Here’s looking at Warner Bros. which is celebrating its 100th anniversary. Earlier this year, Turner Classic Movies, which is a member of the Warner Bros. Discovery family, celebrated the centennial with a monthlong tribute to the studio that gave the world such landmark films as 1927’s “The Jazz Singer,” the first feature with synchronized recorded singing and some dialogue; the ultimate gangster flick 1931’s “Public Enemy,: the glorious 1938 swashbuckler “The Adventures of Robin Hood”; and the beloved 1942 “Casablanca.
And during its Golden Age, its roster of stars included such legends as Rin-Tin-Tin, John Barrymore, Edward G. Robinson, James Cagney, Humphrey Bogart, Bette Davis, Kay Francis, Joan Blondell, Ruby Keeler, Dick Powell, Paul Muni, John Garfield and Sydney Greenstreet.
Max is currently streaming the four-part documentary series “100 Years of Warner Bros.” (the first two episodes premiered at Cannes). And also arriving this week is the lavish coffee table book “Warner Bros.
And during its Golden Age, its roster of stars included such legends as Rin-Tin-Tin, John Barrymore, Edward G. Robinson, James Cagney, Humphrey Bogart, Bette Davis, Kay Francis, Joan Blondell, Ruby Keeler, Dick Powell, Paul Muni, John Garfield and Sydney Greenstreet.
Max is currently streaming the four-part documentary series “100 Years of Warner Bros.” (the first two episodes premiered at Cannes). And also arriving this week is the lavish coffee table book “Warner Bros.
- 5/30/2023
- by Susan King
- Gold Derby
Warner Bros. has already celebrated its centennial with a segment during the Academy Awards, the publication of a studio-supported book (Warner Bros.: 100 Years of Storytelling) and, most recently, a barrage of festivities emanating from Turner Classic Movies. TCM’s programming for all of April is being devoted to Warners films, and at the 14th annual TCM Classic Film Festival in Hollywood, running April 13-16, many studio masterpieces, some recently restored and remastered, will be shown on big screens around town. Here are 10 that this THR Hollywood history buff highly recommends.
Footlight Parade (1933)
Ninety years ago, during the depths of the Great Depression, Americans sought escape from their troubles with light movies like this backstage musical. Directed by Lloyd Bacon, starring James Cagney, Joan Blondell, Dick Powell and Ruby Keeler and highlighted by some of choreographer Busby Berkeley’s most kaleidoscopic dance numbers, it was a giant hit at the box office.
Footlight Parade (1933)
Ninety years ago, during the depths of the Great Depression, Americans sought escape from their troubles with light movies like this backstage musical. Directed by Lloyd Bacon, starring James Cagney, Joan Blondell, Dick Powell and Ruby Keeler and highlighted by some of choreographer Busby Berkeley’s most kaleidoscopic dance numbers, it was a giant hit at the box office.
- 4/12/2023
- by Scott Feinberg
- The Hollywood Reporter - Movie News
TCM will Launch New Franchise Musical Matinee Hosted by Dave Karger
The Weekly Series will Premiere on November 5th, 2022.
The series will begin with An American in Paris (1951).
Turner Classic Movies has been showing classic movies to audiences since 1994.
Turner Classic Movies (TCM) announced today a new weekly series, Musical Matinee, hosted by TCM’s Dave Karger, celebrating the beloved musical genre every Saturday at 12:00 pm Et.
Dave Karger, a TCM Host, will headline the show.
“I have a song in my head from the moment I wake up until I go to bed at night,” said Dave Karger, TCM Host of Musical Matinees.
“Movies and music are my two passions, and they have always been intertwined to me. If we can give everyone a dose of music to start off their weekend, that’s a good thing!”
The selections for Musical Matinees in November represent a range of...
The Weekly Series will Premiere on November 5th, 2022.
The series will begin with An American in Paris (1951).
Turner Classic Movies has been showing classic movies to audiences since 1994.
Turner Classic Movies (TCM) announced today a new weekly series, Musical Matinee, hosted by TCM’s Dave Karger, celebrating the beloved musical genre every Saturday at 12:00 pm Et.
Dave Karger, a TCM Host, will headline the show.
“I have a song in my head from the moment I wake up until I go to bed at night,” said Dave Karger, TCM Host of Musical Matinees.
“Movies and music are my two passions, and they have always been intertwined to me. If we can give everyone a dose of music to start off their weekend, that’s a good thing!”
The selections for Musical Matinees in November represent a range of...
- 10/27/2022
- by Michael T. Stack
- TVfanatic
Another pre-code musical from director Lloyd Bacon and more unforgettably wack-a-doo dance sequences from Busby Berkeley. This one features a powerhouse cast including Joan Blondell, Dick Powell and the incendiary James Cagney (whose galvanic tap dancing leaves the adorably klutzy Ruby Keeler in the dust). Fun-starved depression audiences made this another big hit for Warners, the film doubled its budget at the box-office.
The post Footlight Parade appeared first on Trailers From Hell.
The post Footlight Parade appeared first on Trailers From Hell.
- 10/7/2022
- by Charlie Largent
- Trailers from Hell
What do the 25th and 75th Tony Awards have in common? The landmark Stephen Sondheim/George Furth musical “Company,” Angela Lansbury and the beloved tuner “The Music Man.”
The gender-bender revival of “Company” is considered the front-runner for the Tony for Best Musical Revival as well as featured actress for Broadway legend Patti LuPone who brings down the house with “Ladies Who Lunch.” Elaine Stritch originated the LuPone’s character of Joanne; her rendition of “Ladies Who Lunch” is considered one of the indelible show-stopping numbers in Broadway history. Stritch was considered a shoo-in for lead actress but lost to Helen Gallagher for the revival of -the 1920s musical “No, No Nanette.” Go figure. Gallagher was good, but she wasn’t as great as Stritch.
The original “Company” waltzed into the Tony Awards — which took place at the Palace Theatre on March 28, 1971 — with a whopping 14 nominations and won six including Best Musical,...
The gender-bender revival of “Company” is considered the front-runner for the Tony for Best Musical Revival as well as featured actress for Broadway legend Patti LuPone who brings down the house with “Ladies Who Lunch.” Elaine Stritch originated the LuPone’s character of Joanne; her rendition of “Ladies Who Lunch” is considered one of the indelible show-stopping numbers in Broadway history. Stritch was considered a shoo-in for lead actress but lost to Helen Gallagher for the revival of -the 1920s musical “No, No Nanette.” Go figure. Gallagher was good, but she wasn’t as great as Stritch.
