Exclusive: George Gallo has come attached to direct The Nazi Titanic, a film that tells the crazy backstory of the German WWII propaganda film about the most famous shipping disaster, which itself turned out to be a cinematic disaster of epic proportions. The project is being cast now, and it has a script by Scott D. Rosenbaum and Josh Posner. The pic is being produced by Jeff G. Waxman, Tony Grazia and Rosenbaum.
While there are several memorable films about the 1912 disaster — James Cameron’s Titanic and Roy Ward Baker’s A Night to Remember among them — the banned and barely seen 1943 Nazi film has as wretched a behind-the-scenes backstory as just about any film ever made, even though Adolf Hitler and his Nazi propaganda minister Joseph Goebbels commissioned it to be their greatest cinematic triumph.
While director James Cameron’s 1997 film went 100% over budget and led then-Fox president...
While there are several memorable films about the 1912 disaster — James Cameron’s Titanic and Roy Ward Baker’s A Night to Remember among them — the banned and barely seen 1943 Nazi film has as wretched a behind-the-scenes backstory as just about any film ever made, even though Adolf Hitler and his Nazi propaganda minister Joseph Goebbels commissioned it to be their greatest cinematic triumph.
While director James Cameron’s 1997 film went 100% over budget and led then-Fox president...
- 6/27/2018
- by Mike Fleming Jr
- Deadline Film + TV
For his entire reign of power, Adolf Hitler used cinema to communicate with his public. Over 1,000 films were produced under the Third Reich, and half of those were unexpectedly musicals or comedies. Hitler’s propaganda minister, Joseph Goebbels controlled the German film system, channeling the Nazi’s ideologies through movie theaters and into the minds of the public. Watching Hitler’s Hollywood, a new documentary about the era of Nazi propaganda cinema, one can’t help but be reminded of the conciseness and clear-eyed vision of Tony Zhou’s Every Frame a Painting, a stellar series of video essays about movies. Each episode delivers its entire thesis and conclusion in a matter of minutes. Meanwhile, director Rüdiger Suchsland’s Hitler’s Hollywood, a deeply cine-literate essay film which borders on overly dry, makes and remakes its point, over and over again, too often repeating itself.
The documentary asks the question:...
The documentary asks the question:...
- 4/11/2018
- by Tony Hinds
- The Film Stage
In 1942, with the war going fairly well for Germany, Joseph Goebbels green-lit a lavish, technically complex account of the sinking of the Titanic, one with a decidedly different viewpoint. All blame falls on Evil British plutocrats, and a decent, ethical German officer is the only competent man on the bridge. Kino’s features a game- changing extra — a superb commentary that explains everything about this crazy picture.
Titanic (1943)
Blu-ray
Kino Classics
1943 / B&W / 1:37 flat Academy / 85 min. / Street Date October 17, 2017 / available through Kino Lorber / 29.95
Starring: Sybille Schmitz, Hans Nielsen, Kirsten Heiberg, Ernst Fritz Fürbringer, Karl Schönböck, Charlotte Thiele, Otto Wernicke, Franz Schafheitlin, Sepp Rist, Claude Farell, Theodor Loos.
Cinematography: Friedl Behn-Grund
Film Editor: Friedal Buckow
Visual Effects:< Ernst Kunstmann
Original Music:< Werner Eisbrenner
Written by Herbert Selpin, Walter Zerlett-Olfenius
Produced by Tobis Filmkunst
Directed by Herbert Selpin, Werner Klingler
Everyone loves movies about the sinking of the Titanic, and if...
Titanic (1943)
Blu-ray
Kino Classics
1943 / B&W / 1:37 flat Academy / 85 min. / Street Date October 17, 2017 / available through Kino Lorber / 29.95
Starring: Sybille Schmitz, Hans Nielsen, Kirsten Heiberg, Ernst Fritz Fürbringer, Karl Schönböck, Charlotte Thiele, Otto Wernicke, Franz Schafheitlin, Sepp Rist, Claude Farell, Theodor Loos.
