Disney Studios, behind the scenes
List activity
517 views
• 0 this weekCreate a new list
List your movie, TV & celebrity picks.
42 people
- Animation Department
- Director
- Art Department
Leslie James "Les" Clark was an American animator from Ogden, Utah. He served as one of Disney's Nine Old Men, a group of senior animators who supervised the Walt Disney Animation Studios from c. 1945 to 1977. Clark was skilled in timing his animation to musical scores, and in conveying emotion in the scenes which he animated. He went into retirement in the mid-1970s, and died before the end of the decade.
In 1927, Clark was hired in a temporary position at the Disney animation studio. He was initially working as a camera operator, and was then transferred to the ink and paint department. He received training from Ub Iwerks, who was the senior animator of the studio for most of the 1920s. Clark served as an inbetweener in "Steamboat Willie" (1928), the official debut for Mickey Mouse (the new protagonist for the studio's animated short films). Clark was soon after promoted to the position of a regular animator, and was tasked with working on "The Skeleton Dance" (1929). It was the first film in the "Silly Symphony" series.
Iwerks left the Disney studio in January, 1930, in order to establish his own Iwerks Studio (1930-1936). Clark became the senior animator of the "Mickey Mouse" film series. He worked under the various directors of the series, such as Burt Gillett, Wilfred Jackson, and David Hand. Clark regularly attended art classes in order to improve his art style.
In 1934, the Disney studio started working on the animated feature film "Snow White and the Seven Dwarfs" (1937). It was the first American feature film, and the most ambitious project for the studio. Clark was tasked with animating the Seven Dwarfs. His most important scene in the film depicted Snow White dancing with each of the Dwarfs.
Clark's next major assignment was the anthology film "Fantasia" (1940). He was one of the key animators for two segments of the film: "The Nutcracker Suite" and "The Sorcerer's Apprentice". The "Sorcerer's Apprentice" was an adaptation of the eponymous 1797 German poem by Johann Wolfgang von Goethe, which was in turn an adaptation of the Roman story "Philopseudes" ("Lover of Lies") by Lucian. Clark and his fellow animators worked with a redesigned version of Mickey Mouse, provided by Fred Moore. The new version of the character had pupils in his eyes, and had a greater range of expressions.
In the mid-1940s, Clark was promoted to the position of a directing animator in Disney's feature films. He served in this role for "Song of the South" (1946), "Fun and Fancy Free" (1947), "Melody Time" (1948), "Cinderella" (1950), "Alice in Wonderland" (1951), "Peter Pan" (1953), and "Lady and the Tramp" (1955). Clark also served as a sequence director for "Sleeping Beauty" (1959), in his last major work in a feature film.
Clark served as the director of the animated short "Paul Bunyan" (1958), which was based on American folklore about a giant lumberjack. The short was nominated for an "Academy Award for Best Animated Short Film", but lost to "Knighty Knight Bugs" by Warner Bros. Cartoons. During the 1960s, Clark primarily worked on Disney's infrequently released animated short films. He directed the educational short films "Freewayphobia or The Art of Driving the Super Highway" (1965) and "Goofy's Freeway Troubles" (1965), which both featured Goofy as their protagonist. He also directed the educational short film "Donald's Fire Survival Plan" (1966), which focused on fire safety precautions.
Clark retired in the mid-1970s, possibly due to health reasons. His "temporary" assignment for the Disney studio had lasted for over 35 years, and he was the studio's longest serving employee at the time of his retirement. In September 1979, Clark died due to cancer. He was 71-years-old at the time of his death. He was the second of the Nine Old Men to die, following John Lounsbery. In 1989, Clark was posthumously inducted into the hall of fame "Disney Legends" in 1989.Nine Old Men- Animation Department
- Writer
- Actor
Marc Davis was an American animator from Bakersfield, California. He was a member of Disney's Nine Old Men, a group of senior animators who supervised the Walt Disney Animation Studios from c. 1945 to 1977. Davis was nicknamed as "Disney's Ladies' Man", because he was often asked to design and/or animate the primary female characters in Disney's feature films. His most significant characters were Snow White in "Snow White and the Seven Dwarfs" (1937), Bambi, Faline, and Flower in "Bambi" (1942), Brer Rabbit, Brer Fox, and Brer Bear in "Song of the South" (1946), Bongo in "Fun and Fancy Free" (1947), Mr. Toad and the villainous weasels in "The Adventures of Ichabod and Mr. Toad" (1949), Cinderella in "Cinderella" (1950), Alice in "Alice in Wonderland" (1951), Tinker Bell and Mrs. Darling in "Peter Pan" (1953), Aurora, Maleficent, and Diablo the Raven in "Sleeping Beauty" (1959), and Cruella De Vil and Anita in "One Hundred and One Dalmatians" (1961).
Davis took up drawing as a hobby during his childhood. He noted that his drawings increased his popularity with other kids, and that even the bullies stopped bothering him. Deciding to become a professional artist, Davis received training at the Kansas City Art Institute, the California School of Fine Arts in San Francisco, and the Otis Art Institute in Los Angeles. He habitually sketched zoo animals for practice, and studied animal anatomy to improve the accuracy of his depictions.
In 1935, Davis was one of several young animators hired by Disney during the production phase of the studio's first animated feature film, "Snow White and the Seven Dwarfs" (1937). He soon demonstrated a talent for developing "three-dimensional characters and storytelling", which set him apart from other animators. Which is why he was assigned to draw "difficult-to-draw" human characters, rather than caricatures. He always aimed "to put personality into the characters", in order to make them appealing to the film's audience. He typically used reference images for his characters, and at times emulated the gestures and expressions of the characters' voice actors. One of his most challenging assignments was animating the silent character of Tinker Bell. He had to express the character's sass and personality through pantomime and facial expression alone.
In 1956, Davis married the costume designer Alice Estes (1929-2022). They had previously been working together in developing suitable clothing for the character of Aurora, and their professional relationship preceded their romantic relationship. Soon after their wedding, Disney introduced her to the studio head Walt Disney. Walt eventually hired Alice to design costumes for Disney's live-action productions.
In the early 1960s, Davis left Disney's animation studio. He transferred to WED Enterprises (later renamed to Walt Disney Imagineering), the subsidiary company responsible for the creation, design, and construction of Disney theme parks and attractions. Davis helped in the design and creation of several attractions, including "The Jungle Cruise" (1955), "Mine Train Through Nature's Wonderland" (1960), "The Enchanted Tiki Room" (1963), "Ford's Magic Skyway" (1964), "Great Moments with Mr. Lincoln" (1964), "The Carousel of Progress" (1964), "It's a Small World" (1964), "Pirates of the Caribbean" (1967), "The Haunted Mansion" (1969), "The Country Bear Jamboree" (1971), and "America Sings" (1974).
Davis worked in the early 1970s in developing an attraction called "Western River Expedition", which would serve as a historical recreation of the Western expansion of the United States. This attraction was never built, but elements of Davis' designs were later used in developing the attractions called "Tom Sawyer Island", "Big Thunder Mountain Railroad", "Splash Mountain", "Thunder Mesa", "Phantom Manor", and "Expedition Everest".
