In 1964, Elvis Presley starred in a film that humiliated him so deeply that he didn’t want to shoot it. Elvis was, for the most part, a good sport about the film Kissin’ Cousins. Director Gene Nelson enjoyed working with him, even as the shooting schedule grew hectic. Still, his co-star recalled Elvis’ abject embarrassment on set.
Elvis felt humiliated on the set of one film
In 1964, Elvis played the role of cousins in the film Kissin’ Cousins. He had a major problem with the film, as it made him wear a blond wig he hated. He also felt the script and storyline were ridiculous and disliked the rapid filming schedule. Nelson said Elvis was an easygoing presence on set. His co-star, Yvonne Craig knew he didn’t want to be there, though.
Elvis Presley | Gab Archive/Redferns
According to the book Careless Love: The Unmaking of Elvis Presley by Peter Guralnick,...
Elvis felt humiliated on the set of one film
In 1964, Elvis played the role of cousins in the film Kissin’ Cousins. He had a major problem with the film, as it made him wear a blond wig he hated. He also felt the script and storyline were ridiculous and disliked the rapid filming schedule. Nelson said Elvis was an easygoing presence on set. His co-star, Yvonne Craig knew he didn’t want to be there, though.
Elvis Presley | Gab Archive/Redferns
According to the book Careless Love: The Unmaking of Elvis Presley by Peter Guralnick,...
- 5/13/2024
- by Emma McKee
- Showbiz Cheat Sheet
When Elvis Presley got onstage to perform his music, he was confident and collected. He cracked jokes to the crowd and enjoyed witnessing his ability to rile them up. Offstage, though, the people who knew him said he seemed less confident. Gene Nelson, who directed Elvis in two films, believed the singer’s self-confidence was surprisingly low off the stage.
Elvis didn’t seem to think highly of himself outside of music
Nelson directed Elvis in Kissin’ Cousins and Harum Scarum. While he found the singer to be hard-working and polite, he didn’t feel that he ever got to know him too well.
“He was just so enigmatic,” Nelson said in the book Careless Love: The Unmaking of Elvis Presley by Peter Guralnick. “I mean, you felt compelled to try to figure out what really made him tick, because what he presented was not really Elvis, at least not all of it.
Elvis didn’t seem to think highly of himself outside of music
Nelson directed Elvis in Kissin’ Cousins and Harum Scarum. While he found the singer to be hard-working and polite, he didn’t feel that he ever got to know him too well.
“He was just so enigmatic,” Nelson said in the book Careless Love: The Unmaking of Elvis Presley by Peter Guralnick. “I mean, you felt compelled to try to figure out what really made him tick, because what he presented was not really Elvis, at least not all of it.
- 5/10/2024
- by Emma McKee
- Showbiz Cheat Sheet
Elvis Presley acted in his first film in 1956 and continued to work consistently as an actor until 1969. Though Elvis saw himself as a singer first, he appreciated the work he did on film sets. Over time, though, his enjoyment of acting waned. Elvis’ stunt double believed one movie in particular marked a negative turning point in the singer’s film career.
Elvis’ stunt double said one film changed the singer’s career for the worse
In 1964, Elvis starred in Kissin’ Cousins, a comedy musical. The film’s director, Gene Nelson, said Elvis was a hard worker and always brought a positive attitude to set. Still, Elvis was embarrassed about the quality of the story and his appearance. He also did not appreciate the rushed filming schedule.
“Up until that time certain standards had been maintained, but it seems to me from Kissin’ Cousins on, we were always on a short schedule,...
Elvis’ stunt double said one film changed the singer’s career for the worse
In 1964, Elvis starred in Kissin’ Cousins, a comedy musical. The film’s director, Gene Nelson, said Elvis was a hard worker and always brought a positive attitude to set. Still, Elvis was embarrassed about the quality of the story and his appearance. He also did not appreciate the rushed filming schedule.
“Up until that time certain standards had been maintained, but it seems to me from Kissin’ Cousins on, we were always on a short schedule,...
