Horror Actors & Actresses
Not including "One Hit Wonders" or totally sci-fi actors.
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Although his parents were deaf, Leonidas Chaney became an actor and also owner of a theatre company (together with his brother John). He made his debut at the movies in 1912, and his filmography is vast. Lon Chaney was especially famous for his horror parts in movies like e.g. Quasimodo in The Hunchback of Notre Dame (1923). Due to his special make-up effects he carried the characterization to be "the man with the thousand faces." He only filmed one movie with sound: The remake of one of his earlier films The Unholy Three (1930). His son, Lon Chaney Jr., became a famous actor of the horror genre.Played several villains- Actor
- Soundtrack
Along with fellow actors Lon Chaney, Bela Lugosi and Vincent Price, Boris Karloff is recognized as one of the true icons of horror cinema, and the actor most closely identified with the general public's perception of the "Monster" from the classic Mary Shelley novel "Frankenstein". William Henry Pratt was born on November 23, 1887, in Camberwell, London, England, UK, the son of Edward John Pratt Jr., the Deputy Commissioner of Customs Salt and Opium, Northern Division, Indian Salt Revenue Service, and his third wife, Eliza Sarah Millard.
He was educated at London University in anticipation that he would pursue a diplomatic career; however, he emigrated to Canada in 1909, joined a touring company based out of Ontario and adopted the stage name of "Boris Karloff." He toured back and forth across the U.S. for over 10 years in a variety of low budget theater shows and eventually ended up in Hollywood, reportedly with very little money to his name. Needing cash to support himself, Karloff secured occasional acting work in the fledgling silent film industry in such pictures as The Deadlier Sex (1920), Omar the Tentmaker (1922), Dynamite Dan (1924) and Tarzan and the Golden Lion (1927), in addition to a handful of serials (the majority of which, sadly, have not survived). Karloff supplemented his meager film income by working as a truck driver in Los Angeles, which allowed him enough time off to continue to pursue acting roles.
His big break came in 1931 when he was cast as "the Monster" in the Universal production of Frankenstein (1931), directed by James Whale, one of the studio's few remaining auteur directors. The aura of mystery surrounding Karloff was highlighted in the opening credits, as he was listed as simply "?". The film was a commercial and critical success for Universal, and Karloff was instantly established as a hot property in Hollywood. He quickly appeared in several other sinister roles, including Scarface (1932) (filmed before Frankenstein (1931)), the black-humored The Old Dark House (1932), as the namesake Chinese villain of Sax Rohmer's Dr. Fu Manchu novels in The Mask of Fu Manchu (1932), as the undead Im-ho-tep in The Mummy (1932) and as the misguided Prof. Morlant in The Ghoul (1933). He thoroughly enjoyed his role as a religious fanatic in John Ford's The Lost Patrol (1934), although contemporary critics described it as a textbook example of overacting.
He donned the signature make-up, neck bolts and asphalt spreader's boots again to play the Frankenstein Monster twice, in the sensational Bride of Frankenstein (1935) and the less thrilling Son of Frankenstein (1939). Karloff, on loan to Fox, appeared in one of the best of the Warner Oland Charlie Chan films, Charlie Chan at the Opera (1936), before beginning his own short-lived Mr. Wong detective series. He was a wrongly condemned doctor in Devil's Island (1938), shaven-headed executioner "Mord the Merciless" in Tower of London (1939), another misguided scientist in The Ape (1940), a crazed scientist surrounded by monsters, vampires and werewolves in House of Frankenstein (1944), a murderous cabman in The Body Snatcher (1945) and a Greek general fighting vampirism in the Val Lewton thriller Isle of the Dead (1945).
While Karloff continued appearing in a plethora of films, many of them were not up to the standards of his previous efforts, including appearances in two of the hokey Bud Abbott and Lou Costello monster films (he had appeared with them in an earlier, superior film, Bud Abbott Lou Costello Meet the Killer Boris Karloff (1949), of which theater owners often added his name to the marquee), the low point of the Universal-International horror film cycle. During the 1950s he was a regular guest on many high-profile TV shows, including The Milton Berle Show (1948), Tales of Tomorrow (1951), The Veil (1958), The Donald O'Connor Show (1954), The Red Skelton Hour (1951) and The Dinah Shore Chevy Show (1956), to name a few, and he appeared in a mixed bag of films, including Sabaka (1954) and Voodoo Island (1957). On Broadway, he appeared as the murderous Brewster brother in the hit "Arsenic and Old Lace" (his role, or rather the absence of him in it, was amusingly parodied in the 1944 film version) and 10 years later he enjoyed a long run in "Peter Pan," perfectly cast as "Captain Hook."
His career experienced something of a revival in the 1960s thanks to hosting the TV anthology series Thriller (1960) and indie director Roger Corman, with Karloff contributing wonderful performances in The Raven (1963), The Terror (1963), the ultra-eerie Black Sabbath (1963) and the H.P. Lovecraft-inspired Die, Monster, Die! (1965). Karloff's last great film role was as Byron Orlok, an aging horror film star on the brink of retirement confronting a modern-day sniper in the Peter Bogdanovich film Targets (1968). In 1970, he played the blind sculptor Franz Badulescu in Cauldron of Blood (1968) which was produced, directed and written by Edward Mann, who had also come to the art of film from the stage and the theater. His TV career was capped off by achieving Christmas immortality as both the voices of the titular character and the narrator of Chuck Jones's perennial animated favorite, How the Grinch Stole Christmas! (1966). Four low-budget Mexican-produced horror films starring an ailing Karloff were released in the two years after his death; however, they do no justice to this actor. In retrospect, he never took himself too seriously as an actor and had a tendency to downplay his acting accomplishments. Renowned as a refined, kind and warm-hearted gentleman with a sincere affection for children and their welfare, Karloff passed away on February 2, 1969 from emphysema. Respectful of his Indian roots and in true Hindu fashion, he was cremated at Guildford Crematorium, Godalming, Surrey, England, UK, where he is commemorated by a plaque in Plot 2 of the Garden of Remembrance.Played several villains- Actor
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- Art Department
Peter Wilton Cushing was born on May 26, 1913 in Kenley, Surrey, England, to Nellie Maria (King) and George Edward Cushing, a quantity surveyor. He and his older brother David were raised first in Dulwich Village, a south London suburb, and then later back in Surrey. At an early age, Cushing was attracted to acting, inspired by his favorite aunt, who was a stage actress. While at school, Cushing pursued his acting interest in acting and also drawing, a talent he put to good use later in his first job as a government surveyor's assistant in Surrey. At this time, he also dabbled in local amateur theater until moving to London to attend the Guildhall School of Music and Drama on scholarship. He then performed in repertory theater in Worthing, deciding in 1939 to head for Hollywood, where he made his film debut in The Man in the Iron Mask (1939). Other Hollywood films included A Chump at Oxford (1940) with Stan Laurel and Oliver Hardy, Vigil in the Night (1940) and They Dare Not Love (1941). However, after a short stay, he returned to England by way of New York (making brief appearances on Broadway) and Canada. Back in his homeland, he contributed to the war effort during World War II by joining the Entertainment National Services Association.
After the war, he performed in the West End and had his big break appearing with Laurence Olivier in Hamlet (1948), in which Cushing's future partner-in-horror Christopher Lee had a bit part. Both actors also appeared in Moulin Rouge (1952) but did not meet until their later horror films. During the 1950s, Cushing became a familiar face on British television, appearing in numerous teleplays, such as 1984 (1954) and Beau Brummell (1954), until the end of the decade when he began his legendary association with Hammer Film Productions in its remakes of the 1930s Universal horror classics. His first Hammer roles included Dr. Frankenstein in The Curse of Frankenstein (1957), Dr. Van Helsing in Horror of Dracula (1958), and Sherlock Holmes in The Hound of the Baskervilles (1959).
Cushing continued playing the roles of Drs. Frankenstein and Van Helsing, as well as taking on other horror characters, in Hammer films over the next 20 years. He also appeared in films for the other major horror producer of the time, Amicus Productions, including Dr. Terror's House of Horrors (1965) and its later horror anthologies, a couple of Dr. Who films (1965, 1966), I, Monster (1971), and others. By the mid-1970s, these companies had stopped production, but Cushing, firmly established as a horror star, continued in the genre for some time thereafter.
Perhaps his best-known appearance outside of horror films was as Grand Moff Tarkin in George Lucas' phenomenally successful science fiction film Star Wars: Episode IV - A New Hope (1977). Biggles: Adventures in Time (1986) was Cushing's last film before his retirement, during which he made a few television appearances, wrote two autobiographies and pursued his hobbies of bird watching and painting. In 1989, he was made an Officer of the Order of the British Empire in recognition of his contributions to the acting profession in Britain and worldwide. Peter Cushing died at age 81 of prostate cancer on August 11, 1994.Played Doctor Victor Frankenstein & several villains- Actor
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Peter Lorre was born László Löwenstein in Rózsahegy in the Slovak area of the Austro-Hungarian Empire, the son of Hungarian Jewish parents. He learned both Hungarian and German languages from birth, and was educated in elementary and secondary schools in the Austria-Hungary capitol Vienna, but did not complete. As a youth he ran away from home, first working as a bank clerk, and after stage training in Vienna, Austria, made his acting debut at age 17 in 1922 in Zurich, Switzerland. He traveled for several years acting on stage throughout his home region, Vienna, Berlin, and Zurich, including working with Bertolt Brecht, until Fritz Lang cast him in a starring role as the psychopathic child killer in the German film M (1931).