The original “Company” waltzed into the Tony Awards — which took place at the Palace Theatre on March 28, 1971 — with a whopping 14 nominations and won six including Best Musical,...
- 6/1/2022
- by Susan King
- Gold Derby
Busby Berkeley’s musical comedy extravaganza not only gets away with a social message, it makes one of the best cultural statements ever about the Great Depression. Social upheaval suddenly being a real thing these days, we understand. The story is a romantic backstage musical but The Wolf at the Door is present in the dialogue, the lyrics, everywhere. This might be the sexiest of Berkeley’s musicals, with even star Joan Blondell teasing the nudity; but audiences were floored when the gala curtain number ‘Remember My Forgotten Man’ shouted out a cry for social justice. Warren William, Aline MacMahon, Ruby Keeler, Dick Powell & Guy Kibbee star; and this is Ned Sparks’ best role, with additional gold-digging by pert ‘n’ perky Ginger Rogers.
Gold Diggers of 1933
Blu-ray
Warner Archive Collection
1933 / B&w / 1:37 Academy / 96 min. / Available at Amazon.com / Street Date February 8, 2022 / 21.99
Starring: Warren William, Joan Blondell, Aline MacMahon, Ruby Keeler, Dick Powell,...
Gold Diggers of 1933
Blu-ray
Warner Archive Collection
1933 / B&w / 1:37 Academy / 96 min. / Available at Amazon.com / Street Date February 8, 2022 / 21.99
Starring: Warren William, Joan Blondell, Aline MacMahon, Ruby Keeler, Dick Powell,...
- 2/8/2022
- by Glenn Erickson
- Trailers from Hell
“Every time you say ‘Cheap and Vulgar’ I’m going to kiss you.”
Dick Powell and Ruby Keeler in Gold Diggers Of 1933 (1933) will be available on Blu-ray February 8th from Warner Archive. It can be purchased at the Warner Archive Amazon Store Here
A Broadway producer has the talent, the tunes, the theater, and everything else he needs to put on a show – except the dough. Not to worry, say Ginger Rogers and the other leggy chorines decked out in giant coins. Everyone will soon be singing “We’re in the Money.” Soon after 42nd Street, the brothers Warner again kicked the Depression blues out the stage door and into a back alley. Mervyn Le Roy directs the snappy non-musical portions involving three wonderfully silly love matches (including Dick Powell and Ruby Keeler). And Busby Berkeley brings his peerless magic to the production numbers, his camera swooping and gliding...
Dick Powell and Ruby Keeler in Gold Diggers Of 1933 (1933) will be available on Blu-ray February 8th from Warner Archive. It can be purchased at the Warner Archive Amazon Store Here
A Broadway producer has the talent, the tunes, the theater, and everything else he needs to put on a show – except the dough. Not to worry, say Ginger Rogers and the other leggy chorines decked out in giant coins. Everyone will soon be singing “We’re in the Money.” Soon after 42nd Street, the brothers Warner again kicked the Depression blues out the stage door and into a back alley. Mervyn Le Roy directs the snappy non-musical portions involving three wonderfully silly love matches (including Dick Powell and Ruby Keeler). And Busby Berkeley brings his peerless magic to the production numbers, his camera swooping and gliding...
- 1/26/2022
- by Tom Stockman
- WeAreMovieGeeks.com
New York, New York is a helluva town. The Bronx is up. And the Battery is down. The people ride in a hole in the ground. New York, New York. It’s a helluva town. And it’s also a perfect backdrop for countless Broadway and movie musicals.
And for good reason. The metropolis is a melting pot of cultures and boroughs. Over the decades, the Great White Way has been home to burlesque, vaudeville, Broadway. The town always is brimming with the best writers and composers. Remember Tin Pan Alley?
There is also a romanticism of New York often depicted in these musicals: most of them were shot on sound stages and studio, so they offer an expressionistic, impressionistic, and even surreal look at NYC. Martin Scorsese tipped his out to these studio musicals with his classic 1977 “New York, New York,” starring Liza Minnelli and Robert De Niro.
The...
And for good reason. The metropolis is a melting pot of cultures and boroughs. Over the decades, the Great White Way has been home to burlesque, vaudeville, Broadway. The town always is brimming with the best writers and composers. Remember Tin Pan Alley?
There is also a romanticism of New York often depicted in these musicals: most of them were shot on sound stages and studio, so they offer an expressionistic, impressionistic, and even surreal look at NYC. Martin Scorsese tipped his out to these studio musicals with his classic 1977 “New York, New York,” starring Liza Minnelli and Robert De Niro.
The...
- 6/24/2021
- by Susan King
- Gold Derby
Great news for fans of old musicals! James Cagney in Footlight Parade (1932) is now available on Blu-ray from Warner Archives
Footlight Parade is sheer cinematic joy. In this Depression-era romp, a timid stenographer (Ruby Keeler) removes her glasses and – wow! – she’s a star. A gee-whiz tenor (Dick Powell) asserts his independence. Plucky chorines tap, greedy hangers-on get their comeuppances, and an indefatigable producer/dancer (James Cagney) and his Girl Friday (Joan Blondell) work showbiz miracles to stage live prologues for talkie houses to keep their company afloat during hard times. Honeymoon Hotel, By a Waterfall and Shanghai Lil are the shows, directed by Busby Berkeley and filled with imagination-bending sets, startling camera angles, kaleidoscopic pageantry and a 20,000-gallon-per-minute waterfall. Curtain up!
James Cagney demonstrates his Big Apple hoofer bonafides while adding his one-of-a-kind fiery grit to this Busby Berkeley musical packed with the usual sensational suspects. Chester Kent (Cagney...
Footlight Parade is sheer cinematic joy. In this Depression-era romp, a timid stenographer (Ruby Keeler) removes her glasses and – wow! – she’s a star. A gee-whiz tenor (Dick Powell) asserts his independence. Plucky chorines tap, greedy hangers-on get their comeuppances, and an indefatigable producer/dancer (James Cagney) and his Girl Friday (Joan Blondell) work showbiz miracles to stage live prologues for talkie houses to keep their company afloat during hard times. Honeymoon Hotel, By a Waterfall and Shanghai Lil are the shows, directed by Busby Berkeley and filled with imagination-bending sets, startling camera angles, kaleidoscopic pageantry and a 20,000-gallon-per-minute waterfall. Curtain up!
