A new effort is underway to build an authentic documentary film culture on the African continent, with the long-term objective of strengthening African presence in the documentary marketplace.
The newly launched Doc-a — also known as Documentary Africa — has been spearheaded by Comorian Executive Director Mohamed Saïd Ouma, an active member of Fepaci (the Pan African Federation of Filmmakers) and The African Heritage Project, which aims to restore 50 African films of major historic, cultural and artistic significance.
“The African documentary ecosystem is very fragile as it stands, so by focusing on partnership and collaboration, we aim at solidifying existing structures,” Ouma said.
Creating documentaries on the African continent remains a challenge for the same reasons that face narrative filmmaking in the region: a lack of a sustained ecosystem. But with challenges come opportunities — in this case, the chance to build a documentary tradition and legacy for future filmmakers. In the past decade,...
The newly launched Doc-a — also known as Documentary Africa — has been spearheaded by Comorian Executive Director Mohamed Saïd Ouma, an active member of Fepaci (the Pan African Federation of Filmmakers) and The African Heritage Project, which aims to restore 50 African films of major historic, cultural and artistic significance.
“The African documentary ecosystem is very fragile as it stands, so by focusing on partnership and collaboration, we aim at solidifying existing structures,” Ouma said.
Creating documentaries on the African continent remains a challenge for the same reasons that face narrative filmmaking in the region: a lack of a sustained ecosystem. But with challenges come opportunities — in this case, the chance to build a documentary tradition and legacy for future filmmakers. In the past decade,...
- 12/6/2019
- by Tambay Obenson
- Indiewire
Non-profit cultural body aims to promote Arab cinema and launch an Oscars-style awards ceremony.
Top industry figures from across the Arab cinema world gathered at Diff yesterday for the launch of the Arab Film Institute (AFI).
Headquartered in Dubai, the non-profit cultural body aims to act as a platform for Arab cinema, past and present, and support its future development at every level, from production through to distribution and promotion.
Modelled loosely on the Academy of Motion Picture Arts and Sciences (AMPAS), the new body will also launch an Oscar-style awards ceremony, the Arab Film Awards, covering 19 categories, from directing to cinematography and lifetime achievement.
Funding for the body will come through membership fees and patronage.
“Being a witness and active member of the bright and rich Arab film scene, I felt we needed to bring together all this energy and exchange experiences and ideas as well as offering wider opportunities in a fast-changing world to our...
Top industry figures from across the Arab cinema world gathered at Diff yesterday for the launch of the Arab Film Institute (AFI).
Headquartered in Dubai, the non-profit cultural body aims to act as a platform for Arab cinema, past and present, and support its future development at every level, from production through to distribution and promotion.
Modelled loosely on the Academy of Motion Picture Arts and Sciences (AMPAS), the new body will also launch an Oscar-style awards ceremony, the Arab Film Awards, covering 19 categories, from directing to cinematography and lifetime achievement.
Funding for the body will come through membership fees and patronage.
“Being a witness and active member of the bright and rich Arab film scene, I felt we needed to bring together all this energy and exchange experiences and ideas as well as offering wider opportunities in a fast-changing world to our...
- 12/11/2016
- ScreenDaily
Leyla Bouzid’s As I Open My Eyes won best fiction film in the Muhr Feature competition at this year’s Dubai International Film Festival (Diff), while Mahmood Soliman’s We Have Never Been Kids scooped best non-fiction film and best director.
Bouzid’s Tunis-set drama tells the story of a young woman singing in a political rock band in the run-up to the Tunisian revolution. Soliman’s documentary is about an Egyptian woman trying to look after her four children around the time of her divorce.
Salem Brahimi’s Let Them Come, about a family affected by a rising tide of Islamic fundamentalism in 1990s Algeria, scooped the Special Jury Prize in the Muhr Feature competition.
Best actress went to Menna Shalabi for her performance in Egyptian filmmaker Hala Khalil’s Nawara, while best actor went to Lotfi Abdelli for Tunisian director Fares Naanaa’s Borders Of Heaven.
“We have been so impressed with the female...
Bouzid’s Tunis-set drama tells the story of a young woman singing in a political rock band in the run-up to the Tunisian revolution. Soliman’s documentary is about an Egyptian woman trying to look after her four children around the time of her divorce.
Salem Brahimi’s Let Them Come, about a family affected by a rising tide of Islamic fundamentalism in 1990s Algeria, scooped the Special Jury Prize in the Muhr Feature competition.
Best actress went to Menna Shalabi for her performance in Egyptian filmmaker Hala Khalil’s Nawara, while best actor went to Lotfi Abdelli for Tunisian director Fares Naanaa’s Borders Of Heaven.