Davis retired in 1978, at the age of 65. In 1982, Davis won a Winsor McCay Award for his contributions to animation. In 1985, Davis won the Golden Award of the organization Motion Picture Screen Cartoonists. In 1989, he was inducted to the hall of fame Disney Legends. In 1993, Davis received an award by the Disneyana Fan Club. Davis died in January 2000, at the age of 86. Shortly following his death, the Marc Fraser Davis Scholarship Fund was formally established at the California Institute of the Arts.
Davis' career and artwork were the subject of the biographical book "Marc Davis: Walt Disney's Renaissance Man" (2014) by Disney Editions. The book was followed by the sequel "Marc Davis in His Own Words: Imagineering the Disney Parks" (2020), which focused on his theme park designs. Though long gone, Davis remains popular among fans of traditional animation.Nine Old Men
Haunted Mansion- Animation Department
- Actor
- Art Department
Oliver Martin "Ollie" Johnston was an American animator from Palo Alto, California. He was one of Disney's Nine Old Men, a group of senior animators which supervised production at the Walt Disney Animation Studios from c. 1945 to 1977. By the time of his death in 2008, Johnston was the last surviving member of the group. Johnston co-wrote the reference book "Disney Animation: The Illusion of Life" (1981), where he explained the twelve basic principles of animation. He helped to both preserve and popularize the knowledge of the techniques that were developed at the Disney studio over several decades.
In 1912, Johnston was born in Palo Alto, California. His father was Oliver Johnston, a professor at Stanford University. The younger Johnston attended Palo Alto High School. He received his college education at Stanford University, where he worked on the campus humor magazine "Stanford Chaparral". He befriended a co-worker at the magazine, the aspiring animator Frank Thomas (1912-2004). The two remained close friends until Thomas' death in the early 2000s.
In his senior year at college, Johnston transferred to the Chouinard Art Institute (1921-1970), a professional art school located in Los Angeles. Johnston was hired by the Walt Disney Animation Studios c. 1934. He served as an uncredited inbetweener in several Mickey Mouse short films, and as an assistant animator in the animated feature film "Snow White and the Seven Dwarfs" (1937).
After being promoted to a regular animator, Johnston's first major assignment was to animate the sentient puppet Pinocchio in the feature film "Pinocchio" (1940). Johnston animated the Centaurettes (female centaurs) and the Cupids in the "Pastoral Symphony" segment of "Fantasia" (1940).Johnston animated the key scene of the death of Bambi's mother in "Bambi" (1942). He animated "The Flying Gauchito" segment of "The Three Caballeros" (1944). He animated both the "Peter and the Wolf" and the "Casey at the Bat" segments of "Make Mine Music" (1946). Johnston animated Br'er Rabbit, Br'er Fox, and Br'er Bear in "Song of the South" (1946). He animated Jiminy Cricket in "Fun and Fancy Free" (1947). He animated both Johnny Appleseed and his guardian angel in "Melody Time" (1948).
Johnston served as a directing animator in "The Adventures of Ichabod and Mr. Toad" (1949). He also animated most of the film's major characters, including J.Thaddeus Toad, Ichabod Crane, Katrina Von Tassel, and Brom Bones. Johnston again served as a directing animator in "Cinderella" (1950). He was also the supervising animator for Cinderella's bratty stepsisters, Drizella Tremaine and Anastasia Tremaine. Johnston was tasked with animating Alice and the King of Hearts in "Alice in Wonderland" (1951). He animated the inept pirate Mr. Smee in "Peter Pan" (1953), with the character depicted as Captain Hook's first mate and personal assistant. Johnston animated the sentient dogs Lady, Jock and Trusty in "Lady and the Tramp". Johnston animated the heroic fairies Flora, Fauna, and Merryweather in "Sleeping Beauty" (1959).
Jonston served as the directing animator for the sentient dog Perdita "One Hundred and One Dalmatians" (1961). He animated the wizard Merlin, his student Wart/Arthur, and the wizard's familiar Archimedes in "The Sword in the Stone" (1963). Johnston animated the penguins in "Mary Poppins" (1964). He served as the directing animator for Mowgli, Bagheera, Baloo, and Mowgli's unnamed love interest in "The Jungle Book" (1967).
Johnston served as the directing animator for most of the major characters in "The Aristocats" (1970), including Duchess, Thomas O' Malley, and the kittens Marie, Berlioz, and Toulouse. He also served as a directing animating for most of the major characters in "Robin Hood" (1973), including Prince John, Sir Hiss, Maid Marian, and Lady Cluck. Johnston animated Winnie the Pooh and Piglet in "The Many Adventures of Winnie the Pooh" (1977). Johnston served as the directing animator for the co-protagonists Bernard and Bianca, and for the orphan girl Penny in "The Rescuers" (1977).
Johnston served as the supervising animator for the younger versions of the co-protagonists Tod and Copper in "The Fox and the Hound" (1981). This was his last involvement in the production of a Disney feature film. Following his retirement from Disney, Johnston started writing non-fiction about animation and its techniques. He served on the advisory board of the National Student Film Institute during the 1980s and the 1990s. In November 2005, Johnston received the prestigious National Medal of Arts by the then President of the United States George Walker Bush (1946-, term 2001-2009).
In April 2008, Johnston died of natural causes. He was 95-years-old at the time of his death, and he had survived many of his colleagues at Disney. Theodore Thomas featured biographical information on Johnston in the documentary films "Frank and Ollie"(1995) and "Growing up with Nine Old Men" (2012). Johnston is still fondly recalled by fans of traditional animation.Nine Old Men- Animation Department
- Actor
- Art Department
Milt Kahl was a veteran animator from San Francisco. He became one of "Disney's Nine Old Men", a board of supervising animators who headed the production staff of the Walt Disney Animation Studios from c. 1945 to 1977.
In 1909, Kahl was born in San Francisco. His parents were the saloon bartender Erwin Kahl and his wife Grace. Kahl was one of several young animators hired by the Disney studio in the mid-1930s. He worked on the animated feature film "Snow White and the Seven Dwarfs" (1937), animating various forest animals. He is also thought to have worked in scenes involving the film's unnamed prince.
Kahl was noticed by the studio's executives while working in the subsequent film "Pinocchio" (1940). Kahl insisted that the eponymous sentient puppet should primarily look as a "cute little boy", and not as a real puppet. Kahl was allowed to design the film's version of Pinocchio, as a boy with a Tyrolean hat and Mickey Mouse-type gloves on his hands. Walt Disney embraced Kahl's vision and urged the writers to evolve Pinocchio into a more innocent figure that would match Kahl's design. In the film itself, Kahl animated several scenes involving Pinocchio himself, Jiminy Cricket, and Gepetto.
Kahl served as a supervising animator in "Bambi" (1942), working on scenes involving Bambi and Thumper. In "Saludos Amigos", Kahl animated a sequence which depicted Donald Duck riding a llama. Kahl was one of the animators in two segments of "Make Mine Music" (1946): "The Martins and the Coys" and "All the Cats Join In". Kahl directed the Tar Baby sequence in "Song of the South" (1946), a film adaptation of the short story "Tar-Baby" (1881) which featured a doll made of tar and turpentine. Kahl worked on the Bongo segment of the anthology film "Fun and Fancy Free" (1947). He was responsible for animating both the female lead Lulubelle and the villain Lumpjaw.
