The Guild of Music Supervisors has partnered with Mondo.NYC for its 4th annual one day education seminar on Oct. 14, which will once again be held virtually.
The program track will feature some of the top music supervisors in the field today, along with their creative partners and collaborators, who will present case studies and break downs of projects they’ve worked on.
Programming for the sessions was headed by Gms co-founder Jonathan McHugh, who says: “Our NYC steering committee has done another excellent job on crafting a great day of programming. It’s a mixed blessing that our one day event is virtual again this year. The good news is that now people from all over the world can attend and learn from some great Gms music supervisors/producers and some of the creative partners and brands that they collaborate with.”
Mondo is an incubator confab for the music...
The program track will feature some of the top music supervisors in the field today, along with their creative partners and collaborators, who will present case studies and break downs of projects they’ve worked on.
Programming for the sessions was headed by Gms co-founder Jonathan McHugh, who says: “Our NYC steering committee has done another excellent job on crafting a great day of programming. It’s a mixed blessing that our one day event is virtual again this year. The good news is that now people from all over the world can attend and learn from some great Gms music supervisors/producers and some of the creative partners and brands that they collaborate with.”
Mondo is an incubator confab for the music...
- 9/10/2021
- by Jazz Tangcay
- Variety Film + TV
The Guild of Music Supervisors (Gms) has announced the full agenda for its third annual event and film festival in partnership with Mondo.NYC.
Among those participating are Bryan Cosgrove, head of creative music licensing for TikTok, and Sam Hayflitch from Viacom and +1 The Vote. “Mr. Soul!” and “Jimmy Carter: Rock & Roll President” will also screen.
For the first time, the event will be accompanied by a three-night film festival featuring music-oriented full-length documentaries and Q&As with the music supervisors and directors who worked on the projects.
Both the NYC Education Event and Film Festival will explore the opportunities and challenges of supervision and sync and master licensing, and how related technologies like AI, data collection/analytics and more may impact them.
The program takes place on Thursday, October 15 from 12:00 noon to 6:00 p.m. Et.
Full Agenda Below:
October 15, 2020
Conference Kickoff: 12:00 noon Et/ 9:00 a.
Among those participating are Bryan Cosgrove, head of creative music licensing for TikTok, and Sam Hayflitch from Viacom and +1 The Vote. “Mr. Soul!” and “Jimmy Carter: Rock & Roll President” will also screen.
For the first time, the event will be accompanied by a three-night film festival featuring music-oriented full-length documentaries and Q&As with the music supervisors and directors who worked on the projects.
Both the NYC Education Event and Film Festival will explore the opportunities and challenges of supervision and sync and master licensing, and how related technologies like AI, data collection/analytics and more may impact them.
The program takes place on Thursday, October 15 from 12:00 noon to 6:00 p.m. Et.
Full Agenda Below:
October 15, 2020
Conference Kickoff: 12:00 noon Et/ 9:00 a.
- 10/9/2020
- by Variety Staff
- Variety Film + TV
Patricia Joseph joined Primary Wave Entertainment as vice president of creative synch, the company announced this week. She will be based in New York and report to senior vice president of creative/head of synch Marty Silverstone.
“I’m very excited that Patricia has joined the Primary Wave team, Silverstone said. “Her experience and relationships in all corners of the sync community will be very valuable as Primary Wave continues to grow.”
Joseph was head of synch at Crush Music, providing creative services and strategic marketing and licensing for artists like Sia, Lorde, Green Day, Panic! At The Disco, Fall Out Boy, Train, Weezer and others. Prior to that role, she worked as a music supervisor on films and ran the synch division at Razor & Tie Records. She created the soundtrack and licensing division at Tvt Records, where she worked with artists and projects including Pitbull, Lil Jon, Nine Inch Nails and others.
“I’m very excited that Patricia has joined the Primary Wave team, Silverstone said. “Her experience and relationships in all corners of the sync community will be very valuable as Primary Wave continues to grow.”
Joseph was head of synch at Crush Music, providing creative services and strategic marketing and licensing for artists like Sia, Lorde, Green Day, Panic! At The Disco, Fall Out Boy, Train, Weezer and others. Prior to that role, she worked as a music supervisor on films and ran the synch division at Razor & Tie Records. She created the soundtrack and licensing division at Tvt Records, where she worked with artists and projects including Pitbull, Lil Jon, Nine Inch Nails and others.
- 10/5/2018
- by Variety Staff
- Variety Film + TV
"A lot of studios aren’t even doing soundtrack deals anymore because they think it’s a waste of time.”
By Dominic Patten
Slumping CD sales and the increasing influence of iTunes over the music industry have taken a toll on the once reliable revenues of movie soundtracks -- and that’s left studios increasingly reluctant to release soundtracks to many films.
“While it’s still worth it for the right project, there are a lot of studios who aren’t even doing soundtrack deals anymore because they think it’s a waste of time,” Patricia Joseph, VP of Music Placement and Licensing for NYC-based Razor & Tie Entertainment, told TheWrap.
Joseph, whose company worked on...
By Dominic Patten
Slumping CD sales and the increasing influence of iTunes over the music industry have taken a toll on the once reliable revenues of movie soundtracks -- and that’s left studios increasingly reluctant to release soundtracks to many films.
“While it’s still worth it for the right project, there are a lot of studios who aren’t even doing soundtrack deals anymore because they think it’s a waste of time,” Patricia Joseph, VP of Music Placement and Licensing for NYC-based Razor & Tie Entertainment, told TheWrap.
Joseph, whose company worked on...
- 8/10/2009
- by Lew Harris
- The Wrap
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