Former NBC Entertainment chairman Paul Telegdy has launched a new shingle with his cousin, Berlin-based advertising exec Stefan Telegdy, and they are pitching their first TV project, a 10-episode series about the Falklands/Malvinas War of 1982.
The Telegdys’ The Whole Spiel production company has partnered with Lone Wolf Pictures and Infinity Hill to produce “The Islands,” which tells the story of that 1982 war, from the perspective of the soldiers and civilians on both sides of the 74-day conflict.
Argentine writer Sebastian Rotstein is writing the screenplay for the show, which will employ writers and directors from both the U.K. and Argentina to tell the full story.
Lone Wolf Prods. has secured rights to several published works about the war to use as source material, and is also working with military and civilian consultants including war correspondent Sir Max Hastings and Sir Simon Jenkins (“The Battle for the Falklands”); Cdr Sharkey Ward Dsc,...
The Telegdys’ The Whole Spiel production company has partnered with Lone Wolf Pictures and Infinity Hill to produce “The Islands,” which tells the story of that 1982 war, from the perspective of the soldiers and civilians on both sides of the 74-day conflict.
Argentine writer Sebastian Rotstein is writing the screenplay for the show, which will employ writers and directors from both the U.K. and Argentina to tell the full story.
Lone Wolf Prods. has secured rights to several published works about the war to use as source material, and is also working with military and civilian consultants including war correspondent Sir Max Hastings and Sir Simon Jenkins (“The Battle for the Falklands”); Cdr Sharkey Ward Dsc,...
- 5/19/2022
- by Michael Schneider
- Variety Film + TV
The Islands, a 10-episode drama series, is in the works from BBC alum Stephen McDonogh’s Lone Wolf Pictures, Axel Kuschevatzky, Phin Glynn and Cindy Teperman’s Infinity Hill as well as The Whole Spiel, the company launched last year by former NBC Entertainment Chairman Paul Telegdy and his cousin, Stefan Telegdy.
The series, which is being shopped to networks and streamers, tells the story of the Falklands-Malvinas War of 1982 from the point of view of the people who were there and with the involvement of writers and filmmakers from both UK and Argentina. Writing is already underway, with Argentine film and TV writer Sebastian Rotstein on board.
The Islands is not a story of failed diplomacy or geo-politics — an angle recently explored on The Crown — but rather an epic portrayal of the brutal realities they brought to a group of extraordinary human beings...
The series, which is being shopped to networks and streamers, tells the story of the Falklands-Malvinas War of 1982 from the point of view of the people who were there and with the involvement of writers and filmmakers from both UK and Argentina. Writing is already underway, with Argentine film and TV writer Sebastian Rotstein on board.
The Islands is not a story of failed diplomacy or geo-politics — an angle recently explored on The Crown — but rather an epic portrayal of the brutal realities they brought to a group of extraordinary human beings...
- 5/19/2022
- by Nellie Andreeva
- Deadline Film + TV
Disney Apac Boss Uday Shankar Quits
Uday Shankar, president of The Walt Disney Company Asia Pacific and chairman, Star & Disney India, is to step down at the end of 2020 after less than two years in the role. Shankar said he intends to pursue new entrepreneurial opportunities to “give back to the country.” Before stepping down, he will work with Rebecca Campbell, chair of Disney’s direct-to-consumer and international segment, to identify a successor. Campbell said: “With the successful launch of Disney+ throughout the region, he has helped put The Walt Disney Company in a commanding position in this dynamic and incredibly strategic part of the world. His vast experience and expertise have been invaluable in bringing together a strong, cohesive Apac leadership team to chart a path forward for our streaming businesses in the region and beyond.”
BBC Three Picks Up Lena Waithe’s ‘Twenties’
The first two seasons of...