James Cagney demonstrates his Big Apple hoofer bonafides while adding his one-of-a-kind fiery grit to this Busby Berkeley musical packed with the usual sensational suspects. Chester Kent (Cagney...
- 7/22/2019
- by Tom Stockman
- WeAreMovieGeeks.com
This amazing Busby Berkeley extravaganza is the best choice to impress newbies to pre-Code musical madness: it is absolutely irresistible. James Cagney’s nervy, terminally excitable stage producer makes the tale of Chester Kent accessible to viewers otherwise allergic to musicals — he’s as electric here as he is in his gangster movies. Remastered in HD, the fantastic, kaleidoscopic visuals will wow anybody — we really expect Porky Pig to pop up and stutter, “N-n-n-o CGI, Folks!”
Footlight Parade
Blu-ray
Warner Archive Collection
1933 / B&w / 1:37 flat Academy / 104 min. / Street Date July 16, 2019 / available through the WBshop / 21.99
Starring: James Cagney, Joan Blondell, Ruby Keeler, Dick Powell, Frank McHugh, Ruth Donnelly, Guy Kibbee, Hugh Herbert.
Cinematography: George Barnes
Art Directors: Anton Grot, Jack Okey Film Editor: George Amy
Original Music: Sammy Fain, Irving Kahal Harry Warren, Al Dubin
Written by Manuel Seff, James Seymour
Produced by Robert Lord
Directed by Lloyd Bacon
Our...
Footlight Parade
Blu-ray
Warner Archive Collection
1933 / B&w / 1:37 flat Academy / 104 min. / Street Date July 16, 2019 / available through the WBshop / 21.99
Starring: James Cagney, Joan Blondell, Ruby Keeler, Dick Powell, Frank McHugh, Ruth Donnelly, Guy Kibbee, Hugh Herbert.
Cinematography: George Barnes
Art Directors: Anton Grot, Jack Okey Film Editor: George Amy
Original Music: Sammy Fain, Irving Kahal Harry Warren, Al Dubin
Written by Manuel Seff, James Seymour
Produced by Robert Lord
Directed by Lloyd Bacon
Our...
- 7/13/2019
- by Glenn Erickson
- Trailers from Hell
Tony Award and Emmy Award-winning Ryan's Hope legend Helen Gallagher is celebrating her 92nd birthday today.
Born in Brooklyn, Gallagher was raised in Scarsdale, New York for several years until the Wall Street crash which heralded the Great Depression, and her family moved to the Bronx. Her parents separated and she was raised with an aunt. She suffered from asthma.
Gallagher was known for decades as a Broadway performer. She appeared in "Make a Wish," "Hazel Flagg," "Portofino," "High Button Shoes," "Sweet Charity" (earning a 1967 Tony Award nomination for Featured Actress in a Musical), and "Cry for Us All."
In 1952, she won a Tony Award for her work in the revival of "Pal Joey." In 1971, she won her second Tony Award for her role in the revival of the musical "No, No, Nanette," which also starred Ruby Keeler and Patsy Kelly. Her song and dance number with Bobby Van from that show,...
Born in Brooklyn, Gallagher was raised in Scarsdale, New York for several years until the Wall Street crash which heralded the Great Depression, and her family moved to the Bronx. Her parents separated and she was raised with an aunt. She suffered from asthma.
Gallagher was known for decades as a Broadway performer. She appeared in "Make a Wish," "Hazel Flagg," "Portofino," "High Button Shoes," "Sweet Charity" (earning a 1967 Tony Award nomination for Featured Actress in a Musical), and "Cry for Us All."
In 1952, she won a Tony Award for her work in the revival of "Pal Joey." In 1971, she won her second Tony Award for her role in the revival of the musical "No, No, Nanette," which also starred Ruby Keeler and Patsy Kelly. Her song and dance number with Bobby Van from that show,...
- 7/19/2018
- by Roger Newcomb
- We Love Soaps
Such a happy movie for having been made in the middle of the Great Depression and thankful audiences lapped it up, not only because of the silly/surreal sight of choreographer Busby Berkeley’s outlandishly outsized song and dance spectacles but the dazzling display of a half-naked Ginger Rogers singing “We’re in the Money”. Dick Powell, Ruby Keeler and Joan Blondell are among the sweet-natured, wisecracking crooners and hoofers who struggle to put on a show while director Mervyn LeRoy sheparded the whole thing into the theaters making it the third most popular film that year with over 1.5 million in profit… not bad for the Great Depression.
- 12/28/2016
- by TFH Team
- Trailers from Hell
“Now go out there and be so swell that you’ll make me hate you!”
42nd Street (1933) is one of Hollywood’s most beloved musicals and you’ll have a chance to see it on the big screen at St. Louis’ fabulous Hi-Pointe Theater this weekend as part of their Classic Film Series. It’s Saturday, June 11th at 10:30am at the Hi-Pointe located at 1005 McCausland Ave., St. Louis, Mo 63117. Admission is only $5.42nd Street will be introduced by Kmox Movie Reviewer Harry Hamm
Pretty legs go a long way in the musical 42nd Street. a lively 1933 Warner Bros film that boasts a great cast and music and served as the prototype plot for scores of subsequent films. Suffering from the Great Depression and a bad ticker, Broadway director Julian Marsh (Warner Baxter) desperately needs “Pretty Lady” to be a hit musical. When leading actress Dorothy Brock (Bebe Daniels...
42nd Street (1933) is one of Hollywood’s most beloved musicals and you’ll have a chance to see it on the big screen at St. Louis’ fabulous Hi-Pointe Theater this weekend as part of their Classic Film Series. It’s Saturday, June 11th at 10:30am at the Hi-Pointe located at 1005 McCausland Ave., St. Louis, Mo 63117. Admission is only $5.42nd Street will be introduced by Kmox Movie Reviewer Harry Hamm
Pretty legs go a long way in the musical 42nd Street. a lively 1933 Warner Bros film that boasts a great cast and music and served as the prototype plot for scores of subsequent films. Suffering from the Great Depression and a bad ticker, Broadway director Julian Marsh (Warner Baxter) desperately needs “Pretty Lady” to be a hit musical. When leading actress Dorothy Brock (Bebe Daniels...