After several more films in Germany, including a couple roles for which he learned to speak French, Lorre left as the Nazis came to power, going first to Paris where he made one film, then London where Alfred Hitchcock cast him as a creepy villain in The Man Who Knew Too Much (1934), where he learned his lines phonetically, and finally arrived in Hollywood in 1935. In his first two roles there he starred as a mad scientist in Mad Love (1935) directed by recent fellow-expatriate Karl Freund, and the leading part of Raskolnikov in Crime and Punishment (1935), by another expatriate German director Josef von Sternberg, a successful movie made at Lorre's own suggestion. He returned to England for a role in another Hitchcock film, Secret Agent (1936), then back to the US for a few more films before checking into a rehab facility to cure himself of a morphine addiction.
After shaking his addiction, in order to get any kind of acting work, Lorre reluctantly accepted the starring part as the Japanese secret agent in Thank You, Mr. Moto (1937), wearing makeup to alter his already very round eyes for the part. He ended up committed to repeating the role for eight more "Mr. Moto" movies over the next two years.
Lorre played numerous memorable villain roles, spy characters, comedic roles, and even a romantic type, throughout the 1940s, beginning with his graduation from 30s B-pictures The Maltese Falcon (1941). Among his most famous films, Casablanca (1942), and a comedic role in the Broadway hit film Arsenic and Old Lace (1944).
After the war, between 1946 and '49 Lorre concentrated largely on radio and the stage, while continuing to appear in movies. In Autumn 1950 he traveled to West Gemany where he wrote, directed and starred in the critically acclaimed but generally unknown German-language film The Lost Man (1951), adapted from Lorre's own novel.
Lorre returned to the US in 1952, somewhat heavier in stature, where he used his abilities as a stage actor appearing in many live television productions throughout the 50s, including the first James Bond adaptation Casino Royale (1954), broadcast just a few months after Ian Fleming had published that first Bond novel. In that decade, Lorre had various roles, often to type but also as comedic caricatures of himself, in many episodes of TV series, and variety shows, though he continued to work in motion pictures, including the Academy Award winning Around the World in 80 Days (1956), and a stellar role as a clown in The Big Circus (1959).
In the late 50s and early 1960s he worked in several low-budget films, with producer-director Roger Corman, and producer-writer-director Irwin Allen, including the aforementioned The Big Circus and two adventurous Disney movies with Allen. He died from a stroke the year he made his last movie, playing a stooge in Jerry Lewis' The Patsy (1964).Played several villains- Actor
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Actor, raconteur, art collector and connoisseur of haute cuisine are just some of the attributes associated with Vincent Price. He was born Vincent Leonard Price, Jr. in St. Louis, Missouri, to Marguerite Cobb "Daisy" (Wilcox) and Vincent Leonard Price, who was President of the National Candy Company. His grandfather, also named Vincent, invented Dr. Price's Baking Powder, which was tartar-based. His family was prosperous, as he said, "not rich enough to evoke envy but successful enough to demand respect." His uniquely cultivated voice and persona were the result of a well-rounded education which began when his family dispatched him on a tour of Europe's cultural centres. His secondary education eventually culminated in a B.A. in English from Yale University and a degree in art history from London's Courtauld Institute.
Famously, his name has long been a byword for Gothic horror on screen. However, Vincent Price was, first and foremost, a man of the stage. It is where he began his career and where it ended. He faced the footlights for the first time at the Gate Theatre in London. At the age of 23, he played Prince Albert in the premiere of Arthur Schnitzler 's 'Victoria Regina' and made such an impression on producer Gilbert Miller that he launched the play on Broadway that same year (legendary actress Helen Hayes played the title role). In early 1938, he was invited to join Orson Welles 's Mercury Theatre on a five-play contract, beginning with 'The Shoemaker's Holiday'. He gave what was described as "a polished performance". Thus established, Vincent continued to make sporadic forays to the Great White Way, including as the Duke of Buckingham in Shakespeare's 'Richard III' (in which a reviewer for the New Yorker found him to be "satisfactorily detestable") and as Oscar Wilde in his award-winning one man show 'Diversions and Delights', which he took on a hugely successful world-wide tour in 1978. While based in California, Vincent was instrumental in the success of the La Jolla Playhouse in San Diego, starring in several of their bigger productions, including 'Billy Budd' and 'The Winslow Boy'. In 1952, Vincent joined the national touring company of 'Don Juan in Hell' in which he was cast as the devil. Acting under the direction of Charles Laughton and accompanied by noted thespians Charles Boyer, Cedric Hardwicke and Agnes Moorehead, he later recalled this as one of his "greatest theatrical excitements".
As well as acting on stage, Vincent regularly performed on radio network programs, including Lux Radio Theatre, CBS Playhouse and shows for the BBC. He narrated or hosted assorted programs ranging from history (If these Walls Could Speak) to cuisine (Cooking Price-Wise). He wrote several best-selling books on his favourite subjects: art collecting and cookery. In 1962, he was approached by Sears Roebuck to act as a buying consultant "selling quality pictures to department store customers". As if that were not enough, he lectured for 15 years on art, poetry and even the history of villainy. He recorded numerous readings of poems by Edgar Allan Poe (nobody ever gave a better recital of "The Raven"!), Shelley and Whitman. He also served on the Arts Council of UCLA, was a member of the Fine Arts Committee for the White House, a former chairman of the Indian Arts & Crafts Board and on the board of trustees of the Los Angeles County Museum of Art.
And besides all of that, Vincent Price remained a much sought-after motion picture actor. He made his first appearance on screen as a romantic lead in Service de Luxe (1938), a frothy Universal comedy which came and went without much fanfare. After that, he reprized his stage role as Master Hammon in an early television production of 'The Shoemaker's Holiday'. For one reason or another, Vincent was henceforth typecast as either historical figures (Sir Walter Raleigh, Duke of Clarence, Mormon leader Joseph Smith, King Charles II, Cardinal Richelieu, Omar Khayyam) or ineffectual charmers and gigolos. Under contract to 20th Century Fox (1940-46), Laura (1944) provided one of his better vehicles in the latter department, as did the lush Technicolor melodrama Leave Her to Heaven (1945) which had Vincent showcased in a notably powerful scene as a prosecuting attorney. His performance was singled out by the L.A. Times as meriting "attention as contending for Academy supporting honors".
His first fling with the horror genre was Dragonwyck (1946), a Gothic melodrama set in the Hudson Valley in the early 1800's. For the first time, Vincent played a part he actually coveted and fought hard to win. His character was in effect a precursor of those he would later make his own while working for Roger Corman and American-International. As demented, drug-addicted landowner Nicholas Van Ryn, he so effectively terrorized Gene Tierney's Miranda Wells that the influential columnist Louella Parsons wrote with rare praise: "The role of Van Ryn calls for a lot of acting and Vincent admits he's a ham and loves to act all over the place, but the fact that he has restrained himself and doesn't over-emote is a tribute to his ability". If Vincent was an occasional ham, he proved it with his Harry Lime pastiche Carwood in The Bribe (1949). Much better was his starring role in a minor western, The Baron of Arizona (1950), in which he was convincingly cast as a larcenous land office clerk attempting to create his own desert baronetcy.
With House of Wax (1953) , Vincent fine-tuned the character type he had established in Dragonwyck, adding both pathos and comic elements to the role of the maniacal sculptor Henry Jarrod. It was arduous work under heavy make-up which simulated hideous facial scarring and required three hours to apply and three hours to remove. He later commented that it "took his face months to heal because it was raw from peeling off wax each night". However, the picture proved a sound money maker for Warner Brothers and firmly established Vincent Price in a cult genre from which he was henceforth unable to escape. The majority of his subsequent films were decidedly low-budget affairs in which the star tended to be the sole mitigating factor: The Mad Magician (1954), The Fly (1958) (and its sequel), House on Haunted Hill (1959), the absurd The Tingler (1959) (easily the worst of the bunch) and The Bat (1959). With few exceptions, Vincent's acting range would rarely be stretched in the years to come.
Vincent's association with the genial Roger Corman began when he received a script for The Fall of the House of Usher, beginning a projected cycle of cost-effective films based on short stories by Edgar Allen Poe. As Roderick Usher, Vincent was Corman's "first and only choice". Though he was to receive a salary of $50,000 for the picture, it was his chance "to express the psychology of Poe's characters" and to "imbue the movie versions with the spirit of Poe" that clinched the deal for Vincent. He made another six films in this vein, all of them box office winners. Not Academy Award stuff, but nonetheless hugely enjoyable camp entertainment and popular with all but highbrow audiences. Who could forget Vincent at his scenery chewing best as the resurgent inquisitor, luring Barbara Steele into the crypt in The Pit and the Pendulum (1961)? Or as pompous wine aficionado Fortunato Luchresi in that deliriously funny wine tasting competition with Montresor Herringbone (Peter Lorre) in Tales of Terror (1962)? Best still, the climactic battle of the magicians pitting Vincent's Erasmus Craven against Boris Karloff's malevolent Dr. Scarabus in The Raven (1963) (arguably, the best offering in the Poe cycle). The Comedy of Terrors (1963) was played strictly for laughs, with the inimitable combo of Price and Lorre this time appearing as homicidal undertakers.