- 5/8/2024
- by Emma McKee
- Showbiz Cheat Sheet
Elvis Presley grew famous for his music career, but he also had a successful run as an actor. He starred in a number of high-earning films and took top billing in all but one of his movies. Many people, Elvis himself included, believed he showed great potential as an actor. Unfortunately, he never had the chance to grow in the way he wanted. One of his greatest career regrets had to do with the stunted growth of his acting career.
Elvis wished he could have made more out of his film career
In 1975, Elvis had the opportunity to act in A Star Is Born alongside Barbra Streisand. He hadn’t been in a movie since 1969, but this was the opportunity he’d been waiting for. It was a serious, dramatic role about a washed-up musician, a part Elvis could understand a little too well at this point in his career.
Elvis wished he could have made more out of his film career
In 1975, Elvis had the opportunity to act in A Star Is Born alongside Barbra Streisand. He hadn’t been in a movie since 1969, but this was the opportunity he’d been waiting for. It was a serious, dramatic role about a washed-up musician, a part Elvis could understand a little too well at this point in his career.
- 3/23/2024
- by Emma McKee
- Showbiz Cheat Sheet
The Stranger Wore a GunIn the pantheon of great Western collaborations sits three mantels: John Wayne and John Ford, James Stewart and Anthony Mann, Randolph Scott and Budd Boetticher. There is another mantelpiece, unvarnished and dirty from disuse: Randolph Scott and André De Toth. Does it belong there? Elements, directions, suits in a deck—the trappings of the West always come in fours. Why does this cycle of films lack a reputation, good standing, or even a quick moniker? Skronky where Ford is rhythmic, constricted where Mann is open, jagged where Boetticher is smooth, the De Toth films, six all told with Scott, give, rather than a cohesive persona or moral treatise, a cluster of pictures and ideas on a centerless society. Brass lanterns blown dark, drawn-out fistfights, flaming wagons streaking across the plains, gunfights in pitch-black bars; these images run across the sextet, fogging the hopeful vision of the American West.
- 2/11/2022
- MUBI
“He’s lost everything but his accent!”
Doris Day in Lullaby Of Broadway (1951) will be available on Blu-ray November 23rd from Warner Archive
Doris Day is at the top of her form in this 1951 Warner Bros. musical classic, which gave Doris a chance to not just vocalize with her usual excellence, but to also show of her impressive dancing talents. The prospect was daunting for the star, as a car accident during her youth left her with severe injuries, and she was told that she would have to put aside her dreams of becoming a dancer. Vocally talented as she was, she rose to fame as a big band singer, which eventually led to her screen stardom. When preparing for this big-budget musical’s finale to the famous title tune, the steps of the studio set towered before her like a pyramid. All Doris Day had to do was dance...
Doris Day in Lullaby Of Broadway (1951) will be available on Blu-ray November 23rd from Warner Archive
Doris Day is at the top of her form in this 1951 Warner Bros. musical classic, which gave Doris a chance to not just vocalize with her usual excellence, but to also show of her impressive dancing talents. The prospect was daunting for the star, as a car accident during her youth left her with severe injuries, and she was told that she would have to put aside her dreams of becoming a dancer. Vocally talented as she was, she rose to fame as a big band singer, which eventually led to her screen stardom. When preparing for this big-budget musical’s finale to the famous title tune, the steps of the studio set towered before her like a pyramid. All Doris Day had to do was dance...
- 11/11/2021
- by Tom Stockman
- WeAreMovieGeeks.com
John Agar plays a careless scientist whose experiments with nerve gas backfire, turning him into a lumbering beast whose touch can kill. Floyd Crosby’s widescreen cinematography lifts Gene Nelson’s 60 minute programmer about as high as it can go, though the sight of the creature stalking suburbia in a trench coat and fedora is memorable. Makeup artist Bob Mark appears to have based the design for Agar’s monster on The Thing, the crater-faced member of The Fantastic Four.
The post Hand of Death appeared first on Trailers From Hell.
The post Hand of Death appeared first on Trailers From Hell.