“We have been so impressed with the female...
- 12/16/2015
- by lizshackleton@gmail.com (Liz Shackleton)
- ScreenDaily
Palm Springs International Film Fest Announces Premieres, New Voices/New Visions, and Modern Masters
The 27th annual Palm Springs International Film Festival (Psiff) has announced its line-up of Premieres, New Voices/New Visions competition and Modern Masters. Films from 60 countries, including 54 premieres (7 World, 17 North American and 30 U.S.), will unspool at the Festival, running from January 1-11, 2016 in Palm Springs, California.
“The line-up this year, while full of unexpected surprises, vividly reflects what is going on in the world around us,” said Festival Director Darryl Macdonald. “There’s a particular focus on stories about displaced people – immigrants, emigrants, refugees, those seeking asylum or shelter. There’s a concurrent trend toward stories revolving around new beginnings and escaping the shackles of the past, whether sexual, cultural, societal or self-imposed. Balancing all of these is a focus on family and romance, along with films involving a healthy dose of magic realism or absurdist comedy, and a plethora of exceptional films dealing with the usual obsessions – music, food, sex and art. All in all, it’s about as well-rounded, as thoughtfully chosen, and as provocative as it’s possible for a smartly curated lineup of new international cinema to be.”
“I am thrilled at the breadth and depth of this year’s program,” said Festival Artistic Director Helen du Toit. “While Modern Masters showcases such widely acclaimed filmmakers as as Apichatpong Weerasethakul, Barbara Kopple and Terence Davies, our New Voices/New Visions program is evidence that new masters are emerging around the world. The range of approaches is extraordinary. Highlights include Raam Reddy's 'Thithi' (India), which skillfully juggles myriad characters in a delightful low key comedy; Yorgos Zois’ 'Interruption' (Greece), which challenges the audience with a complex and highly compelling narrative; and Maris Curran's 'Five Nights in Maine' (USA), featuring David Oyelowo's nuanced and heartbreaking performance as a widower reconnecting with his estranged mother-in-law.”
Showcasing the diversity of international cinema, Festival premieres will include:
World premieres: "50 Days in the Desert" (Luxembourg) directed by Fabrizio Maltese, "Agnes" (Germany/Belgium), the documentary "Broadway: Beyond the Golden Age" (Us) featuring Alec Baldwin, Carol Channing, Dick Van Dyke, Jane Fonda and Robert Redford, "The Carer" (Hungary/UK), "Going Going Gone" (UK), "Searchdog" (Us) and "Set the Thames on Fire" (UK).
North American premieres: "Banat" (Italy/Romania/Bulgaria/Macedonia), "Death By Death" (Belgium/France), "A Decent Man" (Switzerland),"Departure" (France/UK),"Fly Away Solo" (India/France), "Interruption" (Greece/Croatia), "A Korean in Paris" (South Korea/France), "The Memory of Water" (Chile/Spain/Argentina/Germany), "Moor" (Pakistan), "On My Mother’s Side" (Canada), "Paradise Trips" (Belgium/Croatia), "Rosita" (Denmark), "Spy Time" (Spain), "Tanna" (Australia/Vanuatu), "Thithi" (India/Us/Canada), "Utopians" (Hong Kong) and "When a Tree Falls" (Spain).
U.S. premieres: "1944" (Estonia/Finland), "3000 Nights" (Palestine/France/Jordan/Lebanon), "Atomic Falafel" (Israel/Germany/New Zealand), "Belgian Rhapsody" (Belgium), "Beyond My Grandfather Allende" (Chile/Mexico), "Born to Dance" (New Zealand), "Closet Monster" (Canada), "Enclave" (Serbia/Germany), "The Endless River" (South Africa/France), "Endorphine" (Canada),Exotica, "Erotica, Etc." (France), "Fire Song" (Canada), "Five Nights in Maine" (Us), "A Heavy Heart" (Germany), "Home Care" (Czech Republic/Slovakia), "Let Them Come" (Algeria/France), "My Big Night" (Spain), "My Internship in Canada" (Canada), "The Other Side" (Italy/France), "Our Everyday Life" (Bosnia, Herzegovina/Slovenia/Croatia), "The Paradise Suite" (Netherlands/Sweden/Bulgaria), "Parched" (India/Us/UK), "Parisienne" (France), "Sabali" (Canada), "Sleeping Giant" (Canada), "Summer Solstice" (Poland/Germany), "Trap" (Philippines), "The Violin Teacher" (Brazil), "Wedding Doll" (Israel) and " Zubaan" (India).
