The top 20. The scripts by which all others are defined and to which all others are compared. Brilliant scripts can be wordy. Brilliant scripts can be confusing. Brilliant scripts can be sweeping or intimate. This section runs the gamut, ranging from first time writers to established writing vets. It only gets better from here.
courtesy of wikipedia.org
20. Easy Rider (1969)
Written by Dennis Hopper, Peter Fonda, and Terry Southern
They’ll talk to ya and talk to ya and talk to ya about individual freedom. But they see a free individual, it’s gonna scare ‘em.
This portion’s “anybody can write a film” segment comes from 1969, with a landmark film that truly doesn’t have much weight. A road movie if there ever was one, Easy Rider follows Wyatt (Peter Fonda) and Billy (Dennis Hopper) as they ride their motorcycles across the country to New Orleans for Mardi Gras.
courtesy of wikipedia.org
20. Easy Rider (1969)
Written by Dennis Hopper, Peter Fonda, and Terry Southern
They’ll talk to ya and talk to ya and talk to ya about individual freedom. But they see a free individual, it’s gonna scare ‘em.
This portion’s “anybody can write a film” segment comes from 1969, with a landmark film that truly doesn’t have much weight. A road movie if there ever was one, Easy Rider follows Wyatt (Peter Fonda) and Billy (Dennis Hopper) as they ride their motorcycles across the country to New Orleans for Mardi Gras.
- 3/12/2014
- by Joshua Gaul
- SoundOnSight
If François Truffaut hadn’t been taken from us in 1984, at the age of 52, he would have turned 80 last Monday. At one point he had said that his goal was to make thirty films and then retire to write books. At the time of his death he had made twenty-five.
I recently came across this poster for the American release of Truffaut’s first film, Les quatre cent coups and was struck not only by its lurid and rather innaccurate tagline—"Angel Faces hell-bent for violence"—but also by the fact that it refuses to capitalize on the one thing that made the film such a success: namely the face of Jean-Pierre Léaud as Antoine Doinel. In the poster Léaud’s angel face is barely seen. Doinel’s parents, played by Albert Remy and Claire Maurier (misspelled in the credits), are more prominent, while Doinel seems like one of a number of undistinguished schoolboys.
I recently came across this poster for the American release of Truffaut’s first film, Les quatre cent coups and was struck not only by its lurid and rather innaccurate tagline—"Angel Faces hell-bent for violence"—but also by the fact that it refuses to capitalize on the one thing that made the film such a success: namely the face of Jean-Pierre Léaud as Antoine Doinel. In the poster Léaud’s angel face is barely seen. Doinel’s parents, played by Albert Remy and Claire Maurier (misspelled in the credits), are more prominent, while Doinel seems like one of a number of undistinguished schoolboys.
- 2/10/2012
- MUBI
Les Quatre Cents Coups / The 400 Blows (1959) Direction: François Truffaut Cast: Jean-Pierre Léaud, Patrick Auffay, Claire Maurier, Albert Rémy, Georges Flamant Screenplay: François Truffaut and Marcel Moussy Oscar Movies Jean Pierre Léaud, The 400 Blows By Dan Schneider of Cosmoetica: In 1959, a pair of newly released French films were instantly hailed as classics, going on to become the twin pillars of the Nouvelle Vague, or New Wave. One, Jean-Luc Godard's À bout de souffle / Breathless, was bad; the other, François Truffaut's Les quatre cents coups / The 400 Blows, was good. But despite their reputation, neither film can be called great cinema. That said, Truffaut's film is far better than Godard's because it mostly avoids overt clichés, even as the screenplay — the film's weakest element, written by Truffaut and Marcel Moussy — often bogs down in purposelessness. Like Godard, Truffaut shot his film in black and white, [...]...
- 3/18/2011
- by Dan Schneider
- Alt Film Guide
Blu-Ray Rating: 5.0/5.0 Chicago – The Criterion Collection continues its foray into the world of HD with one of the most beloved directors of all time, taking a film already in the collection and giving it the HD treatment while simultaneously releasing a new edition of one of his later films. The legend is Francois Truffaut and the films are “The 400 Blows” and “The Last Metro”.
The “continuing series of important classic and contemporary films” has long-included “The 400 Blows” but this marks the first time that the film has been available on Blu-Ray. Criterion just started doing Blu-Ray and they are wisely alternating bringing some of their most popular films to the format along with issuing new releases on it.
The 400 Blows was released on Blu-Ray on March 24th, 2009.
Photo credit: Courtesy of the Criterion Collection
“The 400 Blows” is actually Truffaut’s first film. Released in 1959, this classic...
The “continuing series of important classic and contemporary films” has long-included “The 400 Blows” but this marks the first time that the film has been available on Blu-Ray. Criterion just started doing Blu-Ray and they are wisely alternating bringing some of their most popular films to the format along with issuing new releases on it.
The 400 Blows was released on Blu-Ray on March 24th, 2009.
Photo credit: Courtesy of the Criterion Collection
“The 400 Blows” is actually Truffaut’s first film. Released in 1959, this classic...
- 3/26/2009
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
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