- 6/7/2016
- by Tom Stockman
- WeAreMovieGeeks.com
Pat O'Brien movies on TCM: 'The Front Page,' 'Oil for the Lamps of China' Remember Pat O'Brien? In case you don't, you're not alone despite the fact that O'Brien was featured – in both large and small roles – in about 100 films, from the dawn of the sound era to 1981. That in addition to nearly 50 television appearances, from the early '50s to the early '80s. Never a top star or a critics' favorite, O'Brien was nevertheless one of the busiest Hollywood leading men – and second leads – of the 1930s. In that decade alone, mostly at Warner Bros., he was seen in nearly 60 films, from Bs (Hell's House, The Final Edition) to classics (American Madness, Angels with Dirty Faces). Turner Classic Movies is showing nine of those today, Nov. 11, '15, in honor of what would have been the Milwaukee-born O'Brien's 116th birthday. Pat O'Brien and James Cagney Spencer Tracy had Katharine Hepburn.
- 11/11/2015
- by Andre Soares
- Alt Film Guide
Douglas Fairbanks Jr. ca. 1935. Douglas Fairbanks Jr. was never as popular as his father, silent film superstar Douglas Fairbanks, who starred in one action-adventure blockbuster after another in the 1920s (The Mark of Zorro, Robin Hood, The Thief of Bagdad) and whose stardom dates back to the mid-1910s, when Fairbanks toplined a series of light, modern-day comedies in which he was cast as the embodiment of the enterprising, 20th century “all-American.” What this particular go-getter got was screen queen Mary Pickford as his wife and United Artists as his studio, which he co-founded with Pickford, D.W. Griffith, and Charles Chaplin. Now, although Jr. never had the following of Sr., he did enjoy a solid two-decade-plus movie career. In fact, he was one of the few children of major film stars – e.g., Jane Fonda, Liza Minnelli, Angelina Jolie, Michael Douglas, Jamie Lee Curtis – who had successful film careers of their own.
- 8/16/2015
- by Andre Soares
- Alt Film Guide
For the sixth consecutive year, thousands of movie lovers from around the globe descended upon Hollywood for the TCM Classic Film Festival. The 2015 festival took take place Thursday, March 26 – Sunday, March 29, 2015 and no matter your favorite genre, attendees were treated to an extensive lineup of great movies, appearances by legendary stars and filmmakers, fascinating presentations and panel discussions, special events and more.
Friday night’s screening of Apollo 13 was definitely one of the most exciting events of the festival. Celebrating its 20th anniversary, Ron Howard’s impressive telling of the nearly doomed mission of the 3 astronauts aboard Apollo 13 looked as spectacular as the first time audiences saw it 20 years ago.
Host and long-time Nasa enthusiast Alex Trebek was on hand to introduce the film, as well as introduce fans in attendance to the real Captain Jim Lovell (played in the film by Tom Hanks). Also joining them on...
Friday night’s screening of Apollo 13 was definitely one of the most exciting events of the festival. Celebrating its 20th anniversary, Ron Howard’s impressive telling of the nearly doomed mission of the 3 astronauts aboard Apollo 13 looked as spectacular as the first time audiences saw it 20 years ago.
Host and long-time Nasa enthusiast Alex Trebek was on hand to introduce the film, as well as introduce fans in attendance to the real Captain Jim Lovell (played in the film by Tom Hanks). Also joining them on...
- 3/30/2015
- by Melissa Thompson
- WeAreMovieGeeks.com
Loretta Young films as TCM celebrates her 102nd birthday (photo: Loretta Young ca. 1935) Loretta Young would have turned 102 years old today. Turner Classic Movies is celebrating the birthday of the Salt Lake City-born, Academy Award-winning actress today, January 6, 2015, with no less than ten Loretta Young films, most of them released by Warner Bros. in the early '30s. Young, who began her film career in a bit part in the 1927 Colleen Moore star vehicle Her Wild Oat, remained a Warners contract player from the late '20s up until 1933. (See also: "Loretta Young Movies.") Now, ten Loretta Young films on one day may sound like a lot, but one should remember that most Warner Bros. -- in fact, most Hollywood -- releases of the late '20s and early '30s were either B Movies or programmers. The latter were relatively short (usually 60 to 75 minutes) feature films starring A (or B+) performers,...
- 1/6/2015
- by Andre Soares
- Alt Film Guide
Ken Weatherwax, who played the brilliant but decidedly odd Pugsley Addams on "The Addams Family," has died at the age of 59.
The actor passed away after a heart attack in his home in Box Canyon, California. His niece, Shanyn Vieira, confirmed the news on Facebook.
As Pugsley, Weatherwax was part of a macabre and weird tribe that included father Gomez, mother Morticia, and sister Wednesday. The boy was fascinated by insects and explosive toys, and he was an inventive engineer who created an anti-gravity gun and a robot. Weatherwax portrayed Pugsley for the two seasons that the show aired on ABC from 1964 to 1966; reruns continued for years after.
After "The Addams Family," Weatherwax attempted to continue his acting career, but didn't land any major roles. He joined the Army and later worked as a grip and set builder, according to The Hollywood Reporter. He also made several appearances in "Addams Family"-related follow-ups.
The actor passed away after a heart attack in his home in Box Canyon, California. His niece, Shanyn Vieira, confirmed the news on Facebook.
As Pugsley, Weatherwax was part of a macabre and weird tribe that included father Gomez, mother Morticia, and sister Wednesday. The boy was fascinated by insects and explosive toys, and he was an inventive engineer who created an anti-gravity gun and a robot. Weatherwax portrayed Pugsley for the two seasons that the show aired on ABC from 1964 to 1966; reruns continued for years after.
After "The Addams Family," Weatherwax attempted to continue his acting career, but didn't land any major roles. He joined the Army and later worked as a grip and set builder, according to The Hollywood Reporter. He also made several appearances in "Addams Family"-related follow-ups.
- 12/9/2014
- by Kelly Woo
- Moviefone
Ken Weatherwax, who played the mischievous and slightly deviant Pugsley on TV's The Addams Family in the mid-'60s, died of an apparent heart attack Sunday at his home in Southern California, his nephew told the Los Angeles Times. "The family is devastated," said the relative, Beau Vieira. The young Weatherwax, a native of Los Angeles, according to the Hollywood Reporter, started his career on toothpaste commercials. Showbiz ran in the family: His aunt was the 1930s Warner Bros. dancing star Ruby Keeler (42nd Street) and his uncle was Lassie's trainer, Rudd Weatherwax, said the trade journal. Besides acting on the Addams Family,...