Kahl was one of the directing animators in the anthology film "Melody Time" (1948). He was responsible for the scenes depicting Johnny Appleseed, Johnny's guardian angel, Pecos Bill, Widowmaker (Pecos' horse), and Slue Foot Sue (Pecos' love interest). Kahl worked as a directing animator in both segments of the anthology film "The Adventures of Ichabod and Mr. Toad" (1949). He worked on animating characters from both "The Wind in the Willows" (1908) by Kenneth Grahame and "The Legend of Sleepy Hollow" (1820) by Washington Irving.
In "Cinderella" (1950), Kahl animated scenes involving the Fairy Godmother, the Prince Charming, the King, and the Grand Duke. In "Alice in Wonderland" (1951), Kahl was responsible for scenes involving Alice herself, the White Rabbit, and the Dodo. In "Peter Pan" (1953), Kahl animated scenes involving Peter Pan, Wendy Darling, John Darling, Michael Darling, Mr. Darling, Mrs. Darling, and their dog Nana. In "Lady and the Trump" (1955), Kahl worked on scenes involving Lady, the Tramp, and the supporting character Trusty.
In "Sleeping Beauty" (1959), Kahl animated the co-protagonist Prince Philip, and the supporting characters King Hubert and King Stefan. In "One Hundred and One Dalmatians" (1961), Kahl worked on scenes involving the main characters Roger, Anita, Pongo, and Perdita. Kahl worked as both a directing animator and a character designer for the Arthurian film "The Sword in the Stone" (1963). Among several other characters, in this film, Kahl worked on scenes involving the witch Madame Mim.
In "The Jungle Book" (1967), Kahl worked on scenes involving most of the film's main characters, including Mowgli, Baloo, Bagheera, Shere Khan, King Louie, and, Kaa. In "The Aristocats" (1970), Kahl worked on scenes involving Thomas O'Malley, Duchess, Madame Bonfamille, and Edgar. In "Bedknobs and Broomsticks" (1971), Kahl animated King Leonidas. In "Robin Hood" *(1973), Kahl worked on nearly every major character in the cast, including Robin Hood himself and Maid Marian.
In "The Rescuers" (1977), Kahl worked primarily on scenes involving the villain Madame Medusa and the orphan girl Penny. It was the last time Kahl was credited as a directing animator. Kahl went into semi-retirement in the late 1970s, though he is thought to have done uncredited work as a character designer in the early 1980s. Kahl was brought out of retirement during the production phase of "The Black Cauldron" (1985). The Disney studio wanted him to provide new character designs for Taran, Eilonwy, and Fflewddur Fflam.
In April 1987, Kahl died due to pneumonia. He was 78-years-old at the time of his death, and he had survived several of the other members of the Nine Old Men. In 2009, the centenary of his birth was celebrated with a tribute entitled "Milt Kahl: The Animation Michelangelo".Nine Old Men- Animation Department
- Director
- Writer
Ward Kimball joined Disney Studios in 1934 as an animator. He eventually became involved in all aspects of animation production, most notably as the designer of Jiminy Cricket for the film "Pinocchio." He was also responsible for the redesign of Mickey Mouse. Walt Disney recognized Kimball's achievements by making him one of the "Nine Old Men", Disney's semi-official group of advisors. Kimball retired from Disney in 1972, but still maintained ties with the studio. He joined other leading Disney animators in 1978 for a whistle-stop tour to promote Mickey Mouse's 50th birthday. In addition to animation, Kimball was both an avid musician and train enthusiast. In 1948 he formed the Firehouse Five Plus Two, a Dixieland jazz band composed of fellow Disney employees. He also maintained a full-sized train and tracks at his home in California, and was a past president of the Train Collectors Association. Not only did his love of trains get him the job of designing the World of Motion display at EPCOT, it also got another train collector started--Walt Disney himself. Kimball received many honors during his lifetime, and in 1989 was named a Disney Legend.Nine Old Men- Animation Department
- Director
- Additional Crew
Eric Cleon Larson was born on September 3, 1905 in Cleveland, Utah, to Peter and Nora Larson. In 1915 his family moved to Salt Lake City, where he became interested in journalism and also secretly took drawing lessons. In 1925, he entered the University of Utah, later moving to Los Angeles to look for a job in journalism and writing, unfortunately unsuccessfully. He then decided to rekindle his ambition to become an artist, and was offered a job at Walt Disney Productions in 1933, as an `in-betweener'. Later the same year, he married Gertrude Jannes (although sadly, the couple remained childless).
Animator Hamilton Luske recognized Larson's talent and promoted him to assistant animator; Luske, who had joined the studio two years previously, later became his mentor. Further promotion followed, with Eric as animator on Walt Disney's first feature length cartoon, Snow White and the Seven Dwarfs (1937); along with future veteran animators Milt Kahl and James Algar, he animated the forest animals that followed Snow White throughout. In 1940, he was promoted to animation director for Pinocchio (1940), and in that film he created the kitten, Figaro, who became one of his favorite characters. In Fantasia (1940), he created the centaurs and the horses in the "Pastoral Symphony" segment of the musical feature.
By 1942, he had become a supervising animator for Bambi (1942) along with fellow workers Ollie Johnston, Frank Thomas, and Milt Kahl, with whom he had worked on Snow White. In Bambi, he created Friend Owl, and subsequently worked on birds for the next two assignments, creating the mad Aracuan Bird in The Three Caballeros (1944), and Sasha the Bird in Make Mine Music (1946). Larson also worked on Fun and Fancy Free, Song of the South, Melody Time, and _So Dear to My Heart (1949)_. He later became part of the Animation Board, and Walt Disney appointed him as one of his Nine Old Men, who consisted of Les Clark, Woolie Reitherman, Eric Larson, Ward Kimball, Milt Kahl, Frank Thomas, Ollie Johnston, John Lounsbery and Marc Davis; all considered to be Walt's most trusted associates.
On Cinderella (1950), Eric assisted fellow directing animator Marc Davis animate Cinderella herself. He was directing animator on Alice in Wonderland (1951) and Peter Pan (1953), animating the caterpillar in the former and the flight to Neverland in the latter, and also working on Peg, the canine in Lady and the Tramp (1955). For Sleeping Beauty (1959), Larson was promoted to Sequence Director with Les Clark and Woolie Reitherman, and for the classic One Hundred and One Dalmatians (1961), he became a Directing Animator, helping to create some of the puppies. Sadly, for the next three features, The Sword in the Stone (1963), Mary Poppins (1964) and _Jungle Book, The (1967)_, he was demoted to Character Animator; The Jungle Book (1967), was the final film made by Walt, who died later that same year.
After Walt's death, it became evident that the veteran animators were either dying or retiring swiftly, and Eric was placed in charge of finding and training new talent in addition to his character animating work. He trained many successful members of today's animation world, including Andreas Deja, Glen Keane, John Pomeroy, Gary Goldman, Betsy Baytos, and others. He worked as an animator on _Aristocats, The (1970)_ and on Bedknobs and Broomsticks (1971), moving on to animate Robin Hood (1973) and The Many Adventures of Winnie the Pooh (1977). In 1977, for the feature The Rescuers, Eric assisted veteran story men Mel Shaw and Burny Mattinson with the opening sequence titles.
