Oscar-nominated actress Amy Irving is ready to release her first album.
The performer tells The Hollywood Reporter that Born In a Trunk, featuring 10 cover songs pulled from her life and career, will be released digitally on April 7. “Why Don’t You Do Right?” — the first single which Irving sang as Jessica Rabbit in Who Framed Roger Rabbit — will be available on digital platforms on March 3.
Irving, 69, made her film debut in Brian De Palma’s Carrie in 1976 and two years later was in supernatural thriller The Fury. Her role in Yentl earned her an Oscar nomination for best supporting actress and she scored best actress Golden Globes nominations for Crossing Delancey and Anastasia: The Mystery of Anna. She also has a number of stage credits, earning an Obie Award for her off-Broadway performance in a production of The Road to Mecca.
Born In a Trunk also features Irving covering songs...
The performer tells The Hollywood Reporter that Born In a Trunk, featuring 10 cover songs pulled from her life and career, will be released digitally on April 7. “Why Don’t You Do Right?” — the first single which Irving sang as Jessica Rabbit in Who Framed Roger Rabbit — will be available on digital platforms on March 3.
Irving, 69, made her film debut in Brian De Palma’s Carrie in 1976 and two years later was in supernatural thriller The Fury. Her role in Yentl earned her an Oscar nomination for best supporting actress and she scored best actress Golden Globes nominations for Crossing Delancey and Anastasia: The Mystery of Anna. She also has a number of stage credits, earning an Obie Award for her off-Broadway performance in a production of The Road to Mecca.
Born In a Trunk also features Irving covering songs...
- 2/15/2023
- by Mesfin Fekadu
- The Hollywood Reporter - Movie News
Sullivan’s Travels
Written and directed by Preston Sturges
USA, 1941
At the start of Sullivan’s Travels, movie director John L. Sullivan (Joel McCrea) has been screening his latest effort. The picture within the picture concludes with an intense rooftop fight aboard a train. It’s almost absurd in its inflated action and Sullivan is not at all pleased with his creation. This type of escapist entertainment may be all right for some, but it’s social commentary he now seeks. These are troubling times, he argues, with war in Europe and strikes on the home front, and the ambitious, idealistic filmmaker wants something beyond mere cinematic frivolity. Apparently, so did the director of Sullivan’s Travels, the great Preston Sturges. At least that’s what he ended up with anyway.
Sullivan’s Travels, “By” Preston Sturges, as the opening credit proclaims, lending the filmic fable something of a storybook...
Written and directed by Preston Sturges
USA, 1941
At the start of Sullivan’s Travels, movie director John L. Sullivan (Joel McCrea) has been screening his latest effort. The picture within the picture concludes with an intense rooftop fight aboard a train. It’s almost absurd in its inflated action and Sullivan is not at all pleased with his creation. This type of escapist entertainment may be all right for some, but it’s social commentary he now seeks. These are troubling times, he argues, with war in Europe and strikes on the home front, and the ambitious, idealistic filmmaker wants something beyond mere cinematic frivolity. Apparently, so did the director of Sullivan’s Travels, the great Preston Sturges. At least that’s what he ended up with anyway.
Sullivan’s Travels, “By” Preston Sturges, as the opening credit proclaims, lending the filmic fable something of a storybook...
- 4/29/2015
- by Jeremy Carr
- SoundOnSight
What amazed me most about Preston Sturges' Sullivan's Travels (1941), watching it for the first time on this newly released Criterion Blu-ray, is just how utterly unpredictable it is. Sure, we know where it may end once we are introduced to John L. Sullivan (Joel McCrea), a big Hollywood director, who's decided to hit the road as a hobo to attain a greater understanding of human suffering before embarking on a serious adaptation of the fictional novel "O Brother, Where Art Thouc" (Yes, it is this fictional book Joel and Ethan Coen were name-checking with the title of their 2000 comedy.) But as much as we know what the end will offer, it's the path to that ending we don't see coming, even when it arrives. Set during the Great Depression, Sullivan, known for his comedies, isn't seeing anything funny in the world. When his producers suggest making a "nice musical...