- 12/9/2014
- by Stephen M. Silverman, @stephenmsilverm
- PEOPLE.com
Ken Weatherwax, who played the mischievous and slightly deviant Pugsley on TV's The Addams Family in the mid-'60s, died of an apparent heart attack Sunday at his home in Southern California, his nephew told the Los Angeles Times. "The family is devastated," said the relative, Beau Vieira. The young Weatherwax, a native of Los Angeles, according to the Hollywood Reporter, started his career on toothpaste commercials. Showbiz ran in the family: His aunt was the 1930s Warner Bros. dancing star Ruby Keeler (42nd Street) and his uncle was Lassie's trainer, Rudd Weatherwax, said the trade journal. Besides acting on the Addams Family,...
- 12/9/2014
- by Stephen M. Silverman, @stephenmsilverm
- PEOPLE.com
Veterans Day movies on TCM: From 'The Sullivans' to 'Patton' (photo: George C. Scott in 'Patton') This evening, Turner Classic Movies is presenting five war or war-related films in celebration of Veterans Day. For those outside the United States, Veterans Day is not to be confused with Memorial Day, which takes place in late May. (Scroll down to check out TCM's Veterans Day movie schedule.) It's good to be aware that in the last century alone, the U.S. has been involved in more than a dozen armed conflicts, from World War I to the invasion of Iraq, not including direct or indirect military interventions in countries as disparate as Iran, Guatemala, and Chile. As to be expected in a society that reveres people in uniform, American war movies have almost invariably glorified American soldiers even in those rare instances when they have dared to criticize the military establishment.
- 11/12/2014
- by Andre Soares
- Alt Film Guide
Pre-Code Hollywood studios spent millions transitioning their medium to sound and other new technologies that brought about major advances in photography, lighting, and set design. But there were still five million unemployed people in the United States and many more just getting by. The studios were losing money, many of them going bankrupt.
By 1930 the breadlines were longer than the ticket lines and people were slow to give up their hard earned money. They wanted to be entertained, they wanted to laugh and forget their troubles for just a while. Comedies, adventure, and musicals quickly became the most popular film genres of the time.
I. Pre-Code Action, Adventure, and Drama
Hollywood took their stories to the far corners of the earth as places like Africa, the South Pacific, and the Far East became exotic settings for movies. An island kingdom somewhere in the Pacific with strange creatures, even stranger natives,...
By 1930 the breadlines were longer than the ticket lines and people were slow to give up their hard earned money. They wanted to be entertained, they wanted to laugh and forget their troubles for just a while. Comedies, adventure, and musicals quickly became the most popular film genres of the time.
I. Pre-Code Action, Adventure, and Drama
Hollywood took their stories to the far corners of the earth as places like Africa, the South Pacific, and the Far East became exotic settings for movies. An island kingdom somewhere in the Pacific with strange creatures, even stranger natives,...
- 1/31/2014
- by Gregory Small
- CinemaNerdz
Wallace Beery: Best Actor Academy Award winner and Best Actor Academy Award runner-up in the same year (photo: Jackie Cooper and Wallace Beery in ‘The Champ’) (See previous post: “Wallace Beery Movies: Anomalous Hollywood Star.”) In the Academy’s 1931-32 season, Wallace Beery took home the Best Actor Academy Award — I mean, one of them. In the King Vidor-directed melodrama The Champ (1931), Beery plays a down-on-his-luck boxer and caring Dad to tearduct-challenged Jackie Cooper, while veteran Irene Rich is Beery’s cool former wife and Cooper’s mother. Will daddy and son remain together forever and ever? Audiences the world over were drowned in tears — theirs and Jackie Cooper’s. Now, regarding Wallace Beery’s Best Actor Academy Award, he was actually a runner-up: Fredric March, initially announced as the sole winner for his performance in Rouben Mamoulian’s Dr. Jekyll and Mr. Hyde, turned out to have...
- 8/17/2013
- by Andre Soares
- Alt Film Guide
Deanna Durbin ‘saves’ Universal (photo: Deanna Durbin in Three Smart Girls) [See previous post: "Deanna Durbin: Remembering One of Hollywood's Top Stars."] During the Great Depression most Hollywood studios were in dire financial straits, until, as the story goes, one (or more) lucky star(s) made them once again solvent. Mae West is credited for "saving" Paramount; Shirley Temple "saved" Fox; the Busby Berkeley, Ruby Keeler, and Dick Powell combo "saved" Warner Bros.; and the curious mix of King Kong, Fred Astaire, and Ginger Rogers "saved" Rko. So, did Deanna Durbin truly save Universal from bankruptcy? Well, Charles Rogers’ investment company came to the financial rescue of Universal in 1936, but the success of Durbin’s movies surely helped the new management get the studio back on its feet. For instance, according to author David Shipman, Three Smart Girls cost $300,000 — its budget doubled after studio bosses realized they had a hit in their hands — and earned Universal a hefty $2m. (An unspecified...
- 5/4/2013
- by Andre Soares
- Alt Film Guide
Adult Film Star Reems has died at the age of 65 Harry Reems, the male lead in the epoch-making early '70s X-rated entry Deep Throat, died yesterday, March 19, at a Salt Lake City veterans hospital. The actor had been suffering from various serious ailments, among them pancreatic cancer. He was 65 years old. (Pictured above: Harry Reems in the '70s.) Born Herbert Streicher in New York City in 1947, he began working in the entertainment industry after serving in the U.S. Marines. His is a classical show business tale, sort of similar to the Ruby Keeler / Bebe Daniels switch found in the classic musical 42nd Street: when Deep Throat's original male lead didn't show up on the set, filmmaker Gerard Damiano had lighting director Reems to step in as an unknown (and later come back a star). The film's plot revolved around a doctor (played by Reems) who discovers that...
- 3/21/2013
- by Andre Soares
- Alt Film Guide
Warner Bros's Burt Wonderstone is the studio's latest disaster Although the Halle Berry thriller The Call was good news this March 15-17 weekend, Steve Carell and Jim Carrey and their comedy The Incredible Burt Wonderstone were real bad news for Warner Bros. After all, the comedy budgeted at a relatively modest $30 million will actually have trouble reaching a measly $12 million at the North American box office this weekend. On Friday, Tibw took in $3.72 million at 3,160 sites. In fact, Don Scardino's Wonderstone, which also features Olivia Wilde, Steve Buscemi, and Alan Arkin (coincidentally, a Best Supporting Actor Oscar winner for the 2006 family comedy Little Miss Sunshine, mentioned in the previous article) will quite likely be unable to match its budget domestically. Overseas prospects aren't exactly promising, either, as Hollywood comedies tend to perform better in the United States, while neither Carell nor Carrey is a major draw overseas. As for Warner Bros.