- 8/23/2021
- by Charlie Largent
- Trailers from Hell
Miriam Nelson, who worked extensivley as a choreographer during Hollywood’s golden age, died on Aug. 12 at her home in Beverly Hills, Calif., according to her longtime friend James Gray. She was 98.
Nelson was the choreographer for “Breakfast at Tiffany’s,” “The Jolson Story,” “Picnic,” “Hawaii,” “Bob & Carol & Ted & Alice,” and “The Apartment.” She also appeared as an actress in “Double Indemnity,” “Cover Girl,” “The Jolson Story,” “Breakfast at Tiffany’,” and “Pillow Talk.” Nelson choreographed the dancers on the opening day of Disneyland in 1955, two Academy Awards and two Super Bowl halftime shows.
Nelson was widely known for her enthusiasm for dancing. John Wayne once shouted to a group taking a break on set as she walked by, “Run for the hills, fellas! Or Miriam will make you dance!”
She was born Miriam Lois Frankel on Sept. 21, 1919, in Chicago and began tap dancing at a very young age.
Nelson was the choreographer for “Breakfast at Tiffany’s,” “The Jolson Story,” “Picnic,” “Hawaii,” “Bob & Carol & Ted & Alice,” and “The Apartment.” She also appeared as an actress in “Double Indemnity,” “Cover Girl,” “The Jolson Story,” “Breakfast at Tiffany’,” and “Pillow Talk.” Nelson choreographed the dancers on the opening day of Disneyland in 1955, two Academy Awards and two Super Bowl halftime shows.
Nelson was widely known for her enthusiasm for dancing. John Wayne once shouted to a group taking a break on set as she walked by, “Run for the hills, fellas! Or Miriam will make you dance!”
She was born Miriam Lois Frankel on Sept. 21, 1919, in Chicago and began tap dancing at a very young age.
- 8/20/2018
- by Dave McNary
- Variety Film + TV
Band: Surreal Nation; Nikki Nation-vocas; Jackson Vari-lead guitar; Paul Joseph-guitar; Kevin Curry-bass; and Gene Nelson-drums Ep: I Know Better Securing a focused and unified sense of purpose and drive with their collaborators can be a challenging process for creative and emotionally driven musicians who are eager to share their sentiments with the world. But the […]
The post Surreal Nation’s I Know Better Ep Review appeared first on Shockya.com.
The post Surreal Nation’s I Know Better Ep Review appeared first on Shockya.com.
- 12/2/2017
- by Karen Benardello
- ShockYa
Rex Ingram in 'The Thief of Bagdad' 1940 with tiny Sabu. Actor Rex Ingram movies on TCM: Early black film performer in 'Cabin in the Sky,' 'Anna Lucasta' It's somewhat unusual for two well-known film celebrities, whether past or present, to share the same name.* One such rarity is – or rather, are – the two movie people known as Rex Ingram;† one an Irish-born white director, the other an Illinois-born black actor. Turner Classic Movies' “Summer Under the Stars” continues today, Aug. 11, '15, with a day dedicated to the latter. Right now, TCM is showing Cabin in the Sky (1943), an all-black musical adaptation of the Faust tale that is notable as the first full-fledged feature film directed by another Illinois-born movie person, Vincente Minnelli. Also worth mentioning, the movie marked Lena Horne's first important appearance in a mainstream motion picture.§ A financial disappointment on the...
- 8/12/2015
- by Andre Soares
- Alt Film Guide
Ron Moody as Fagin in 'Oliver!' based on Charles Dickens' 'Oliver Twist.' Ron Moody as Fagin in Dickens musical 'Oliver!': Box office and critical hit (See previous post: "Ron Moody: 'Oliver!' Actor, Academy Award Nominee Dead at 91.") Although British made, Oliver! turned out to be an elephantine release along the lines of – exclamation point or no – Gypsy, Star!, Hello Dolly!, and other Hollywood mega-musicals from the mid'-50s to the early '70s.[1] But however bloated and conventional the final result, and a cast whose best-known name was that of director Carol Reed's nephew, Oliver Reed, Oliver! found countless fans.[2] The mostly British production became a huge financial and critical success in the U.S. at a time when star-studded mega-musicals had become perilous – at times downright disastrous – ventures.[3] Upon the American release of Oliver! in Dec. 1968, frequently acerbic The...
