High school football is already in full swing as two of Colorado’s top programs are set to do battle. The Cherry Creek Bruins and Ralston Valley Mustangs duke it out in a battle of No. 1 versus No. 5. Last year, Ralston Valley lost to Cherry Creek 35-21, but it could very well be the Mustang’s night this Friday evening. Ralston Valley vs. Cherry Creek takes place this Friday, Aug. 25 at 7 p.m. Mt. You can watch the action with Subscription to Nfhs Network.
How to Watch Colorado High School Football - Ralston Valley vs. Cherry Creek When: Friday, Aug. 25 at 7 p.m. Mt Where: Nfhs Network Location: Cherry Creek High School | 9300 E Union Ave, Greenwood Village, Colo. Streaming: Watch with a Subscription to Nfhs Network. Sign Up $11.99 / month nfhsnetwork.com About Ralston Valley vs. Cherry Creek
Cherry Creek High out of Arapahoe County enters as the top-rated high school...
How to Watch Colorado High School Football - Ralston Valley vs. Cherry Creek When: Friday, Aug. 25 at 7 p.m. Mt Where: Nfhs Network Location: Cherry Creek High School | 9300 E Union Ave, Greenwood Village, Colo. Streaming: Watch with a Subscription to Nfhs Network. Sign Up $11.99 / month nfhsnetwork.com About Ralston Valley vs. Cherry Creek
Cherry Creek High out of Arapahoe County enters as the top-rated high school...
- 8/25/2023
- by Jeff Kotuby
- The Streamable
Celebrated cartoonist and screenwriter Daniel Clowes discusses his favorite formative films with hosts Josh Olson and Joe Dante.
Show Notes: Movies Referenced In This Episode
Baxter (1989)
Faster Pussycat! Kill! Kill! (1966) – Josh Olson’s trailer commentary
Ghost World (2001) – Josh Olson’s trailer commentary, Glenn Erickson’s Blu-ray review
Art School Confidential (2006)
Help! (1965) – Allan Arkush’s trailer commentary, Charlie Largent’s review
The Russians Are Coming! The Russians Are Coming! (1966) – John Landis’s trailer commentary,
The Adventures of Tom Sawyer (1938) – Charlie Largent’s Blu-ray review
Gone With The Wind (1939)
Mudhoney (1965) – John Badham’s trailer commentary
Finders Keepers, Lovers Weepers! (1968)
Common Law Cabin (1967)
Beyond The Valley Of The Dolls (1970) – Michael Lehmann’s trailer commentary, Glenn Erickson’s Blu-ray review
The Seven Minutes (1971)
Black Snake (1973)
An American Werewolf In London (1981) – Glenn Erickson’s Blu-ray and 4K Blu-ray reviews
Lady In A Cage (1964) – Darren Bousman’s trailer commentary, Charlie Largent’s Blu-ray review
The Wild One (1953)
Hush…...
Show Notes: Movies Referenced In This Episode
Baxter (1989)
Faster Pussycat! Kill! Kill! (1966) – Josh Olson’s trailer commentary
Ghost World (2001) – Josh Olson’s trailer commentary, Glenn Erickson’s Blu-ray review
Art School Confidential (2006)
Help! (1965) – Allan Arkush’s trailer commentary, Charlie Largent’s review
The Russians Are Coming! The Russians Are Coming! (1966) – John Landis’s trailer commentary,
The Adventures of Tom Sawyer (1938) – Charlie Largent’s Blu-ray review
Gone With The Wind (1939)
Mudhoney (1965) – John Badham’s trailer commentary
Finders Keepers, Lovers Weepers! (1968)
Common Law Cabin (1967)
Beyond The Valley Of The Dolls (1970) – Michael Lehmann’s trailer commentary, Glenn Erickson’s Blu-ray review
The Seven Minutes (1971)
Black Snake (1973)
An American Werewolf In London (1981) – Glenn Erickson’s Blu-ray and 4K Blu-ray reviews
Lady In A Cage (1964) – Darren Bousman’s trailer commentary, Charlie Largent’s Blu-ray review
The Wild One (1953)
Hush…...
- 11/15/2022
- by Kris Millsap
- Trailers from Hell
Vivien Leigh ca. late 1940s. Vivien Leigh movies: now controversial 'Gone with the Wind,' little-seen '21 Days Together' on TCM Vivien Leigh is Turner Classic Movies' star today, Aug. 18, '15, as TCM's “Summer Under the Stars” series continues. Mostly a stage actress, Leigh was seen in only 19 films – in about 15 of which as a leading lady or star – in a movie career spanning three decades. Good for the relatively few who saw her on stage; bad for all those who have access to only a few performances of one of the most remarkable acting talents of the 20th century. This evening, TCM is showing three Vivien Leigh movies: Gone with the Wind (1939), 21 Days Together (1940), and A Streetcar Named Desire (1951). Leigh won Best Actress Academy Awards for the first and the third title. The little-remembered film in-between is a TCM premiere. 'Gone with the Wind' Seemingly all...