The New Voices/New Visions competition showcases 12 Us premieres from top emerging international directors marking their feature film debut at the Festival, with the additional criteria that the films selected are currently without U.S. distribution. The winner is selected by a jury of U.S. distributors which include Gary Rubin of Cohen Media, Dan Berger of Oscilloscope and Ryan Kampe of Visit Films/Monument Releasing. The winner will receive use of a $60,000 Panavision camera package and a glass sculpture designed for the Festival by renowned artist Dale Chihuly. Films selected for this year include:
"Banat" (Italy/Romania/Bulgaria/Macedonia), Director Adriano Valerio "Death By Death" (Belgium/France), Director Xavier Seron "Departure" (UK/France), Director Andrew Steggall "Five Nights in Maine" (Us), Director Maris Curran and starring David Oyelowo "A Heavy Heart" (Germany), Director Thomas Stuber "Home Care" (Czech Republic/Slovakia), Director Slávek Horák "Interruption" (Greece/Croatia), Director Yorgos Zois "Let Them Come" (Algeria/France), Director Salem Brahimi "Our Everyday Life" (Bosnia and Herzegovina/Slovenia/Croatia), Director Ines Tanović "Paradise Trips" (Belgium/Croatia), Director Raf Reyntjens "Sleeping Giant" (Canada), Director Andrew Cividino "Thithi" (India/Us/Canada), Director Raam Reddy
The Modern Masters section features 10 films from international directors who set the standards for contemporary cinema. Films selected for this year include:
"Cemetery Of Splendour" (Thailand/UK), Director Apichatpong Weerasethakul "Dheepan" (France), Director Jacques Audiard "Miss Sharon Jones!" (Us), Director Barbara Kopple "Mountains May Depart" (China/France/Japan), Director Jia Zhangke "My Golden Days" (France), Director Arnaud Desplechin "My Mother" (Italy/France), Director Nanni Moretti "Our Little Sister" (Japan), Director Hirokazu Kore-eda "Sunset Song" (UK/Luxembourg), Director Terence Davies "Sweet Bean" (Japan), Director Naomi Kawase "Women He’s Undressed" (Australia), Director Gillian Armstrong
Other Festival films with notable talent and directors include: "45 Years" (UK) directed by Andrew Haigh and starring Charlotte Rampling and Tom Courtenay, "Anomalisa" (Us) directed by Duke Johnson and Charlie Kaufman with the voices of David Thewlis and Jennifer Jason Leigh, "Chronic" (Mexico/France) starring Tim Roth, "Closet Monster" (Canada) with Connor Jessup and Isabella Rossellini, "Eisenstein in Guanajuato" (Netherlands/Mexico/Finland/Belgium/France) directed by Peter Greenaway, "February" (Us/Canada) starring Kiernan Shipka and Emma Roberts, "Hello, My Name is Doris" (Us) starring Sally Field, Max Greenfield, Beth Behrs and Stephen Root, "Hitchcock/Truffaut" (France/Us) directed by Kent Jones and featuring Peter Bogdanovich, David Fincher and Richard Linklater, "The Invitation" (Us) starring Logan Marshall-Green and Michiel Huisman, "The Lady in the Van" (UK) directed by Nicholas Hytner and starring Maggie Smith, Jim Broadbent and James Corden, "Louder Than Bombs" (USA) starring Jesse Eisenberg, Gabriel Byrne and Isabelle Huppert, "Men & Chicken" (Denmark) starring Mads Mikkelsen, "Papa (Cuba)" directed by Bob Yari and starring Giovanni Ribisi, Joely Richardson and Minka Kelly, "A Perfect Day" (Spain) starring Benicio del Toro, Tim Robbins and Olga Kurylenko, "The Seventh Fire" (Us) executive produced by Terrence Malick, Natalie Portman and Chris Eyre, and "Where to Invade Next" (Us) directed by Michael Moore.
The complete line-up will be available on December 18 at www.psfilmfest.org.
“The line-up this year, while full of unexpected surprises, vividly reflects what is going on in the world around us,” said Festival Director Darryl Macdonald. “There’s a particular focus on stories about displaced people – immigrants, emigrants, refugees, those seeking asylum or shelter. There’s a concurrent trend toward stories revolving around new beginnings and escaping the shackles of the past, whether sexual, cultural, societal or self-imposed. Balancing all of these is a focus on family and romance, along with films involving a healthy dose of magic realism or absurdist comedy, and a plethora of exceptional films dealing with the usual obsessions – music, food, sex and art. All in all, it’s about as well-rounded, as thoughtfully chosen, and as provocative as it’s possible for a smartly curated lineup of new international cinema to be.”