For the rest of the 60s, Vincent was content to remain in his niche, playing variations on the same theme in City in the Sea (1965) and Witchfinder General (1968) (as Matthew Hopkins). He also spoofed his screen personae as Dr. Goldfoot and as perennial villain Egghead in the Batman (1966) series. He rose once more to the occasion in the cult black comedy The Abominable Dr. Phibes (1971) (and its sequel Dr. Phibes Rises Again (1972)) commenting that he had to play Anton Phibes "very seriously so that it would come out funny". The tagline, a parody of the ad for Love Story (1970), announced "love means never having to say you're ugly".
During the 70s and 80s, Vincent restricted himself mainly to voice-overs and TV guest appearances. His final role of note was as the inventor in Edward Scissorhands (1990), a role written specifically for him. The embodiment of gleeful, suave screen villainy, Vincent Price died in Los Angeles in October 1993 at the age of 82. People magazine eulogized him as "the Gable of Gothic." Much earlier, an English critic named Gilbert Adair spoke for many fans when he said "Every man his Price - and mine is Vincent."Played several villains- Actor
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Sir Christopher Frank Carandini Lee was perhaps the only actor of his generation to have starred in so many films and cult saga. Although most notable for personifying bloodsucking vampire, Dracula, on screen, he portrayed other varied characters on screen, most of which were villains, whether it be Francisco Scaramanga in the James Bond film, The Man with the Golden Gun (1974), or Count Dooku in Star Wars: Episode II - Attack of the Clones (2002), or as the title monster in the Hammer Horror film, The Mummy (1959).
Lee was born in 1922 in London, England, where he and his older sister Xandra were raised by their parents, Contessa Estelle Marie (Carandini di Sarzano) and Geoffrey Trollope Lee, a professional soldier, until their divorce in 1926. Later, while Lee was still a child, his mother married (and later divorced) Harcourt George St.-Croix (nicknamed Ingle), who was a banker. Lee's maternal great-grandfather was an Italian political refugee, while Lee's great-grandmother was English opera singer Marie (Burgess) Carandini.
After attending Wellington College from age 14 to 17, Lee worked as an office clerk in a couple of London shipping companies until 1941 when he enlisted in the Royal Air Force during World War II. Following his release from military service, Lee joined the Rank Organisation in 1947, training as an actor in their "Charm School" and playing a number of bit parts in such films as Corridor of Mirrors (1948). He made a brief appearance in Laurence Olivier's Hamlet (1948), in which his future partner-in-horror Peter Cushing also appeared. Both actors also appeared later in Moulin Rouge (1952) but did not meet until their horror films together.
Lee had numerous parts in film and television throughout the 1950s. He struggled initially in his new career because he was discriminated as being taller than the leading male actors of his time and being too foreign-looking. However, playing the monster in the Hammer film The Curse of Frankenstein (1957) proved to be a blessing in disguise, since the was successful, leading to him being signed on for future roles in Hammer Film Productions.
Lee's association with Hammer Film Productions brought him into contact with Peter Cushing, and they became good friends. Lee and Cushing often than not played contrasting roles in Hammer films, where Cushing was the protagonist and Lee the villain, whether it be Van Helsing and Dracula respectively in Horror of Dracula (1958), or John Banning and Kharis the Mummy respectively in The Mummy (1959).
Lee continued his role as "Dracula" in a number of Hammer sequels throughout the 1960s and into the early 1970s. During this time, he co-starred in The Hound of the Baskervilles (1959), and made numerous appearances as Fu Manchu, most notably in the first of the series The Face of Fu Manchu (1965), and also appeared in a number of films in Europe. With his own production company, Charlemagne Productions, Ltd., Lee made Nothing But the Night (1973) and To the Devil a Daughter (1976).
By the mid-1970s, Lee was tiring of his horror image and tried to widen his appeal by participating in several mainstream films, such as The Private Life of Sherlock Holmes (1970), The Three Musketeers (1973), The Four Musketeers: Milady's Revenge (1974), and the James Bond film The Man with the Golden Gun (1974).
The success of these films prompted him in the late 1970s to move to Hollywood, where he remained a busy actor but made mostly unremarkable film and television appearances, and eventually moved back to England. The beginning of the new millennium relaunched his career to some degree, during which he has played Count Dooku in Star Wars: Episode II - Attack of the Clones (2002) and as Saruman the White in the Lord of the Rings trilogy. Lee played Count Dooku again in Star Wars: Episode III - Revenge of the Sith (2005), and portrayed the father of Willy Wonka, played by Johnny Depp, in the Tim Burton film, Charlie and the Chocolate Factory (2005).
On 16 June 2001, he was created a Commander of the Order of the British Empire in recognition of his services to drama. He was created a Knight Bachelor on 13 June 2009 in the Queen's Birthday Honours List for his services to drama and charity. In addition he was made a Commander of the Order of St John on 16 January 1997.
Lee died at the Chelsea and Westminster Hospital on 7 June 2015 at 8:30 am after being admitted for respiratory problems and heart failure, shortly after celebrating his 93rd birthday there. His wife delayed the public announcement until 11 June, in order to break the news to their family.Played several villains- Actor
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One of the greatest actors of all time, Robert De Niro was born on August 17, 1943 in Manhattan, New York City, to artists Virginia (Admiral) and Robert De Niro Sr. His paternal grandfather was of Italian descent, and his other ancestry is Irish, English, Dutch, German, and French. He was trained at the Stella Adler Conservatory and the American Workshop. De Niro first gained fame for his role in Bang the Drum Slowly (1973), but he gained his reputation as a volatile actor in Mean Streets (1973), which was his first film with director Martin Scorsese. He received an Academy Award for Best Supporting Actor for his role in The Godfather Part II (1974) and received Academy Award nominations for best actor in Taxi Driver (1976), The Deer Hunter (1978) and Cape Fear (1991). He received the Academy Award for Best Actor for his role as Jake LaMotta in Raging Bull (1980).
De Niro has earned four Golden Globe Award nominations for Best Actor - Motion Picture Musical or Comedy, for his work in New York, New York (1977), opposite Liza Minnelli, Midnight Run (1988), Analyze This (1999) and Meet the Parents (2000). Other notable performances include Brazil (1985), The Untouchables (1987), Backdraft (1991), Frankenstein (1994), Heat (1995), Casino (1995) and Jackie Brown (1997). At the same time, he also directed and starred in such films as A Bronx Tale (1993) and The Good Shepherd (2006). De Niro has also received the AFI Lifetime Achievement Award in 2003 and the Golden Globe Cecil B. DeMille Award in 2010.
As of 2022, De Niro is 79-years-old. He has never retired from acting, and continues to work regularly in mostly film.- Actor
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An intense, versatile actor as adept at playing clean-cut FBI agents as he is psychotic motorcycle-gang leaders, who can go from portraying soulless, murderous vampires to burned-out, world-weary homicide detectives, Lance Henriksen has starred in a variety of films that have allowed him to stretch his talents just about as far as an actor could possibly hope. He played "Awful Knoffel" in the TNT original movie Evel Knievel (2004), directed by John Badham and executive produced by Mel Gibson. Henriksen portrayed "Awful Knoffel" in this project based on the life of the famed daredevil, played by George Eads. Henriksen starred for three seasons (1996-1999) on Millennium (1996), Fox-TV's critically acclaimed series created by Chris Carter (The X-Files (1993)). His performance as Frank Black, a retired FBI agent who has the ability to get inside the minds of killers, landed him three consecutive Golden Globe nominations for "Best Performance by a Lead Actor in a Drama Series" and a People's Choice Award nomination for "Favorite New TV Male Star".
Henriksen was born in New York City. His mother, Margueritte, was a waitress, dance instructor, and model. His father, James Marin Henriksen, who was from Tønsberg, Norway, was a boxer and merchant sailor. Henriksen studied at the Actors Studio and began his career off-Broadway in Eugene O'Neill's "Three Plays of the Sea." One of his first film appearances was as an FBI agent in Sidney Lumet's Dog Day Afternoon (1975), followed by parts in Lumet's Network (1976) and Prince of the City (1981). He then appeared in Steven Spielberg's Close Encounters of the Third Kind (1977) with Richard Dreyfuss and François Truffaut, Damien: Omen II (1978) and in Philip Kaufman's The Right Stuff (1983), in which he played Mercury astronaut Capt. Wally Schirra.
James Cameron cast Henriksen in his first directorial effort, Piranha II: The Spawning (1982), then used him again in The Terminator (1984) and as the android Bishop in the sci-fi classic Aliens (1986). Sam Raimi cast Henriksen as an outrageously garbed gunfighter in his quirky western The Quick and the Dead (1995). Henriksen has also appeared in what has developed into a cult classic: Kathryn Bigelow's Near Dark (1987), in which he plays the head of a clan of murderous redneck vampires. He was nominated for a Golden Satellite Award for his portrayal of Abraham Lincoln in the TNT original film The Day Lincoln Was Shot (1998).