- 3/17/2013
- by Zac Gille
- Alt Film Guide
Death Wish: Michael Winner’s movie vs. original novel [See previous post: "Michael Winner Dies."] "The point of the novel Death Wish," adds author Brian Garfield, "is that vigilantism is an attractive fantasy but it only makes things worse in reality. By the end of the novel, the character (Paul) is gunning down unarmed teenagers because he doesn’t like their looks. The story is about an ordinary guy who descends into madness." (Photo: Death Wish Charles Bronson.) A few years ago, Sylvester Stallone had plans to remake Death Wish, which (probably not coincidentally) has elements in common with Stallone’s (perhaps even more brutal and more pro-vigilantism) Cobra (1985). Stallone’s Death Wish remake, however, never came to fruition. Early in 2012, The Grey‘s director Joe Carnahan stated that he was planning an updated version of Death Wish. Michael Winner’s other ’70s movies: Directing Burt Lancaster, Alain Delon, and more Charles Bronson Among Michael Winner...
- 1/22/2013
- by Andre Soares
- Alt Film Guide
Blu-ray Review
The Jazz Singer
Directed by: Alan Crosland
Cast: Al Jolson, May McAvoy, Warner Oland
Running Time: 1 hr 37 mins
Rating: Nr
Due Out: January 8, 2013
Plot: Jakie Rabinowitz (Al Jolson) is the son of a Jewish Cantor who must defy his father in order to pursue his dream of becoming a jazz singer.
Who’S It For? Are you desperate to see where film came from? Then you should be required by law to see this film. Plus, you’ll see the roots for every father/son story Hollywood has recreated, and plenty of Jewish guilt.
Message from Warner Bros.
The Jazz Singer, the first feature-length film with completely synchronized dialogue and musical sequences, will mark another milestone January 8 when Warner Home Video releases the Blu-ray commencing the 2013 year-long 90thAnniversary of Warner Bros. Studios.
Official WB Shop Link: http://bit.ly/YZ0P8Z Images: http://warnervideo.com/art Like...
The Jazz Singer
Directed by: Alan Crosland
Cast: Al Jolson, May McAvoy, Warner Oland
Running Time: 1 hr 37 mins
Rating: Nr
Due Out: January 8, 2013
Plot: Jakie Rabinowitz (Al Jolson) is the son of a Jewish Cantor who must defy his father in order to pursue his dream of becoming a jazz singer.
Who’S It For? Are you desperate to see where film came from? Then you should be required by law to see this film. Plus, you’ll see the roots for every father/son story Hollywood has recreated, and plenty of Jewish guilt.
Message from Warner Bros.
The Jazz Singer, the first feature-length film with completely synchronized dialogue and musical sequences, will mark another milestone January 8 when Warner Home Video releases the Blu-ray commencing the 2013 year-long 90thAnniversary of Warner Bros. Studios.
Official WB Shop Link: http://bit.ly/YZ0P8Z Images: http://warnervideo.com/art Like...
- 1/8/2013
- by Jeff Bayer
- The Scorecard Review
Presenter of the BBC's Late Night Line-Up and Film Night, he was a wildly enthusiastic historian of the cinema
The broadcaster, journalist and film collector Philip Jenkinson, who has died aged 76, was for a few years one of the most popular and familiar faces on British television. His ubiquity was such that the Monty Python team saw fit to satirise him as a machine-gunned victim in a spoof on Sam Peckinpah's movies. He was also enrolled into that hall of fame accorded to guests of the Morecambe and Wise show. In a 1977 Christmas special, he and a gaggle of co-presenters, all dressed in sailor suits, performed There Is Nothing Like a Dame.
Such celebrity might not have come his way had he not been noticed, in 1967, by the BBC producer Mike Appleton, who attended a film lecture given by Jenkinson at St Martin's School of Art, in London.
The broadcaster, journalist and film collector Philip Jenkinson, who has died aged 76, was for a few years one of the most popular and familiar faces on British television. His ubiquity was such that the Monty Python team saw fit to satirise him as a machine-gunned victim in a spoof on Sam Peckinpah's movies. He was also enrolled into that hall of fame accorded to guests of the Morecambe and Wise show. In a 1977 Christmas special, he and a gaggle of co-presenters, all dressed in sailor suits, performed There Is Nothing Like a Dame.
Such celebrity might not have come his way had he not been noticed, in 1967, by the BBC producer Mike Appleton, who attended a film lecture given by Jenkinson at St Martin's School of Art, in London.
- 4/23/2012
- by Brian Baxter
- The Guardian - Film News
... so pretend it's called "I Dreamed A Dream... of Music!" or something thereabouts. Be creative, in the wake of my early morning total lack thereof. Ja from Mnpp here. As I made horrifically clear to everyone back when we played “Make Me Watch A Musical” a couple of years ago, I have… well, it’s more than a blind spot, more like a black hole when it comes to movie musicals. It’s been awhile since then and I haven’t much improved my standing with the genre, either. I’ve seen several of the Busby Berkley musicals and I really enjoyed them (Team Blondell! Ruby Keeler can suck an egg!), but then I suffered though – suffered being the operative word – Funny Girl to see who this Barbra Streisand character everybody talks about is all about and wow, not for me! I say this not to offend you Barbolytes (Streisfans?...
- 10/20/2011
- by JA
- FilmExperience
Joan Blondell: Q&A with Biographer Matthew Kennedy Pt.1 What did Joan Blondell have to say about the musicals she made for Busby Berkeley? What about Ruby Keeler, James Cagney, and her other fellow contract players? Did she get along with them? [Photo: Joan Blondell in Mervyn LeRoy's Gold Diggers of 1933.] Joan said, not surprisingly, that those musicals were tough. There was extra rehearsal needed for production numbers, and Berkeley was very demanding. But she always spoke well of her fellow contract players. Or at least most of them. She and Keeler were friendly, and they had a happy reunion in New York in the early 1970s when they were both appearing on Broadway. Cagney she adored and admired, and maybe fell in love with. But they were not romantic off screen, only on. She was particularly close to Bette Davis, Barbara Stanwyck, and Glenda Farrell, her costar in several low-budget comedies at Warners. She and [MGM contract player] Judy Garland...
