinte, Celine Rattray, Jordan Horowitz, Daniela Taplin Lundberg, Philippe Hellmann, producers (Focus Features)
Let Me In
Matt Reeves, director; Simon Oakes, Alex Brunner, Guy East, Tobin Armbrust, Donna Gigliotti, John Nording, Carl Molinder, producers (Overture Films)
Winter’s Bone
Debra Granik, director; Anne Rosellini, Alix Madigan-Yorkin, producers (Roadside Attractions...
- 10/18/2010
- by Tambay
- ShadowAndAct
The nominees for the 2010 Gotham Independent Film Awards were announced today by the Independent Filmmaker Project. Twenty-six films were nominated across six categories. The selections were chosen by 20 film critics, journalists, and curators. The awards ceremony will be held on Nov. 29 in Manhattan. Previous winners for Best Feature include "The Hurt Locker" (2009), "Into the Wild" (2007), and "Capote" (2005).In addition to the film awards, career tributes will be given to actors Robert Duvall and Hilary Swank, director Darren Aronofsky, and Focus Features CEO James Schamus. The nominees are as follow:Best Feature "Black Swan"Darren Aronofsky, director; Mike Medavoy, Arnold W. Messer, Brian Oliver, Scott Franklin, producers (Fox Searchlight Pictures)"Blue Valentine"Derek Cianfrance, director; Jamie Patricof, Lynette Howell, Alex Orlovsky, producers (The Weinstein Company)"The Kids Are All Right"Lisa Cholodenko, director; Gary Gilbert, Jeffrey Levy-Hinte, Celine Rattray, Jordan Horowitz, Daniela Taplin Lundberg, Philippe Hellmann, producers (Focus Features)"Let Me In"Matt Reeves,...
- 10/18/2010
- backstage.com
Are you ready for awards season? Well too bad, because it officially started today with the announcement of the nominees for the 20th annual Gotham Independent Film Awards. The best movies of the year determined in mid-October? That's how the Gotham Awards rolls...and the (very strong batch of) nominees are:
Best Feature
"Black Swan" by Darren Aronofsky
"Blue Valentine" by Derek Cianfrance
"The Kids Are All Right" by Lisa Cholodenko
"Let Me In" by Matt Reeves
"Winter's Bone" by Debra Granik
Best Documentary
"12th & Delaware" by Heidi Ewing and Rachel Grady
"Inside Job" by Charles Ferguson
"The Oath" by Laura Poitras
"Public Speaking" by Martin Scorsese
"Sweetgrass" by Lucien Castai
Best Ensemble Performance
"The Kids Are All Right"
"Life During Wartime"
"Please Give"
"Tiny Furniture"
"Winter's Bone"
Breakthrough Director
John Wells for "The Company Men"
Kevin Asch for "Holy Rollers"
Glenn Ficarra and John Requa for "I Love You Phillip Morris...
Best Feature
"Black Swan" by Darren Aronofsky
"Blue Valentine" by Derek Cianfrance
"The Kids Are All Right" by Lisa Cholodenko
"Let Me In" by Matt Reeves
"Winter's Bone" by Debra Granik
Best Documentary
"12th & Delaware" by Heidi Ewing and Rachel Grady
"Inside Job" by Charles Ferguson
"The Oath" by Laura Poitras
"Public Speaking" by Martin Scorsese
"Sweetgrass" by Lucien Castai
Best Ensemble Performance
"The Kids Are All Right"
"Life During Wartime"
"Please Give"
"Tiny Furniture"
"Winter's Bone"
Breakthrough Director
John Wells for "The Company Men"
Kevin Asch for "Holy Rollers"
Glenn Ficarra and John Requa for "I Love You Phillip Morris...
- 10/18/2010
- by Matt Singer
- ifc.com
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