Uday Shankar, president of The Walt Disney Company Asia Pacific and chairman, Star & Disney India, is to step down at the end of 2020 after less than two years in the role. Shankar said he intends to pursue new entrepreneurial opportunities to “give back to the country.” Before stepping down, he will work with Rebecca Campbell, chair of Disney’s direct-to-consumer and international segment, to identify a successor. Campbell said: “With the successful launch of Disney+ throughout the region, he has helped put The Walt Disney Company in a commanding position in this dynamic and incredibly strategic part of the world. His vast experience and expertise have been invaluable in bringing together a strong, cohesive Apac leadership team to chart a path forward for our streaming businesses in the region and beyond.”
BBC Three Picks Up Lena Waithe’s ‘Twenties’
The first two seasons of...
- 10/8/2020
- by Jake Kanter
- Deadline Film + TV
From new voices like NoViolet Bulawayo to rediscovered old voices like James Salter, from Dave Eggers's satire to David Thomson's history of film, writers, Observer critics and others pick their favourite reads of 2013. And they tell us what they hope to find under the tree …
Curtis Sittenfeld
Novelist
My favourite books of 2013 are Drama High (Riverhead) by Michael Sokolove, Sea Creatures (Turnaround) by Susanna Daniel, and & Sons (Harper Collins) by David Gilbert. Drama High is incredibly smart, moving non-fiction about an American drama teacher who for four decades coaxed sophisticated and nuanced theatrical performances out of teenage students who weren't privileged or otherwise remarkable and in so doing, changed their conceptions of what they could do with their lives. Sea Creatures is a gripping, beautifully written novel about the mother of a selectively mute three-year-old boy; when she takes a job ferrying supplies to a hermit off the coast of Florida,...
Curtis Sittenfeld
Novelist
My favourite books of 2013 are Drama High (Riverhead) by Michael Sokolove, Sea Creatures (Turnaround) by Susanna Daniel, and & Sons (Harper Collins) by David Gilbert. Drama High is incredibly smart, moving non-fiction about an American drama teacher who for four decades coaxed sophisticated and nuanced theatrical performances out of teenage students who weren't privileged or otherwise remarkable and in so doing, changed their conceptions of what they could do with their lives. Sea Creatures is a gripping, beautifully written novel about the mother of a selectively mute three-year-old boy; when she takes a job ferrying supplies to a hermit off the coast of Florida,...
- 11/24/2013
- by Ali Smith, Robert McCrum, Tim Adams, Kate Kellaway, Rachel Cooke, Sebastian Faulks, Jackie Kay
- The Guardian - Film News
Hilary Mantel, Jonathan Franzen, Mohsin Hamid, Ruth Rendell, Tom Stoppard, Malcolm Gladwell, Eleanor Catton and many more recommend the books that impressed them this year
Chimamanda Ngozi Adichie
Five Star Billionaire by Tash Aw (Fourth Estate) is a brilliant, sprawling, layered and unsentimental portrayal of contemporary China. It made me think and laugh. I also love Dave Eggers' The Circle (Hamish Hamilton), which is a sharp-eyed and funny satire about the obsession with "sharing" our lives through technology. It's convincing and a little creepy.
William Boyd
By strange coincidence two of the most intriguing art books I read this year had the word "Breakfast" in their titles. They were Breakfast with Lucian by Geordie Greig (Jonathan Cape) and Breakfast at Sotheby's by Philip Hook (Particular). Greig's fascinating, intimate biography of Lucian Freud was a revelation. Every question I had about Freud – from the aesthetic to the intrusively gossipy – was...
Chimamanda Ngozi Adichie
Five Star Billionaire by Tash Aw (Fourth Estate) is a brilliant, sprawling, layered and unsentimental portrayal of contemporary China. It made me think and laugh. I also love Dave Eggers' The Circle (Hamish Hamilton), which is a sharp-eyed and funny satire about the obsession with "sharing" our lives through technology. It's convincing and a little creepy.
