The Wages of Fear is a French film directed by Julien Leclercq starring Franck Gastambide and Ana Girardot.
“The Wages of Fear” is a film based on Georges Arnaud’s novel, which, as you may already know, had a previous adaptation in 1953, directed by H.G. Clouzot. This has become a classic of French cinema and one of the best thrillers in film history.
In these current times, Julien Leclercq dares to create a new version of this story, modernizing it entirely and trying to maintain the character tension in this updated plot, although we’re not fully sure if it’s for the better.
It’s always a risk to compare yourself to a classic, but Julien Leclercq has the courage to try it.
Plot
To save a village during an oil extraction, four people must escort a convoy loaded with nitroglycerin in a desolate place, surrounded by armed gangs.
“The Wages of Fear” is a film based on Georges Arnaud’s novel, which, as you may already know, had a previous adaptation in 1953, directed by H.G. Clouzot. This has become a classic of French cinema and one of the best thrillers in film history.
In these current times, Julien Leclercq dares to create a new version of this story, modernizing it entirely and trying to maintain the character tension in this updated plot, although we’re not fully sure if it’s for the better.
It’s always a risk to compare yourself to a classic, but Julien Leclercq has the courage to try it.
Plot
To save a village during an oil extraction, four people must escort a convoy loaded with nitroglycerin in a desolate place, surrounded by armed gangs.
- 3/29/2024
- by Martin Cid
- Martin Cid Magazine - Movies
Non-English-language movies stormed the Oscars this year, with five films taking home statuettes — the most ever in one ceremony.
Justine Triet and Arthur Harari’s Best Screenplay Academy Award for French-language courtroom drama Anatomy of a Fall followed three past non-English-language winners: Bong Joon-ho’s Parasite (2019), Pedro Almodóvar’s Talk To Her (2002) and A Man and a Woman by Claude Lelouch and Pierre Uytterhoeven (1966).
The Best Sound Academy Award for Jonathan Glazer’s German-language Holocaust drama The Zone of Interest marked a first for a non-English-language film. The pic also clinched Best International Feature Film.
Related: ‘Oppenheimer’, ‘The Zone Of Interest’ & ‘Poor Things’ Wins Cap Good Night For Brits At The Oscars
The Best Animation Oscar for The Boy and the Heron marked a second Academy Award for Japanese animation maestro Hayao Miyazaki, who took co-directing credits with Toshio Suzuki.
Miyazaki previously triumphed in the category in its second year...
Justine Triet and Arthur Harari’s Best Screenplay Academy Award for French-language courtroom drama Anatomy of a Fall followed three past non-English-language winners: Bong Joon-ho’s Parasite (2019), Pedro Almodóvar’s Talk To Her (2002) and A Man and a Woman by Claude Lelouch and Pierre Uytterhoeven (1966).
The Best Sound Academy Award for Jonathan Glazer’s German-language Holocaust drama The Zone of Interest marked a first for a non-English-language film. The pic also clinched Best International Feature Film.
Related: ‘Oppenheimer’, ‘The Zone Of Interest’ & ‘Poor Things’ Wins Cap Good Night For Brits At The Oscars
The Best Animation Oscar for The Boy and the Heron marked a second Academy Award for Japanese animation maestro Hayao Miyazaki, who took co-directing credits with Toshio Suzuki.
Miyazaki previously triumphed in the category in its second year...
- 3/11/2024
- by Melanie Goodfellow
- Deadline Film + TV
Gigi Hadid walked the runway in front of a star-studded crowd at the Chanel show during Paris Fashion Week.
Penelope Cruz and Margaret Qualley were among the stars who sat in the front row at the fashion show on Tuesday (March 5) in Paris, France.
More stars in attendance included Riley Keough, Zazie Beetz, Zoey Deutch, Vanessa Paradis, Camille Rowe, Gracie Abrams, Angele, and Dree Hemingway.
Penelope stars in a new Chanel short film alongside Brad Pitt and the one-minute clip was shown at the top of the show. The brand notes, “A tribute to the film A Man and a Woman by French director Claude Lelouch, it captures the beginning of a love story in Deauville, a place dear to the House and the inspiration behind the collection imagined by Virginie Viard.”
Browse through the gallery for 25+ photos from the Chanel show…...
Penelope Cruz and Margaret Qualley were among the stars who sat in the front row at the fashion show on Tuesday (March 5) in Paris, France.
More stars in attendance included Riley Keough, Zazie Beetz, Zoey Deutch, Vanessa Paradis, Camille Rowe, Gracie Abrams, Angele, and Dree Hemingway.
Penelope stars in a new Chanel short film alongside Brad Pitt and the one-minute clip was shown at the top of the show. The brand notes, “A tribute to the film A Man and a Woman by French director Claude Lelouch, it captures the beginning of a love story in Deauville, a place dear to the House and the inspiration behind the collection imagined by Virginie Viard.”
Browse through the gallery for 25+ photos from the Chanel show…...
- 3/5/2024
- by Just Jared
- Just Jared
Studiocanal will co-produce and is handling international sales on Fred Cavayé’s adaptation of Victor Hugo’s epic novel Les Misérables.
Set to shoot at the end of 2024, Les Miserables is produced by Olivier Delbosc’s Curiosa Films, whose notable behind The Taste Of Things, and Richard Grandpierre’s Eskwad, f recent films Like A Son and Spring Blossom.
No cast is yet attached. Studiocanal will release the film in France.
Cavayé’s most recent credits include the World War II-set drama Farewell Mister Haffmann and period comedy This is the Goat! starring Dany Boon which is set for release...
Set to shoot at the end of 2024, Les Miserables is produced by Olivier Delbosc’s Curiosa Films, whose notable behind The Taste Of Things, and Richard Grandpierre’s Eskwad, f recent films Like A Son and Spring Blossom.
No cast is yet attached. Studiocanal will release the film in France.
Cavayé’s most recent credits include the World War II-set drama Farewell Mister Haffmann and period comedy This is the Goat! starring Dany Boon which is set for release...
- 2/6/2024
- ScreenDaily
Juliette Binoche, Marion Cotillard and Jacques Audiard are among 500 French cinema professionals to have signed an open letter in support of a silent march for peace in Paris this Sunday.
The initiative – created in response to the Israel-Hamas conflict and its ongoing reverberations around the world – is being spearheaded by the newly launched Une Autre Voix (Another Voice) collective.
“This fratricidal war affects us all, and regardless of our reasons or affinities on each side of the wall, we want it to cease and that both peoples finally live in peace,” reads the letter.
“This is why we are organizing a silent, united, humanist and peaceful march that will open with a single long white banner. No political claims nor slogans. White flags, white handkerchiefs are welcome.”
Belgian-Moroccan actress Lubna Azabal presides over the Une Autre Voix collective which also features French...
The initiative – created in response to the Israel-Hamas conflict and its ongoing reverberations around the world – is being spearheaded by the newly launched Une Autre Voix (Another Voice) collective.
“This fratricidal war affects us all, and regardless of our reasons or affinities on each side of the wall, we want it to cease and that both peoples finally live in peace,” reads the letter.
“This is why we are organizing a silent, united, humanist and peaceful march that will open with a single long white banner. No political claims nor slogans. White flags, white handkerchiefs are welcome.”
Belgian-Moroccan actress Lubna Azabal presides over the Une Autre Voix collective which also features French...
- 11/17/2023
- by Melanie Goodfellow
- Deadline Film + TV
Charles Leclerc, a featured subject on the Netflix docuseries “Formula 1: Drive to Survive,” has signed with WME.
The agency will represent the 26-year-old racing phenom in entertainment and commercial ventures. At 20, Leclerc was the youngest driver in history to be signed to the storied Scuderia Ferrari team, in the midst of his debut F1 season with the Alfa Romeo Sauber team. He is currently in his fifth season with Scuderia Ferrari. Netflix recently announced that many of its racing pros from “Drive to Survive” will face off against pro-golfers for a streaming special to air in November.
In the most recent batch of Netflix episodes, Leclerc battled for a world championship title and came in as runner-up. Off the track, he has cred in both the brand and scripted space. Leclerc lent his voice to the Italian language version of Pixar’s “Lightyear.” He was also featured in director...
The agency will represent the 26-year-old racing phenom in entertainment and commercial ventures. At 20, Leclerc was the youngest driver in history to be signed to the storied Scuderia Ferrari team, in the midst of his debut F1 season with the Alfa Romeo Sauber team. He is currently in his fifth season with Scuderia Ferrari. Netflix recently announced that many of its racing pros from “Drive to Survive” will face off against pro-golfers for a streaming special to air in November.
In the most recent batch of Netflix episodes, Leclerc battled for a world championship title and came in as runner-up. Off the track, he has cred in both the brand and scripted space. Leclerc lent his voice to the Italian language version of Pixar’s “Lightyear.” He was also featured in director...
