This January, NBCUniversal is offering fans the chance to dive into some of Universal Pictures’ most gruesome classic films ever made on one of the world’s biggest horror YouTube channels, ‘Fear: The Home of Horror.’
Starting January 15th 2021 horror fans will have the opportunity to scare away the January blues and take a step back in time to watch an incredible array of classic re-mastered cult films for Free including Dracula (1931), Frankenstein (1931), The Mummy (1932), The Invisible Man (1933), The Wolf Man (1941), Bride of Frankenstein (1935) and Abbott and Costello Meet Frankenstein (1948).
Each film will premiere individually and be available to watch for seven days on the Fear: The Home of Horror YouTube channel. Additionally, during each film’s premiere week, fans will have the opportunity to add these films to their digital collection at a discounted price, allowing them to watch whenever they want, for as many times as they want!
Starting January 15th 2021 horror fans will have the opportunity to scare away the January blues and take a step back in time to watch an incredible array of classic re-mastered cult films for Free including Dracula (1931), Frankenstein (1931), The Mummy (1932), The Invisible Man (1933), The Wolf Man (1941), Bride of Frankenstein (1935) and Abbott and Costello Meet Frankenstein (1948).
Each film will premiere individually and be available to watch for seven days on the Fear: The Home of Horror YouTube channel. Additionally, during each film’s premiere week, fans will have the opportunity to add these films to their digital collection at a discounted price, allowing them to watch whenever they want, for as many times as they want!
- 1/6/2021
- by Phil Wheat
- Nerdly
“Last night I dreamt I went to Manderley again.”
That haunting line opened Daphne Du Maurier’s treasured 1938 romantic thriller “Rebecca,” which was published in 1938. Lauded by critics, it quickly became a best-seller and has been in print ever since. And for good reason.
Du Maurier wraps readers around her little finger with this addictive tale of a timid young woman-her name is never mentioned-who meets and falls in love with an enigmatic wealthy widower, Maxim de Winter, while in Monte Carlo working as a paid companion to the obnoxious American, Mrs. Van Hopper. Max and the young woman soon fall in love. They marry and he takes her home to his gothic estate Manderley run with an iron-fist by the tightly wound housekeeper Mrs. Danvers who is obsessed with the late, charismatic Rebecca, the late wife of Maxim.
Two years after its publication, “Gone with the Wind” producer David O. Selznick...
That haunting line opened Daphne Du Maurier’s treasured 1938 romantic thriller “Rebecca,” which was published in 1938. Lauded by critics, it quickly became a best-seller and has been in print ever since. And for good reason.
Du Maurier wraps readers around her little finger with this addictive tale of a timid young woman-her name is never mentioned-who meets and falls in love with an enigmatic wealthy widower, Maxim de Winter, while in Monte Carlo working as a paid companion to the obnoxious American, Mrs. Van Hopper. Max and the young woman soon fall in love. They marry and he takes her home to his gothic estate Manderley run with an iron-fist by the tightly wound housekeeper Mrs. Danvers who is obsessed with the late, charismatic Rebecca, the late wife of Maxim.
Two years after its publication, “Gone with the Wind” producer David O. Selznick...
- 10/22/2020
- by Susan King
- Gold Derby
It’s a review. No, it’s a rant. Stop, you’re both right. CineSavant’s overt mission is to demonstrate that old movies, especially old Science Fiction movies, are more relevant than ever. There is at present no authorized home video release of this amazing 1952 politico-religious pretzel of a movie. The surprise is that it accurately presages the media hysteria that underpins our present day Info Wars. Fake News comes from the sky, and a major world revolution results — for the better? Will religious fundamentalism rule all? This may be the most radical faith-based picture ever made.
Red Planet Mars
Revival Screening Review
Not on DVD
1952 / B&W / 1:37 Academy / 87 min.
Starring: Peter Graves, Andrea King, Herbert Berghof, Walter Sande, Marvin Miller, Willis Bouchey, Morris Ankrum, Orley Lindgren, Bayard Veiller, Vince Barnett, Lewis Martin.