- 4/20/2015
- by Brad Brevet
- Rope of Silicon
First Run Features announced today its acquisition of the award-winning documentary The Pruitt-igoe Myth from filmmaker Chad Freidrichs. First Run is planning a March 2012 theatrical launch with VOD, home video and television to follow. The deal was negotiated by Film Sales Company head Andrew Herwitz and First Run’s Marc Mauceri.
The Pruitt-igoe Myth tells the story of the transformation of the American city in the decades after World War II, through the lens of the infamous Pruitt-Igoe housing development and the St. Louis residents who called it home.
It began as a housing marvel. Built in 1956, Pruitt-Igoe was heralded as the model public housing project of the future, “the poor man’s penthouse.” Two decades later, it ended in rubble – its razing an iconic event that the architectual theorist Charles Jenks famously called the death of modernism. The footage and images of its implosion have helped to perpetuate a myth of failure,...
The Pruitt-igoe Myth tells the story of the transformation of the American city in the decades after World War II, through the lens of the infamous Pruitt-Igoe housing development and the St. Louis residents who called it home.
It began as a housing marvel. Built in 1956, Pruitt-Igoe was heralded as the model public housing project of the future, “the poor man’s penthouse.” Two decades later, it ended in rubble – its razing an iconic event that the architectual theorist Charles Jenks famously called the death of modernism. The footage and images of its implosion have helped to perpetuate a myth of failure,...
- 12/13/2011
- by Michelle McCue
- WeAreMovieGeeks.com
Phil Ochs: There but for Fortune
Directed by Kenneth Bowser
USA, 2011
Phil Ochs: There but for Fortune stands apart from typical 1960s documentaries. This is due largely to the intelligence and passion of Phil Ochs himself. This is not a film about a moment of disillusionment with American culture, but rather the desire to challenge and change. Ochs stands apart as a singular talent who blends a genuine political criticism with a wicked sense of humour.
The film jumps right into Ochs’ career. We will occasionally bounce back into the past to establish a bit of context but the film does not dwell on his childhood or adolescence. His music is omnipresent, there are few moments that are not coloured with his protest music. The music is not just a backdrop, but appropriately as a means of suggesting both the power or powerlessness of the musician during the is era.
Directed by Kenneth Bowser
USA, 2011
Phil Ochs: There but for Fortune stands apart from typical 1960s documentaries. This is due largely to the intelligence and passion of Phil Ochs himself. This is not a film about a moment of disillusionment with American culture, but rather the desire to challenge and change. Ochs stands apart as a singular talent who blends a genuine political criticism with a wicked sense of humour.
The film jumps right into Ochs’ career. We will occasionally bounce back into the past to establish a bit of context but the film does not dwell on his childhood or adolescence. His music is omnipresent, there are few moments that are not coloured with his protest music. The music is not just a backdrop, but appropriately as a means of suggesting both the power or powerlessness of the musician during the is era.
- 9/26/2011
- by Justine
- SoundOnSight
Fall is the best time of year for music and film fans in Montreal. Festivals and shows a-plenty, for most it becomes a draconian decision between what to see and what to miss. A select few become so totally fixated on this decision making process that they fail to see anything at all.
For those living under a rock, Montreal’s premiere film festival Pop Montreal starts up this week. Though it’s diverse set of musical shows big and small are often the highlight, it is truly a multi-disciplinary fest and has a bit of everything, including a mini-film festival. Film Pop’s programming is helmed by Kier-La Janisse. For those who don’t recognize the name, she is the founder of Montreal’s own Montreal’s Psychotronic Film Centre, Blue Sunshine. A fan of all things cinema, there are few people more qualified to organize a kick-ass line-up as she is.
For those living under a rock, Montreal’s premiere film festival Pop Montreal starts up this week. Though it’s diverse set of musical shows big and small are often the highlight, it is truly a multi-disciplinary fest and has a bit of everything, including a mini-film festival. Film Pop’s programming is helmed by Kier-La Janisse. For those who don’t recognize the name, she is the founder of Montreal’s own Montreal’s Psychotronic Film Centre, Blue Sunshine. A fan of all things cinema, there are few people more qualified to organize a kick-ass line-up as she is.