- 10/24/2023
- by Matt Donnelly
- Variety Film + TV
Updated: German film master Wim Wenders was greeted like a rock star in Lyon, France, where he received an honorary tribute on Friday evening (Oct. 21) at the Lumiere Festival, a week-long celebration of classic cinema headed by Cannes festival boss Thierry Fremaux.
“I’ve received prizes in my life but this time it’s different, it’s the the prize of cinema!” said Wenders after stepping on stage to the beat of Texas’ “I Don’t Want a Lover.” Glancing at Fremaux who was standing nearby, Wenders added, with a cheeky smile, “I don’t want to say that a Palme d’Or is nothing. But the Lumiere Prize is unique and I’m proud of it!” Wenders, who won the Palme d’Or with “Paris, Texas,” is considered a Cannes regular. He’s presented his most iconic films there, including “Wings of Desire” which won best director. This year,...
“I’ve received prizes in my life but this time it’s different, it’s the the prize of cinema!” said Wenders after stepping on stage to the beat of Texas’ “I Don’t Want a Lover.” Glancing at Fremaux who was standing nearby, Wenders added, with a cheeky smile, “I don’t want to say that a Palme d’Or is nothing. But the Lumiere Prize is unique and I’m proud of it!” Wenders, who won the Palme d’Or with “Paris, Texas,” is considered a Cannes regular. He’s presented his most iconic films there, including “Wings of Desire” which won best director. This year,...
- 10/20/2023
- by Lise Pedersen and Elsa Keslassy
- Variety Film + TV
Olivier Dahan: “I didn’t want to make a film about Simone Veil as we know her in France.”
Simone: Woman Of The Century director, writer, editor Olivier Dahan (La Vie En Rose with Marion Cotillard as Edith Piaf and Grace de Monaco with Nicole Kidman as Grace Kelly) is no stranger to depicting influential women. His all-embracing portrait of Simone Veil stars Elsa Zylberstein as Veil from 1968 till 2006, and Rebecca Marder (Arnaud Desplechin’s Tromperie and François Ozon’s Mon Crime) from 1942 through 1967.
Olivier Dahan with Anne-Katrin Titze on young people not knowing Simone Veil, Steven Spielberg’s Schindler’s List, Roman Polanski’s The Pianist, and László Nemes’s Son Of Saul: “I was really trying to connect with those young people and this woman, of course.”
In Bernard-Henri Lévy’s homage to Simone Veil he writes: “The world, French philosopher Gaston Bachelard said a century ago,...
Simone: Woman Of The Century director, writer, editor Olivier Dahan (La Vie En Rose with Marion Cotillard as Edith Piaf and Grace de Monaco with Nicole Kidman as Grace Kelly) is no stranger to depicting influential women. His all-embracing portrait of Simone Veil stars Elsa Zylberstein as Veil from 1968 till 2006, and Rebecca Marder (Arnaud Desplechin’s Tromperie and François Ozon’s Mon Crime) from 1942 through 1967.
Olivier Dahan with Anne-Katrin Titze on young people not knowing Simone Veil, Steven Spielberg’s Schindler’s List, Roman Polanski’s The Pianist, and László Nemes’s Son Of Saul: “I was really trying to connect with those young people and this woman, of course.”
In Bernard-Henri Lévy’s homage to Simone Veil he writes: “The world, French philosopher Gaston Bachelard said a century ago,...
- 9/8/2023
- by Anne-Katrin Titze
- eyeforfilm.co.uk
French film organisations Arp, directors’ guild Srf spearhead initiative.
With the parallel WGA and SAG-AFTRA strikes still in full swing across the Atlantic, France and Italy’s top filmmakers guilds have come together to show solidarity and reinforce auteur rights with a joint ’declaration of filmmakers’ and have announced a September 3 symposium in Venice.
French film organisations the Arp (the guild for writers-directors-producers) and directors’ guild the Srf, behind Directors’ Fortnight, spearheaded the initiative.
They wrote the original “declaration of filmmakers” open letter in May calling for full authorship rights, fair redistribution of revenues and immediate regulation of AI, before...
With the parallel WGA and SAG-AFTRA strikes still in full swing across the Atlantic, France and Italy’s top filmmakers guilds have come together to show solidarity and reinforce auteur rights with a joint ’declaration of filmmakers’ and have announced a September 3 symposium in Venice.
French film organisations the Arp (the guild for writers-directors-producers) and directors’ guild the Srf, behind Directors’ Fortnight, spearheaded the initiative.
They wrote the original “declaration of filmmakers” open letter in May calling for full authorship rights, fair redistribution of revenues and immediate regulation of AI, before...
- 8/29/2023
- by Rebecca Leffler
- ScreenDaily
In the article series Sound and Vision we take a look at music videos from notable directors. This week we take a look at Françoise Hardy's Tous les Garçons et les Filles, directed by Claude Lelouch. I have to admit something: I am not that familiar with the works of Claude Lelouch, even if he made several bonafide classics. Les Uns et Les Autres and A Man and a Woman (Un Homme et Une Femme) are considered major works of French cinema, both of which I have not seen yet. In fact, as far as I know, the only thing that Claude Lelouch directed that I have seen was the music video for the Sound and Vision of this week, for Françoise Hardy's Tous Les...
[Read the whole post on screenanarchy.com...]...
[Read the whole post on screenanarchy.com...]...
- 8/21/2023
- Screen Anarchy
In Bernard-Henri Lévy’s homage to Simone Veil he writes: “The world, French philosopher Gaston Bachelard said a century ago, could be reduced to a series of copyrights. Einstein’s relativity. Descartes’s doubt. Bergson’s laughter. Dante’s hell. Today: Simone Veil’s Europe.” Olivier Dahan’s all-embracing portrait, Simone: Woman of the Century, stars Elsa Zylberstein as Veil from 1968 till 2006, and Rebecca Marder (Arnaud Desplechin’s Tromperie and François Ozon’s Mon Crime) from 1942 through 1967.
Auschwitz survivor, Health Minister of France, magistrate, mother, member of the Constitutional Council, advocate for the rights of women and prison reform, and the first President of the European Parliament, Simone Veil’s importance for the 20th and 21st century cannot be overstated. Director, writer, editor...
Auschwitz survivor, Health Minister of France, magistrate, mother, member of the Constitutional Council, advocate for the rights of women and prison reform, and the first President of the European Parliament, Simone Veil’s importance for the 20th and 21st century cannot be overstated. Director, writer, editor...
- 8/16/2023
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Elsa Zylberstein with Anne-Katrin Titze on Simone Veil: “She was really someone fighting for people’s dignity. I didn’t know it was that strong. My models were Meryl Streep, obviously, or Gary Oldman as Churchill (in Joe Wright’s Darkest Hour). So I didn’t want to play her, I wanted to become her.”
Olivier Dahan’s all-embracing portrait, Simone: Woman Of The Century, stars Elsa Zylberstein as Simone Veil from 1968 till 2006, and Rebecca Marder (Arnaud Desplechin’s Tromperie and François Ozon’s Mon Crime) from 1942 through 1967.
Auschwitz survivor, Health Minister of France (she put an end to the criminalization of abortion), magistrate, mother, member of the Constitutional Council, advocate for the rights of women and prison reform, and the first President of the European Parliament, Simone Veil’s importance for the 20th and 21st century cannot be overstated. Dahan (La Vie En Rose with Marion Cotillard as Edith Piaf...
Olivier Dahan’s all-embracing portrait, Simone: Woman Of The Century, stars Elsa Zylberstein as Simone Veil from 1968 till 2006, and Rebecca Marder (Arnaud Desplechin’s Tromperie and François Ozon’s Mon Crime) from 1942 through 1967.
Auschwitz survivor, Health Minister of France (she put an end to the criminalization of abortion), magistrate, mother, member of the Constitutional Council, advocate for the rights of women and prison reform, and the first President of the European Parliament, Simone Veil’s importance for the 20th and 21st century cannot be overstated. Dahan (La Vie En Rose with Marion Cotillard as Edith Piaf...
- 8/16/2023
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Kohn’s Corner is a weekly column about the challenges and opportunities of sustaining American film culture.
Chances are that if you care about international cinema, you care about the French New Wave. A loose collective of young directors who came to define their country’s cinema as the 1950s gave way to the ’60s, the French New Wave gave cinema permission to be audacious and uncompromising while bolstering its style and personality. It was cool with purpose.
Jacques Rozier, the last living member of the Nouvelle Vague, died this week at 96. Rozier was a blind spot for me, but the French New Wave was my guide to grasping what the movies could be.
As a teenager, Jean-Luc Godard’s “Breathless” got me excited about the possibilities of the movies like nothing that came before. Francois Truffaut’s “The 400 Blows” was a formative encounter with the expansive possibilities of the coming-of-age story.
Chances are that if you care about international cinema, you care about the French New Wave. A loose collective of young directors who came to define their country’s cinema as the 1950s gave way to the ’60s, the French New Wave gave cinema permission to be audacious and uncompromising while bolstering its style and personality. It was cool with purpose.