By 1981, almost all of the Nine Old Men were gone; Les Clark and John Lounsbery were dead, and Milt Kahl, Ward Kimball, Ollie Johnston, Frank Thomas and Woolie Reitherman had retired. Eric was the only one remaining, although no longer a working animator. A new generation of artists came into being for The Fox and the Hound (1981), although Larson remained as an animation consultant for The Black Cauldron (1985), and The Great Mouse Detective (1986). Eric retired in September 1986; sadly his wife, Gertrude, had died of cancer in 1975. He retired to his home in La Canada Flintridge, near Glendale in Los Angeles, and died October 25, 1988. In 1989 he was posthumously awarded the Disney Recognition of Honor by Roy Disney, Walt's nephew.Nine Old Men- Animation Department
- Director
- Art Department
John Lounsbery was an American animator and animation director from Cincinnati, Ohio. He eventually became one of "Disney's Nine Old Men", a group of senior animators who were in charge of the Walt Disney Animation Studios from c. 1945 to 1977. Lounsbery died in 1976, with his death leading to the dissolution of the group. He was the first of the Nine to die, and also had the shortest lifespan among them.
Lounsbery was born in Ohio, but spend much of his childhood in Colorado. He attended the East Denver High School, then received art lessons at the Art Institute of Denver. He continued his art education in Los Angeles, taking lessons at the ArtCenter College of Design. The College was a private art school established in 1930, and initially only trained visual artists and designers. The curriculum later expanded to include lessons in photography and technical illustrations.
One of Lounsbery's college instructors arranged a job interview for him, as a prospective animator for the Disney studios. Lounsbery was hired in early July 1935. He was put to work as an uncredited assistant animator for the animated feature film "Snow White and the Seven Dwarfs" (1937).
Lounsbery quickly became one of Disney's "star animators", because he was considered unusually skilled as a draftsman. His first major assignment was animating two of the villains in "Pinocchio" (1940), the conman duo of J. Worthington Foulfellow and Gideon. He served as one of the main animators in a ballet-themed segment of "Fantasia" (1940), the "Dance of the Hours". He was tasked with animating one of the main dancers of the segment, Ben Ali Gator.
Lounsbery made his debut as a directing animator in the feature film "Song of the South" (1946), an adaptation of the "Uncle Remus" stories of Joel Chandler Harris. His subsequent credits as a directing animator included the feature films "Fun and Fancy Free" (1947)., "Melody Time" (1948), "The Adventures of Ichabod and Mr. Toad" (1949), "Cinderella"" (1950), "Alice in Wonderland" (1951), "Peter Pan" (1953), "Lady and the Tramp" (1955), "Sleeping Beauty" (1959), "One Hundred and One Dalmatians" (1961), "The Sword in the Stone" (1963), "The Jungle Book" (1967), "The Aristocats" (1970), and "Robin Hood" (1973). He was often tasked with animating key supporting characters of these films. His most memorable work as an animator included animating the allied kings Huber and Stefan in "Sleeping Beauty", the villainous tiger Shere Khah in "The Jungle Book", and the heroic fox Robin Hood in "Robin Hood".
Lounsbery co-directed the anthology feature film "The Many Adventures of Winnie the Pooh" (1977), which was released a year following his death. It was his debut as a director. In the film, he was also the main animator for the depressed donkey Eeyore. At the time of his death in 1976, Lounsbery was working in the upcoming feature film "The Rescuers" (1977). He was one of the three credited directors of the film, though he did live not long enough to complete it.
On February 13, 1976, Lounsbery suffered a sudden heart attack while working. He died shortly after, at the age of 64. He died about a month before his 65th birthday. At the time, most of the other "Nine Old Men" were considering retirement and a new generation of animators were in training. Lounsbery was buried at the Forest Lawn, Hollywood Hills Cemetery in Los Angeles.
Lounsbery was posthumously awarded with a "Winsor McCay Award" in 1986. and was named a "Disney Legend" in 1989. His work is still highly regarded by fans of classic animation, though he is possibly the least famous among "Disney's Nine Old Men". Relatively little is known about Lounsbery's personal life.Nine Old Men- Animation Department
- Director
- Producer
Wolfgang Reitherman was a German-born American animator who was one of Disney's Nine Old Men.
He began working for Disney in 1933, along with future Disney legends Ward Kimball and Milt Kahl. The three worked together on a number of classic Disney shorts.
Reitherman directed several Disney animated feature films including: One Hundred and One Dalmatians (1961), The Sword in the Stone (1963), The Jungle Book (1967), The Aristocats (1970), Robin Hood (1973), The Many Adventures of Winnie The Pooh (1977), and The Rescuers (1977).
He died in a car accident in 1985 at the age of 75. In 1989 Reitherman was posthumously named a Disney Legend, a hall of fame program that recognizes individuals who have made an extraordinary and integral contribution to The Walt Disney Company.Nine Old Men- Animation Department
- Writer
- Actor
Frank Thomas was born on 5 September 1912 in Santa Monica, California, USA. He was a writer and actor, known for The Incredibles (2004), The Iron Giant (1999) and The Aristocats (1970). He was married to Jeanette A. Thomas. He died on 8 September 2004 in La Cañada Flintridge, California, USA.Nine Old Men- Animation Department
- Director
- Visual Effects
Ub Iwerks worked as a commercial artist in Kansas City in 1919 when he met Walt Disney who was in the same profession. When Disney decided to form an animation company, Ub Iwerks was the first employee he had due to his skill at fast drawing as well as being a personal friend.