- 6/19/2015
- by Andre Soares
- Alt Film Guide
Singer, dancer and actor whose Hollywood career was overshadowed by her marriage to Errol Flynn
The gifted singer, dancer and actor Patrice Wymore, who has died aged 87, had the misfortune to be typecast in secondary roles at Warner Bros studios in the 1950s, and to be known as the third wife of the Hollywood star Errol Flynn.
The 23-year-old Wymore and the 41-year-old Flynn got married after co-starring in Rocky Mountain (1950), a minor western in which he played an army officer who rescues her from marauding Indians, though they had no love scenes together on screen. It was Wymore's second film, while Flynn was a veteran of more than three dozen movies. It was the beginning of her film career, while his was on the slide. Both were under contract to Warner Bros.
At the time, MGM musicals reigned supreme, though Warner Bros had Doris Day, a top box-office singing star.
The gifted singer, dancer and actor Patrice Wymore, who has died aged 87, had the misfortune to be typecast in secondary roles at Warner Bros studios in the 1950s, and to be known as the third wife of the Hollywood star Errol Flynn.
The 23-year-old Wymore and the 41-year-old Flynn got married after co-starring in Rocky Mountain (1950), a minor western in which he played an army officer who rescues her from marauding Indians, though they had no love scenes together on screen. It was Wymore's second film, while Flynn was a veteran of more than three dozen movies. It was the beginning of her film career, while his was on the slide. Both were under contract to Warner Bros.
At the time, MGM musicals reigned supreme, though Warner Bros had Doris Day, a top box-office singing star.
- 3/25/2014
- by Ronald Bergan
- The Guardian - Film News
Jeanne Crain: Lighthearted movies vs. real life tragedies (photo: Madeleine Carroll and Jeanne Crain in ‘The Fan’) (See also: "Jeanne Crain: From ‘Pinky’ Inanity to ‘Margie’ Magic.") Unlike her characters in Margie, Home in Indiana, State Fair, Centennial Summer, The Fan, and Cheaper by the Dozen (and its sequel, Belles on Their Toes), or even in the more complex A Letter to Three Wives and People Will Talk, Jeanne Crain didn’t find a romantic Happy Ending in real life. In the mid-’50s, Crain accused her husband, former minor actor Paul Brooks aka Paul Brinkman, of infidelity, of living off her earnings, and of brutally beating her. The couple reportedly were never divorced because of their Catholic faith. (And at least in the ’60s, unlike the humanistic, progressive-thinking Margie, Crain was a “conservative” Republican who supported Richard Nixon.) In the early ’90s, she lost two of her...
- 8/26/2013
- by Andre Soares
- Alt Film Guide
Doris Day movies: TCM’s ‘Summer Under the Stars 2013′ lineup continues (photo: Doris Day in ‘Calamity Jane’ publicity shot) Doris Day, who turned 89 last April 3, is Turner Classic Movies’ 2013 “Summer Under the Stars” star on Friday, August 2. (Doris Day, by the way, still looks great. Check out "Doris Day Today.") Doris Day movies, of course, are frequently shown on TCM. Why? Well, TCM is owned by the megaconglomerate Time Warner, which also happens to own (among myriad other things) the Warner Bros. film library, which includes not only the Doris Day movies made at Warners from 1948 to 1955, but also Day’s MGM films as well (and the overwhelming majority of MGM releases up to 1986). My point: Don’t expect any Doris Day movie rarity on Friday — in fact, I don’t think such a thing exists. Doris Day is ‘Calamity Jane’ If you haven’t watched David Butler’s musical...