“I am thrilled at the breadth and depth of this year’s program,” said Festival Artistic Director Helen du Toit. “While Modern Masters showcases such widely acclaimed filmmakers as as Apichatpong Weerasethakul, Barbara Kopple and Terence Davies, our New Voices/New Visions program is evidence that new masters are emerging around the world. The range of approaches is extraordinary. Highlights include Raam Reddy's 'Thithi' (India), which skillfully juggles myriad characters in a delightful low key comedy; Yorgos Zois’ 'Interruption' (Greece), which challenges the audience with a complex and highly compelling narrative; and Maris Curran's 'Five Nights in Maine' (USA), featuring David Oyelowo's nuanced and heartbreaking performance as a widower reconnecting with his estranged mother-in-law.”
Showcasing the diversity of international cinema, Festival premieres will include:
World premieres: "50 Days in the Desert" (Luxembourg) directed by Fabrizio Maltese, "Agnes" (Germany/Belgium), the documentary "Broadway: Beyond the Golden Age" (Us) featuring Alec Baldwin, Carol Channing, Dick Van Dyke, Jane Fonda and Robert Redford, "The Carer" (Hungary/UK), "Going Going Gone" (UK), "Searchdog" (Us) and "Set the Thames on Fire" (UK).
North American premieres: "Banat" (Italy/Romania/Bulgaria/Macedonia), "Death By Death" (Belgium/France), "A Decent Man" (Switzerland),"Departure" (France/UK),"Fly Away Solo" (India/France), "Interruption" (Greece/Croatia), "A Korean in Paris" (South Korea/France), "The Memory of Water" (Chile/Spain/Argentina/Germany), "Moor" (Pakistan), "On My Mother’s Side" (Canada), "Paradise Trips" (Belgium/Croatia), "Rosita" (Denmark), "Spy Time" (Spain), "Tanna" (Australia/Vanuatu), "Thithi" (India/Us/Canada), "Utopians" (Hong Kong) and "When a Tree Falls" (Spain).
U.S. premieres: "1944" (Estonia/Finland), "3000 Nights" (Palestine/France/Jordan/Lebanon), "Atomic Falafel" (Israel/Germany/New Zealand), "Belgian Rhapsody" (Belgium), "Beyond My Grandfather Allende" (Chile/Mexico), "Born to Dance" (New Zealand), "Closet Monster" (Canada), "Enclave" (Serbia/Germany), "The Endless River" (South Africa/France), "Endorphine" (Canada),Exotica, "Erotica, Etc." (France), "Fire Song" (Canada), "Five Nights in Maine" (Us), "A Heavy Heart" (Germany), "Home Care" (Czech Republic/Slovakia), "Let Them Come" (Algeria/France), "My Big Night" (Spain), "My Internship in Canada" (Canada), "The Other Side" (Italy/France), "Our Everyday Life" (Bosnia, Herzegovina/Slovenia/Croatia), "The Paradise Suite" (Netherlands/Sweden/Bulgaria), "Parched" (India/Us/UK), "Parisienne" (France), "Sabali" (Canada), "Sleeping Giant" (Canada), "Summer Solstice" (Poland/Germany), "Trap" (Philippines), "The Violin Teacher" (Brazil), "Wedding Doll" (Israel) and " Zubaan" (India).