In addition to his abilities as an actor, Henriksen is an accomplished painter and potter. His talent as a ceramist has enabled him to create some of the most unusual ceramic artworks available on the art market today. He resides in Southern California with his wife Jane and their five-year-old daughter Sage.- Actor
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Jack Nicholson, an American actor, producer, director and screenwriter, is a three-time Academy Award winner and twelve-time nominee. Nicholson is also notable for being one of two actors - the other being Michael Caine - who have received an Oscar nomination in every decade from the '60s through the '00s.
Nicholson was born on April 22, 1937, in Neptune, New Jersey. He was raised believing that his grandmother was his mother, and that his mother, June Frances Nicholson, a showgirl, was his older sister. He discovered the truth in 1975 from a Time magazine journalist who was researching a profile on him. His real father is believed to have been either Donald Furcillo, an Italian American showman, or Eddie King (Edgar Kirschfeld), born in Latvia and also in show business. Jack's mother's ancestry was Irish, and smaller amounts of English, German, Scottish, and Welsh.
Nicholson made his film debut in a B-movie titled The Cry Baby Killer (1958). His rise in Hollywood was far from meteoric, and for years, he sustained his career with guest spots in television series and a number of Roger Corman films, including The Little Shop of Horrors (1960).
Nicholson's first turn in the director's chair was for Drive, He Said (1971). Before that, he wrote the screenplay for The Trip (1967), and co-wrote Head (1968), a vehicle for The Monkees. His big break came with Easy Rider (1969) and his portrayal of liquor-soaked attorney George Hanson, which earned Nicholson his first Oscar nomination. Nicholson's film career took off in the 1970s with a definitive performance in Five Easy Pieces (1970). Nicholson's other notable work during this period includes leading roles in Roman Polanski's noir masterpiece Chinatown (1974) and One Flew Over the Cuckoo's Nest (1975), for which he won his first Best Actor Oscar.
The 1980s kicked off with another career-defining role for Nicholson as Jack Torrance in Stanley Kubrick's adaptation of Stephen King's novel The Shining (1980). A string of well-received films followed, including Terms of Endearment (1983), which earned Nicholson his second Oscar; Prizzi's Honor (1985), and The Witches of Eastwick (1987). He portrayed another renowned villain, The Joker, in Tim Burton's Batman (1989). In the 1990s, he starred in such varied films as A Few Good Men (1992), for which he received another Oscar nomination, and a dual role in Mars Attacks! (1996).
Although a glimpse at the darker side of Nicholson's acting range reappeared in The Departed (2006), the actor's most recent roles highlight the physical and emotional complications one faces late in life. The most notable of these is the unapologetically misanthropic Melvin Udall in As Good as It Gets (1997), for which he won his third Oscar. Shades of this persona are apparent in About Schmidt (2002), Something's Gotta Give (2003), and The Bucket List (2007). In addition to his Academy Awards and Oscar nominations, Nicholson has seven Golden Globe Awards, and received a Kennedy Center Honor in 2001. He also became one of the youngest actors to receive the American Film Institute's Life Achievement award in 1994.
Nicholson has six children by five different women: Jennifer Nicholson (b. 1963) from his only marriage to Sandra Knight, which ended in 1966; Caleb Goddard (b. 1970) with Five Easy Pieces (1970) co-star Susan Anspach, who was automatically adopted by Anspach's then-husband Mark Goddard; Honey Hollman (b. 1982) with Danish supermodel Winnie Hollman; Lorraine Nicholson (b. 1990) and Ray Nicholson (b. 1992) with minor actress Rebecca Broussard; and Tessa Gourin (b. 1994) with real estate agent Jennine Marie Gourin. Nicholson's longest relationship was the 17 nonmonogamous years he spent with Anjelica Huston; this ended when Broussard announced she was pregnant with his child.- Actor
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Anthony Hopkins was born on December 31, 1937, in Margam, Wales, to Muriel Anne (Yeats) and Richard Arthur Hopkins, a baker. His parents were both of half Welsh and half English descent. Influenced by Richard Burton, he decided to study at College of Music and Drama and graduated in 1957. In 1965, he moved to London and joined the National Theatre, invited by Laurence Olivier, who could see the talent in Hopkins. In 1967, he made his first film for television, A Flea in Her Ear (1967).
From this moment on, he enjoyed a successful career in cinema and television. In 1968, he worked on The Lion in Winter (1968) with Timothy Dalton. Many successes came later, and Hopkins' remarkable acting style reached the four corners of the world. In 1977, he appeared in two major films: A Bridge Too Far (1977) with James Caan, Gene Hackman, Sean Connery, Michael Caine, Elliott Gould and Laurence Olivier, and Maximilian Schell. In 1980, he worked on The Elephant Man (1980). Two good television literature adaptations followed: Othello (1981) and The Hunchback of Notre Dame (1982). In 1987 he was awarded with the Commander of the order of the British Empire. This year was also important in his cinematic life, with 84 Charing Cross Road (1987), acclaimed by specialists. In 1993, he was knighted.
In the 1990s, Hopkins acted in movies like Desperate Hours (1990) and Howards End (1992), The Remains of the Day (1993) (nominee for the Oscar), Legends of the Fall (1994), Nixon (1995) (nominee for the Oscar), Surviving Picasso (1996), Amistad (1997) (nominee for the Oscar), The Mask of Zorro (1998), Meet Joe Black (1998) and Instinct (1999). His most remarkable film, however, was The Silence of the Lambs (1991), for which he won the Oscar for Best Actor. He also got a B.A.F.T.A. for this role.- Actor
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Balding, quietly spoken, of slight build and possessed of piercing blue eyes -- often peering out from behind round, steel-rimmed glasses -- Donald Pleasence had the essential physical attributes which make a great screen villain. In the course of his lengthy career, he relished playing the obsessed, the paranoid and the purely evil. Even the Van Helsing-like psychiatrist Sam Loomis in the Halloween (1978) franchise seems only marginally more balanced than his prey. An actor of great intensity, Pleasence excelled on stage as Shakespearean villains. He was an unrelenting prosecutor in Jean Anouilh's "Poor Bitos" and made his theatrical reputation in the title role of the seedy, scheming tramp in Harold Pinter's "The Caretaker" (1960). On screen, he gave a perfectly plausible interpretation of the head of the SS, Heinrich Himmler, in The Eagle Has Landed (1976). He was a convincingly devious Thomas Cromwell in Henry VIII and His Six Wives (1972), disturbing in his portrayal of the crazed, bloodthirsty preacher Quint in Will Penny (1967); and as sexually depraved, alcohol-sodden 'Doc' Tydon in the brilliant Aussie outback drama Wake in Fright (1971). And, of course, he was Ernst Stavro Blofeld in You Only Live Twice (1967). These are some of the films, for which we may remember Pleasence, but there was a great deal more to this fabulous, multi-faceted actor.
Donald Henry Pleasence was born on October 5, 1919 in Worksop, Nottinghamshire, England, to Alice (Armitage) and Thomas Stanley Pleasence. His family worked on the railway. His grandfather had been a signal man and both his brother and father were station masters. When Donald failed to get a scholarship at RADA, he joined the family occupation working as a clerk at his father's station before becoming station master at Swinton, Yorkshire. While there, he wrote letters to theatre companies, eventually being accepted by one on the island of Jersey in Spring 1939 as an assistant stage manager. On the eve of World War II, he made his theatrical debut in "Wuthering Heights". In 1942, he played Curio in "Twelfth Night", but his career was then interrupted by military service in the RAF. He was shot down over France, incarcerated and tortured in a German POW camp. Once repatriated, Donald returned to the stage in Peter Brook's 1946 London production of "The Brothers Karamazov" with Alec Guinness although he missed the opening due to measles, followed by a stint on Broadway with Laurence Olivier's touring company in "Caesar and Cleopatra" and "Anthony and Cleopatra". Upon his return to England, he won critical plaudits for his performance in "Hobson's Choice". In 1952, Donald began his screen career, rather unobtrusively, in small parts. He was only really noticed once having found his métier as dastardly, sneaky Prince John in The Adventures of Robin Hood (1955). It took several more years, until international recognition came his way: first, through the filmed adaptation of The Guest (1963), and, secondly, with his blind forger in The Great Escape (1963), a role he imbued with added conviction due to his own wartime experience.
Some of his best acting Donald reserved for the small screen. In 1962, the producer of The Twilight Zone (1959), Buck Houghton, brought Donald to the United States ("damn the expense"!) to guest star in the third-season episode "The Changing of the Guard". He was given a mere five days to immerse himself in the part of a gentle school teacher, Professor Ellis Fowler, who, on the eve of Christmas is forcibly retired after fifty-one years of teaching. Devastated, and believing himself a failure who has made no mark on the world, he is about to commit suicide when the school's bell summons him to his classroom. There, he is confronted by the spirits of deceased students who beg him to consider that his lessons have indeed had fundamental effects on their lives, even leading to acts of great heroism. Upon hearing this, Fowler is now content to graciously accept his retirement. Managing to avoid maudlin sentimentality, Donald's performance was intuitive and, arguably, one of the most poignant ever accomplished in a thirty-minute television episode. Once again, against type, he was equally delightful as the mild-mannered Reverend Septimus Harding in Anthony Trollope's The Barchester Chronicles (1982).