Jacques Rozier, the last living member of the Nouvelle Vague, died this week at 96. Rozier was a blind spot for me, but the French New Wave was my guide to grasping what the movies could be.
As a teenager, Jean-Luc Godard’s “Breathless” got me excited about the possibilities of the movies like nothing that came before. Francois Truffaut’s “The 400 Blows” was a formative encounter with the expansive possibilities of the coming-of-age story.
- 6/17/2023
- by Eric Kohn
- Indiewire
Sooner or later, the lead actor of the movie-within-a-movie being made in “A Brighter Tomorrow” jokes, disgruntled director Giovanni (self-referential cornball Nanni Moretti’s latest on-screen avatar) was bound to make a movie that ended with its protagonist’s suicide — the implication being, the world wouldn’t be so surprised to find the helmer putting a noose around his own neck.
Well, he does and he doesn’t go that far in a high-concept meta-comedy that presents its director’s personal disillusion with art, love and the state of the world, before becoming a “just kidding” group hug for his fans. That’s a sizable public in Moretti’s native Italy, where this welcome return-to-form has already been a commercial success. The director’s not nearly as big a deal abroad, however, to the extent that few may care whether the Cannes regular (who won the Palme d’Or for...
Well, he does and he doesn’t go that far in a high-concept meta-comedy that presents its director’s personal disillusion with art, love and the state of the world, before becoming a “just kidding” group hug for his fans. That’s a sizable public in Moretti’s native Italy, where this welcome return-to-form has already been a commercial success. The director’s not nearly as big a deal abroad, however, to the extent that few may care whether the Cannes regular (who won the Palme d’Or for...
- 5/24/2023
- by Peter Debruge
- Variety Film + TV
Claude Lelouch, the Oscar-winning director of “A Man and a Woman,” is getting ready to direct “Finalement…,” his next film which he says will be a sort of sequel to his BAFTA-nominated film “Happy New Year” and “L’aventure, l’aventure.” The lighthearted movie will reteam Lelouch with Metropolitan FilmExport which is co-producing with Lelouch’s banner Les Films 13, and will distribute in France.
Scored by popular French singer Ibrahim Maalouf, “Finalement…” will boast a large ensemble cast of French stars, including Kad Merad (“Baron Noir”), Elsa Zylberstein (“Simone”), Sandrine Bonnaire, Raphael Mezrahi, Michel Boujenah and Barbara Pravi.
Merad will play a powerful lawyer who sees his life take an unexpected turn after a health issue removes his ability to lie and forces him to speak without any filter. Merad’s character embarks on a road trip across France, from Paris to the Normandie, to the Mont St Michel, Avignon...
Scored by popular French singer Ibrahim Maalouf, “Finalement…” will boast a large ensemble cast of French stars, including Kad Merad (“Baron Noir”), Elsa Zylberstein (“Simone”), Sandrine Bonnaire, Raphael Mezrahi, Michel Boujenah and Barbara Pravi.
Merad will play a powerful lawyer who sees his life take an unexpected turn after a health issue removes his ability to lie and forces him to speak without any filter. Merad’s character embarks on a road trip across France, from Paris to the Normandie, to the Mont St Michel, Avignon...
- 5/21/2023
- by Elsa Keslassy
- Variety Film + TV
Studiocanal has signed a deal with Metropolitan Filmexport for worldwide rights to the entire film catalog of acclaimed French director Claude Lelouch.
The deal, announced at the Cannes Film Market on Saturday, includes more than 40 films, among them such French classics as A Man and a Woman (1966) — winner of the 1966 Palme d’Or, as well as two Oscars, for best international film and best original screenplay — Live for Life (1967), Love Is a Funny Thing (1969), The Crook (1970), Money Money Money (1972), Happy New Year (1973), Bolero (1981), Itinerary of a Spoilt Child (1988) and Les Misérables (1995).
Studiocanal has been handling French TV rights for the Lelouch catalog for the past seven years. The new deal will give the group exclusive worldwide distribution rights to the director’s vast catalog, as well as SVOD, free-on-demand and AVOD rights in France. Metropolitan will continue to distribute Lelouch’s films in theaters, on video and through transactional video-on-demand (Tvod) in France.
The deal, announced at the Cannes Film Market on Saturday, includes more than 40 films, among them such French classics as A Man and a Woman (1966) — winner of the 1966 Palme d’Or, as well as two Oscars, for best international film and best original screenplay — Live for Life (1967), Love Is a Funny Thing (1969), The Crook (1970), Money Money Money (1972), Happy New Year (1973), Bolero (1981), Itinerary of a Spoilt Child (1988) and Les Misérables (1995).
Studiocanal has been handling French TV rights for the Lelouch catalog for the past seven years. The new deal will give the group exclusive worldwide distribution rights to the director’s vast catalog, as well as SVOD, free-on-demand and AVOD rights in France. Metropolitan will continue to distribute Lelouch’s films in theaters, on video and through transactional video-on-demand (Tvod) in France.
- 5/20/2023
- by Scott Roxborough
- The Hollywood Reporter - Movie News
Exclusive: Fremantle has acquired global distribution rights to the upcoming Brigitte Bardot documentary.
TF1’s Bardot from Alain Berliner (Ma Vie en Rose), which will air later this year on the French network, is a 90-minute feature from Featuristic Films and Timpelpictures that aims to unearth the true life story of a “muse to the greatest artists who was often misunderstood.”
Fremantle will sell around the world and Deadline can reveal that the likes of Paul Watson, Claude Lelouch, Allain Bougrain-Dubourg and Jean-Max Rivière are taking part in the doc.
Bardot was one of the first French movie stars to attain worldwide fame. The And God Created Woman star lived a life under the spotlight, thrown from success to scandal until she almost completely disappeared. Seen in the present day as an enigma, Bardot, who will shortly turn 90, shares her current outlook on life, being ahead of her time on women’s rights,...
TF1’s Bardot from Alain Berliner (Ma Vie en Rose), which will air later this year on the French network, is a 90-minute feature from Featuristic Films and Timpelpictures that aims to unearth the true life story of a “muse to the greatest artists who was often misunderstood.”
Fremantle will sell around the world and Deadline can reveal that the likes of Paul Watson, Claude Lelouch, Allain Bougrain-Dubourg and Jean-Max Rivière are taking part in the doc.
Bardot was one of the first French movie stars to attain worldwide fame. The And God Created Woman star lived a life under the spotlight, thrown from success to scandal until she almost completely disappeared. Seen in the present day as an enigma, Bardot, who will shortly turn 90, shares her current outlook on life, being ahead of her time on women’s rights,...
- 5/18/2023
- by Max Goldbart
- Deadline Film + TV
There are many stories about Jean-Luc Godard in Cannes, like the year he helped to shut it down (1968) because of the civil unrest that was sweeping France at the time. Then there was the time when (in 1985) he was ambushed in the Palais by a Belgian anarchist and hit in the face with a custard pie after the premiere of Détective. And, as recently as 2018, there was the time he conducted a press conference for his film The Image Book via FaceTime from Switzerland, making journalists line up to speak into a mobile phone.
But the story that endures the most is the time in 1985 he signed a contract on a napkin with Menahem Golan and Yoram Globus, CEOs of The Cannon Group, whose big hits that year were Invasion U.S.A., starring Chuck Norris, and Death Wish 3, with Charles Bronson. Godard — who died last year at age...
But the story that endures the most is the time in 1985 he signed a contract on a napkin with Menahem Golan and Yoram Globus, CEOs of The Cannon Group, whose big hits that year were Invasion U.S.A., starring Chuck Norris, and Death Wish 3, with Charles Bronson. Godard — who died last year at age...
- 5/17/2023
- by Damon Wise
- Deadline Film + TV
It was signed by auteurs including Claire Denis, Jacques Audiard, the Dardenne brothers and Katell Quillévéré.
In an echo of the issues forcing US writers to strike, French film organisations the Arp (the guild for writers-directors-producers) and directors’ guild the Srf, behind Directors’ Fortnight, have written an open letter lashing out at copyright infringements and contemporary commercial cinema practices that they say pose a threat to auteur film.
The letter began: “We, filmmakers, work at the crossroads of ’an art and also an industry’”, in a reference to André Malraux.
They went on to condemn practices that “contravene the core...
In an echo of the issues forcing US writers to strike, French film organisations the Arp (the guild for writers-directors-producers) and directors’ guild the Srf, behind Directors’ Fortnight, have written an open letter lashing out at copyright infringements and contemporary commercial cinema practices that they say pose a threat to auteur film.
The letter began: “We, filmmakers, work at the crossroads of ’an art and also an industry’”, in a reference to André Malraux.
They went on to condemn practices that “contravene the core...