The New Voices/New Visions competition showcases 12 Us premieres from top emerging international directors marking their feature film debut at the Festival, with the additional criteria that the films selected are currently without U.S. distribution. The winner is selected by a jury of U.S. distributors which include Gary Rubin of Cohen Media, Dan Berger of Oscilloscope and Ryan Kampe of Visit Films/Monument Releasing. The winner will receive use of a $60,000 Panavision camera package and a glass sculpture designed for the Festival by renowned artist Dale Chihuly. Films selected for this year include:
"Banat" (Italy/Romania/Bulgaria/Macedonia), Director Adriano Valerio "Death By Death" (Belgium/France), Director Xavier Seron "Departure" (UK/France), Director Andrew Steggall "Five Nights in Maine" (Us), Director Maris Curran and starring David Oyelowo "A Heavy Heart" (Germany), Director Thomas Stuber "Home Care" (Czech Republic/Slovakia), Director Slávek Horák "Interruption" (Greece/Croatia), Director Yorgos Zois "Let Them Come" (Algeria/France), Director Salem Brahimi "Our Everyday Life" (Bosnia and Herzegovina/Slovenia/Croatia), Director Ines Tanović "Paradise Trips" (Belgium/Croatia), Director Raf Reyntjens "Sleeping Giant" (Canada), Director Andrew Cividino "Thithi" (India/Us/Canada), Director Raam Reddy
The Modern Masters section features 10 films from international directors who set the standards for contemporary cinema. Films selected for this year include:
"Cemetery Of Splendour" (Thailand/UK), Director Apichatpong Weerasethakul "Dheepan" (France), Director Jacques Audiard "Miss Sharon Jones!" (Us), Director Barbara Kopple "Mountains May Depart" (China/France/Japan), Director Jia Zhangke "My Golden Days" (France), Director Arnaud Desplechin "My Mother" (Italy/France), Director Nanni Moretti "Our Little Sister" (Japan), Director Hirokazu Kore-eda "Sunset Song" (UK/Luxembourg), Director Terence Davies "Sweet Bean" (Japan), Director Naomi Kawase "Women He’s Undressed" (Australia), Director Gillian Armstrong
Other Festival films with notable talent and directors include: "45 Years" (UK) directed by Andrew Haigh and starring Charlotte Rampling and Tom Courtenay, "Anomalisa" (Us) directed by Duke Johnson and Charlie Kaufman with the voices of David Thewlis and Jennifer Jason Leigh, "Chronic" (Mexico/France) starring Tim Roth, "Closet Monster" (Canada) with Connor Jessup and Isabella Rossellini, "Eisenstein in Guanajuato" (Netherlands/Mexico/Finland/Belgium/France) directed by Peter Greenaway, "February" (Us/Canada) starring Kiernan Shipka and Emma Roberts, "Hello, My Name is Doris" (Us) starring Sally Field, Max Greenfield, Beth Behrs and Stephen Root, "Hitchcock/Truffaut" (France/Us) directed by Kent Jones and featuring Peter Bogdanovich, David Fincher and Richard Linklater, "The Invitation" (Us) starring Logan Marshall-Green and Michiel Huisman, "The Lady in the Van" (UK) directed by Nicholas Hytner and starring Maggie Smith, Jim Broadbent and James Corden, "Louder Than Bombs" (USA) starring Jesse Eisenberg, Gabriel Byrne and Isabelle Huppert, "Men & Chicken" (Denmark) starring Mads Mikkelsen, "Papa (Cuba)" directed by Bob Yari and starring Giovanni Ribisi, Joely Richardson and Minka Kelly, "A Perfect Day" (Spain) starring Benicio del Toro, Tim Robbins and Olga Kurylenko, "The Seventh Fire" (Us) executive produced by Terrence Malick, Natalie Portman and Chris Eyre, and "Where to Invade Next" (Us) directed by Michael Moore.
The complete line-up will be available on December 18 at www.psfilmfest.org.
- 12/15/2015
- by Peter Belsito
- Sydney's Buzz
Top brass at the 27th annual Palm Springs International Film Festival (Psiff) on Monday announced the Premieres, New Voices/New Visions competition and Modern Masters programmes.
Films from 60 countries, including 54 premieres (seven world, 17 North American and 30 Us), will screen during the festival, which runs from January 1-11, 2016.
World premieres include: 50 Days In The Desert (Luxembourg) by Fabrizio Maltese; Agnes (Germany-Belgium); documentary Broadway: Beyond The Golden Age (Us) featuring Alec Baldwin, Carol Channing, Dick Van Dyke, Jane Fonda and Robert Redford; The Carer (Hungary-uk); Going Going Gone (UK); Searchdog (Us); and Set The Thames On Fire (UK).
New Voices/New Visions
Twelve Us premieres from emerging international directors marking their feature film without Us distribution. The winner is selected by a jury of Us distributors comprising Gary Rubin of Cohen Media, Dan Berger of Oscilloscope and Ryan Kampe of Visit Films/Monument Releasing. The winner will receive use of a $60,000 Panavision camera package and a glass sculpture designed...
Films from 60 countries, including 54 premieres (seven world, 17 North American and 30 Us), will screen during the festival, which runs from January 1-11, 2016.
World premieres include: 50 Days In The Desert (Luxembourg) by Fabrizio Maltese; Agnes (Germany-Belgium); documentary Broadway: Beyond The Golden Age (Us) featuring Alec Baldwin, Carol Channing, Dick Van Dyke, Jane Fonda and Robert Redford; The Carer (Hungary-uk); Going Going Gone (UK); Searchdog (Us); and Set The Thames On Fire (UK).