- 8/1/2013
- by Andre Soares
- Alt Film Guide
Doris Day today Doris Day, who turned 89 last April 24, was a special guest at the Nancy for Frank show — that’s Nancy Sinatra for Frank Sinatra — on SiriusXM Radio channel 71. The Doris Day photo above was posted on Nancy for Frank‘s Facebook page and on the Frank Sinatra Family Forum. (See also: Doris Day photo, with furry friend.) The Doris Day special was aired in two parts in late June 2013. The radio show consisted of Nancy Sinatra chatting with Day, in addition to musical interludes featuring Doris Day songs such as "I’ll String You Along with Me," "But Not for Me," "I’ll See You in My Dreams," and "Hooray for Hollywood," plus two versions of "I Didn’t Know What Time It Was" — one sang by Day, another sang by Frank Sinatra. Doris Day and Frank Sinatra made only movie together, Gordon Douglas’ 1954 musical drama Young at Heart,...
- 7/8/2013
- by Andre Soares
- Alt Film Guide
While Columbia Pictures continues development on a big screen remake of the classic 1960's TV sitcom "I Dream Of Jeannie", Sneak Peek the original TV pilot from the series, titled "The Lady In The Bottle".
Created by Sidney Sheldon in 1965 to compete against ABC's "Bewitched", "I Dream Of Jeannie" starred actress Barbara Eden, as a 2000-year-old female 'genie' and actor Larry Hagman ("Dallas") as an astronaut who becomes her master (and eventual lover), for episodic directors Gene Nelson, Hal Cooper and Claudio Guzman.
In the pilot episode, "The Lady in the Bottle", astronaut 'Captain Tony Nelson, Us Air Force', is on a space flight when his one-man capsule 'Stardust One' comes down far from the planned recovery area, near a deserted island in the South Pacific.
On the beach, Tony notices a strange bottle that rolls by itself. When he rubs it after removing the stopper, smoke starts shooting out and a foreign-speaking female genie,...
Created by Sidney Sheldon in 1965 to compete against ABC's "Bewitched", "I Dream Of Jeannie" starred actress Barbara Eden, as a 2000-year-old female 'genie' and actor Larry Hagman ("Dallas") as an astronaut who becomes her master (and eventual lover), for episodic directors Gene Nelson, Hal Cooper and Claudio Guzman.
In the pilot episode, "The Lady in the Bottle", astronaut 'Captain Tony Nelson, Us Air Force', is on a space flight when his one-man capsule 'Stardust One' comes down far from the planned recovery area, near a deserted island in the South Pacific.
On the beach, Tony notices a strange bottle that rolls by itself. When he rubs it after removing the stopper, smoke starts shooting out and a foreign-speaking female genie,...
- 4/6/2013
- by Michael Stevens
- SneakPeek
The Cool Ones (1967). Directed by Gene Nelson. Written by Nelson, Joyce Geller, Robert Kaufman.
Nothing ages more quickly and more embarrassingly than a movie or TV show which had worked so hard to be cool in its time. You disagree? Feathered hair, big lapels. Oh, God – mullets! You gonna honestly tell me that stuff still works for you as anything but a laugh-getter?
Lead times for some movies are so long, some crazes burn out between the pitch meeting and opening weekend. Roller disco was dying (if not dead) by the time Roller Boogie (1979) and Xanudu (1980) hit theaters, and did anybody still care about The Village People when Can’t Stop the Music (1980) had movie-goers wishing they could?
The only thing even more embarrassing is a movie that’s lethally uncool even before the first frame of film runs through the camera, not because it’s late to the party,...
Nothing ages more quickly and more embarrassingly than a movie or TV show which had worked so hard to be cool in its time. You disagree? Feathered hair, big lapels. Oh, God – mullets! You gonna honestly tell me that stuff still works for you as anything but a laugh-getter?
Lead times for some movies are so long, some crazes burn out between the pitch meeting and opening weekend. Roller disco was dying (if not dead) by the time Roller Boogie (1979) and Xanudu (1980) hit theaters, and did anybody still care about The Village People when Can’t Stop the Music (1980) had movie-goers wishing they could?
The only thing even more embarrassing is a movie that’s lethally uncool even before the first frame of film runs through the camera, not because it’s late to the party,...