Cinematography: Friedl Behn-Grund
Film Editor: Friedal Buckow
Visual Effects:< Ernst Kunstmann
Original Music:< Werner Eisbrenner
Written by Herbert Selpin, Walter Zerlett-Olfenius
Produced by Tobis Filmkunst
Directed by Herbert Selpin, Werner Klingler
Everyone loves movies about the sinking of the Titanic, and if...
- 10/3/2017
- by Glenn Erickson
- Trailers from Hell
Joop van den Berg's 1929 poster for AtlanticE.A. Dupont achieved early fame for Varieté (1925), a grimly saucy slice of Weimar doom and spiciness, and followed it up with prestigious British productions Moulin Rouge (1928) and Piccadilly (1929), the latter starring Anna May Wong—but just as his career was on the upswing he fell prey to the advent of sound, producing a big-budget version of the Titanic disaster in English and German versions.Atlantic, or Atlantik, became something of a laughing-stock in Britain, owing to Dupont's unfortunate combination of Teutonic tendencies and technical trepidation. The actors were directed to communicate as slowly as possible, perhaps so that Dupont could follow what they were saying. His desire to inflect each syllable with suitable weight and portent robbed the film of any sense of urgency, despite it being set on a ship that starts sinking around twenty minutes in (none of the ninety-minute time-wasting...
- 3/31/2016
- by David Cairns
- MUBI
German artists faced a painful choice under the Nazis. Many fled abroad, driven by ideology or religion; a few resisted. Those remaining had little choice beyond collaboration: Propaganda Minister Joseph Goebbels’ dictatorial control of German culture, especially cinema, demanded public and private conformity. Usually, Goebbels tolerated a Jewish spouse or off-hand criticism, but occasionally he felt compelled to make an example.
This article briefly profiles two men who became such “examples.” Among the millions killed by Hitler’s regime, it’s easy to overlook individual tragedies. Yet their fates show that fame, wealth and talent were no guarantee against persecution.
Joachim Gottschalk had a promising career (and life) cut tragically short. Born in Calau, Brandenberg in 1904, Gottschalk acted on stage throughout the 1920s and 1930s. Gottschalk married Meta Wolff, a Jewish actress, in 1930; three years later, they had a son, Michael. When the Nazis came to power, Wolff was denied right to work onstage.
This article briefly profiles two men who became such “examples.” Among the millions killed by Hitler’s regime, it’s easy to overlook individual tragedies. Yet their fates show that fame, wealth and talent were no guarantee against persecution.
Joachim Gottschalk had a promising career (and life) cut tragically short. Born in Calau, Brandenberg in 1904, Gottschalk acted on stage throughout the 1920s and 1930s. Gottschalk married Meta Wolff, a Jewish actress, in 1930; three years later, they had a son, Michael. When the Nazis came to power, Wolff was denied right to work onstage.
- 7/26/2015
- by Christopher Saunders
- SoundOnSight
I had grand plans for the Titanic centennial, plans filled with a supersize hubris not unlike the power players at the White Star Lines albeit without the deadly consequences. It would be the biggest boldest blog post ever and would compare every last detail of all film versions of Titanic from costuming to art direction to special effects to young loves lost in the icy waters. Film Experience readers would feel as if they'd won the lottery for a first class ticket, no slumming in steerage required! But before I drive this analogy into an uncomfortably tone deaf iceberg moment -- like the one James Cameron collided with when he mixed "King of the World" bragging with that moment of silence for a 1517 souls lost on the tragic night -- I will stop and just get on with it. Picture time!
Titanic (1943), Titanic (1953), and Titanic (1997)
Here is a brief visual...
Titanic (1943), Titanic (1953), and Titanic (1997)
Here is a brief visual...
- 4/16/2012
- by NATHANIEL R
- FilmExperience
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