New Voices/New Visions
Twelve Us premieres from emerging international directors marking their feature film without Us distribution. The winner is selected by a jury of Us distributors comprising Gary Rubin of Cohen Media, Dan Berger of Oscilloscope and Ryan Kampe of Visit Films/Monument Releasing. The winner will receive use of a $60,000 Panavision camera package and a glass sculpture designed...
- 12/14/2015
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
The Dubai International Film Festival has unveiled the first seven selections for its Muhr feature film competition, which will in total include 18 films from across the Arab world.
The selections include Moroccan filmmaker Hisham Lasri’s Starve Your Dog, which marks his third time in competition in Dubai; the film has premiered in Toronto. The Casablanca-set story is about a journalist trying to make a comeback when he lands an interview with the minister of a despotic former regime.
Two other Toronto titles selected are: Mai Masri with her fictional directorial debut 3000 Nights, also supported by Enjaaz. The story follows a woman in an Israeli prison who discovers she is pregnant after being wrongly sentenced. And Lebanese director Danielle Arbid’s Parisienne, about a young girl who escapes the Lebanese Civil War in the 1990s to live in Paris.
Iraq-born Halkwat Mustafa comes to the competition with the world premiere of El Clasico, which is supported...
The selections include Moroccan filmmaker Hisham Lasri’s Starve Your Dog, which marks his third time in competition in Dubai; the film has premiered in Toronto. The Casablanca-set story is about a journalist trying to make a comeback when he lands an interview with the minister of a despotic former regime.
Two other Toronto titles selected are: Mai Masri with her fictional directorial debut 3000 Nights, also supported by Enjaaz. The story follows a woman in an Israeli prison who discovers she is pregnant after being wrongly sentenced. And Lebanese director Danielle Arbid’s Parisienne, about a young girl who escapes the Lebanese Civil War in the 1990s to live in Paris.
Iraq-born Halkwat Mustafa comes to the competition with the world premiere of El Clasico, which is supported...
- 11/3/2015
- by wendy.mitchell@screendaily.com (Wendy Mitchell)
- ScreenDaily
Exclusive: Arab distributor Mad Solutions has picked up its second Toronto title with a film produced by Costa-Gavras.
Mad has acquired the Arab distribution rights to Let Them Come (Maintenant ils peuvent venir), the debut fiction feature of Salem Brahimi, which plays at the Toronto International Film Festival (Sept 10-20) in theContemporary World Cinema strand.
The French-Algerian production is produced by Michèle Ray Gavras and film director Costa-Gavras.
The adaptation of Arezki Mellal’s novel revolves around a family that must defend itself amidst the onslaught of violence between government forces and radical Islamists in 1990s Algeria.
Alaa Karkouti, co-founder and managing partner at Mad Solutions, remarked on the importance of the acquisition. “The Arab world is awash with horrific stories, that come with a deluge of blood and terror, but rarely has this reality been represented in a film as powerfully as it has been in Let Them Come,” he said.
“Salem...
Mad has acquired the Arab distribution rights to Let Them Come (Maintenant ils peuvent venir), the debut fiction feature of Salem Brahimi, which plays at the Toronto International Film Festival (Sept 10-20) in theContemporary World Cinema strand.
The French-Algerian production is produced by Michèle Ray Gavras and film director Costa-Gavras.
The adaptation of Arezki Mellal’s novel revolves around a family that must defend itself amidst the onslaught of violence between government forces and radical Islamists in 1990s Algeria.
Alaa Karkouti, co-founder and managing partner at Mad Solutions, remarked on the importance of the acquisition. “The Arab world is awash with horrific stories, that come with a deluge of blood and terror, but rarely has this reality been represented in a film as powerfully as it has been in Let Them Come,” he said.
“Salem...
- 9/14/2015
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
This year in Toronto is a particularly strong year for Africa and Palestine, with films from Ethiopia, Morocco, Algeria, Tunisia and South Africa. The list includes world premieres but also films that launched their career in the Berlinale, Cannes and Venice.
Read More: Hany Abu-Assad’s 'The Idol' to World Premiere at Tiff!
Below are listed the titles, just click on the link for full programming note and screening dates.
"3000 Nights" dir. Mai Masri "As I Open My Eyes" dir. Leyla Bouzid "Cuckold" dir. Charlie Vundla "Dégradé" dirs. Arab & Tarzan Nasser "The Endless River" dir. Oliver Hermanus "The Idol" dir. Hany Abu-Assad "Lamb" dir. Yared Zeleke "Let Them Come" dir. Salem Brahimi "Much Loved" dir. Nabil Ayouch "Price of Love" dir. Hermon Hailay "Starve Your Dog" dir. Hicham Lasri "Story of Judas" dir. Rabah Ameur-Zaïmeche "Very Big Shot" dir. Mir-Jean Bou Chaaya "Nasser" dir. Jihan El-Tahri
Some short films from Africa and the Middle East were selected out of the thousands of shorts submitted to Tiff. Brilliant emerging voices, including Ely Dagher (Lebanon) who won the award for short film in Cannes.