- 5/16/2023
- by Rebecca Leffler
- ScreenDaily
“Flo,” a biopic of popular French sailor Florence Arthaud slated to world premiere at Cannes’ Cinema de la Plage, has been boarded by Other Angle. The French sales company will introduce the film to buyers at Cannes.
Set to unspool on May 19, “Flo” charts Arthaud’s unique achievement in the male-dominated world of sailing, notably her victory of the Route du Rhum, a transatlantic sailing race, in 1990. The movie also portrays Arthaud as a fiercely independent woman who chose to live her dreams to the fullest rather than follow her pre-determined path.
The film is directed by Geraldine Danon and is produced by Manuel Munz, in association with Metropolitan which will release the film in French theaters on Nov. 25.
“Flo” stars Stephane Caillard, Alison Wheeler, Pierre Deladonchamps, Charles Berling, Alexis Michalik and Marlyne Canto.
”It’s a real pleasure to work with Metropolitan again after our collaboration on ‘The Best Years of a Life...
Set to unspool on May 19, “Flo” charts Arthaud’s unique achievement in the male-dominated world of sailing, notably her victory of the Route du Rhum, a transatlantic sailing race, in 1990. The movie also portrays Arthaud as a fiercely independent woman who chose to live her dreams to the fullest rather than follow her pre-determined path.
The film is directed by Geraldine Danon and is produced by Manuel Munz, in association with Metropolitan which will release the film in French theaters on Nov. 25.
“Flo” stars Stephane Caillard, Alison Wheeler, Pierre Deladonchamps, Charles Berling, Alexis Michalik and Marlyne Canto.
”It’s a real pleasure to work with Metropolitan again after our collaboration on ‘The Best Years of a Life...
- 5/10/2023
- by Elsa Keslassy
- Variety Film + TV
Elsa Zylberstein, one of the most famous – and bankable — faces of French cinema, known for her Cesar-winning performance in “I’ve Loved You For So Long,” is preparing to emerge as a major film producer.
Having recently set up banners in France and the U.S., Zylberstein is actively developing a raft of films and series, working with the likes of Oscar-winning Syrian filmmaker Feras Fayyad (“The Cave”), Ted Braun (Darfur Now”) and Oscar-winning screenwriter Christopher Hampton (“The Father”), among others. These include “Kingdom of Hope,” a movie about Elise Boghossian, a French acupuncturist and humanitarian worker in a war zone who has healed children victims of Isis . The movie will be directed by Fayyad, who is based in Berlin, and is being penned by Braun, based on Boghossian’s autobiographical book “Au royaume de l’espoir, il n’y a pas d’hiver.”
Zylberstein, who stands out from the...
Having recently set up banners in France and the U.S., Zylberstein is actively developing a raft of films and series, working with the likes of Oscar-winning Syrian filmmaker Feras Fayyad (“The Cave”), Ted Braun (Darfur Now”) and Oscar-winning screenwriter Christopher Hampton (“The Father”), among others. These include “Kingdom of Hope,” a movie about Elise Boghossian, a French acupuncturist and humanitarian worker in a war zone who has healed children victims of Isis . The movie will be directed by Fayyad, who is based in Berlin, and is being penned by Braun, based on Boghossian’s autobiographical book “Au royaume de l’espoir, il n’y a pas d’hiver.”
Zylberstein, who stands out from the...
- 2/20/2023
- by Elsa Keslassy
- Variety Film + TV
Exclusive: France tv distribution has boarded international sales on French philosopher and writer Bernard-Henri Lévy and director-photographer Marc Roussel’s documentary Slava Ukraini and will launch the title at the EFM.
The film documents the situation in Ukraine in the final months of 2022 as Russia’s brutal invasion of the country ground on.
Arp Sélection will theatrically release the feature doc in France on February 22, just two days before the first anniversary of the beginning of the Russian invasion on February 24, 2022.
Slava Ukraini visits the conflict’s hotspots through a war diary documenting trips to Kharkiv in the frontline region of the Donbas as well as the strategic Black Sea-Dnieper River port of Kherson, in the aftermath of the city’s liberation on November 11, 2022.
It bears witness to the ravages of war through the testimonies of soldiers, chronicles of the frontline and portraits of civilians, and shares the struggle of the Ukrainian people.
The film documents the situation in Ukraine in the final months of 2022 as Russia’s brutal invasion of the country ground on.
Arp Sélection will theatrically release the feature doc in France on February 22, just two days before the first anniversary of the beginning of the Russian invasion on February 24, 2022.
Slava Ukraini visits the conflict’s hotspots through a war diary documenting trips to Kharkiv in the frontline region of the Donbas as well as the strategic Black Sea-Dnieper River port of Kherson, in the aftermath of the city’s liberation on November 11, 2022.
It bears witness to the ravages of war through the testimonies of soldiers, chronicles of the frontline and portraits of civilians, and shares the struggle of the Ukrainian people.
- 2/14/2023
- by Melanie Goodfellow
- Deadline Film + TV
Chicago – On the next stop on the book tour, Chicago International Film Festival Founder Michael Kutza will talk about his book “Starstruck: How I Magically Transformed Chicago into Hollywood for More than 50 Years” at Chicago’s Union Club on Tuesday, January 31st, 2023. The tome is a dishy insider account of his two generation run as a film influencer, and moderating the event will be entertainment reporter Candace Jordan. Tickets and more information are available by clicking Starstruck.
After retiring from the festival in 2018, Kutza authored the story, which talks of his early years growing up on Chicago’s West Side, his early interest as a short filmmaker and his founding of one of the most important film festivals in cinema history in 1964. Before Sundance, Telluride, Toronto and Tribeca, there was Michael Kutza and the Chicago International Film Festival.
Michael Kutza of ‘Starstruck’
Photo credit: Joe Arce of Starstruck Foto for HollywoodChicago.
After retiring from the festival in 2018, Kutza authored the story, which talks of his early years growing up on Chicago’s West Side, his early interest as a short filmmaker and his founding of one of the most important film festivals in cinema history in 1964. Before Sundance, Telluride, Toronto and Tribeca, there was Michael Kutza and the Chicago International Film Festival.
Michael Kutza of ‘Starstruck’
Photo credit: Joe Arce of Starstruck Foto for HollywoodChicago.
- 1/30/2023
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
Ten years ago, there were five clear frontrunners for the Oscar for Best Director of 2012: Ben Affleck for “Argo,” Kathryn Bigelow for “Zero Dark Thirty,” Tom Hooper for “Les Misérables,” Ang Lee for “Life of Pi” and Steven Spielberg for “Lincoln. But when the nominations were announced, only Lee and Spielberg made the cut. Replacing Affleck, Bigelow and Hooper were Michael Haneke for “Amour,” David O. Russell for “Silver Linings Playbook” and Benh Zeitlin for “Beasts of the Southern Wild.”
Talk about an Oscar race going wild.
The lesson learned was that the Directors Branch of the Academy can be very unpredictable. They might overlook a big Hollywood star for helming a critical and commercial success, and instead go with an obscure director for their work on a tiny arthouse film. With that said, we should be prepared for some surprises in the directing category when the nominations are...
Talk about an Oscar race going wild.
The lesson learned was that the Directors Branch of the Academy can be very unpredictable. They might overlook a big Hollywood star for helming a critical and commercial success, and instead go with an obscure director for their work on a tiny arthouse film. With that said, we should be prepared for some surprises in the directing category when the nominations are...
- 1/9/2023
- by Tariq Khan
- Gold Derby
Chicago – Looking for a last minute book gift for the Chicago film buff? Well, it doesn’t get any more insider than “Starstruck: How I Magically Transformed Chicago into Hollywood for More than 50 Years” by Michael Kutza … the founder of the Chicago International Film Festival and a film influencer for a couple generations.
Michael Kutza is taking a well-deserved victory lap, after retiring from the festival in 2018. In “Starstruck,” he talks of his early years growing up on Chicago’s West Side, his early interest as a short filmmaker and his founding of one of the most important film festivals in cinema history in 1964. Before Sundance, Telluride, Toronto and Tribeca, there was Michael Kutza and the Chicago International Film Festival.
Michael Kutza of ‘Starstruck’
Photo credit: Joe Arce of Starstruck Foto for HollywoodChicago.com
During his 55 years in film, Michael supported the early careers of many cinema titans, including Martin Scorsese,...
Michael Kutza is taking a well-deserved victory lap, after retiring from the festival in 2018. In “Starstruck,” he talks of his early years growing up on Chicago’s West Side, his early interest as a short filmmaker and his founding of one of the most important film festivals in cinema history in 1964. Before Sundance, Telluride, Toronto and Tribeca, there was Michael Kutza and the Chicago International Film Festival.
Michael Kutza of ‘Starstruck’
Photo credit: Joe Arce of Starstruck Foto for HollywoodChicago.com
During his 55 years in film, Michael supported the early careers of many cinema titans, including Martin Scorsese,...