Cinematography: Joseph F. Biroc
Film Editor: Francis D. Lyon
Production assistant: Robert H. Justman
Original...
Red Planet Mars
Revival Screening Review
Not on DVD
1952 / B&W / 1:37 Academy / 87 min.
Starring: Peter Graves, Andrea King, Herbert Berghof, Walter Sande, Marvin Miller, Willis Bouchey, Morris Ankrum, Orley Lindgren, Bayard Veiller, Vince Barnett, Lewis Martin.
Cinematography: Joseph F. Biroc
Film Editor: Francis D. Lyon
Production assistant: Robert H. Justman
Original...
- 4/3/2018
- by Glenn Erickson
- Trailers from Hell
Updated: Following a couple of Julie London Westerns*, Turner Classic Movies will return to its July 2017 Star of the Month presentations. On July 27, Ronald Colman can be seen in five films from his later years: A Double Life, Random Harvest (1942), The Talk of the Town (1942), The Late George Apley (1947), and The Story of Mankind (1957). The first three titles are among the most important in Colman's long film career. George Cukor's A Double Life earned him his one and only Best Actor Oscar; Mervyn LeRoy's Random Harvest earned him his second Best Actor Oscar nomination; George Stevens' The Talk of the Town was shortlisted for seven Oscars, including Best Picture. All three feature Ronald Colman at his very best. The early 21st century motto of international trendsetters, from Venezuela's Nicolás Maduro and Turkey's Recep Erdogan to Russia's Vladimir Putin and the United States' Donald Trump, seems to be, The world is reality TV and reality TV...
- 7/28/2017
- by Andre Soares
- Alt Film Guide
Ronald Colman: Turner Classic Movies' Star of the Month in two major 1930s classics Updated: Turner Classic Movies' July 2017 Star of the Month is Ronald Colman, one of the finest performers of the studio era. On Thursday night, TCM presented five Colman star vehicles that should be popping up again in the not-too-distant future: A Tale of Two Cities, The Prisoner of Zenda, Kismet, Lucky Partners, and My Life with Caroline. The first two movies are among not only Colman's best, but also among Hollywood's best during its so-called Golden Age. Based on Charles Dickens' classic novel, Jack Conway's Academy Award-nominated A Tale of Two Cities (1936) is a rare Hollywood production indeed: it manages to effectively condense its sprawling source, it boasts first-rate production values, and it features a phenomenal central performance. Ah, it also shows its star without his trademark mustache – about as famous at the time as Clark Gable's. Perhaps...
- 7/21/2017
- by Andre Soares
- Alt Film Guide
Fox’s first official monster movie is a terrific-looking but mostly flat mystery that tries its utmost not to be a horror film at all. It’s a head scratcher that will interest fans of the expressive John Brahm, and help completists scratch another werewolf film off their gotta-see lists.
The Undying Monster
Blu-ray
Kl Studio Classics
1942 / B&W / 1:37 flat Academy / 62 min. / Street Date December 13, 2016 / available through Kino Lorber / 29.95
Starring James Ellison, Heather Angel, John Howard, Bramwell Fletcher, Heather Thatcher, Aubrey Mather, Halliwell Hobbes, Alec Craig, Holmes Herbert, Eily Malyon, Charles McGraw.
Cinematography Lucien Ballard
<Film Editor Harry Reynolds
Original Music Emil Newman, David Raksin
Written byLillie Hayward, Michel Jacoby from a novel by Jessie Douglas Kerrruish
Produced by Bryan Foy
Directed by John Brahm
Reviewed by Glenn Erickson
After the heyday of Universal horror in the first half of the 1930s, horror pictures went on the decline for over twenty years.
The Undying Monster
Blu-ray
Kl Studio Classics
1942 / B&W / 1:37 flat Academy / 62 min. / Street Date December 13, 2016 / available through Kino Lorber / 29.95
Starring James Ellison, Heather Angel, John Howard, Bramwell Fletcher, Heather Thatcher, Aubrey Mather, Halliwell Hobbes, Alec Craig, Holmes Herbert, Eily Malyon, Charles McGraw.