- 11/24/2012
- by Bill Mesce
- SoundOnSight
Doris Day is Turner Classic Movies' Star of the Month of April 2012. TCM's Doris Day homage begins this evening with eight movies released at the start of Day's career at Warner Bros. In addition to Day's presence, what those movies have in common is the following: little plot, lots of music, and Old Hollywood's fluff-producing machinery at work. If that's your thing, don't miss them! Of those, the better one is probably Roy Del Ruth's On Moonlight Bay (1951, photo). Though nothing at all like Del Ruth's crackling Warner Bros. movies of the early '30s — e.g., The Maltese Falcon, Beauty and the Boss, Blessed Event — this musical comedy set in a small American town prior to World War I offers some genuine nostalgia, great songs, and charming performances, including those of the two good-looking leads, Day and Gordon MacRae. On Moonlight Bay was popular enough to merit a sequel,...
- 4/3/2012
- by Andre Soares
- Alt Film Guide
Crime Wave
Directed and Andre de Toth
Screenplay by Crane Wilbur
U.S.A., 1954
Sometimes the merits of a film noir come down to how superbly directed and acted it is, simple as that. Truth be told, there are only so many variations of the same story which can be told within the genre for it to be considered as legitimately part of the club. In some ways, those are precisely the sources from which these films derive most of their strengths and memorable qualities. Noir is very much about style, which can be robustly dictated by smart direction and specific acting styles rather than by a script. That is not to say that a script is incapable of guiding the mood and shape of a story, but within noir, it is the former two ingredients which shine brightest more often than not. Director Andre de Toth, fondly remembered as...
Directed and Andre de Toth
Screenplay by Crane Wilbur
U.S.A., 1954
Sometimes the merits of a film noir come down to how superbly directed and acted it is, simple as that. Truth be told, there are only so many variations of the same story which can be told within the genre for it to be considered as legitimately part of the club. In some ways, those are precisely the sources from which these films derive most of their strengths and memorable qualities. Noir is very much about style, which can be robustly dictated by smart direction and specific acting styles rather than by a script. That is not to say that a script is incapable of guiding the mood and shape of a story, but within noir, it is the former two ingredients which shine brightest more often than not. Director Andre de Toth, fondly remembered as...
- 2/25/2012
- by Edgar Chaput
- SoundOnSight
Model and actress Doe Avedon Siegel, best known for her marriages to photographer Richard Avedon and to Dirty Harry movie director Don Siegel, died Sunday in Los Angeles. She was 86. Born Dorcas Nowell (on April 7, 1928) in Westbury, New York, she was discovered by Avedon, who married her in 1944. (Avedon herself told journalists she began her acting career while working as a waitress.) A highly romanticized version of their courtship was turned into a would-be play by Leonard Gershe, Funny Face, which finally was produced as a Paramount musical in 1957, starring Fred Astaire and Audrey Hepburn under the direction of Stanley Donen. By then, the Avedons had been divorced for six years. Doe Avedon's stage debut took place in 1948, in the Broadway production of N. Richard Nash's The Young and Fair, which also featured Julie Harris, Rita Gam, and future Oscar winner Mercedes McCambridge. For her efforts, Avedon was...
- 12/21/2011
- by Andre Soares
- Alt Film Guide
According to studio reports, Columbia Pictures wants Emmy Award winning actress Katherine Heigl ("Grey's Anatomy") to star in a big screen remake of the classic 1960's TV sitcom "I Dream of Jeannie".
Created by Sidney Sheldon in 1965 to compete against ABC's "Bewitched", "I Dream Of Jeannie" starred actress Barbara Eden, as a 2000-year-old female 'genie' and actor Larry Hagman ("Dallas") as an astronaut who becomes her master (and eventual lover), for directors Gene Nelson, Hal Cooper and Claudio Guzman.
In the pilot episode, "The Lady in the Bottle", astronaut 'Captain Tony Nelson, Us Air Force', is on a space flight when his one-man capsule 'Stardust One' comes down far from the planned recovery area, near a deserted island in the South Pacific.
On the beach, Tony notices a strange bottle that rolls by itself. When he rubs it after removing the stopper, smoke starts shooting out and a Persian-speaking female...