William Boyd
By strange coincidence two of the most intriguing art books I read this year had the word "Breakfast" in their titles. They were Breakfast with Lucian by Geordie Greig (Jonathan Cape) and Breakfast at Sotheby's by Philip Hook (Particular). Greig's fascinating, intimate biography of Lucian Freud was a revelation. Every question I had about Freud – from the aesthetic to the intrusively gossipy – was...
- 11/23/2013
- by Hilary Mantel, Jonathan Franzen, Mohsin Hamid, Tom Stoppard, Chimamanda Ngozi Adichie, William Boyd, Bill Bryson, Shami Chakrabarti, Sarah Churchwell, Antonia Fraser, Mark Haddon, Robert Harris, Max Hastings, Philip Hensher, Simon Hoggart, AM Homes, John Lanchester, Mark Lawson, Robert Macfarlane, Andrew Motion, Ian Rankin, Lionel Shriver, Helen Simpson, Colm Tóibín, Richard Ford, John Gray, David Kynaston, Penelope Lively, Pankaj Mishra, Blake Morrison, Susie Orbach
- The Guardian - Film News
The BBC has today announced an ambitious four years of programming for their First World War Centenary coverage, the biggest pan-BBC season in the broadcaster's history.
From 2014-2018, the BBC will feature specially dedicated coverage on TV, Radio and online, and across international, national and local services.
Leading the coverage is Jeremy Paxman's Britain's Great War, a four-part documentary season which will start in early 2014. The series will explore how Britain and the lives of British people were altered by the conflict.
Other programming highlights include BBC Two's The Necessary War, presented by Sir Max Hastings, and Niall Ferguson's The Pity Of War, which will both look at the war from very different perspectives.
Rupert Murdoch will be interviewed in Gallipoli, a documentary about the British Empire's most humiliating episode of the First World War. Murdoch will speak about his father, who was a whistle-blower on the botched campaign.
From 2014-2018, the BBC will feature specially dedicated coverage on TV, Radio and online, and across international, national and local services.
Leading the coverage is Jeremy Paxman's Britain's Great War, a four-part documentary season which will start in early 2014. The series will explore how Britain and the lives of British people were altered by the conflict.
Other programming highlights include BBC Two's The Necessary War, presented by Sir Max Hastings, and Niall Ferguson's The Pity Of War, which will both look at the war from very different perspectives.
Rupert Murdoch will be interviewed in Gallipoli, a documentary about the British Empire's most humiliating episode of the First World War. Murdoch will speak about his father, who was a whistle-blower on the botched campaign.
- 10/16/2013
- Digital Spy
In this lull before the whirlwind of the 63rd edition starts, the question that I've been pondering is this: why have these past Cannes discoveries never crossed the Channel for a UK release?
Here we are in Cannes, the day before the official opening: the Tuesday Lull. It's the calm before the storm, which, traditionally, is not all that calm. The red carpet is still being hammered into place and the Grand Palais prepared by grey-suited officials bustling about everywhere. Last year, my friend Nigel Andrews of the Financial Times told me he saw a Cannes local walk down the Croisette, survey the scene and loudly sigh: "Les conneries commencent …" ("The bullshit begins …"). For journalists covering the festival, this is a time for savouring all the possibilities of movie experience that must surely be available in the next 10 days, before you're suddenly plunged straight into it, and there never seems to be enough time,...
Here we are in Cannes, the day before the official opening: the Tuesday Lull. It's the calm before the storm, which, traditionally, is not all that calm. The red carpet is still being hammered into place and the Grand Palais prepared by grey-suited officials bustling about everywhere. Last year, my friend Nigel Andrews of the Financial Times told me he saw a Cannes local walk down the Croisette, survey the scene and loudly sigh: "Les conneries commencent …" ("The bullshit begins …"). For journalists covering the festival, this is a time for savouring all the possibilities of movie experience that must surely be available in the next 10 days, before you're suddenly plunged straight into it, and there never seems to be enough time,...
- 5/11/2010
- by Peter Bradshaw
- The Guardian - Film News
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