Yes, That's the Plot
Consider a film like "Jaws: The Revenge," where a shark seeks revenge against the Brody family because Chief Brody killed the first shark and then the second. The entire plot hinges on the notion that "it became personal." However, questions arise: How could the shark identify its target? Where had it been all that time, and how does defeating it ensure that no one else will take it even more personally?
While acknowledging that we're discussing a movie with a rather absurd premise, the focus here is not on the movie's inherent silliness. Instead, the point is that some films, despite aspiring to seriousness, often rely on peculiar and hardly comprehensible premises that, when condensed into a single sentence, don't hold up well under scrutiny.
While acknowledging that we're discussing a movie with a rather absurd premise, the focus here is not on the movie's inherent silliness. Instead, the point is that some films, despite aspiring to seriousness, often rely on peculiar and hardly comprehensible premises that, when condensed into a single sentence, don't hold up well under scrutiny.
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