- 8/25/2011
- by Andre Soares
- Alt Film Guide
Joan Blondell. Those who have heard the name will most likely picture either a blowsy, older woman playing the worldwise but warm-hearted saloon owner in the late 1960s television series Here Come the Brides, or a lively, fast-talking, no-nonsense, and unconventionally sexy gold digger in numerous Pre-Code Warner Bros. comedies and musicals of the early 1930s. Matthew Kennedy's Joan Blondell: A Life Between Takes (University Press of Mississippi, 2007) seeks to rectify that cultural memory lapse. Not that Blondell doesn't deserve to be remembered for Here Come the Brides or, say, Gold Diggers of 1933, Footlight Parade, Havana Widows, and Broadway Bad. It's just that her other work — from her immensely touching performance as a sexually liberated woman in A Tree Grows in Brooklyn to her invariably welcome (if brief) appearances in films as varied as The Blue Veil, Will Success Spoil Rock Hunter?, and Grease — should be remembered as well.
- 8/25/2011
- by Andre Soares
- Alt Film Guide
Joan Blondell on TCM: Dames, Will Success Spoil Rock Hunter? Schedule (Et) and synopses from the TCM website: 6:00 Am The Reckless Hour (1931) A young innocent almost ruins her life for the love of an unfeeling cad. Dir: John Francis Dillon. Cast: Dorothy Mackaill, Conrad Nagel, H. B. Warner. Bw-71 mins. 7:15 Am Big City Blues (1932) A country boy finds love and heartache in New York City. Dir: Mervyn LeRoy. Cast: Joan Blondell, Eric Linden, Jobyna Howland. Bw-63 mins. 8:30 Am Central Park (1932) Small-town kids out to make it in the big city inadvertently get mixed up with gangsters. Dir: John G. Adolfi. Cast: Joan Blondell, Wallace Ford, Guy Kibbee. Bw-58 mins. 9:30 Am Lawyer Man (1933) Success corrupts a smooth-talking lawyer. Dir: William Dieterle. Cast: William Powell, Joan Blondell, David Landau. Bw-68 mins. 10:45 Am Traveling Saleslady (1935) A toothpaste tycoon's daughter joins his rival to teach him a lesson. Dir: Ray Enright.
- 8/24/2011
- by Andre Soares
- Alt Film Guide
Joan Blondell, Dick Powell, Dames Joan Blondell has always been a favorite of mine, much like fellow wisecracking 1930s Warner Bros. players Aline MacMahon and Glenda Farrell. The fact that Blondell never became a top star says more about audiences — who preferred, say, Shirley Temple and Mickey Rooney — than about Blondell's screen presence and acting abilities. As part of its "Summer Under the Stars" film series, Turner Classic Movies is currently showing no less than 16 Joan Blondell movies today, including the TCM premiere of the 1968 crime drama Kona Coast. Directed by Lamont Johnson, Kona Coast stars Richard Boone and the capable Vera Miles. Blondell has a supporting role — one of two dozen from 1950 (For Heaven's Sake) to 1981 (The Woman Inside, released two years after Blondell's death from leukemia). [Joan Blondell Movie Schedule.] Unfortunately, TCM isn't showing the super-rare (apparently due to rights issues) The Blue Veil, Curtis Bernhardt's 1951 melodrama that earned Blondell her...
- 8/24/2011
- by Andre Soares
- Alt Film Guide
Many genres that Hollywood used to rely on for lots of hits have long since fallen by the wayside. Zoe finds out what happened to them…
Hollywood, the world's entertainment factory, has, for the past one hundred years, been producing films that have been enjoyed by audiences around the world. And in that time, a lot has changed, society, technology, fashions, tastes, and lifestyles, all of which Hollywood has continued to accommodate.
It's come a long way from its humble beginnings in the days of melodramatic, black and white, silent films with somewhat crude production methods. Hollywood has evolved into something more sophisticated and streamlined. But with so much change in such a fast paced industry, have some genres fallen behind? Or is it the case that these too have simply evolved into something more sophisticated and subtle?
Musical
The musical is arguably the most uplifting and escapist genre to...
Hollywood, the world's entertainment factory, has, for the past one hundred years, been producing films that have been enjoyed by audiences around the world. And in that time, a lot has changed, society, technology, fashions, tastes, and lifestyles, all of which Hollywood has continued to accommodate.
It's come a long way from its humble beginnings in the days of melodramatic, black and white, silent films with somewhat crude production methods. Hollywood has evolved into something more sophisticated and streamlined. But with so much change in such a fast paced industry, have some genres fallen behind? Or is it the case that these too have simply evolved into something more sophisticated and subtle?
Musical
The musical is arguably the most uplifting and escapist genre to...
- 8/4/2011
- Den of Geek
In honor of the 83rd Academy Awards, Extra" brings you AFI's 100 Best Movie Quotes of all time! From "The Wizard of Oz" to "Taxi Driver," see if your favorites made the list.
AFI's 100 Years...100 Movie QuotesGone with the Wind (1939)
"Frankly, my dear, I don't give a damn." — Clark Gable as Rhett Butler to Vivien Leigh as Scarlett O'Hara
The Godfather (1972)
"I'm going to make him an offer he can't refuse." — Marlon Brando as Don Corleone...
AFI's 100 Years...100 Movie QuotesGone with the Wind (1939)
"Frankly, my dear, I don't give a damn." — Clark Gable as Rhett Butler to Vivien Leigh as Scarlett O'Hara
The Godfather (1972)
"I'm going to make him an offer he can't refuse." — Marlon Brando as Don Corleone...
- 2/27/2011
- Extra
Cinema Retro has received the following press release:
Normal 0 false false false En-Us X-none X-none MicrosoftInternetExplorer4
A Thief Catcher (Keystone, 1914), featuring a previously unknown performance by silent comedy star Charlie Chaplin, will have its west coast re-premiere during the 46th annual Cinecon Classic Film Festival at the Egyptian Theater in Hollywood California over Labor Day Weekend, September 2-6, 2010
Chaplin is officially credited with appearing in thirty-five films during his year at Keystone in 1914, but he claimed in various interviews that he had also played bit roles as a cop and a barber while at the studio--but he did not name the films, and although there has been some speculation about the possibility of additional Chaplin-Keystone appearances, none has turned up until now. Film collector Paul Gierucki found a 16mm film print in a trunk at a Taylor, Michigan, antique store last year. "I could tell it was a Keystone comedy,...