- 9/20/2011
- by Justine
- SoundOnSight
This year, Pop Montreal, an annual smrgasboard of concerts and music-themed films, celebrates its 10th anniversary. While the concert side of the equation is typically stacked (including, but not remotely limited to, a free Arcade Fire concert), the film portion is no slouch either. This year, film topics include legendary folkie Phil Ochs, The Replacements, Alan McGee and Creation Records, Aice Donut, and the Vancouver punk scene, among others. The fest runs from Sept. 21st-25th here in Montreal – the complete lineup and press release are below.
Montreal, August 11th, 2011 – Where music and movies make out in the dark: Film Pop returns. From September 21st to the 25th, as the Pop Montreal festival turns 10, Film Pop will once again resurface an always-pertinent array of underground musical films and captivating documentaries. Throughout the 5 days of the festival, Film Pop events will be held in 3 main venues: Blue Sunshine (3660 St-Laurent), the Pop...
Montreal, August 11th, 2011 – Where music and movies make out in the dark: Film Pop returns. From September 21st to the 25th, as the Pop Montreal festival turns 10, Film Pop will once again resurface an always-pertinent array of underground musical films and captivating documentaries. Throughout the 5 days of the festival, Film Pop events will be held in 3 main venues: Blue Sunshine (3660 St-Laurent), the Pop...
- 8/11/2011
- by Ricky
- SoundOnSight
First Run Features will release Phil Ochs: There But For Fortune, a documentary film on the noted American protest singer/songwriter (or “topical” singer/songwriter, as he preferred) on DVD on July 19.
The life and career of the legendary protest singer/songwriter is examined in Phil Ochs: There But For Fortune.
Over the course of a meteoric music career that spanned two turbulent decades, folk performer Phil Ochs sought the bright lights of fame and social justice in equal measure, a contradiction that eventually tore him apart.
The 2010 movie features extensive archival performance and interview footage of Ochs, as well as scenes reflecting the turbulent political climate of the 1960s during which he emerged as a spokesperson on causes such as racial injustice, political oppression, the horrors of war and labor issues.
The film includes interviews with family members and many of the artists and activists who knew him from...
The life and career of the legendary protest singer/songwriter is examined in Phil Ochs: There But For Fortune.
Over the course of a meteoric music career that spanned two turbulent decades, folk performer Phil Ochs sought the bright lights of fame and social justice in equal measure, a contradiction that eventually tore him apart.
The 2010 movie features extensive archival performance and interview footage of Ochs, as well as scenes reflecting the turbulent political climate of the 1960s during which he emerged as a spokesperson on causes such as racial injustice, political oppression, the horrors of war and labor issues.
The film includes interviews with family members and many of the artists and activists who knew him from...
- 5/5/2011
- by Laurence
- Disc Dish
By Kathy Harr
Camus said, "Yes, there is beauty and there are the humiliated. Whatever the difficulties the enterprise may present, I would like never to be unfaithful either to one or the other."
That describes the folksinger-songwriter Phil Ochs as seen in Kenneth Bowser's new documentary, Phil Ochs: There But for Fortune. Bowser, who is married to actress Amy Irving and has also made a films about Saturday Night Live, Preston Sturges andFrank Capra, is probably best known for making the film based on Peter Biskind's Easy Riders, Raging Bulls. His next project may be one based on another Biskind best-seller, Down & Dirty Pictures.
There But for Fortune, which is slowly releasing nationally, including San Francisco'sBalboa Theater this weekend, was called a “A complex portrait of an ultimately unknowable man,” by Peter Rainer http://www.csmonitor.com/The-Culture/Movies/2011/0107/Phil-Ochs-There-But-for-Fortune-movie-review. “At once an unsentimental portrait of the...
Camus said, "Yes, there is beauty and there are the humiliated. Whatever the difficulties the enterprise may present, I would like never to be unfaithful either to one or the other."
That describes the folksinger-songwriter Phil Ochs as seen in Kenneth Bowser's new documentary, Phil Ochs: There But for Fortune. Bowser, who is married to actress Amy Irving and has also made a films about Saturday Night Live, Preston Sturges andFrank Capra, is probably best known for making the film based on Peter Biskind's Easy Riders, Raging Bulls. His next project may be one based on another Biskind best-seller, Down & Dirty Pictures.