Cinematography Lucien Ballard
<Film Editor Harry Reynolds
Original Music Emil Newman, David Raksin
Written byLillie Hayward, Michel Jacoby from a novel by Jessie Douglas Kerrruish
Produced by Bryan Foy
Directed by John Brahm
Reviewed by Glenn Erickson
After the heyday of Universal horror in the first half of the 1930s, horror pictures went on the decline for over twenty years.
- 11/29/2016
- by Glenn Erickson
- Trailers from Hell
Raymond Massey ca. 1940. Raymond Massey movies: From Lincoln to Boris Karloff Though hardly remembered today, the Toronto-born Raymond Massey was a top supporting player – and sometime lead – in both British and American movies from the early '30s all the way to the early '60s. During that period, Massey was featured in nearly 50 films. Turner Classic Movies generally selects the same old MGM / Rko / Warner Bros. stars for its annual “Summer Under the Stars” series. For that reason, it's great to see someone like Raymond Massey – who was with Warners in the '40s – be the focus of a whole day: Sat., Aug. 8, '15. (See TCM's Raymond Massey movie schedule further below.) Admittedly, despite his prestige – his stage credits included the title role in the short-lived 1931 Broadway production of Hamlet – the quality of Massey's performances varied wildly. Sometimes he could be quite effective; most of the time, however, he was an unabashed scenery chewer,...
- 8/8/2015
- by Andre Soares
- Alt Film Guide
In addition to screening The Wolf Man, Beyond Fest also screened a 35 mm print of another of Universal’s classics, The Mummy. Despite perhaps being its most profitable overall, thanks to the Hammer sequels and the Brendan Fraser franchise that followed it in the 90′s/00′s, The Mummy might be one of the more overlooked tenets of horror, as Dracula, Frankenstein, Wolf Man, and Creature normally supersede it in discussions of everyone’s favorites.
I tend to agree with that sentiment, as the cheesy love-at-first-kidnapping romance between David Whemple and Helen Grosvener (Zita Johann) is more than a little distracting. But the opening scenes, with Bramwell Fletcher’s Ralph Norton going crazy at the sight of the Mummy reborn… is Almost as manic and crazy as Colin Clive’s “It’s Alive!” moment in Frankenstein. The film is still as wonderful and inspiring as the first time you watched it,...
I tend to agree with that sentiment, as the cheesy love-at-first-kidnapping romance between David Whemple and Helen Grosvener (Zita Johann) is more than a little distracting. But the opening scenes, with Bramwell Fletcher’s Ralph Norton going crazy at the sight of the Mummy reborn… is Almost as manic and crazy as Colin Clive’s “It’s Alive!” moment in Frankenstein. The film is still as wonderful and inspiring as the first time you watched it,...
- 10/27/2013
- by Andy Greene
- FamousMonsters of Filmland
Ronald Colman, Jane Wyatt, Lost Horizon Ronald Colman on TCM: Random Harvest, Kiki, A Tale Of Two Cities Schedule (Et) and synopses from the TCM website: 6:00 Am Lucky Partners (1940) Two strangers who share a sweepstakes ticket take it on the lam. Dir: Lewis Milestone. Cast: Ronald Colman, Ginger Rogers, Jack Carson. Bw-99 mins. 7:45 Am My Life With Caroline (1941) A man thinks his high-spirited wife is cheating on him. Dir: Lewis Milestone. Cast: Ronald Colman, Anna Lee, Charles Winninger. Bw-81 mins. 9:15 Am The White Sister (1923) Thinking her lover was killed in the war, a young woman becomes a nun. Dir: Henry King. Cast: Lillian Gish, Ronald Colman, Gail Kane. Bw-135 mins. 11:30 Am Kiki (1926) A Parisian dancer vies with a glamorous actress for a producer's heart. Dir: Clarence Brown. Cast: Norma Talmadge, Ronald Colman, Gertrude Astor. Bw-97 mins. 1:30 Pm Raffles (1930) A distinguished British gentleman hides his true...
- 8/4/2011
- by Andre Soares
- Alt Film Guide
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