Normal 0 false false false En-Us X-none X-none MicrosoftInternetExplorer4
A Thief Catcher (Keystone, 1914), featuring a previously unknown performance by silent comedy star Charlie Chaplin, will have its west coast re-premiere during the 46th annual Cinecon Classic Film Festival at the Egyptian Theater in Hollywood California over Labor Day Weekend, September 2-6, 2010
Chaplin is officially credited with appearing in thirty-five films during his year at Keystone in 1914, but he claimed in various interviews that he had also played bit roles as a cop and a barber while at the studio--but he did not name the films, and although there has been some speculation about the possibility of additional Chaplin-Keystone appearances, none has turned up until now. Film collector Paul Gierucki found a 16mm film print in a trunk at a Taylor, Michigan, antique store last year. "I could tell it was a Keystone comedy,...
- 8/25/2010
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
Dig out your brolley and don your galoshes as swanstep fishes out the best film clips in which the heavens open
Big rain scenes might have been fine once upon a time – or so the story goes – but lately they've been overdone and overused. Hollywood has drowned and devalued the climactic deluge for at least the past decade, and the on-going transfiguration of film into post-produced mush spiked with graphic-novel cliché has white rain against a black background as its calling card. Recent rom-coms' puddles too overflow: John Cusack has starred in the rain for the last 20 years, and "Is it still raining? I hadn't noticed" remains a contender for the line of dialogue most likely to make a date eat his or her own head.
And yet rain scenes aren't going anywhere. Rain is an unrivalled diffuser of light and sound. It shortens visual and aural focus alike, so that rain,...
Big rain scenes might have been fine once upon a time – or so the story goes – but lately they've been overdone and overused. Hollywood has drowned and devalued the climactic deluge for at least the past decade, and the on-going transfiguration of film into post-produced mush spiked with graphic-novel cliché has white rain against a black background as its calling card. Recent rom-coms' puddles too overflow: John Cusack has starred in the rain for the last 20 years, and "Is it still raining? I hadn't noticed" remains a contender for the line of dialogue most likely to make a date eat his or her own head.
And yet rain scenes aren't going anywhere. Rain is an unrivalled diffuser of light and sound. It shortens visual and aural focus alike, so that rain,...
- 7/21/2010
- The Guardian - Film News
"Extra" brings you AFI's 100 Best Movie Quotes of all time! From "The Wizard of Oz" to "Taxi Driver," see if your favorites made the list!
AFI's 100 Years...100 Movie QuotesGone with the Wind (1939)
"Frankly, my dear, I don't give a damn." --Said by Clark Gable as Rhett Butler to Vivien Leigh as Scarlett O'Hara.
The Godfather (1972)
"I'm going to make him an offer he can't refuse." --Marlon Brando as Don Corleone.
On the Waterfront (1954)
"You don't understand!
AFI's 100 Years...100 Movie QuotesGone with the Wind (1939)
"Frankly, my dear, I don't give a damn." --Said by Clark Gable as Rhett Butler to Vivien Leigh as Scarlett O'Hara.
The Godfather (1972)
"I'm going to make him an offer he can't refuse." --Marlon Brando as Don Corleone.
On the Waterfront (1954)
"You don't understand!
- 3/6/2010
- Extra
by Guest Blogger, Erich Kuersten (Acidemic)As cinema lovers and everyone else mull over Obama's state of the union address (replete with dissolute toadlike old power mongers muttering their villainous dissent in the audience), it's tempting to look for a Capra film to compare with, but shouldn't we go back farther, to Gold Diggers Of 1933, and Busby Berkley's "Forgotten Man" number? Can't you feel it coming in the air tonight?
Opening with hot chicks (including Ginger Rogers) naked behind gold coins singing "Where in the Money" in Pig Latin, Gold Diggers is as savvy and hip a denouncement of the status quo as hard times can produce. Robert Dudley (the Weenie King!) plays the good-hearted producer who wants to put on a show about "men, walking, hungry, jobs! jobs! jobs!" with heart-of-gold-digger Joan Blondell, the "comic" beanpole Aline McMahon, and normie Ruby Keeler, who--as always--is assigned to sing and smooch with Dick Powell.
Opening with hot chicks (including Ginger Rogers) naked behind gold coins singing "Where in the Money" in Pig Latin, Gold Diggers is as savvy and hip a denouncement of the status quo as hard times can produce. Robert Dudley (the Weenie King!) plays the good-hearted producer who wants to put on a show about "men, walking, hungry, jobs! jobs! jobs!" with heart-of-gold-digger Joan Blondell, the "comic" beanpole Aline McMahon, and normie Ruby Keeler, who--as always--is assigned to sing and smooch with Dick Powell.
- 1/29/2010
- by Erich Kuersten
- FilmExperience
"Extra" brings you AFI's 100 Best Movie Quotes of all time! From "The Wizard of Oz" to "Taxi Driver," see if your favorites made the list!
AFI's 100 Years...100 Movie QuotesGone with the Wind (1939)
“Frankly, my dear, I don't give a damn.” —Said by Clark Gable as Rhett Butler to Vivien Leigh as Scarlett O’Hara.
The Godfather (1972)
“I’m going to make him an offer he can’t refuse.” —Marlon Brando as Don Corleone.
On the Waterfront (1954)
“You don’t understand!
AFI's 100 Years...100 Movie QuotesGone with the Wind (1939)
“Frankly, my dear, I don't give a damn.” —Said by Clark Gable as Rhett Butler to Vivien Leigh as Scarlett O’Hara.
The Godfather (1972)
“I’m going to make him an offer he can’t refuse.” —Marlon Brando as Don Corleone.
On the Waterfront (1954)
“You don’t understand!
- 11/4/2009
- Extra
TORONTO -- NBC Universal's Canadian arm on Monday said it would help finance a series of TV commercials that recount the stories of Canadian-born actors and executives that helped build Hollywood. NBC Universal and Canadian broadcaster Chum Television will each contribute CAN$500,000 ($396,000) to produce Screen Legends, a series of 60-second portraits of Canadians that left this country to establish careers in film. The 60-second vignettes, to be produced for the Historica Foundation and narrated by Colm Feore, will capture moments in the lives of Ruby Keeler, Fay Wray, Jack Warner and Louis B. Mayer, and eventually lead up to contemporary Canadian-born stars in Hollywood.
- 7/25/2005
- The Hollywood Reporter - Movie News
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