"Waves '98" dir. Ely Dagher "New Eyes" dir. Hiwot Admasu Getaneh "The Call" dir. Zamo Mkhwanazi "The Society" dir. Osama Rasheed...
Read More: Hany Abu-Assad’s 'The Idol' to World Premiere at Tiff!
Below are listed the titles, just click on the link for full programming note and screening dates.
"3000 Nights" dir. Mai Masri "As I Open My Eyes" dir. Leyla Bouzid "Cuckold" dir. Charlie Vundla "Dégradé" dirs. Arab & Tarzan Nasser "The Endless River" dir. Oliver Hermanus "The Idol" dir. Hany Abu-Assad "Lamb" dir. Yared Zeleke "Let Them Come" dir. Salem Brahimi "Much Loved" dir. Nabil Ayouch "Price of Love" dir. Hermon Hailay "Starve Your Dog" dir. Hicham Lasri "Story of Judas" dir. Rabah Ameur-Zaïmeche "Very Big Shot" dir. Mir-Jean Bou Chaaya "Nasser" dir. Jihan El-Tahri
Some short films from Africa and the Middle East were selected out of the thousands of shorts submitted to Tiff. Brilliant emerging voices, including Ely Dagher (Lebanon) who won the award for short film in Cannes.
"Waves '98" dir. Ely Dagher "New Eyes" dir. Hiwot Admasu Getaneh "The Call" dir. Zamo Mkhwanazi "The Society" dir. Osama Rasheed...
- 9/12/2015
- by Sydney Levine
- Sydney's Buzz
Films set to show at the 40th Toronto International Film Festival (Tiff), updated as announcements are made in the run up to the event.
Tiff will open on September 10 with Jean-Marc Vallée’s Demolition starring Jake Gyllenhaal and Naomi Watts.
Tiff 40
Key: Wp = world premiere; Nap = North American premiere; IP = international premiere; Cp = Canadian premiere.
GALASBeeba Boys (Canada), Deepa Mehta, WPDemolition, Jean-Marc Vallée WPDisorder (Maryland) (France-Belgium), Alice Winocour NAPThe Dressmaker (Aus), Jocelyn Moorhouse, WPEye In The Sky (UK), Gavin Hood WPForsaken (Canada), Jon Cassar, WPFreeheld (Us), Peter Sollett, WPHyena Road (Canada), Paul Gross, WPLolo (France), Julie Delpy, NAPLegend (UK), Brian Helgeland, IPMan Down (Us), Dito Montiel NAPThe Man Who Knew Infinity (UK), Matt Brown, WPThe Martian (Us), Ridley Scott, WPMiss You Already (UK), Catherine Hardwicke WPMississippi Grind (Us), Ryan Fleck, Anna Boden CPMr. Right (Us), Paco Cabezas WPThe Program (UK), Stephen Frears, WPRemember (Canada), Atom Egoyan, NAPSeptembers Of Shiraz (Us), Wayne Blair, WPStonewall ([link...
Tiff will open on September 10 with Jean-Marc Vallée’s Demolition starring Jake Gyllenhaal and Naomi Watts.
Tiff 40
Key: Wp = world premiere; Nap = North American premiere; IP = international premiere; Cp = Canadian premiere.
GALASBeeba Boys (Canada), Deepa Mehta, WPDemolition, Jean-Marc Vallée WPDisorder (Maryland) (France-Belgium), Alice Winocour NAPThe Dressmaker (Aus), Jocelyn Moorhouse, WPEye In The Sky (UK), Gavin Hood WPForsaken (Canada), Jon Cassar, WPFreeheld (Us), Peter Sollett, WPHyena Road (Canada), Paul Gross, WPLolo (France), Julie Delpy, NAPLegend (UK), Brian Helgeland, IPMan Down (Us), Dito Montiel NAPThe Man Who Knew Infinity (UK), Matt Brown, WPThe Martian (Us), Ridley Scott, WPMiss You Already (UK), Catherine Hardwicke WPMississippi Grind (Us), Ryan Fleck, Anna Boden CPMr. Right (Us), Paco Cabezas WPThe Program (UK), Stephen Frears, WPRemember (Canada), Atom Egoyan, NAPSeptembers Of Shiraz (Us), Wayne Blair, WPStonewall ([link...