- 12/21/2022
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
When the 2020 Oscar for original screenplay went to South Korea’s “Parasite” scribes, some were surprised, but they should not have been; the Academy has long been open to foreign-language contenders in all categories. As early as 1947, when the writing categories were a bit different, the Italian screenwriters Sergio Amidei and Federico Fellini nabbed a nomination for “Open City,” as did French scribe Jacques Prévert for “Children of Paradise.”
While during the 1940s and 1950s, barely a handful of foreign-language films reached the nomination stage for writing awards, by the 1960s, every year saw at least one non-English-speaking nominee, and some years, a whopping three. 1962 marked the first Oscar win for international scribes, with Ennio de Concini, Alfredo Gianetti and Pietro Germi claiming it for “Divorce Italian Style.” And in 1966, French screenwriters Claude Lelouch and Pierre Uytterhoeven nabbed a statuette for “A Man and a Woman.”
Although foreign-language writers continued...
While during the 1940s and 1950s, barely a handful of foreign-language films reached the nomination stage for writing awards, by the 1960s, every year saw at least one non-English-speaking nominee, and some years, a whopping three. 1962 marked the first Oscar win for international scribes, with Ennio de Concini, Alfredo Gianetti and Pietro Germi claiming it for “Divorce Italian Style.” And in 1966, French screenwriters Claude Lelouch and Pierre Uytterhoeven nabbed a statuette for “A Man and a Woman.”
Although foreign-language writers continued...
- 12/16/2022
- by Alissa Simon
- Variety Film + TV
Tim Burton will receive the festival’s 14th Lumiere Award.
The 2022 Lumiere Festival (October 15-32) kicked off over the weekend for a week-long celebration of heritage films and modern masters.
Today (Oct 18) marks the start of the festival’s International Classic Film market reserved for industry professionals, the only such market in the world dedicated to classic cinema and film rights.
Highlights of this year’s event include a spotlight on Spain, a conversation with Manuel Alduy, director of cinema and digital fiction at France Télévisions, a DVD publishers fair and a focus on sustainability in the industry.
Now in...
The 2022 Lumiere Festival (October 15-32) kicked off over the weekend for a week-long celebration of heritage films and modern masters.
Today (Oct 18) marks the start of the festival’s International Classic Film market reserved for industry professionals, the only such market in the world dedicated to classic cinema and film rights.
Highlights of this year’s event include a spotlight on Spain, a conversation with Manuel Alduy, director of cinema and digital fiction at France Télévisions, a DVD publishers fair and a focus on sustainability in the industry.
Now in...
- 10/18/2022
- by Rebecca Leffler
- ScreenDaily
Chicago – Chicago International Film Festival Founder Michael Kutza will sign his new book – “Starstruck: How I Magically Transformed Chicago into Hollywood for More than 50 Years” – during the current Fest, at Chicago’s AMC River East lobby from 6-9pm on October 19th, 2022.
The powerful film influencer is taking a well-deserved victory lap, after retiring from the festival in 2018. In “Starstruck,” he tells stories of his early years growing up on Chicago’s West Side, his early interest as a short filmmaker and in 1964, his founding of one of the most important film festivals in cinema history. Before Sundance, Telluride, Toronto and Tribeca, there was Michael Kutza and the Chicago International Film Festival.
Michael Kutza to Sign ‘Starstruck’
Photo credit: ChicagoFilmFestival.com
During his 55 years in film, Michael supported the early careers of many cinema titans, including Martin Scorsese, Rainer Werner Fassbinder, Claude LeLouch, Wim Wenders, Margarethe von Trotta, Mike Leigh,...
The powerful film influencer is taking a well-deserved victory lap, after retiring from the festival in 2018. In “Starstruck,” he tells stories of his early years growing up on Chicago’s West Side, his early interest as a short filmmaker and in 1964, his founding of one of the most important film festivals in cinema history. Before Sundance, Telluride, Toronto and Tribeca, there was Michael Kutza and the Chicago International Film Festival.
Michael Kutza to Sign ‘Starstruck’
Photo credit: ChicagoFilmFestival.com
During his 55 years in film, Michael supported the early careers of many cinema titans, including Martin Scorsese, Rainer Werner Fassbinder, Claude LeLouch, Wim Wenders, Margarethe von Trotta, Mike Leigh,...
- 10/17/2022
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
French cinema professionals from across the country’s independent production, distribution and exhibition chain flocked to an emergency general convention in Paris this week to raise the alarm over the future of their industry.
France has long prided itself on being the most cinephile country on the planet, but there is a growing sense among its indie cinema sector that the population has fallen out of love with the seventh art in the wake of the Covid-19 pandemic.
Figures released by the National Cinema Centre (Cnc) last week revealed the worst September box office for the country in 42 years, with 7.38 million entries, for a rough box office of 47m, representing a 20.7 drop on September 2021, and a 34.3 fall on the same month in 2019.
Admissions for the first nine months of 2022 are currently trailing 30 below the average for the same period from 2017-2019. September’s drop was due in part to a lack of big U.
France has long prided itself on being the most cinephile country on the planet, but there is a growing sense among its indie cinema sector that the population has fallen out of love with the seventh art in the wake of the Covid-19 pandemic.
Figures released by the National Cinema Centre (Cnc) last week revealed the worst September box office for the country in 42 years, with 7.38 million entries, for a rough box office of 47m, representing a 20.7 drop on September 2021, and a 34.3 fall on the same month in 2019.
Admissions for the first nine months of 2022 are currently trailing 30 below the average for the same period from 2017-2019. September’s drop was due in part to a lack of big U.
- 10/7/2022
- by Melanie Goodfellow
- Deadline Film + TV
Media coverage of Jean-Luc Godard’s death will fall short of what he merits. He was a game-changing creator on the level of Sergei Eisenstein, Charlie Chaplin, D.W. Griffith, and others who changed the grammar of film forever, but his best-known films are from a half-century ago. And there’s this: Under the standards by which successful directors are judged today — box office and awards — Godard was strictly a minor-league player.
His lifelong regard as a master is a tribute to his films above all, but it also speaks to a cinephile culture that elevated and supported him for decades despite the general public’s disinterest.
In the U.S., Godard’s films initially received erratic distribution with short-run showings at a few big-city theaters; even his best-known titles like “Breathless” and “Week-end” received marginal releases. They appeared erratically, out of order, and sometimes not until two or three years after their public debuts.
His lifelong regard as a master is a tribute to his films above all, but it also speaks to a cinephile culture that elevated and supported him for decades despite the general public’s disinterest.
In the U.S., Godard’s films initially received erratic distribution with short-run showings at a few big-city theaters; even his best-known titles like “Breathless” and “Week-end” received marginal releases. They appeared erratically, out of order, and sometimes not until two or three years after their public debuts.
- 9/14/2022
- by Tom Brueggemann
- Indiewire
Film history places certain artists at pivotal points where everything changes – and sometimes, if those artists stick around long enough, when everything changes again.
Considering the passing of James Caan on Wednesday, it becomes clear that he was one of those artists. An actor who had an early breakthrough appearing opposite Olivia de Havilland, he went on to take key roles in films that would define the New Hollywood of the 1970s and played a role in the emergence of auteurs like Wes Anderson, James Gray and Michael Mann.
Born in the Bronx to German-Jewish immigrant parents, Caan played college football at Michigan State for two years before transferring to Hofstra. He never graduated, but he did befriend classmate Francis Ford Coppola, who would be one of the actor’s most essential collaborators. It was at Hofstra that Caan became interested in acting, eventually applying to and being accepted at...
Considering the passing of James Caan on Wednesday, it becomes clear that he was one of those artists. An actor who had an early breakthrough appearing opposite Olivia de Havilland, he went on to take key roles in films that would define the New Hollywood of the 1970s and played a role in the emergence of auteurs like Wes Anderson, James Gray and Michael Mann.
Born in the Bronx to German-Jewish immigrant parents, Caan played college football at Michigan State for two years before transferring to Hofstra. He never graduated, but he did befriend classmate Francis Ford Coppola, who would be one of the actor’s most essential collaborators. It was at Hofstra that Caan became interested in acting, eventually applying to and being accepted at...
- 7/7/2022
- by Alonso Duralde
- The Wrap
Jean-Louis Trintignant and Anouk Aimée when they reteamed three years ago for The Best Years Of A Life Photo: UniFrance The world of French cinema today is mourning the loss of one its most enduring denizens Jean-Louis Trintignant who died yesterday (17 June) at the age of 91.
Jean-Louis Trintignant: 'Perhaps I should have made 11 films instead of 110' Photo: UniFrance He was a reluctant and sometimes reclusive focus of attention over more than four decades and came to the fore internationally in the Sixties and Seventies when he played the lovelorn racing driver opposite Anouk Aimée in Claude Lelouch’s A Man And A Woman; a mysterious prosector in Costa-Gavras’s Z, a twisted assassin in Bernardo Berloucci’s The Conformist and in the romantic drama (opposite Françoise Fabian) in My Night With Maude by Eric Rohmer.