Whether eccentric, sinister or given to pathos, Donald Pleasence was always great value for money and his performances have rarely failed to engage.- Actor
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Bill Paxton was born on May 17, 1955 in Fort Worth, Texas. He was the son of Mary Lou (Gray) and John Lane Paxton, a businessman and actor (as John Paxton). Bill moved to Los Angeles, California at age eighteen, where he found work in the film industry as a set dresser for Roger Corman's New World Pictures. He made his film debut in the Corman film Crazy Mama (1975), directed by Jonathan Demme. Moving to New York, Paxton studied acting under Stella Adler at New York University. After landing a small role in Stripes (1981), he found steady work in low-budget films and television. He also directed, wrote and produced award-winning short films including Barnes & Barnes: Fish Heads (1980), which aired on Saturday Night Live (1975). His first appearance in a James Cameron film was a small role in The Terminator (1984), followed by his very memorable performance as Private Hudson in Aliens (1986) and as the nomadic vampire Severen in Kathryn Bigelow's Near Dark (1987). Bill also appeared in John Hughes' Weird Science (1985), as Wyatt Donnelly's sadistic older brother Chet. Although he continued to work steadily in film and television, his big break did not come until his lead role in the critically acclaimed film-noir One False Move (1991). This quickly led to strong supporting roles as Wyatt Earp's naive younger brother Morgan in Tombstone (1993) and as Fred Haise, one of the three astronauts, in Apollo 13 (1995), as well as in James Cameron's offering True Lies (1994).
Bill died on February 25, 2017, in Los Angeles, from complications following heart surgery. He was 61.- Actor
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One of the truly great and gifted performers of the century, who often suffered lesser roles, Burgess Meredith was born in 1907 in Cleveland, Ohio. He was educated in Amherst College in Massachusetts, before joining Eva Le Gallienne's Student Repertory stage company in 1929. By 1934 he was a star on Broadway in 'Little 'Ol Boy', a part for which he tied with George M. Cohan as Best Performer of the Year.. He became a favorite of dramatist Maxwell Anderson, premiering on film in the playwright's Winterset (1936). Other Broadway appearances included 'The Barretts of Wimpole Street'. 'The Remarkable Mr Pennypacker', 'Candida', and 'Of Mice and Men. 'Meredith served in the United States Army Air Corps in World War II, reaching the rank of captain. He continued in a variety of dramatic and comedic roles often repeating his stage roles on film until being named an unfriendly witness by the House Un-American Activities Committee in the early 1950s, whereupon studio work disappeared. His career picked up again, especially with television roles, in the 1960s, although younger audiences know him best for either the Rocky (1976) or Grumpy Old Men (1993) films. Meredith also did a large amount of commercial work, serving as the voice for Skippy Peanut Butter and United Air Lines, among others. He was also an ardent environmentalist who believed pollution one of the greatest tragedies of the time, and an opponent of the Vietnam War. Burgess Meredith died at age 89 of Alzheimer's disease and melanoma in his home in Malibu, California on September 9, 1997.- Actor
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Born in the Bronx, New York to Russian Jewish immigrant parents (Isidor "Ira" and Rita Blucher Miller), Richard Miller served in the U.S. Navy for a few years and earned a prize title as a middleweight boxer. He settled in Los Angeles in the mid-1950s, where he was noticed by producer/director Roger Corman, who cast him in most of his low-budget films, often as dislikeable sorts, such as a vacuum-cleaner salesman in Not of This Earth (1957). His most memorable role would have to be that of the mentally unstable, busboy/beatnik artist Walter Paisley, whose clay sculptures are suspiciously lifelike in A Bucket of Blood (1959) (a rare starring role for him), and he is also fondly remembered for his supporting role as the flower-eating Vurson Fouch in Corman's legendary The Little Shop of Horrors (1960).
Miller spent the next 20 years working in Corman productions, and starting in the late 1970s was often cast in films by director Joe Dante, appearing in credited and uncredited walk-on bits as quirky chatterboxes, and stole every scene he appeared in. He has played many variations on his famous Walter Paisley role, such as a diner owner (Twilight Zone: The Movie (1983)) or a janitor (Chopping Mall (1986)). One of his best bits is the funny occult-bookshop owner in The Howling (1981). Being short (so he never played a romantic lead or a threatening villain) with wavy hair, long sideburns, a pointed nose and a face as trustworthy as a used-car dealer's, he was, and is to this day, an immediately recognizable character actor whose one-scene appearances in countless movies and TV shows guarantee audience applause.- Actor
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Jeffrey Combs was born on September 9th, 1954 in Oxnard, California. He grew up in Lompoc, California with a plethora of siblings both older and younger. He attended the Pacific Conservatory of the Performing Arts in Santa Maria, and the Professional Actor's Training Program at the University of Washington in Seattle. He spent about four years in regional theater performing at the Old Globe Theatre in San Diego, the Arizona Theatre Company in Tucson, the California Shakespearean Festival, the Mark Taper Forum in Los Angeles and the South Coast Repertory in Costa Mesa among others. In 1980 he moved to Los Angeles, where he lives with his family. As a horror film leading actor, Combs is probably best known for portraying Herbert West in the cult horror film Re-Animator (1985). Re-Animator was based on H.P. Lovecraft's famous novel brought together by Stuart Gordon and Brian Yuzna, the producer and financier of the film. Combs stayed in the realm of cult films with both Gordon and Yuzna to return when making From Beyond (1986), and Bride of Re-Animator (1990) also from Lovecraft novels. He has also been in some supporting roles in _Pit and the Pendulum, The (1990) (V)_, the strange FBI Agent with Michael J. Fox in The Frighteners (1996), I Still Know What You Did Last Summer (1998) and the remake of the William Castle thriller, House on Haunted Hill (1999).- Actor
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John Carradine, the son of a reporter/artist and a surgeon, grew up in Poughkeepsie, New York. He attended Christ Church School and Graphic Art School, studying sculpture, and afterward roamed the South selling sketches. He made his acting debut in "Camille" in a New Orleans theatre in 1925. Arriving in Los Angeles in 1927, he worked in local theatre. He applied for a job as as scenic designer to Cecil B. DeMille, who rejected his designs but gave him voice work in several films. His on-screen debut was in Tol'able David (1930), billed as Peter Richmond. A protégé and close friend of John Barrymore, Carradine was an extremely prolific film character actor while simultaneously maintaining a stage career in classic leading roles such as Hamlet and Malvolio. In his later years he was typed as a horror star, putting in appearances in many low- and ultra-low-budget horror films. He was a member of the group of actors often used by director John Ford that became known as "The John Ford Stock Company". John Carradine died at age 82 of natural causes on November 27, 1988.- Tony Award-winning English actor Michael Gough, best known for playing the butler Alfred Pennyworth in the first four Batman (1989, 1992, 1995 & 1997) movies and for playing the arch-criminal Dr. Clement Armstrong in The Avengers (1961) episode "The Cybernauts", was an accomplished performer on both stage and screen. He was nominated twice for Tony Awards, in 1979 for Best Featured Actor in a Play for Alan Ayckbourn's "Bedroom Farce" and in 1988 in the same category for Hugh Whitemore's "Breaking the Code", winning in 1979. Though he never achieved on the small screen and silver screen what he did in the theater, Gough's career in television and movies spanned sixty-plus years over eight decades. Michael Gough died at age 94 on March 17, 2011 at his home near Salisbury, Wiltshire, England.
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Gary Oldman is a talented English movie star and character actor, renowned for his expressive acting style. One of the most celebrated thespians of his generation, with a diverse career encompassing theatre, film and television, he is known for his roles as Sid Vicious in Sid and Nancy (1986), Drexl in True Romance (1993), George Smiley in Tinker Tailor Soldier Spy (2011), and Winston Churchill in Darkest Hour (2017), among many others. For much of his career, he was best-known for playing over-the-top antagonists, such as terrorist Egor Korshunov in the 1997 blockbuster Air Force One (1997), though he has reached a new audience with heroic roles in the Harry Potter and Dark Knight franchises. He is also a filmmaker, musician, and author.
Gary Leonard Oldman was born on March 21, 1958 in New Cross, London, England, to Kathleen (Cheriton), a homemaker, and Leonard Bertram Oldman, a welder. He won a scholarship to Britain's Rose Bruford Drama College, in Sidcup, Kent, where he received a B.A. in theatre arts in 1979. He subsequently studied with the Greenwich Young People's Theatre and went on to appear in a number of plays throughout the early '80s, including "The Pope's Wedding," for which he received Time Out's Fringe Award for Best Newcomer of 1985-1986 and the British Theatre Association's Drama Magazine Award as Best Actor for 1985. Before fame, he was employed as a worker in assembly lines and as a porter in an operating theater. He also had jobs selling shoes and beheading pigs while supporting his early acting career.