When Charles Mintz raided Disney's animation studio and stole the rights to their character Oswald the Rabbit, Ub was the only associate to remain with Disney. He served as the principal animator for the first Mickey Mouse shorts and Silly Symphonies. Iwerks was so prominent in the production of these shorts that it was speculated that Ub was the dominant force behind the success of Disney Productions. The combination of Iwerks' rising ambitions, occasional differences with Walt and a tempting deal with Pat Powers to finance his own studio prompted him to break away in 1930. His studio was never a tenth of the artistic or financial success that Disney was. He simply did not have the creative talents of his partner and his characters, Flip the Frog and Willy Whopper were rather dull failures. His studio was closed in 1936 when Powers withdrew his support. He worked for Columbia starting in 1938 and worked for two years until he decided to return to Disney. The two men never commented on their renewed relationship but the reunion was mutually beneficial. Iwerks was able to abandon animation and concentrate on technical development which helped create many of the special effects that the Disney company excelled in for decades, especially concerning the live action animation combination sequences in Song of the South (1946) and Mary Poppins (1964).- Producer
- Director
- Animation Department
Hugh Harman was one of the pioneers of animation. While not a great animator, (compared to co-worker, Rudolf Ising) he was present during the early days. He began his work with Walt Disney in 1922, working on Disney's early Laugh-o-Gram toons. When that company went bankrupt, Harman and partner Rudolf Ising tried to start a new series based on the Arabian Nights, but were unable to obtain funding. Disney called them back when he began work for Charles Mintz, producing the Oswald the Lucky Rabbit. After a dispute over pricing, Mintz forced out Disney and kept Harman and Ising on for another year, when they in turn were forced out (and replaced by a young Walter Lantz). Harman, Ising, and a few other ex-Disney animators put together a pilot short, "Bosko the Talkink Kid", which was used by producer Leon Schlesinger to obtain a contract with Warner Brothers' studios to produce animated cartoons. Harman and Ising started the Looney Tunes and Merrie Melodies cartoons, and produced them for several years. After another argument over money (this time with Schlesinger), Harman and Ising left Warner Brothers for MGM in 1933. They produced quite a few "Happy Harmonies" for MGM until yet again they left over another financial arrangement. After MGM, Harman & Ising formed their own studio, but was not successful. MGM hired them back, but by this time their faux-Disney style of animation was out of fashion, and they found themselves eclipsed by the works of William Hanna & Joseph Barbera (whom they had hired) & Fred Tex Avery. In the 40s and 50s, both men did some work for Walter Lantz Studios.- Producer
- Director
- Animation Department
While animation was still in its infancy during the early twenties, Walt Disney managed to recruit the brightest and best talent nationwide and imported it into Hollywood. Two of these pioneers artists were close friends Hugh Harman and Rudy Ising. They had first tasted success by helping to develop Oswald the Lucky Rabbit (a character, rather akin to Felix the Cat with extended ears). Eventually, in 1929, the duo parted company with Disney to create Bosko the Talk-Ink Kid (who was based on minstrel characters and looked like Felix in a derby hat), developed a pilot for the first-ever talkie cartoon and sold the idea to Leon Schlesinger. Schlesinger, in turn, got Warner Brothers to sign a contract to produce cartoons and Sinkin' in the Bathtub (1930) effectively inaugurated the first of the celebrated Looney Tunes. The Bosko animations invariably ended with "That's all, folks", which famously became Porky Pig's stuttered trademark sign-off in later years. At Warners, Harman concentrated on the Looney Tunes output, while Ising, who was more comfortable writing and producing (rather than drawing illustrations), worked on the Merry Melodies cartoons which featured a more prominent musical content. The first in this series was Lady, Play Your Mandolin! (1931). In 1933, Harman & Ising moved to MGM after financial disagreements with Schlesinger. They created the sleepy Barney Bear, a proto-Yogi (reputedly based on Ising himself). They also took the Bosko character with them to become part of MGM's Technicolor Happy Harmonies -- along with a new creation -- the mouse Little Cheeser. Once gain, disputes over money caused the duo to move on. By 1940, Harman and Ising went their separate ways, Ising soon winning an Oscar for The Milky Way (1940), a cartoon featuring three kittens in space. During World War II, Ising produced training films as head of the animation department of the Army Air Forces movie unit. Thereafter, he forsook animation to work in advertising, before calling it quits in the early 70's.- Animation Department
- Director
- Writer
Art Babbitt (born Arthur Harold Babitsky) was an American animator and animation director from Omaha, Nebraska. He worked in several animation studios over his long career, but is mostly remembered for his early work for the Walt Disney Animation Studios. During the 1930s, Babbitt redesigned and developed the character of Goofy. In his view, Goofy was a composite character: "a composite of an everlasting optimist, a gullible Good Samaritan, a half-wit, a shiftless, good-natured hick". Babbitt was credited as the main animator for the Evil Queen in "Snow White and the Seven Dwarfs" (1937), and for Geppetto in "Pinocchio" (1940).
In 1907, Babbitt was born to a Jewish family in Little Bohemia, Omaha. It was a neighborhood of Omaha which had a large population of Czech emigrants from Austria-Hungary since the 1880s. By the time he finished kindergarten, his family decided to move to Sioux City, Iowa. His father was paralyzed in an accident at work, forcing Babbitt to become a breadwinner at an early age.
In the late 1920s, Babbitt had decided to follow the career of an animator. At the time, the industry was providing career opportunities for hopeful young artists. In 1929, Babbitt was among the first animators hired by a new animation studio, Terrytoons (1929-1973). The studio had been established by experienced animator Paul Terry, and its headquarters were located in Long Island, New York.
In 1932, Babbitt applied for a job at the Walt Disney Animation Studios in Los Angeles. The studio was more prestigious than Terrytoons, and was reputed to offer better salaries for its top talents. Babbitt was initially hired as an assistant animator, but was soon promoted to a regular animator in recognition of his talents. He was put to work in animated short films, helping animate characters such as Mickey Mouse, Pluto, and the Big Bad Wolf.
When the studio started working on its first animated feature film, "Snow White and the Seven Dwarfs" , Babbitt was entrusted with animating the Evil Queen. It was one of the toughest assignments on the film, as the character was not rotoscoped (unlike several of the others). There was an effort to make the character "regally beautiful", to have her movements be graceful, and for her emotions to be primarily expressed through her lovely mouth and eyes. Babbitt and his assistants reportedly produced enough drawings of the Queen to fill a paper house.
His efforts on the feature film were rewarded with a salary increase. Babbitt was one of the highest-paying jobs in the studio. For the first time in his life, he could afford a large house, three cars, and two servants. At about this time, Babbit married his first wife. She was the actress and dancer Marge Champion (1919-2020). She had been hired as a dance model for "Snow White and the Seven Dwarfs", and had impressed Babbitt. Their marriage only lasted to 1940, ending in divorce.
During the late 1930s, Babbitt worked on two other feature films "Pinocchio" and "Fantasia". He animated Geppetto in "Pinocchio", the protagonist's father. He also designed several characters for two segments of Fantasia: "The Nutcracker Suite" and "The Pastoral Symphony". Among his creations were Disney's versions of the gods Zeus, Vulcan, and Boreas.
In 1941, came the Disney animators' strike. Many of the studio's animators wanted to unionize in order to achieve better working conditions. Babbitt became one of the strike's leaders, though he was primarily campaigning for the rights of others and not his own self-interest. At one point, Babbitt and studio head Walt Disney nearly had a fist fight over a verbal insult. Studio staff intervened to stop them.
Following the strike, Babbitt and Walt Disney continued working together for a while, despite their mutual distrust and hostility. Babbitt found a friendlier working environment at his next employer, Warner Bros. Cartoons. His career was interrupted for a few years by military service in the Pacific War. In the post-war years, Babbitt was among the early staff of the animation studio United Productions of America (UPA, 1941-2000). The studio had been established by former Disney personnel, and Babbitt found himself working alongside former colleagues.
UPA was noted for its "very flat" and stylized designs, in contrast with Disney's style. They were considered as one of the most innovative animated studios of the late 1940s and early 1950s. Babbitt worked on several of their award-winning shorts until 1955. He subsequently acquired partial ownership of Quartet Films, a studio primarily working on television commercials.
Over the following decades, Babbitt rarely worked on theatrical films. But he was eventually hired by animator Richard Williams (1933-2019) to serve as the lead animator for the unfinished feature film "The Thief and the Cobbler". Babbitt designed several of the film's characters. The film was in production from 1964 until 1993, and was eventually released in a partially finished form. Babbitt did not live long enough to finish the film or to see it released. During that film's production, Babbitt also provided some character animation for "Raggedy Ann & Andy: A Musical Adventure" (1977).