When he was 82 he emerged from a self-declared “retirement” to rediscover career glory all...
Jean-Louis Trintignant: 'Perhaps I should have made 11 films instead of 110' Photo: UniFrance He was a reluctant and sometimes reclusive focus of attention over more than four decades and came to the fore internationally in the Sixties and Seventies when he played the lovelorn racing driver opposite Anouk Aimée in Claude Lelouch’s A Man And A Woman; a mysterious prosector in Costa-Gavras’s Z, a twisted assassin in Bernardo Berloucci’s The Conformist and in the romantic drama (opposite Françoise Fabian) in My Night With Maude by Eric Rohmer.
When he was 82 he emerged from a self-declared “retirement” to rediscover career glory all...
- 6/18/2022
- by Richard Mowe
- eyeforfilm.co.uk
Celebrated actor was married three times, loved motor racing.
Jean-Louis Trintignant, a leading light of the French New Wave who broke out in Claude Lelouch’s A Man And A Woman and later in life starred in Michael Haneke’s Amour, has died. He was 91.
According to Agence France-Presse Trintignant died on Friday (June 17) at his home in the southern region of Gard. His wife Marianne Hoepfner was with him.
Trintignant was born on December 11 1930 in the southern Vaucluse region to businessman Raoul and Claire. As a shy man in his 20s – his personality would inform a personal aversion to...
Jean-Louis Trintignant, a leading light of the French New Wave who broke out in Claude Lelouch’s A Man And A Woman and later in life starred in Michael Haneke’s Amour, has died. He was 91.
According to Agence France-Presse Trintignant died on Friday (June 17) at his home in the southern region of Gard. His wife Marianne Hoepfner was with him.
Trintignant was born on December 11 1930 in the southern Vaucluse region to businessman Raoul and Claire. As a shy man in his 20s – his personality would inform a personal aversion to...
- 6/17/2022
- by Jeremy Kay
- ScreenDaily
French film great Jean-Louis Trintignant, best known for his roles in “A Man and a Woman,” “Z,” and “The Conformist,” died Friday. He was 91.
Trintignant died at his home in southern France, his wife, Marianne, and agent told the Agence France-Presse.
Trintignant was more recently known for roles in Krzysztof Kieslowski’s “Red” and for starring opposite Emmanuelle Riva in Michael Haneke’s “Amour,” winner of the 2013 Oscar for best foreign film.
Taciturn and enigmatic, the “reluctant” actor, who came by his profession by accident and several times announced he was quitting, returned time and again to appear in more than 100 films and achieve international stardom over of a period of more than 40 years working with some of the world’s great directors including Claude Chabrol, Abel Gance, Bernardo Bertolucci, Costa-Gavras, Ettore Scola and Francois Truffaut, as well as Kieslowski and Haneke.
Though he claimed to prefer racing cards, he once told an interviewer,...
Trintignant died at his home in southern France, his wife, Marianne, and agent told the Agence France-Presse.
Trintignant was more recently known for roles in Krzysztof Kieslowski’s “Red” and for starring opposite Emmanuelle Riva in Michael Haneke’s “Amour,” winner of the 2013 Oscar for best foreign film.
Taciturn and enigmatic, the “reluctant” actor, who came by his profession by accident and several times announced he was quitting, returned time and again to appear in more than 100 films and achieve international stardom over of a period of more than 40 years working with some of the world’s great directors including Claude Chabrol, Abel Gance, Bernardo Bertolucci, Costa-Gavras, Ettore Scola and Francois Truffaut, as well as Kieslowski and Haneke.
Though he claimed to prefer racing cards, he once told an interviewer,...
- 6/17/2022
- by Richard Natale
- Variety Film + TV
Jean-Louis Trintignant in Amour Photo: Unifrance/Films du losange/Denis Manin French star Jean-Louis Trintignant, whose film career spanned more than six decades, has died "peacefully, of old age", at 91.
Trintignant, who most recently garnered critical acclaim for his role in Michael Haneke's dementia drama Amour and the director's 2017 drama Happy End.
Jean-Louis Trintignant as Jean-Louis and Anouk Aimée is Anne in A Man And A Woman The versatile actor first rose to prominence as part of the nouvelle vague, starring alongside Brigit Bardot in Roger Vadim's And God Created Woman, also starring in the director's later Dangerous Liaisons and then finding international fame with A Man And A Woman with Anouk Aimée.
Other key films, included Claude Chabrol's Les Biches and, in 1970, Bernardo Bertolucci's The Conformist. He also worked with Francois Truffaut, starring in the director's last film Finally, Sunday in 1983 and found more critical...
Trintignant, who most recently garnered critical acclaim for his role in Michael Haneke's dementia drama Amour and the director's 2017 drama Happy End.
Jean-Louis Trintignant as Jean-Louis and Anouk Aimée is Anne in A Man And A Woman The versatile actor first rose to prominence as part of the nouvelle vague, starring alongside Brigit Bardot in Roger Vadim's And God Created Woman, also starring in the director's later Dangerous Liaisons and then finding international fame with A Man And A Woman with Anouk Aimée.
Other key films, included Claude Chabrol's Les Biches and, in 1970, Bernardo Bertolucci's The Conformist. He also worked with Francois Truffaut, starring in the director's last film Finally, Sunday in 1983 and found more critical...
- 6/17/2022
- by Amber Wilkinson
- eyeforfilm.co.uk
Jean-Louis Trintignant, a French actor known for art house classics like “The Conformist,” “Z,” “My Night at Maud’s” and more recently the Palme d’Or winner “Amour,” has died. He was 91.
Trintignant died in his home Friday in the Gard region of Southern France, his wife Marianne told the French press agency. He had announced in 2018 a diagnosis for prostate cancer.
Considered one of the best French actors of his generation, Trintignant was an international star who worked with auteurs from Costa-Gavras, Éric Rohmer, Francois Truffaut, Michael Haneke, Claude Chabrol, Bernardo Bertolucci and Krzystof Kieslowski throughout his career across over 130 films. He also had a career as a French race car driver and a filmmaker.
Also Read:
French President Emmanuel Macron Pays Tribute to Journalist Frederic Leclerc-Imhoff Who Was Killed in Ukraine
Trintignant started his career on stage in the early ’50s and first gained attention in one of his first screen roles,...
Trintignant died in his home Friday in the Gard region of Southern France, his wife Marianne told the French press agency. He had announced in 2018 a diagnosis for prostate cancer.
Considered one of the best French actors of his generation, Trintignant was an international star who worked with auteurs from Costa-Gavras, Éric Rohmer, Francois Truffaut, Michael Haneke, Claude Chabrol, Bernardo Bertolucci and Krzystof Kieslowski throughout his career across over 130 films. He also had a career as a French race car driver and a filmmaker.
Also Read:
French President Emmanuel Macron Pays Tribute to Journalist Frederic Leclerc-Imhoff Who Was Killed in Ukraine
Trintignant started his career on stage in the early ’50s and first gained attention in one of his first screen roles,...
- 6/17/2022
- by Brian Welk
- The Wrap
Jean-Louis Trintignant is dead at 91. The French actor assembled as diverse a career as any film performer of the second half of the 20th century, with a 60-year output that all but came to define arthouse cinema.
Just in the past decade, he broke cinephiles’ hearts with his devastating turn in Michael Haneke’s 2012 film “Amour,” in which he played a husband caring for his Alzheimer’s-suffering wife. Playing his spouse in that film was Emmanuelle Riva, herself one of the pioneering actors of the French New Wave. Their collaboration was perhaps the last truly great one of Trintignant’s career, in which so many partnerships resulted in deeply emotional artistry. Trintignant followed up “Amour” with another Haneke film, 2017’s “Happy End.”
Trintignant was an actor with matinee idol looks in his youth, but he always put the work before his own vanity. Just look at a fraction of the...
Just in the past decade, he broke cinephiles’ hearts with his devastating turn in Michael Haneke’s 2012 film “Amour,” in which he played a husband caring for his Alzheimer’s-suffering wife. Playing his spouse in that film was Emmanuelle Riva, herself one of the pioneering actors of the French New Wave. Their collaboration was perhaps the last truly great one of Trintignant’s career, in which so many partnerships resulted in deeply emotional artistry. Trintignant followed up “Amour” with another Haneke film, 2017’s “Happy End.”
Trintignant was an actor with matinee idol looks in his youth, but he always put the work before his own vanity. Just look at a fraction of the...
- 6/17/2022
- by Christian Blauvelt
- Indiewire
Kawase Naomi, the Japanese auteur who won the Camera d’Or at the Cannes Film Festival in 1997 and has had films in competition on multiple other occasions, is paying a flying visit to the festival with “Official Film of the Tokyo 2020 Olympic Games Side A,” which screens on Wednesday evening.