- 8/19/2015
- by Andre Soares
- Alt Film Guide
Although this article doesn’t explicitly contain any significant spoilers, it is always advisable to watch a film before reading about it too deeply.
In his own words, the intended audience for Russ Meyer’s films was “some guy…in the theatre with semen seeping out of his dick.” His work in the sexploitation subgenre is credited with bringing nudity and sleaze into the American cinematic mainstream and his gravestone declares him ‘King of the Nudies.’ And yet his magnum opus has been reclaimed as a work of female empowerment, a subversive text that has inspired music videos by the Spice Girls and Janet Jackson, lent its name to a New York women’s bar and even been referenced in Xena and Buffy the Vampire Slayer. Despite dismissing it after a first viewing in the mid-1970s as “retrograde male-objectification of women’s bodies and desires further embellished by a...
In his own words, the intended audience for Russ Meyer’s films was “some guy…in the theatre with semen seeping out of his dick.” His work in the sexploitation subgenre is credited with bringing nudity and sleaze into the American cinematic mainstream and his gravestone declares him ‘King of the Nudies.’ And yet his magnum opus has been reclaimed as a work of female empowerment, a subversive text that has inspired music videos by the Spice Girls and Janet Jackson, lent its name to a New York women’s bar and even been referenced in Xena and Buffy the Vampire Slayer. Despite dismissing it after a first viewing in the mid-1970s as “retrograde male-objectification of women’s bodies and desires further embellished by a...
- 7/12/2015
- by Jamie Lewis
- SoundOnSight
Stars: Philip Seymour Hoffman, Christina Hendricks, Eddie Marsan, Richard Jenkins, John Turturro, Caleb Landry Jones, Jack O’Connell | Written by John Slattery, Alex Metcalf | Directed by John Slattery
Last year when we lost Philip Seymour Hoffman we lost one of the best actors of our generation, or any generation. It’s hard to comprehend the loss that the movie industry had with his passing (and the passing of others), but if we have something, we have his movies to show just how good he was. God’s Pocket is an example of him at his best, a film so dark that it makes you feel bad for the inevitable moments you can’t help but laugh.
Hoffman plays Mickey, a loser who spends his days making money through petty crime and gambling, then spending it in the local bar before stumbling home drunk to his wife Jeanie (Christina Hendricks). When...
Last year when we lost Philip Seymour Hoffman we lost one of the best actors of our generation, or any generation. It’s hard to comprehend the loss that the movie industry had with his passing (and the passing of others), but if we have something, we have his movies to show just how good he was. God’s Pocket is an example of him at his best, a film so dark that it makes you feel bad for the inevitable moments you can’t help but laugh.
Hoffman plays Mickey, a loser who spends his days making money through petty crime and gambling, then spending it in the local bar before stumbling home drunk to his wife Jeanie (Christina Hendricks). When...
- 1/13/2015
- by Paul Metcalf
- Nerdly
Pocket Full of Sunshine: Slattery’s Debut Weak in the Knees
The devil’s not in all the details he should be of God’s Pocket, the directorial debut of actor John Slattery, most known for his presence on the series Mad Men. An adaptation of a 1983 novel by Pete Dexter, author of the novels that would spawn the unfairly shamed pulp of The Paperboy (2012) and Paris Trout (1991), this blue collar binge, tinged with a smeary myopic hue of sickly greens and faded palettes, plays like a sometimes comical visit to an outer ring of hell. Receiving mixed reviews after its premiere at the 2014 Sundance Film Festival, the death of Philip Seymour Hoffman, who portrays the lead protagonist, inevitably renews the rather moribund anticipation of the film. Unfortunate as that may be, it’s an enjoyable performance from the late Mr. Hoffman, even though the film isn’t quite effective as it could be.
The devil’s not in all the details he should be of God’s Pocket, the directorial debut of actor John Slattery, most known for his presence on the series Mad Men. An adaptation of a 1983 novel by Pete Dexter, author of the novels that would spawn the unfairly shamed pulp of The Paperboy (2012) and Paris Trout (1991), this blue collar binge, tinged with a smeary myopic hue of sickly greens and faded palettes, plays like a sometimes comical visit to an outer ring of hell. Receiving mixed reviews after its premiere at the 2014 Sundance Film Festival, the death of Philip Seymour Hoffman, who portrays the lead protagonist, inevitably renews the rather moribund anticipation of the film. Unfortunate as that may be, it’s an enjoyable performance from the late Mr. Hoffman, even though the film isn’t quite effective as it could be.
- 5/9/2014
- by Nicholas Bell
- IONCINEMA.com
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