In the early 1990s, Babbitt was invited by executive Roy E. Disney (Walt's nephew) to reconcile himself with Disney and its staff. Babbitt had reunions with his former rivals Frank Thomas and Ollie Johnston. He died in March 1992, at the age of 84. He was buried at the Forest Lawn Memorial Park, located in Hollywood Hills. Babbitt was posthumously named a Disney Legend in 2007. A small collection of Babbitt's personal films and home movies was eventually acquired by the Academy Film Archive. Babbitt is long gone, but continues to have a high reputation among animation historians and fans of American animation.- Animation Department
- Producer
- Director
Often cited as one of the greatest animators of all time, Vladimir 'Bill' Tytla was born of Ukrainian immigrant parentage in Yonkers, New York, in October 1904. His close-knit family strongly supported his artistic inclinations. By the tender age of nine he had become set on his course after attending a screening of Gertie the Dinosaur (1914) (a creation by America's first successful pioneer animator, Winsor McCay, filmed for use in his vaudeville act). Emotionally volatile and prone to truancy, Tytla studied briefly at the New York Evening School of Industrial Design but yearned for work in his chosen field. In 1920, he was hired to write title cards for Paramount animations, at six days a week for $1.50 a day. His prodigious output earned him the nickname "Tytla the Titler". His first gigs as animator were on Mutt & Jeff cartoons for the Barré-Bowers Studio in the Bronx and for Paul Terry in Greenwich Village, bringing to life 'Aesop's Fables'. Dissatisfied with the poor standard of animation at 'Terrytoons', Tytla traveled abroad in 1928 and spent eighteen months in Europe touring countless museums and galleries and attending art classes. He studied sculpture (under the French master Charles Despiau) and painting (significantly influenced by the works of Dutch renaissance artist Pieter Bruegel the Elder). He returned to New York with more strings to his bow and immediately slotted in to his old job as a more accomplished and sophisticated animator. A colleague, Art Babbitt, became one of his closest friends. When Babbitt joined the Disney Organisation in 1932, he urged Tytla to follow. Two years later, Tytla traded in his job security at 'Terrytoons', moved to the West Coast to join Disney as a bona fide animator, albeit at a reduced salary. Before long, Tytla gained a reputation as one of the fastest and best draftsmen in the business. Over time, he acquired a new, rather more complimentary, sobriquet as "The Michelangelo of Animation".
One of Tytla's great strengths was an intuitive flair for character animation and for imbuing his creations with feeling. There was also a three dimensional quality to his work, very much the product of his new-found expertise in sculpture. As chief animator of Snow White and the Seven Dwarfs (1937), he created both Doc and Grumpy. He also brought to life the villainous puppet master Stromboli in Pinocchio (1940), the monstrous demon Chernabog in Fantasia (1940), the delightful Jose Carioca and Pedro the Mail Plane in Saludos Amigos (1942), and, perhaps most memorably, the baby elephant Dumbo (1941) (plus his assorted fellow pachyderms). Had it not been for joining a strike action (led by his friend Babbitt) by 300 members of the Cartoonists Guild in support of better wages and film credits for assistants and production staff, Tytla may have seen out his career at Disney. As it turned out, the strike led to bitter acrimony between management and union supporters. Babbitt was fired in 1941, having incurred Walt Disney's lasting wrath. Following a lengthy legal case, he was briefly reinstated for a year. Like Babbitt, Tytla began to feel uncomfortable in this divisive environment and left the company in 1943. He was later to regret that decision. Back at his old stomping grounds at 'Terrytoons' and Paramount, he became more and more dissatisfied with modernist trends and methodologies in animation, plus lower-than-ever standards. This added to the law of diminishing returns in his own work. By the 1950's, Tytla was working on television commercials for Tempo Productions in New York's 'Animation Alley'. He briefly headed his own production company by the end of the decade, but business acumen had never been his forte and the venture failed. The last few years of his life were marred by ill-health, including blindness in his left eye. He died on his Connecticut dairy farm in December 1968. Tytla's contributions to animation were indelible. In his own words, the key ingredient being "the feeling and vitality you get into the work".- Animation Department
- Production Designer
- Art Department
Bob Givens began straight out of high school as an animation checker and 'in-betweener' working primarily for Grim Natwick at Disney studios in 1937. He perfected his drawing technique in subsequent years by attended night classes at the Chouinard Art Institute and the New York Art Students League. In 1940, Bob moved over to Leon Schlesinger's animation unit at Warner Brothers as a layout and storyboard artist. He famously created early model sheets for Bugs Bunny which markedly improved upon Ben Hardaway's original designs. Bob's finished product - with refinements by Tex Avery -- then became more or less the blueprint for future incarnations of the rabbit (Robert McKimson's fine-tuning later resulted in the finished product). Bob's work was initially featured in A Wild Hare (1940), a cartoon which also set the tone for the personalities of both Bugs and his perennial antagonist Elmer Fudd.
In 1942, Bob was drafted into army service and spent the war years making military training films at Culver City under the auspices of Rudolf Ising, one of the original creators of Looney Tunes & Merrie Melodies (the other was Hugh Harman). He returned to 'Termite Terrace' after the war, mainly as layout artist for McKimson and Chuck Jones. After 1954, he free-lanced at various animation studios, including U.P.A. (where he worked on Mr.Magoo cartoons), Hanna-Barbera and DePatie-Freleng, in addition creating graphics for numerous Western Publishing comics and children's books. He retired in 2001 after six and a half decades in the animation business, that year also receiving the prestigious Winsor McCay Award for lifetime achievement.- Special Effects
- Visual Effects
Eustace Lycett was born on 21 December 1914 in Stoke-on-Trent, Staffordshire, England, UK. He is known for Mary Poppins (1964), The Black Hole (1979) and Bedknobs and Broomsticks (1971). He was married to Mary Ethel Lycett. He died on 16 November 2006 in Fullerton, California, USA.- Visual Effects
- Animation Department
- Director
Joshua Meador was born on 12 March 1911 in Greenwood, Mississippi, USA. He was a director, known for Forbidden Planet (1956), 20,000 Leagues Under the Sea (1954) and Snow White and the Seven Dwarfs (1937). He was married to Libby Alston. He died in August 1965 in California, USA.loaned out to MGM to work on Forbidden Planet- Art Department
- Animation Department
- Writer
Floyd Norman was born on 22 June 1935 in Santa Barbara, California, USA. He is a writer, known for The Hunchback of Notre Dame (1996), Mulan (1998) and Dinosaur (2000).- Visual Effects
- Special Effects
- Production Designer
Peter Ellenshaw was born on 24 May 1913 in London, England, UK. He was a production designer, known for Mary Poppins (1964), The Black Hole (1979) and Bedknobs and Broomsticks (1971). He was married to Jessie Ruth "Bobbie" Palmer. He died on 12 February 2007 in Santa Barbara, California, USA.- Animation Department
- Writer
- Additional Crew
Xavier Atencio was born on 4 September 1919 in Walsenburg, Colorado, USA. He was a writer, known for Pirates of the Caribbean: The Curse of the Black Pearl (2003), Pirates of the Caribbean: At World's End (2007) and Mary Poppins (1964). He was married to Maureen Sheedy. He died on 10 September 2017 in Los Angeles, California, USA.Haunted Mansion- Composer
- Music Department
- Soundtrack
Buddy Baker was born on 4 January 1918 in Springfield, Missouri, USA. He was a composer, known for The Fox and the Hound (1981), The Haunted Mansion (2003) and Inside Out (2015). He was married to Charlotte and B.J. Baker. He died on 26 July 2002 in Sherman Oaks, California, USA.- Music Department
- Composer
- Writer
Richard Morton Sherman was born in the spring of 1928 in New York City to Rosa and Al Sherman. Together with his older brother, Robert B. Sherman, the Sherman brothers would follow in their songwriting father's footsteps to form one of the most prolific, lauded and long lasting songwriting partnerships of all time.