A feature-length documentary, “Side A” is focused largely on the athletes. “Side B,” Kawase’s next project, casts a wider net and captures what Kawase calls a turning point for Japanese society.
Did the film choose you? Or did you choose it?
The International Olympic Committee hired me to do it. I was elected or nominated by the Ioc. They wanted somebody who had a global reach and was an auteur filmmaker of a certain caliber. Thierry Fremaux of the Cannes Film Festival was heavily involved in the decision making.
Why did you want to direct a sports documentary?
From a very young age,...
A feature-length documentary, “Side A” is focused largely on the athletes. “Side B,” Kawase’s next project, casts a wider net and captures what Kawase calls a turning point for Japanese society.
Did the film choose you? Or did you choose it?
The International Olympic Committee hired me to do it. I was elected or nominated by the Ioc. They wanted somebody who had a global reach and was an auteur filmmaker of a certain caliber. Thierry Fremaux of the Cannes Film Festival was heavily involved in the decision making.
Why did you want to direct a sports documentary?
From a very young age,...
- 5/25/2022
- by Patrick Frater
- Variety Film + TV
The Cannes Film Festival invited eight male directors for an hours-long symposium on the future of cinema on Tuesday — a session that raised uneasy questions for those working with streaming services, and paid no attention to the lack of female filmmakers on the panel.
Moderated by Cannes festival director Thierry Fremaux and Canal+ correspondent and festival associate Didier Allouch, guests included Guillermo del Toro, Claude Lelouch, Costa Gavras, Gaspard Noé, Paolo Sorrentino, Nadav Lapid, Mathieu Kassovitz and Robin Campillo. The directors were interviewed individually, with Del Toro present on stage throughout.
The session — which ran for two and a half hours, with speakers remaining a mystery until the event was underway — is one of two forums about cinema organized by the festival. A second discussion will take place Wednesday afternoon local time.
When asked by Variety whether female directors will be present at the second event, Cannes confirmed as much but revealed little else.
Moderated by Cannes festival director Thierry Fremaux and Canal+ correspondent and festival associate Didier Allouch, guests included Guillermo del Toro, Claude Lelouch, Costa Gavras, Gaspard Noé, Paolo Sorrentino, Nadav Lapid, Mathieu Kassovitz and Robin Campillo. The directors were interviewed individually, with Del Toro present on stage throughout.
The session — which ran for two and a half hours, with speakers remaining a mystery until the event was underway — is one of two forums about cinema organized by the festival. A second discussion will take place Wednesday afternoon local time.
When asked by Variety whether female directors will be present at the second event, Cannes confirmed as much but revealed little else.
- 5/24/2022
- by Manori Ravindran
- Variety Film + TV
To celebrate its 75th anniversary, the Cannes Film Festival gathered dozens upon dozens of previous laureates and special guests at the Palais des Festival this evening. Inside the Lumière Theatre, the fest’s artistic chief and general delegate, Thierry Frémaux, and outgoing Cannes President, Pierre Lescure, did a roll call of star actors and directors who left their seats and made their way to the stage .
The group included such filmmakers and talent as Guillermo del Toro, Michel Hazanavicius, Paolo Sorrentino, Isabelle Huppert, Mads Mikkelsen, Diane Kruger, Nicolas Winding Refn, Ethan Coen, David Cronenberg, Viggo Mortensen, Daniel Bruhl, the Dardenne brothers, Claude Lelouch, Maggie Gyllenhaal, Peter Sarsgaard, Jake Gyllenhaal. and many, many more.
Fremaux declared, “Cinema will never die.” He told the capacity audience that for the 75th celebration, “We don’t want to go to the past, but to look to the future… We have to fight to help...
The group included such filmmakers and talent as Guillermo del Toro, Michel Hazanavicius, Paolo Sorrentino, Isabelle Huppert, Mads Mikkelsen, Diane Kruger, Nicolas Winding Refn, Ethan Coen, David Cronenberg, Viggo Mortensen, Daniel Bruhl, the Dardenne brothers, Claude Lelouch, Maggie Gyllenhaal, Peter Sarsgaard, Jake Gyllenhaal. and many, many more.
Fremaux declared, “Cinema will never die.” He told the capacity audience that for the 75th celebration, “We don’t want to go to the past, but to look to the future… We have to fight to help...
- 5/24/2022
- by Nancy Tartaglione and Baz Bamigboye
- Deadline Film + TV
Director Guillermo del Toro showed up at the Cannes Film Festival on Tuesday to lead a wide-ranging conversation with directors including Paolo Sorrentino, Claude Lelouch, Costa-Gavras, Michel Hazanavicius and Gaspar Noe, and he sounded the alarm from his opening comments that the film business was dramatically changing in the wake of the Covid-19 pandemic and the rise of streaming services over movie theaters.
“What we have right now is unsustainable,” del Toro said at the beginning of the “Filmmaking: What Now?” symposium, a two-day event to mark the 75th Cannes. “In so many ways, what we have belongs to an older structure. Whether we want it to or not, the future will show up.”
But, he added, the change in the movie business is only part of a wider change across society. “When we look at the entire structure of how we are as a race, a community, it is shifting,...
“What we have right now is unsustainable,” del Toro said at the beginning of the “Filmmaking: What Now?” symposium, a two-day event to mark the 75th Cannes. “In so many ways, what we have belongs to an older structure. Whether we want it to or not, the future will show up.”
But, he added, the change in the movie business is only part of a wider change across society. “When we look at the entire structure of how we are as a race, a community, it is shifting,...
- 5/24/2022
- by Steve Pond
- The Wrap
Two-time Oscar winner and former Un Certain Regard Jury President Guillermo del Toro kicked off a filmmaker symposium at Cannes today, discussing the future of cinema, particularly as it’s been rattled by the pandemic.
The participants at today’s festival conference was a complete surprise, including del Toro, who was joined by Final Cut filmmaker and The Artist Oscar winner Michel Hazanavicius, Costa-Gravas, Claude Lelouch, Gasper Noe, and The Great Beauty Oscar winner Paolo Sorrentino, and more.
Without specifically using hard industry terms like theatrical day-and-date or window crunching, del Toro spoke about all those themes surrounding the battle between streaming and cinema and which bucket movies go into.
Quipped Hazanavicius toward the latter part of the panel, “It’s comforting to talk about the death of cinema.”
“We shouldn’t enshrine the past and try to preserve, it’s not going to hold,” advised del Toro, “the future will present itself,...
The participants at today’s festival conference was a complete surprise, including del Toro, who was joined by Final Cut filmmaker and The Artist Oscar winner Michel Hazanavicius, Costa-Gravas, Claude Lelouch, Gasper Noe, and The Great Beauty Oscar winner Paolo Sorrentino, and more.
Without specifically using hard industry terms like theatrical day-and-date or window crunching, del Toro spoke about all those themes surrounding the battle between streaming and cinema and which bucket movies go into.
Quipped Hazanavicius toward the latter part of the panel, “It’s comforting to talk about the death of cinema.”
“We shouldn’t enshrine the past and try to preserve, it’s not going to hold,” advised del Toro, “the future will present itself,...
- 5/24/2022
- by Anthony D'Alessandro
- Deadline Film + TV
Asif Kapadia, the Oscar-winning guest curator for 2022’s Sheffield DocFest, has unveiled his program A Documentary Journey with Asif Kapadia.
Kapadia, who is best known for his documentaries ‘Amy,’ about Amy Winehouse, and ‘Senna’ about Brazilian motor-racing champion Ayrton Senna, opened the last in-person iteration of Sheffield DocFest in 2019 with his feature about legendary Argentine footballer Diego Maradona.
The festival, now in its 29th year, was digital only in 2020 and 2021 due to the pandemic.
Featuring “films that have had significant impact for him, inspiring his own style and creative choices as a filmmaker,” Kapadia has selected eight documentaries for the series, including “When We Were Kings” about Muhammad Ali (pictured above).
“Without this film, there would be no ‘Amy.’ There would be no ‘Senna.’ There would be no ‘Diego Maradona,’” said Kapadia of the Ali feature.
“This selection is personal to me, as someone who grew up in Hackney in the 1970s and 1980s,...
Kapadia, who is best known for his documentaries ‘Amy,’ about Amy Winehouse, and ‘Senna’ about Brazilian motor-racing champion Ayrton Senna, opened the last in-person iteration of Sheffield DocFest in 2019 with his feature about legendary Argentine footballer Diego Maradona.
The festival, now in its 29th year, was digital only in 2020 and 2021 due to the pandemic.
Featuring “films that have had significant impact for him, inspiring his own style and creative choices as a filmmaker,” Kapadia has selected eight documentaries for the series, including “When We Were Kings” about Muhammad Ali (pictured above).
“Without this film, there would be no ‘Amy.’ There would be no ‘Senna.’ There would be no ‘Diego Maradona,’” said Kapadia of the Ali feature.