There But for Fortune, which is slowly releasing nationally, including San Francisco'sBalboa Theater this weekend, was called a “A complex portrait of an ultimately unknowable man,” by Peter Rainer http://www.csmonitor.com/The-Culture/Movies/2011/0107/Phil-Ochs-There-But-for-Fortune-movie-review. “At once an unsentimental portrait of the...
- 3/25/2011
- by GreenCineStaff
- GreenCine
“There’s no place in this world where I’ll belong, when I’m gone, And I won’t know the right from the wrong, when I’m gone, And you won’t find me singin’ on this song, when I’m gone. So I guess I’ll have to do it while I’m here” - Phil Ochs
Phil Ochs: There But For Fortune is a timely tribute to an unlikely American hero. Wielding only a battered guitar, a clear voice and a quiver of razor sharp songs, Phil Ochs tirelessly fought the “good fight” for peace and justice throughout his short life.
He rose to fame in the early 1960’s during the height of the folk and protest song movement. His songs, with lyrics ripped straight from the daily news, spoke to those emboldened by the hopeful idealism of the day. As prolific as he was passionate, Ochs...
Phil Ochs: There But For Fortune is a timely tribute to an unlikely American hero. Wielding only a battered guitar, a clear voice and a quiver of razor sharp songs, Phil Ochs tirelessly fought the “good fight” for peace and justice throughout his short life.
He rose to fame in the early 1960’s during the height of the folk and protest song movement. His songs, with lyrics ripped straight from the daily news, spoke to those emboldened by the hopeful idealism of the day. As prolific as he was passionate, Ochs...
- 2/17/2011
- by George Bragdon
- OriginalAlamo.com
You know how if you say a word over and over, it starts to sound strange?
That's kind of what happens in the above "Saturday Night Live" promo that touts former cast member Dana Carvey's hosting gig on Saturday (Feb. 5). Carvey and Andy Samberg, channeling "Wayne's World," say "Schwing!" so many times that the word loses all meaning. (Kudos to both of them, though, for keeping a relatively straight face throughout the bit.)
Carvey's turn as host marks his first in-person appearance on the show since 2000 (he lent his voice to a brief cartoon in the Robert De Niro-hosted episode in December). Linkin Park is the musical guest on Saturday.
In other "SNL" news, NBC will present another documentary about the show's history on Sunday, Feb. 20. "Saturday Night Live Backstage" will include clips, musical performances, audition footage and interviews with cast members and hosts about events and controversies in the show's long history.
That's kind of what happens in the above "Saturday Night Live" promo that touts former cast member Dana Carvey's hosting gig on Saturday (Feb. 5). Carvey and Andy Samberg, channeling "Wayne's World," say "Schwing!" so many times that the word loses all meaning. (Kudos to both of them, though, for keeping a relatively straight face throughout the bit.)
Carvey's turn as host marks his first in-person appearance on the show since 2000 (he lent his voice to a brief cartoon in the Robert De Niro-hosted episode in December). Linkin Park is the musical guest on Saturday.
In other "SNL" news, NBC will present another documentary about the show's history on Sunday, Feb. 20. "Saturday Night Live Backstage" will include clips, musical performances, audition footage and interviews with cast members and hosts about events and controversies in the show's long history.
- 2/3/2011
- by editorial@zap2it.com
- Zap2It - From Inside the Box
January 7-9th 2011
There was a lot of movement in the top ten films over the weekend with one significant accomplishment-True Grit lasso.ed itself into the number one spot bringing in $14,605,135 and horse kicked Little Fockers into number two pulling in $13,487,245.
The surprise of the weekend was Relativity.s new release Season Of The Witch, starring Nicolas Cage, flying into the number three position with a decent showing of $10,612,375. It was released in 2,816 theaters with an average $3,769 per theater.
Tron: Legacy was barely edged out of the spot, but only moved down to the number four slot.
Screen Gem.s Country Strong strummed its way into number six by opening in 1,422 more theaters. Now with a 1,424 theater showing, it had the second highest per theater average of $5,145.
The number one highest grossing per theater average was The King.S Speech with $8,462 in 758 theaters. The unfortunate two movies finally...
There was a lot of movement in the top ten films over the weekend with one significant accomplishment-True Grit lasso.ed itself into the number one spot bringing in $14,605,135 and horse kicked Little Fockers into number two pulling in $13,487,245.