- 8/25/2015
- ScreenDaily
Anne Sewitsky‘s Sundance preemed Homesick, Cannes preemed Romanian imports from Radu Muntean‘s One Floor Below and Corneliu Porumboiu‘s The Treasure along with Athina Rachel Tsangari‘s Locarno shown Chevalier are just four of the film titles in the just announced Contemporary World Cinema programme for Tiff. Among the other noteworthy titles in what is mostly a mix of world preems and North American premieres we find Grímur Hákonarson‘s Rams (just picked up by Cohen Media), Alex van Warmerdam well-received Locarno comedy Schneider vs. Bax , the world preem for Sion Sono’s The Whispering Star, and the Oscilloscope Laboratories picked up Ciro Guerra‘s Embrace Of The Serpent. Here are today’s selections that were added to the already announced Canadian items.
25 April (New Zealand), Leanne Pooley Wp
3000 Nights (Palestine-France-Jordan-Lebanon-uae-Qatar), Mai Masri Wp
An (Japan-France-Germany), Naomi Kawase Nap
The Apostate (Spain-France-Uruguay), Federico Veiroj Wp
As I Open...
25 April (New Zealand), Leanne Pooley Wp
3000 Nights (Palestine-France-Jordan-Lebanon-uae-Qatar), Mai Masri Wp
An (Japan-France-Germany), Naomi Kawase Nap
The Apostate (Spain-France-Uruguay), Federico Veiroj Wp
As I Open...
- 8/18/2015
- by Eric Lavallee
- IONCINEMA.com
Due to the large volume of films that the Toronto International Film Festival screens every year, participants often find themselves unsure of how to decide what to see. To that end, festival organisers often distribute the films into numerous programmes to reflect commonalities among them. The Contemporary World Cinema Programme, to that end, looks at the features from filmmakers from around the world, showcasing the talents being displayed from numerous countries.
The full lineup for the 2015 Tiff Contemporary World Cinema Programme has now been announced, adding to the previously announced slate of Canadian Films in the Programme. The films, as well as their official synopses, can be seen below.
25 April, directed by Leanne Pooley, making its World Premiere
Award-winning filmmaker Leanne Pooley utilizes the letters and memoirs of New Zealand soldiers and nurses along with state of the art animation to tell the true story of the 1915 battle of Gallipoli.
The full lineup for the 2015 Tiff Contemporary World Cinema Programme has now been announced, adding to the previously announced slate of Canadian Films in the Programme. The films, as well as their official synopses, can be seen below.
25 April, directed by Leanne Pooley, making its World Premiere
Award-winning filmmaker Leanne Pooley utilizes the letters and memoirs of New Zealand soldiers and nurses along with state of the art animation to tell the true story of the 1915 battle of Gallipoli.
- 8/18/2015
- by Deepayan Sengupta
- SoundOnSight
Potential awards season contenders Truth from James Vanderbilt and Marc Abraham’s I Saw The Light starring Tom Hiddleston as Hank Williams land world premiere slots, while Paco Cabezas’s Mr. Right will close the festival.
London is the subject of the seventh annual City To City programme that features world premieres of Tom Geens’ Couple In A Hole starring Paul Higgins and Kate Dickie and Michael Caton-Jones’ Urban Hymn with Letitia Wright and Shirley Henderson. Elaine Constantine’s Northern Soul gets a North American premiere.
The world premiere of Catherine Hardwicke’s Miss You Already is among five additions to the galas alongside Mr. Right, an action comedy starring Sam Rockwell and Anna Kendrick.
Matthew Cullen’s Martin Amis adaptation London Fields and David Gordon Green’s Our Brand Is Crisis get first public screenings in the Special Presentations roster with I Saw The Light.
Tiff top brass also unveiled the Contemporary World Cinema section, featuring...
London is the subject of the seventh annual City To City programme that features world premieres of Tom Geens’ Couple In A Hole starring Paul Higgins and Kate Dickie and Michael Caton-Jones’ Urban Hymn with Letitia Wright and Shirley Henderson. Elaine Constantine’s Northern Soul gets a North American premiere.
The world premiere of Catherine Hardwicke’s Miss You Already is among five additions to the galas alongside Mr. Right, an action comedy starring Sam Rockwell and Anna Kendrick.
Matthew Cullen’s Martin Amis adaptation London Fields and David Gordon Green’s Our Brand Is Crisis get first public screenings in the Special Presentations roster with I Saw The Light.
Tiff top brass also unveiled the Contemporary World Cinema section, featuring...
- 8/18/2015
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
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