Created by Sidney Sheldon in 1965 to compete against ABC's "Bewitched", "I Dream Of Jeannie" starred actress Barbara Eden, as a 2000-year-old female 'genie' and actor Larry Hagman ("Dallas") as an astronaut who becomes her master (and eventual lover), for directors Gene Nelson, Hal Cooper and Claudio Guzman.
In the pilot episode, "The Lady in the Bottle", astronaut 'Captain Tony Nelson, Us Air Force', is on a space flight when his one-man capsule 'Stardust One' comes down far from the planned recovery area, near a deserted island in the South Pacific.
On the beach, Tony notices a strange bottle that rolls by itself. When he rubs it after removing the stopper, smoke starts shooting out and a Persian-speaking female...
- 8/1/2011
- by Michael Stevens
- SneakPeek
A Minnesota school high school swaps birdhouse construction for cutting edge computer building assignments.
Building a birdhouse might have been a worthwhile vocation skill in the 1970s, but as the vacuum of construction sector’s free fall is filled by Stem jobs, shop class needs a reboot. Minnesota’s Lewston-Altura school district is now giving students hands-on experience with the very circuit boards that power the technology world. Building computers in shop class is an innovative move that makes school more relevant, reduces costs, and gives girls confidence that they can, literally, construct the future of computers.
The mass undertaking had its roots in a simple problem: "Technology Director Gene Berg was setting up a new computer lab several years ago, four of the 24 new computers didn't work," reports NBC affiliate, Wbir news. The problem inspired Berg to turn to students to solve the problem. What began with a few...
Building a birdhouse might have been a worthwhile vocation skill in the 1970s, but as the vacuum of construction sector’s free fall is filled by Stem jobs, shop class needs a reboot. Minnesota’s Lewston-Altura school district is now giving students hands-on experience with the very circuit boards that power the technology world. Building computers in shop class is an innovative move that makes school more relevant, reduces costs, and gives girls confidence that they can, literally, construct the future of computers.
The mass undertaking had its roots in a simple problem: "Technology Director Gene Berg was setting up a new computer lab several years ago, four of the 24 new computers didn't work," reports NBC affiliate, Wbir news. The problem inspired Berg to turn to students to solve the problem. What began with a few...
- 2/24/2011
- by Gregory Ferenstein
- Fast Company
According to reports, Columbia Pictures has hired writer Sheila Callaghan ("United States of Tara") to write a new screenplay for the upcoming fantasy feature "I Dream of Jeannie", based on the 1960's sitcom.
Created by Sidney Sheldon in 1965 to compete against ABC's "Bewitched", "I Dream Of Jeannie" starred actress Barbara Eden, as a 2000-year-old female 'genie' and actor Larry Hagman ("Dallas") as an astronaut who becomes her master and eventual lover, for episodic directors Gene Nelson, Hal Cooper and Claudio Guzman.
In the pilot episode, "The Lady in the Bottle", astronaut 'Captain Tony Nelson, Us Air Force', is on a space flight when his one-man capsule 'Stardust One' comes down far from the planned recovery area, near a deserted island in the South Pacific.
On the beach, Tony notices a strange bottle that rolls by itself. When he rubs it after removing the stopper, smoke starts shooting out and a...
Created by Sidney Sheldon in 1965 to compete against ABC's "Bewitched", "I Dream Of Jeannie" starred actress Barbara Eden, as a 2000-year-old female 'genie' and actor Larry Hagman ("Dallas") as an astronaut who becomes her master and eventual lover, for episodic directors Gene Nelson, Hal Cooper and Claudio Guzman.
In the pilot episode, "The Lady in the Bottle", astronaut 'Captain Tony Nelson, Us Air Force', is on a space flight when his one-man capsule 'Stardust One' comes down far from the planned recovery area, near a deserted island in the South Pacific.
On the beach, Tony notices a strange bottle that rolls by itself. When he rubs it after removing the stopper, smoke starts shooting out and a...
- 4/22/2010
- by Michael Stevens
- SneakPeek
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