The surprise of the weekend was Relativity.s new release Season Of The Witch, starring Nicolas Cage, flying into the number three position with a decent showing of $10,612,375. It was released in 2,816 theaters with an average $3,769 per theater.
Tron: Legacy was barely edged out of the spot, but only moved down to the number four slot.
Screen Gem.s Country Strong strummed its way into number six by opening in 1,422 more theaters. Now with a 1,424 theater showing, it had the second highest per theater average of $5,145.
The number one highest grossing per theater average was The King.S Speech with $8,462 in 758 theaters. The unfortunate two movies finally...
- 1/12/2011
- by Allison Ritcher
- WeAreMovieGeeks.com
There's always the temptation to stay inside during the winter, made even more compelling by the wide array of films you can watch at home. But that would be ignoring the 89 reasons why the only place more inviting than a couch near the fireplace is a seat at your local arthouse where the options range from the ancient Roman war epic "The Eagle" with Channing Tatum and Jamie Bell to the fantastical Palme d'Or-winning elegy "Uncle Boonmee Who Can Recall His Past Lives" from Apichatpong Weerasethakul. Many awards contenders will expand across the country while those sick of such serious fare can fall back on revenge-themed thrillers with Jason Statham, Nicolas Cage or the deadly Korean twosome of "The Housemaid" and "I Saw the Devil," the action stylings of Donnie Yen ("IP Man 2") and Tony Jaa ("Ong Bak 3"), or the comedies of John C. Reilly and Ed Helms ("Cedar Rapids...
- 1/11/2011
- by Stephen Saito
- ifc.com
Despite fan backlash at his decision to go electric, Bob Dylan has had it pretty good, especially by comparison. Any average Joseph on the street could tell you who he is and probably hum a tune or two, whereas his politi-folk peers were largely forgotten. Dylan was able to transcend; artists like Phil Ochs, subject of documentary "Phil Ochs: There But For Fortune" by "Easy Riders and Raging Bulls" director Kenneth Bowser, were not so lucky and mostly forgotten. Labeled as the "anti-Dylan" not only for his radically different singing style but also for his penchant towards undisguised topical protest…...
- 1/8/2011
- The Playlist
January is a terrible month for film-goers. There is just no way around it. A few Oscar-hopefuls see expansion and we get a few film festival leftovers, but for the most part it is studio dumping ground. I couldn’t even muster up 10 picks like normal. It does make it a good month to catch-up on everything you may have missed last year, so check out our Best Films of 2010 list, and if you dare, see the short list below of recommended January releases.
December films expanding wider:
I Love You Phillip Morris (Jan. 7th)
Rabbit Hole (Jan. 14th)
Barney’s Version (Jan. 14th)
The Way Back (Jan. 21st)
The Company Men (Jan. 21st)
Biutiful (Jan. 28th).
Blue Valentine, Somewhere, The Illusionist and Rare Exports don’t currently have concrete expansion plans, but they may, depending on limited box office gross. Now, on to the new releases:
Five to See:
5. The Mechanic (Simon West; Jan.
December films expanding wider:
I Love You Phillip Morris (Jan. 7th)
Rabbit Hole (Jan. 14th)
Barney’s Version (Jan. 14th)
The Way Back (Jan. 21st)
The Company Men (Jan. 21st)
Biutiful (Jan. 28th).
Blue Valentine, Somewhere, The Illusionist and Rare Exports don’t currently have concrete expansion plans, but they may, depending on limited box office gross. Now, on to the new releases:
Five to See:
5. The Mechanic (Simon West; Jan.
- 1/3/2011
- by Jordan Raup
- The Film Stage
Not unlike Alex Gibney’s Eliot Spitzer doc Client 9, Phil Ochs: There But For Fortune closely studies a public figure from rise to fall, the difference between the two works, of course, being the depth of each subject’s plunge. Spitzer resigned (and now has an adorable-looking anchor spot on CNN), Ochs committed suicide.
Both became relevant personas in their respective professions, politician and musician. Neither the most famous, but both well known and equally influential. And both men who let their hubris get the better of them.
Directed by Kenneth Bowser (Easy Riders, Raging Bulls) and produced by Michael Ochs (the deceased’s brother), There But For Fortune (the title of one of Ochs’ more popular politically-fused folk tunes) treats the late singer-songwriter as a lost gem from America’s most turbulent, passionate generation.