Richard was an enthusiastic and energetic child and youth, still bearing that trademark trait well into his seventies. Following seven years of frequent cross-country moves, the Shermans finally settled down in Beverly Hills, California in 1937. Throughout Richard's years at Beverly Hills High School and Bard College in upstate New York, he became fascinated with music and studied several instruments including the flute, piccolo and piano. At Bard, Richard majored in music and wrote numerous sonatas and "art songs" during his time there but it was Richard's ambition to write the "Great American Symphony" which eventually led him to write songs.
Within two years of graduating, Richard and his brother Robert began writing songs together on a challenge from their father. In 1957, Richard married Elizabeth Gluck with whom he had three children. In 1958, the Sherman brothers enjoyed their first hit with their song, "Tall Paul", sung by Mouseketeer Annette Funicello. The success of this song yielded the attention of Walt Disney, who eventually hired the Sherman brothers on as staff songwriters for Walt Disney Studios.
While at Disney, the Sherman brothers wrote what is perhaps their most well-loved song: "It's a Small World (After All)" for the New York World's Fair in 1964. Since then, "Small World" has become the most translated and performed song on earth.
In 1965, the Sherman brothers won 2 Academy Awards for Mary Poppins (1964), which includes the songs "Feed The Birds", "Supercalifragilisticexpialidocious" and the Oscar winner, "Chim Chim Cher-ee". Since Mary Poppins (1964)' motion picture premiere, the Sherman brothers have subsequently earned nine Academy Award nominations, two Grammy Awards, four Grammy Award nominations, and an incredible 23 gold and platinum albums.
Robert and Richard worked directly for Walt Disney until his death in 1966. Since leaving the company, the brother songwriting team has worked freelance on scores of motion pictures, television shows, theme park exhibits and stage musicals. Their first non-Disney assignment came with Albert R. Broccoli's motion picture production Chitty Chitty Bang Bang (1968), which garnered the brothers their third Academy Award nomination.
In 1973, the Sherman brothers made history by becoming the only Americans, ever, to win First Prize at the Moscow Film Festival for Tom Sawyer (1973). They also authored the screenplay for "Tom Sawyer".
In 1976, The Slipper and the Rose: The Story of Cinderella (1976), was picked to be the Royal Command Performance of the year, and the event was attended by Her Royal Highness, Queen Elizabeth, the Queen Mother. A modern musical adaptation of the classic Cinderella story, "Slipper" also features both songscore and screenplay by the Sherman brothers. That same year, the Sherman brothers received their star on the Hollywood "Walk of Fame" directly across from Grauman's Chinese Theater. Their numerous other Disney and Non-Disney top box office film credits include The Jungle Book (1967), The Aristocats (1970), The Parent Trap (1961), Charlotte's Web (1973), The Many Adventures of Winnie the Pooh (1977), Snoopy Come Home (1972), Bedknobs and Broomsticks (1971), and Little Nemo: Adventures in Slumberland (1989).
Outside the motion picture realm, their Tony-nominated smash hit, "Over Here!" (1974) was the biggest grossing original Broadway musical of that year. The Sherman brothers have also written numerous top selling songs including "You're Sixteen", which holds the distinction of reaching Billboard's #1 spot twice; first with Johnny Burnette in 1960 and, then, with Ringo Starr, fourteen years later. Other top-ten hits include "Pineapple Princess", "Let's Get Together", and more.
In 2000, the Sherman brothers wrote the song score for Disney's blockbuster film The Tigger Movie (2000). This film marked the brother's first major motion picture for the Disney company in over 28 years.
In 2002, "Chitty" hit the London stage and received rave revues. "Chitty Chitty Bang Bang: The Stage Musical" is currently the most successful stage show ever produced at the London Palladium. In 2005, a second company will premiere on Broadway (New York City). The Sherman brothers wrote an additional six songs specifically for the new stage productions.
In 2003, four Sherman brothers' musicals ranked in the "Top 10 Favorite Children's Films of All Time" in a (British) nationwide poll reported by the BBC. The Jungle Book (1967) ranked at #7, Mary Poppins (1964) ranked at #8, The Aristocats (1970) ranked at #9 and Chitty Chitty Bang Bang (1968) topped the list at #1.
Richard Sherman resides in Beverly Hills, California with his wife, Elizabeth.- Music Department
- Composer
- Writer
Robert B. Sherman was born just before Christmas in 1925 in New York City. Parents, Rosa & Al Sherman didn't know how they would pay the doctor and delivery costs. Fortunately, upon their arrival home from the hospital, Al discovered a large royalty check in the mail. Ironically, it was Al's song, "Save Your Sorrow", which saved the day and covered the bill. In 1928, younger brother, Richard M. Sherman, was born. Years later, brothers Robert and Richard would form one of the most prolific, lauded and long lasting songwriting partnerships of all time.
As a youth, Robert excelled in intellectual pursuits, taking up the violin and piano, painting and writing poetry. Following seven years of frequent cross-country moves, the Shermans finally settled down in Beverly Hills, California. Throughout Robert's years at Beverly Hills High School, he wrote and produced radio and stage programs for which he won much acclaim. At sixteen years old, Robert wrote a stage play, entitled "Armistice and Dedication Day", which earned thousands of dollars worth in War Bonds and garnered Sherman a special citation from the War Department.
In 1943, Robert obtained permission from his parents to join the army a year early, at only age 17. In early April, 1945, he inadvertently led half a squad of men into Dachau Concentration Camp, the first Allied troops to enter the camp after it had been evacuated by the fleeing German military only hours earlier. On April 12, 1945, the day President Franklin D. Roosevelt died, Robert was shot in the knee forcing him to walk with a cane ever since.
During his recuperation in Taunton and Bournemouth, England, Robert was awarded the Purple Heart medal. While still rehabilitating, Robert first became curious about British culture, reading voraciously anything he could find on the subject. Once on his feet, Robert met and became friends with many Brits, attaining first-hand knowledge of the United Kingdom, her customs and people. His fascination with England would later prove an invaluable resource to his songwriting career; many of his most well-known works centering around Anglo-themed stories and subject matter.
Upon his return to the United States, Robert attended Bard College in upstate New York where he majored in English Literature and Painting. At Bard, Robert completed his first two novels, entitled "The Best Estate" and "Music, Candy and Painted Eggs". He graduated in the class of 1949.