His film debut was Remembrance (1982), though his most-memorable early role came when he played Sex Pistol Sid Vicious in the biopic Sid and Nancy (1986) picking up the Evening Standard Film Award as Best Newcomer. He then received a Best Actor nomination from BAFTA for his portrayal of '60s playwright Joe Orton in Prick Up Your Ears (1987).
In the 1990s, Oldman brought to life a series of iconic real-world and fictional villains including Lee Harvey Oswald in JFK (1991), the title character in Bram Stoker's Dracula (1992), Drexl Spivey in True Romance (1993), Stansfield in Léon: The Professional (1994), Jean-Baptiste Emanuel Zorg in The Fifth Element (1997) and Ivan Korshunov in Air Force One (1997). That decade also saw Oldman portraying Ludwig van Beethoven in biopic Immortal Beloved (1994).
Oldman played the coveted role of Sirius Black in Harry Potter and the Prisoner of Azkaban (2004), giving him a key part in one of the highest-grossing franchises ever. He reprised that role in Harry Potter and the Goblet of Fire (2005) and Harry Potter and the Order of the Phoenix (2007). Oldman also took on the iconic role of Detective James Gordon in writer-director Christopher Nolan's Batman Begins (2005), a role he played again in The Dark Knight (2008) and The Dark Knight Rises (2012). Prominent film critic Mark Kermode, in reviewing The Dark Knight, wrote, "the best performance in the film, by a mile, is Gary Oldman's ... it would be lovely to see him get a[n Academy Award] nomination because actually, he's the guy who gets kind of overlooked in all of this."
Oldman co-starred with Jim Carrey in the 2009 version of A Christmas Carol in which Oldman played three roles. He had a starring role in David Goyer's supernatural thriller The Unborn, released in 2009. In 2010, Oldman co-starred with Denzel Washington in The Book of Eli. He also played a lead role in Catherine Hardwicke's Red Riding Hood. Oldman voiced the role of villain Lord Shen and was nominated for an Annie Award for his performance in Kung Fu Panda 2.
In 2011, Oldman portrayed master spy George Smiley in the adaptation of John le Carré's Tinker Tailor Soldier Spy (2011), and the role scored Oldman his first Academy Award nomination. In 2014, he played one of the lead humans in the science fiction action film Dawn of the Planet of the Apes (2014) alongside Jason Clarke and Keri Russell. Also in 2014, Oldman starred alongside Joel Kinnaman, Abbie Cornish, Michael Keaton, and Samuel L. Jackson in the remake of RoboCop (2014), as Norton, the scientist who creates RoboCop.
Aside from acting, Oldman tried his hand at writing and directing for Nil by Mouth (1997). The movie opened the Cannes Film Festival in 1997, and won Kathy Burke a Best Actress prize at the festival.
Oldman has three children, Alfie, with first wife, actress Lesley Manville, and Gulliver and Charlie with his third wife, Donya Fiorentino. In 2017, he married writer and art curator Gisele Schmidt.
In 2018 he won an Oscar for best actor for his work on Darkest Hour (2017).Played several villains- Actor
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Garret studied journalism at the University of Washington and received an MFA from New York University's Graduate Acting Program. He performed on and off Broadway and in theaters around the country before he also began pursuing film and television roles. A self described workaholic, he enjoys a reputation as a highly respected and sought after performer known for his focused and immersive style.
Garret Lee Dillahunt was born in Castro Valley, California to working class parents. He has two brothers.- Actress
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Born in Bristol, England, Veronica is the older sister of the popular child actress Angela Cartwright. In her early career, Veronica was cast in a number of popular movies such as William Wyler's The Children's Hour (1961), Spencer's Mountain (1963) and Alfred Hitchcock's The Birds (1963). As such, she was cast as "Jemima Boone" in the popular television series Daniel Boone (1964), which ran from 1964 to 66. Her career after "Daniel Boone" may have been influenced by Hitchcock, since she appeared in both the remake of Invasion of the Body Snatchers (1978) and the horror classic Alien (1979). On television, she appeared twice as Lumpy's younger sister, "Violet Rutherford" and once as "Peggy MacIntosh" on Leave It to Beaver (1957) and had a small role in the television movie Still the Beaver (1983).
Cartwright also appeared in Robert Kennedy and His Times (1985), Tanner '88 (1988) and had a recurring role on L.A. Law (1986). Her big screen features included The Right Stuff (1983), Flight of the Navigator (1986) and The Witches of Eastwick (1987). Veronica worked on the stage in "Electra", "Talley's Folly", "Homesteaders", "Butterflies are Free" and "The Triplet Connection". Alternating between television and big screen movies in the 90s, Cartwright has appeared in such films as Hitler's Daughter (1990) and Candyman: Farewell to the Flesh (1995).- Actor
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William Claude Rains, born in the Clapham area of London, was the son of the British stage actor Frederick Rains. The younger Rains followed, making his stage debut at the age of eleven in "Nell of Old Drury." Growing up in the world of theater, he saw not only acting up close but the down-to-earth business end as well, progressing from a page boy to a stage manager during his well-rounded learning experience. Rains decided to come to America in 1913 and the New York theater, but with the outbreak of World War I the next year, he returned to serve with a Scottish regiment in Europe. He remained in England, honing his acting talents, bolstered with instruction patronized by the founder of the Royal Academy of Dramatic Arts, Herbert Beerbohm Tree. It was not long before his talent garnered him acknowledgment as one of the leading stage actors on the London scene. His one and only silent film venture was British with a small part for him, the forgettable -- Build Thy House (1920).
In the meantime, Rains was in demand as acting teacher as well, and he taught at the Royal Academy. Young and eager Laurence Olivier and John Gielgud were perhaps his best known students. Rains did return to New York in 1927 to begin what would be nearly 20 Broadway roles. While working for the Theater Guild, he was offered a screen test with Universal Pictures in 1932. Rains had a unique and solid British voice-deep, slightly rasping -- but richly dynamic. And as a man of small stature, the combination was immediately intriguing. Universal was embarking on its new-found role as horror film factory, and they were looking for someone unique for their next outing, The Invisible Man (1933). Rains was the very man. He took the role by the ears, churning up a rasping malice and volume in his voice to achieve a bone chilling persona of the disembodied mad doctor. He could also throw out a high-pitched maniac laugh that would make you leave the lights on before going to bed. True to Universal's formula mentality, it cast him in similar roles through 1934 with some respite in more diverse film roles -- and further relieved by Broadway roles (1933, 1934) for the remainder of his contract. By 1936, he was at Warner Bros. with its ambitious laundry list of literary epics in full swing. His acting was superb, and his eyes could say as much as his voice. And his mouth could take on both a forbidding scowl and the warmest of smiles in an instant. His malicious, gouty Don Luis in Anthony Adverse (1936) was inspired. After a shear lucky opportunity to dispatch his young wife's lover, Louis Hayward, in a duel, he triumphs over her in a scene with derisive, bulging eyes and that high pitched laugh -- with appropriate shadow and light backdrop -- that is unforgettable.
He was kept very busy through the remainder of the 1930s with a mix of benign and devious historical, literary, and contemporary characters always adapting a different nuance -- from murmur to growl -- of that voice to become the person. He culminated the decade with his complex, ethics-tortured Senator "Joe" Paine in Mr. Smith Goes to Washington (1939). That year he became an American citizen. Into the 1940s, Rains had risen to perhaps unique stature: a supporting actor who had achieved A-list stardom -- almost in a category by himself. His some 40 films during that period ranged from subtle comedy to psychological drama with a bit of horror revisited; many would be golden era classics. He was the firm but thoroughly sympathetic Dr. Jaquith in Now, Voyager (1942) and the smoothly sardonic but engaging Capt. Louis Renault -- perhaps his best known role -- in Casablanca (1942). He was the surreptitiously nervous and malignant Alexander Sebastian in Notorious (1946) and the egotistical and domineering conductor Alexander Hollenius in Deception (1946). He was the disfigured Phantom of the Opera (1943) as well. He played opposite the challenging Bette Davis in three movies through the decade and came out her equal in acting virtuosity. He was nominated four times for the Best Supporting Actor Oscar -- but incredibly never won. With the 1950s the few movies left to an older Rains were countered by venturing into new acting territory -- television. His haunted, suicidal writer Paul DeLambre in the mountaineering adventure The White Tower (1950), though a modest part, was perhaps the most vigorously memorable film role of his last years. He made a triumphant Broadway return in 1951's "Darkness at Noon."