Ochs is painted as both a reluctant leader and a blind follower, for the hippie...
Both became relevant personas in their respective professions, politician and musician. Neither the most famous, but both well known and equally influential. And both men who let their hubris get the better of them.
Directed by Kenneth Bowser (Easy Riders, Raging Bulls) and produced by Michael Ochs (the deceased’s brother), There But For Fortune (the title of one of Ochs’ more popular politically-fused folk tunes) treats the late singer-songwriter as a lost gem from America’s most turbulent, passionate generation.
Ochs is painted as both a reluctant leader and a blind follower, for the hippie...
- 10/5/2010
- by Dan Mecca
- The Film Stage
First Run Features has acquired “Phil Ochs: There But For Fortune,” a documentary about the folk singer from Michael Cohl's S2BN Entertainment.
The doc was produced and directed by veteran filmmaker Kenneth Bowser, whose credits include "Easy Riders, Raging Bulls: How Sex, Drugs & Rock and Roll Saved Hollywood"; "John Ford/John Wayne: The Filmmaker and The Legend”" and "Preston Sturges: The Rise And Fall Of An American Dreamer."
The film, which will have its world premiere at the upcoming Woodstock Film Festival, will be released theatrically early next year.
The doc was produced and directed by veteran filmmaker Kenneth Bowser, whose credits include "Easy Riders, Raging Bulls: How Sex, Drugs & Rock and Roll Saved Hollywood"; "John Ford/John Wayne: The Filmmaker and The Legend”" and "Preston Sturges: The Rise And Fall Of An American Dreamer."
The film, which will have its world premiere at the upcoming Woodstock Film Festival, will be released theatrically early next year.
- 9/27/2010
- by By Gregg Kilday
- The Hollywood Reporter - Movie News
In a period where the studio-based portion independent film industry are on suicide watch, it'll be fun to relive a time when Harvey Weinstein and everyone competing against him could do no wrong. Ever since we got word that there was a screenplay based on Peter Biskind's incendiary book was making the rounds (Jeffrey Wells) and there was activity on the production that a crew were in Cannes filming, but now we got word that Down and Dirty Pictures (a 10 million dollar production) has got a great cast in place (Hugh Dancy, Matthew Perry, Andy Serkis, Sally Hawkins, Elias Koteas, Bobby Cannavale, Toby Jones and Michael Rispoli) with Scren Daily reporting that Vincent D'Onofrio is poised to take on the "role" of Weinstein. - (Thanks to a reader below for pointing out that apparently some of the info below might turn out to be false - Screen Daily have pulled their article,...
- 12/29/2009
- IONCINEMA.com
If you've worked in the movie industry at all, you've probably heard of the book Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film. It's about the time when Harvey Weinstein and his brother Bob Weinstein ran Miramax in the 90's and what the independent film world was really like. It's apparently a fascinating read, giving a gritty and realistic inside look at the independent filmmaking world that you won't find anywhere else. Well, ScreenDaily is reporting that Yamani Pictures is adapting the book and they've set Vincent D'Onofrio (above left) to play Harvey Weinstein in this. Perfect choice, I think. Yamani has also hired Kenneth Bowser, of Easy Riders, Raging Bulls: How the Sex, Drugs and Rock 'N' Roll Generation Saved Hollywood, to direct the adaptation. My only concern is that while it is a great book, I don't know if it's really going to turn...
- 12/16/2009
- by Alex Billington
- firstshowing.net
- There will be many international camera crews assaulting Cannes in a couple of weeks from now, but I have the impression that one crew in particular will be in filmmaking mode. When Peter Biskind's incendiary read (Down and Dirty Pictures) was first announced as a feature length film with scribes Joshua James and Dean Craig on board to write the screenplay, and later show up in excerpt form at Hollywood Elsewhere's Jeffrey Wells blog, I thought for sure this would mean that one day I would see some actor end up playing the likes of Harvey Weinstein or Robert Redford. It appears that filming will take place in some form on the Croisette - but the question is: in what form? When Kenneth Bowser and Biskind last worked together they came up with a simple docu template for the screen adaptation of Easy Riders, Raging Bulls, but I'm
- 5/1/2009
- IONCINEMA.com
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