“This selection is personal to me, as someone who grew up in Hackney in the 1970s and 1980s,...
- 5/9/2022
- by K.J. Yossman
- Variety Film + TV
The Cannes Film Festival has set its lineup for this year’s Cannes Classics program, which shines a spotlight on restorations of classic movies and features contemporary documentaries about film. Kicking off the sidebar is Jean Eustache’s controversial film The Mother and the Whore, the 1973 Cannes Grand Prize winner which incited riots at the time. Also included in the program are films by Vittorio de Sica (Sciuscià), Satyajit Ray (The Adversary), Orson Welles (The Trial) and Martin Scorsese (The Last Waltz), as well as a new 4K master of Singin’ in the Rain to mark the movie’s 70th anniversary.
Among the documentaries is Ethan Hawke’s study of Paul Newman and Joanne Woodward, The Last Movie Stars. Executive produced by Scorsese, it features Karen Allen, George Clooney, Oscar Isaac, Latanya Richardson Jackson, Zoe Kazan, Laura Linney and Sam Rockwell among others in an exploration of the iconic couple and American cinema.
Among the documentaries is Ethan Hawke’s study of Paul Newman and Joanne Woodward, The Last Movie Stars. Executive produced by Scorsese, it features Karen Allen, George Clooney, Oscar Isaac, Latanya Richardson Jackson, Zoe Kazan, Laura Linney and Sam Rockwell among others in an exploration of the iconic couple and American cinema.
- 5/2/2022
- by Nancy Tartaglione
- Deadline Film + TV
This year’s line-up will also celebrate classics such as Singin’ In The Rain and Indian director Satyajit Ray’s 1970 work The Adversary.
Late French filmmaker Jean Eustache’s recently restored cult 1973 drama The Mother And The Whore will open Cannes Classics this year, the line-up for which was announced on Monday (May 2).
Other highlights include two episodes of the series The Last Movie Stars directed by Ethan Hawke about Joanne Woodward and Paul Newman; a screening of Singin’ In The Rain to coincide with the 70th anniversary of its release and a restored 4K version of Vittorio de Sica’s 1946 work Sciuscià.
Late French filmmaker Jean Eustache’s recently restored cult 1973 drama The Mother And The Whore will open Cannes Classics this year, the line-up for which was announced on Monday (May 2).
Other highlights include two episodes of the series The Last Movie Stars directed by Ethan Hawke about Joanne Woodward and Paul Newman; a screening of Singin’ In The Rain to coincide with the 70th anniversary of its release and a restored 4K version of Vittorio de Sica’s 1946 work Sciuscià.
- 5/2/2022
- by Melanie Goodfellow
- ScreenDaily
Regine, who claimed to have invented the term “discotheque” as she ran a nightclub empire that stretched from Paris to Los Angeles, has died. She passed on Sunday at age 92, according to her granddaughter. No cause was given.
Born Regina Zylberberg in Belgium, Regine opened her first nightclub in Paris’s Latin Quarter in the 1950s, installing turntables and disc jockeys instead of the usual juke boxes. Thus was born a new format, she claimed, the “discotheque.”
“If you can’t dance, you can’t make love,” she said by way of explanation. She apparently was right, as celebrities, royalty and the business elite flocked to her establishments, earning her the nicknme as the “queen of the night,” as her name became synonymous with the elite’s good times.
Her venues included “Regine’s” in New York in the 1970s, and others in Miami, Rio de Janeiro and Los Angeles.
Born Regina Zylberberg in Belgium, Regine opened her first nightclub in Paris’s Latin Quarter in the 1950s, installing turntables and disc jockeys instead of the usual juke boxes. Thus was born a new format, she claimed, the “discotheque.”
“If you can’t dance, you can’t make love,” she said by way of explanation. She apparently was right, as celebrities, royalty and the business elite flocked to her establishments, earning her the nicknme as the “queen of the night,” as her name became synonymous with the elite’s good times.
Her venues included “Regine’s” in New York in the 1970s, and others in Miami, Rio de Janeiro and Los Angeles.
- 5/1/2022
- by Bruce Haring
- Deadline Film + TV
Retitled Bolero for its American release in 1981, Claude Lelouch’s Les Uns et les Autres is a musical multi-family saga spanning five decades. Starring Robert Hossein and Geraldine Chaplin, Lelouch’s screenplay follows the travails and triumphs of four households of different nationalities—it’s their shared love for music that unites the characters and the film.
The post Les Uns et les Autres appeared first on Trailers From Hell.
The post Les Uns et les Autres appeared first on Trailers From Hell.
- 4/22/2022
- by Charlie Largent
- Trailers from Hell
Sometimes movies escape our attention, for many reasons. We were busy with other things, we were sick when it was released, we lost our Netflix login. Here is another attempt by the Tfh gurus to shine some light on a few films you may have missed.
The Chaser is a 2008 South Korean film that was inspired by a real-life serial killer. Directed by Na Hong-jin, the story centers on a former-cop-turned-pimp. Now, that’s a real career change for you. The pimp becomes alarmed when two of his prostitutes go missing, creating a cash flow situation that probably makes him consider rejoining the force.
The suspect is captured during what can only be described as an automotive meet-cute – he literally crashes into a cop car – but he can’t be held for long due to lack of evidence. His rap sheet includes performing a lobotomy on a family member, which might be excused,...
The Chaser is a 2008 South Korean film that was inspired by a real-life serial killer. Directed by Na Hong-jin, the story centers on a former-cop-turned-pimp. Now, that’s a real career change for you. The pimp becomes alarmed when two of his prostitutes go missing, creating a cash flow situation that probably makes him consider rejoining the force.
The suspect is captured during what can only be described as an automotive meet-cute – he literally crashes into a cop car – but he can’t be held for long due to lack of evidence. His rap sheet includes performing a lobotomy on a family member, which might be excused,...
- 4/17/2022
- by Randy Fuller
- Trailers from Hell
The public considers the Academy Awards as a Hollywood event. True, the Academy of Motion Picture Arts & Sciences is headquartered in Southern California, and most of the best pic contenders are American and/or in the English language. But Oscar history proves they have been an international event from the beginning.
In the first year (1927-28), there were nominations for directors Herbert Brenon (born in Ireland) and Lewis Milestone (born in Moldova), plus a special award to Charlie Chaplin (from the U.K.).
The next five years saw two noms apiece for directors Ernst Lubitsch (Germany) and Josef von Sternberg (Austria). And the second best actress Academy Award was given to Canadian Mary Pickford.
The early years of Oscar featured a slew of non-Americans. Aside from mega-star Chaplin, the list of early Academy Award winners includes Emil Jannings, George Arliss (U.K.), Claudette Colbert (raised in the U.S. but...
In the first year (1927-28), there were nominations for directors Herbert Brenon (born in Ireland) and Lewis Milestone (born in Moldova), plus a special award to Charlie Chaplin (from the U.K.).
The next five years saw two noms apiece for directors Ernst Lubitsch (Germany) and Josef von Sternberg (Austria). And the second best actress Academy Award was given to Canadian Mary Pickford.
The early years of Oscar featured a slew of non-Americans. Aside from mega-star Chaplin, the list of early Academy Award winners includes Emil Jannings, George Arliss (U.K.), Claudette Colbert (raised in the U.S. but...
- 1/22/2022
- by Tim Gray
- Variety Film + TV
Other Angle is launching sales on Melissa Drigeard’s “Hawaii” with Berenice Bejo and Jeremy Guez’s “Kanun” at the Unifrance Rendez-Vous in Paris which is happening this week as an in-person event in the French capital.
“Hawaii”is headlined by an ensemble cast including The Artist” actor Bérénice Béjo. The movie follows nine friends who gather every year in their friend Thomas’ hotel in Hawaii. Following a nuclear attack alert, they believe that their last moments are upon them and their friendly annual meeting turns into shouting match. But after finding out the nuclear threat was a false alert, they have to spend the remaining eight days of vacation together. The movie is produced by Romain Legrand and Vivien Aslanian at Marvelous Productions. Warner Bros. will release it in France.
“Kanun” is a thriller directed by Jérémie Guez whose credits include “Brothers by Blood” and “A Bluebird in My Heart.
“Hawaii”is headlined by an ensemble cast including The Artist” actor Bérénice Béjo. The movie follows nine friends who gather every year in their friend Thomas’ hotel in Hawaii. Following a nuclear attack alert, they believe that their last moments are upon them and their friendly annual meeting turns into shouting match. But after finding out the nuclear threat was a false alert, they have to spend the remaining eight days of vacation together. The movie is produced by Romain Legrand and Vivien Aslanian at Marvelous Productions. Warner Bros. will release it in France.
“Kanun” is a thriller directed by Jérémie Guez whose credits include “Brothers by Blood” and “A Bluebird in My Heart.
- 1/11/2022
- by Elsa Keslassy
- Variety Film + TV
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