Rains embraced the innovative TV playhouse circuit with nearly 20 roles. As a favored 'Alfred Hitchcock' alumnus, he starred in five Alfred Hitchcock Presents (1955) suspense dramas into the 1960s. And he did not shy away from episodic TV either with some memorable roles that still reflected the power of Claude Rains as consummate actor -- for many, first among peers with that hallowed title.- Actor
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Veteran character actor Robert Englund was born in Glendale, California, to Janis (MacDonald) and John Kent Englund, an aeronautics engineer. Since 1973, Robert has appeared in over 75 feature films and starred in four TV series. He has starred alongside Oscar-winners Henry Fonda, Susan Sarandon and Jeff Bridges. Since 1984 he's achieved international fame as the iconic boogeyman Freddy Krueger in the hit franchise A Nightmare on Elm Street and its seven sequels. Englund has guest starred in hundreds of hours of TV most recently Bones, Criminal Minds and Hawaii 5-0. He will soon be seen starring in the horror film Fear Clinic, and the English thriller The Last Showing, he can be heard as the voice of the Evil Beaver in Teenage Mutant Ninja Turtles cartoon show.- Actress
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The most beautiful star of the greatest horror masterpiece of Italian film, Black Sunday (1960): Barbara Steele was born on December 29, 1937 in Birkenhead, Cheshire, England. Barbara is loved by her fans for her talent, intelligence, and a dark mysterious beauty that is unique; her face epitomizes either sweet innocence, or malign evil (she is wonderful to watch either way). At first, Barbara studied to become a painter. In 1957, she joined an acting repertory company. Her feature acting debut was in the British comedy Bachelor of Hearts (1958). At age 21, this strikingly lovely lady, with the hauntingly beautiful face, large eyes, sensuous lips and long dark hair got her breakout role by starring in Black Sunday (1960), the quintessential Italian film about witchcraft (it was the directorial debut for cinematographer Mario Bava; with his background, it was exquisitely photographed and atmospheric).
We got to see Barbara, but did not hear her; her voice was dubbed by another actress for international audiences. After its American success, AIP brought Barbara to America, to star in Roger Corman's The Pit and the Pendulum (1961); (though the film was shot entirely in English, again Barbara's own voice was not used). By now, Barbara was typecast by American audiences as a horror star. In 1962, she answered an open-casting call and won a role in Federico Fellini's 8½ (1963); she only had a small role, but it was memorable. Reportedly, Fellini wanted to use her more in the film, but she was contracted to leave Rome to start work on her next horror movie, The Horrible Dr. Hichcock (1962). Being a slow and meticulous director, Fellini's 8½ (1963) was not released until 1963. (Later, when Barbara was cast in lesser roles in lesser movies, she would tell the directors: "I've worked with some of the best directors in the world. I've worked with Fellini!")
More horror movies followed, such as The Ghost (1963), Castle of Blood (1964), An Angel for Satan (1966) and others; this success lead to her being typecast in the horror genre, where she more often than not appeared in Italian movies with a dubbed voice. The nadir was appearing in The Crimson Cult (1968), which was mainly eye candy, with scantily-clad women in a cult. Unfortunately, Barbara got sick of being typecast in horror movies. One of the screen's greatest horror stars, she said in an interview: "I never want to climb out of another freakin' coffin again!" This was sad news for her legion of horror fans; it was also a false-step for Barbara as far as a career move. Back in America, she met screenwriter James Poe; they got married, and remained together for many years.
James Poe wrote an excellent role for Barbara in They Shoot Horses, Don't They? (1969). The role ended up going to Susannah York, and Barbara wouldn't act in movies again for five years. Barbara returned to movies in Caged Heat (1974); she was miscast: a few years before, Barbara would have been one of the beautiful inmates, not the wheelchair-bound warden, but her performance won positive reviews. In 1977, she appeared in a film by Roger Corman, based on the true story of a mentally ill woman, I Never Promised You a Rose Garden (1977). Unfortunately, her scenes wound up on the cutting room floor. Barbara appeared in Pretty Baby (1978), but she was in the background the whole time, and her talents were mostly wasted. Barbara would appear in two more unmemorable movies. She and James Poe got divorced in 1978, he died two years later.
Barbara appeared in the independent film The Silent Scream (1979). Maybe because her ex-husband was now dead, or because her acting career was going nowhere, Barbara retired from acting for a decade. However, she had a great deal of success as a producer. She was an associate producer for the miniseries The Winds of War (1983), and produced War and Remembrance (1988), for which she got an Emmy Award. Her horror fans were delighted when Barbara showed up again, this time on television in Dark Shadows (1991), a revival of the beloved 1960s supernatural soap opera. And she has developed a relative fondness along with a sense of ironic humor about her horror queen status, which was evident in her appearance in Clive Barker's documentary A-Z of Horror (1997).- Actress
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Jamie Lee Curtis was born on November 22, 1958 in Los Angeles, California, the daughter of legendary actors Janet Leigh and Tony Curtis. She got her big break at acting in 1978 when she won the role of Laurie Strode in Halloween (1978). After that, she became famous for roles in movies like Trading Places (1983), Perfect (1985) and A Fish Called Wanda (1988). She starred in one of the biggest action films ever, True Lies (1994), for which she won a Golden Globe Award for her performance. Curtis also appeared on Buck Rogers in the 25th Century (1979), and starred in Death of a Centerfold: The Dorothy Stratten Story (1981) as the title role. Her first starring role was opposite Richard Lewis on the ABC situation comedy Anything But Love (1989). In 1998, she starred in Halloween H20: 20 Years Later (1998) in which she reprised her role that made her famous back in 1978.
Jamie Lee served as an honorary chairperson for the Building Resilience for Young Children Dealing with Trauma program held at the Shakespeare Theatre - Harman Center for the Arts in Washington, D.C. She was an inspiration for the youth that were celebrated. Curtis was also given an award from US Department of Health and Human Services Kathleen Sebelius and National Endowment for the Arts Chairman Rocco Landesman for her work on behalf of children through her charities and children's books.- An extremely versatile character actor and originator of several memorable characterizations in the horror film genre, Dwight Frye had a notable theatrical career in the 1920s, moving from juvenile parts to leads before entering film. A favorite actor of Broadway theatrical producer-director Brock Pemberton, he originated the part of "the Son" in his hit 1922 production of Luigi Pirandello's "Six Characters in Search of an Author". Pemberton would continue to employ Frye in Broadway productions throughout the decade. Cast with Bela Lugosi in a 1926 production of "The Devil and the Cheese", he ultimately appeared in at least two Lugosi films.
Despite (or perhaps because of) his memorable, impassioned portrayals of real estate agent-cum-madman Renfield in Tod Browning's Dracula (1931) and Fritz the sadistic hunchbacked lab-assistant in James Whale's Frankenstein (1931), the industry seemed determined to typecast Frye, and his film career would be marked with frustration. The Crime of Doctor Crespi (1935) offered him billing second only to that of villain Erich von Stroheim, but all too soon, he was consigned to playing a lackluster array of crazies, spies, red herrings, grasping heirs and bit parts. He occasionally returned to the stage in comedies, musicals, and thrillers such as "Night Must Fall" and a stage version of "Dracula".
Frye was perplexed to find that his versatility in the theatre went unnoticed in Hollywood, where he was relegated to lunatic roles and often had his parts severely cut. Indeed, in Son of Frankenstein (1939) his role was deemed as unnecessary when an abrupt switch was made from Technicolor to black-and-white after his scenes were shot.
Dwight Frye, a devout Christian Scientist, had concealed a heart-condition from his friends and family. After the outbreak of WWII, unable to enlist, he worked nights (between films and local theatre-productions) as a draftsman for the Lockheed Aircraft Co. An uncanny physical resemblance to then-Secretary of War Newton Baker led his to being signed to a substantial role in Wilson (1944), directed by Henry King, based on the life of U.S. President Woodrow Wilson, but Frye succumbed to a heart-attack on a crowded bus a few days after being cast while returning home from a movie with his son. He was buried at Forest Lawn Cemetery in Glendale, California. - Actor
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Anthony Perkins was born April 4, 1932 in New York City, to Janet Esselstyn (Rane) and Osgood Perkins, an actor of both stage and film. His father died when he was five. Anthony's paternal great-grandfather was engraver Andrew Varick Stout Anthony. Perkins attended the Brooks School, the Browne & Nichols School, Columbia University and Rollins College. He made his screen debut in The Actress (1953), and was nominated for a Best Supporting Actor Oscar Friendly Persuasion (1956). Four years later, he appeared in what would be his most noted role, Norman Bates in Psycho (1960), memorializing him into film history forever.- Actor
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Malcolm John Taylor was born on June 13, 1943 in Leeds, England, to working-class parents Edna (McDowell), a hotelier, and Charles Taylor, a publican. His father was an alcoholic. Malcolm hated his parents' ways. His father was keen to send his son to private school to give him a good start in life, so Malcolm was packed off to boarding school at age 11. He attended the Tonbridge School and the Cannock House School in Eltham, Kent. At school, he was beaten with the slipper or cane every Monday for his wayward behavior. Whilst at school, he decided that he wanted to become an actor; it was also around this time that his love for race cars began. He attended the London Academy of Music and Dramatic Arts (LAMDA) to study acting. Meanwhile, he worked at his parents' pub but lost his job when the pub went bankrupt, his father drinking all the profits. He then had a variety of jobs, from coffee salesman to messenger.
His first big-screen role was in Poor Cow (1967), although his two-minute scene was ultimately cut from the completed film. Soon after, he caught the attention of director Lindsay Anderson who cast him in the role of a rebellious student in his film If.... (1968). The film catapulted Malcolm to stardom in Britain but failed everywhere else. He was so enthusiastic about the film's success that he wanted to do another right away. He began writing what would become the semi-autobiographical O Lucky Man! (1973). Then he starred as Alex DeLarge in Stanley Kubrick's controversial A Clockwork Orange (1971), a role that gave him world fame, and legendary status (although typecasting him as a in villainous roles). In early 1976, he spent nearly a year working on what would later be one of the most infamous films of all time, the semi-pornographic Caligula (1979), financed by Penthouse magazine founder Bob Guccione. Around that time, the British film industry collapsed, forcing him to flee to America to continue working. His first American film was Time After Time (1979). He then did Britannia Hospital (1982), the last part of Lindsay Anderson's working-class trilogy that started with If.... (1968).