Within two years, Robert and his brother Richard began writing songs together on a challenge from their father. In 1953, Robert married the love of his life, Joyce Sasner, which helped to neutralize what had become Robert's wildly bohemian lifestyle in the years following the war. In 1958, Robert founded the music publishing company, "Music World Corporation", which later enjoyed a landmark relationship with Disney's BMI publishing arm, "Wonderland Music Company". That same year, the Sherman Brothers had their first "Top Ten" hit with "Tall Paul", sung by Mouseketeer, Annette Funicello. The success of this song yielded the attention of Walt Disney, who eventually hired the Sherman Brothers on as Staff Songwriters for Walt Disney Studios.
While at Disney, the Sherman Brothers wrote what is perhaps their most well-loved song: "It's a Small World (After All)" for the New York World's Fair in 1964. Since then, "Small World" has become the most translated and performed song on earth.
In 1965, the Sherman Brothers won 2 Academy Awards for Mary Poppins (1964), which includes the songs "Feed The Birds", "Supercalifragilisticexpialidocious" and the Oscar winner, "Chim Chim Cher-ee". Since Mary Poppins (1964)'s motion picture premiere, the Sherman Brothers have subsequently earned 9 Academy Award nominations, 2 Grammy Awards, 4 Grammy Award nominations and an incredible 23 gold and platinum albums.
Robert and Richard worked directly for Walt Disney until Disney's death in 1966. Since leaving the company, the brother songwriting team has worked freelance on scores of motion pictures, television shows, theme park exhibits and stage musicals.
Their first non-Disney assignment came with Albert R. Broccoli's motion picture production Chitty Chitty Bang Bang (1968) which garnered the brothers their third Academy Award Nomination.
In 1973, the Sherman Brothers made history by becoming the only Americans, ever, to win First Prize at the Moscow Film Festival for Tom Sawyer (1973), for which they also authored the screenplay.
The Slipper and the Rose: The Story of Cinderella (1976), was picked to be the Royal Command Performance of the year and was attended by Her Royal Highness, Queen Elizabeth, the Queen Mother. A modern musical adaptation of the classic Cinderella story, "Slipper" also features both song-score and screenplay by the Sherman Brothers. That same year, the Sherman Brothers received their star on the Hollywood "Walk of Fame" directly across from the Chinese Theater.
Their numerous other Disney and Non-Disney top box office film credits include The Jungle Book (1967), The Aristocats (1970), The Parent Trap (1961), The Parent Trap (1998), Charlotte's Web (1973), The Many Adventures of Winnie the Pooh (1977), Snoopy Come Home (1972), Bedknobs and Broomsticks (1971) and Little Nemo: Adventures in Slumberland (1989).
Outside of the motion picture realm, their Tony nominated smash hit, "Over Here!" (1974), was the biggest grossing original Broadway Musical of that year. The Sherman Brothers have also written numerous top selling songs including "You're Sixteen", which holds the distinction of reaching Billboard's #1 spot twice; first with Johnny Burnette in 1960 and, then, with Ringo Starr, fourteen years later. Other top-ten hits include, "Pineapple Princess", "Let's Get Together" and more.
In 2000, the Sherman Brothers wrote the song score for Disney's blockbuster film: The Tigger Movie (2000). This film marked the brothers' first major motion picture for the Disney company in over twenty eight years.
In 2002, "Chitty" hit the London stage receiving rave revues. By 2005, "Chitty Chitty Bang Bang: The Stage Musical" broke records becoming the most successful stage show ever produced at the London Palladium, boasting the longest run in that century old theatre's history. In Spring 2005, a second "Chitty" company premiered on Broadway (New York City) at the Hilton Theatre. In each subsequent year, new touring companies were formed in the UK, USA and Singapore. The Sherman Brothers wrote an additional six songs specifically for the new stage productions.
In April 2002, an exhibition of Robert's paintings was held in London, England at Thompsons' Gallery on Marylebone High Street. This marked the first public exhibition of Robert's paintings, ever, which is amazing considering Robert had been painting since 1941. The London Exhibition was widely covered by TV, radio and printed press. Robert subsequently enjoyed a succession of successful art exhibitions in the United States with the sale of many Limited Edition giclée prints of his work.
In 2002, Sherman moved from Beverly Hills to London, England, where he continues to write and paint.
In 2003, four Sherman Brothers' musicals ranked in the "Top 10 Favorite Children's Films of All Time" in a (British) nationwide poll reported by the BBC. The Jungle Book (1967) ranked at #7, Mary Poppins (1964) ranked at #8, The Aristocats (1970) ranked at #9 and Chitty Chitty Bang Bang (1968) topped the list at #1.
In June 2005, The Sherman Brothers were inducted into the Songwriters' Hall of Fame. Also, in June 2005, a tribute was paid to Robert B. Sherman at the Théâtre de Vevey in Switzerland by the Ballet Romand. "Chitty" will be commencing its full UK tour in December 2005.
The Disney/Cameron Mackintosh production of "Mary Poppins: The Stage Musical" made its world premier at the Prince Edward Theatre in December 2004 and features the Sherman Brothers classic songs. This show premiered on Broadway in 2006. In 2013, "Poppins" became the 22nd longest running musical or nonmusical show in Broadway history. Numerous touring companies have toured worldwide since 2008.
The Sherman Brothers were awarded the 2008 American National Medal of the Arts by President George W. Bush for their services to music. In 2009, a controversial documentary about the Sherman Brothers entitled, The Boys (2009) was produced by Sherman's older son, Jeffrey C. Sherman and brother Richard's son Gregory V. Sherman. In 2010 the Sherman Brothers were awarded a window on Main Street Disneyland. In 2011, the Sherman Brothers were each given honorary doctorates from their alma mater, Bard College. Sherman resided in London, England until his death on March 6, 2012.
His autobiography "Moose: Chapters From My Life" was posthumously released by AuthorHouse Publishers and was edited by Sherman's youngest son, Robert J. Sherman. The book's release happened at the same time as the major film release of Saving Mr. Banks (2013) in which Sherman and his brother are portrayed by B.J. Novak and Jason Schwartzman respectively.- Actor
- Writer
- Additional Crew
Actor, composer, songwriter, voiceover artist and author. He joined ASCAP in 1956, and his chief musical collaborators included Tony Romano, Ruby Raksin, Walter Gross, and Ed Brandt. His popular-song compositions include "Hollywood Soliloquy", "The Clown", "Drowning My Sorrow", and "Voice in the Wind".voice of "Ghost Host" for the Haunted Mansion- Actor
- Music Department
- Soundtrack
Born in 1914, raised in Norfolk, Nebraska, Thurl Ravenscroft served as a navigator in the US Army Air Transport Command in World War II before settling in Hollywood. An accomplished singer, he performed with The Sportsmen Quartet, The Mellowmen Quartet, The Johnny Mann Singers, The Norman Luboff Choir, and many major stars, including Jim Nabors and Elvis Presley. He was best known, however, for his mellifluous voice-overs, and he voiced Tony the Tiger in countless advertisements for Kellogg's Frosted Flakes in both English and Spanish. In 1996 he and his wife June retired to southern California, although he still did occasional work as Tony. He died in 2005 of prostate cancer.