In the mid-1980s, the years of alcohol and drug abuse, including $1000 a week on cocaine, caught up with him. Years of abuse took its toll on him; his black hairs were now gray. Looking older than he really was, nobody wanted to cast him for playing younger roles. The big roles having dried up, he did many B-rated movies. The 1990s were kinder to him, though. In 1994, he was cast as Dr. Tolian Soran, the man who killed Captain James T. Kirk in Star Trek: Generations (1994). He was back on the track, playing villains again. He played another in the classic BBC miniseries Our Friends in the North (1996). Today, with more than 100 films under his belt, he is one of the greatest actors in America. He still does not have American citizenship, but he likes the no-nonsense American ways. He resides in the northern suburbs of Los Angeles, California.Played several villains- Actor
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Robert Oliver Reed was an English actor known for his well-to-do, macho image and "hellraiser" lifestyle. His notable films include The Trap (1966), playing Bill Sikes in the Best Picture Oscar winner Oliver! (1968), Women in Love (1969), Hannibal Brooks (1969), The Devils (1971), Revolver (1973), portraying Athos in The Three Musketeers (1973) and The Four Musketeers (1974); the lover/stepfather in Tommy (1975), The Brood (1979), Lion of the Desert (1981), Castaway (1986), The Adventures of Baron Munchausen (1988), Funny Bones (1995) and Gladiator (2000).Played several villains- Actor
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Oscar-winning character actor Martin Landau was born on June 20, 1928, in Brooklyn, New York. At age 17, he was hired by the New York Daily News to work in the promotions department before he became a staff cartoonist and illustrator. In his five years on the paper, he served as the illustrator for Billy Rose's "Pitching Horseshoes" column. He also worked for cartoonist Gus Edson on "The Gumps" comic strip. Landau's major ambition was to act and, in 1951, he made his stage debut in "Detective Story" at the Peaks Island Playhouse in Peaks Island, Maine. He made his off-Broadway debut that year in "First Love".
Landau was one of 2,000 applicants who auditioned for Lee Strasberg's Actors Studio in 1955; only he and Steve McQueen were accepted. Landau was a friend of James Dean and McQueen, in a conversation with Landau, mentioned that he knew Dean and had met Landau. When Landau asked where they had met, McQueen informed him he had seen Landau riding on the back of Dean's motorcycle into the New York City garage where he worked as a mechanic.
Landau acted during the mid-1950s in the television anthologies Playhouse 90 (1956), Studio One (1948), The Philco Television Playhouse (1948), Kraft Theatre (1947), Goodyear Playhouse (1951), and Omnibus (1952). He began making a name for himself after replacing star Franchot Tone in the 1956 off-Broadway revival of Anton Chekhov's "Uncle Vanya," a famous production that helped put off-Broadway on the New York theatrical map.
In 1957, he made a well-received Broadway debut in the play "Middle of the Night." As part of the touring company with star Edward G. Robinson, he made it to the West Coast. He made his movie debut in Pork Chop Hill (1959), but scored on film as the heavy in Alfred Hitchcock's classic thriller North by Northwest (1959), in which he was shot on top of Mount Rushmore while sadistically stepping on the fingers of Cary Grant, who was holding on for dear life to the cliff face. He also appeared in the blockbuster Cleopatra (1963), the most expensive film ever made up to that time, which nearly scuttled 20th Century-Fox and engendered one of the great public scandals, the Elizabeth Taylor-Richard Burton love affair that overshadowed the film itself. Despite the difficulties with the film, Landau's memorable portrayal in the key role of Rufio was highly favored by the audience and instantly catapulted his popularity.
In 1963, Landau played memorable roles in two episodes of the science-fiction anthology series The Outer Limits (1963), The Bellero Shield (1964), and The Man Who Was Never Born (1963). He was Gene Roddenberry's first choice to play Mr. Spock on Star Trek (1966), but the role went to Leonard Nimoy, who later replaced Landau on Mission: Impossible (1966), the show that really made Landau famous. Landau originally was not meant to be a regular on the series, which co-starred his wife Barbara Bain, whom he had married in 1957. His character, Rollin Hand, was supposed to make occasional, recurring appearances, on Mission: Impossible (1966), but when the producers had problems with star Steven Hill, Landau was used to take up the slack. Landau's characterization was so well-received and so popular with the audience, he was made a regular. Landau received Emmy nominations as Outstanding Lead Actor in a Drama Series for each of the three seasons he appeared. In 1968, he won the Golden Globe award as Best Male TV Star.
Eventually, he quit the series in 1969 after a salary dispute when the new star, Peter Graves, was given a contract that paid him more than Landau, whose own contract stated he would have parity with any other actor on the show who made more than he did. The producers refused to budge and he and Bain, who had become the first actress in the history of television to be awarded three consecutive Emmy Awards (1967-69) while on the show, left the series, ostensibly to pursue careers in the movies. The move actually held back their careers, and Mission: Impossible (1966) went on for another four years with other actors.
Landau appeared in support of Sidney Poitier in They Call Me Mister Tibbs! (1970), the less-successful sequel to the Oscar-winning In the Heat of the Night (1967), but it did not generate more work of a similar caliber. He starred in the television movie Welcome Home, Johnny Bristol (1972) on CBS, playing a prisoner of war returning to the United States from Vietnam. The following year, he shot a pilot for NBC for a proposed show, "Savage." Though it was directed by emerging wunderkind Steven Spielberg, NBC did not pick up the show. Needing work, Landau and Bain moved to England to play the leading roles in the syndicated science-fiction series Space: 1999 (1975).
Landau's and Bain's careers stalled after Space: 1999 (1975) went out of production, and they were reduced to taking parts in the television movie The Harlem Globetrotters on Gilligan's Island (1981). It was the nadir of both their careers, and Bain's acting days and their marriage were soon over. Landau, one of the most talented character actors in Hollywood, and one not without recognition, had bottomed out career-wise. In 1983, he was stuck in low-budget sci-fi and horror movies such as The Being (1981), a role far beneath his talent.
His career renaissance got off to a slow start with a recurring role in the NBC sitcom Buffalo Bill (1983), starring Dabney Coleman. On Broadway, he took over the title role in the revival of "Dracula" and went on the road with the national touring company. Finally, his career renaissance began to gather momentum when Francis Ford Coppola cast him in a critical supporting role in his Tucker: The Man and His Dream (1988), for which Landau was nominated for an Academy Award as Best Supporting Actor. He won his second Golden Globe for the role. The next year, he received his second consecutive Best Supporting Actor Oscar nomination for his superb turn as the adulterous husband in Woody Allen's Crimes and Misdemeanors (1989). He followed this up by playing famed Nazi hunter Simon Wiesenthal in the TNT movie Max and Helen (1990). However, the summit of his post-Mission: Impossible (1966) career was about to be scaled. He portrayed Bela Lugosi in Tim Burton's biopic Ed Wood (1994) and won glowing reviews. For his performance, he won the Best Supporting Actor Oscar. Martin Landau, the superb character actor, finally had been recognized with his profession's ultimate award. His performance, which also won him his third Golden Globe, garnered numerous awards in addition to the Oscar and Golden Globe, including top honors from the New York Film Critics Circle and the National Society of Film Critics. Landau continued to play a wide variety of roles in motion pictures and on television, turning in a superb performance in a supporting role in The Majestic (2001). He received his fourth Emmy nomination in 2004 as Outstanding Guest Actor in a Drama Series for Without a Trace (2002).
Martin Landau was honored with his own star on the Hollywood Walk of Fame, located at 6801 Hollywood Boulevard.
Martin Landau died in Los Angeles, California on July 15, 2017.- Actor
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Bela Lugosi was born Béla Ferenc Dezsö Blaskó on October 20, 1882, Lugos, Hungary, Austria-Hungary (now Lugoj, Romania), to Paula de Vojnich and István Blaskó, a banker. He was the youngest of four children. During WWI, he volunteered and was commissioned as an infantry lieutenant, and was wounded three times.
A distinguished stage actor in his native Hungary, Austria-Hungary, he began his stage career in 1901 and started appearing in films during World War I, fleeing to Germany in 1919 as a result of his left-wing political activity (he organized an actors' union). In 1920 he emigrated to the US and made a living as a character actor, shooting to fame when he played Count Dracula in the legendary 1927 Broadway stage adaptation of Bram Stoker's novel. It ran for three years, and was subsequently, and memorably, filmed by Tod Browning in 1931, establishing Lugosi as one of the screen's greatest personifications of pure evil. Also in 1931, he became a U.S. citizen. Sadly, his reputation rapidly declined, mainly because he had been blacklisted by the main studios and had no choice but to accept any part (and script) handed to him, and ended up playing parodies of his greatest role, in low-grade poverty row films. Due to shady blacklisting among the top Hollywood studio executives, he refused to sell out or to compromise his integrity, and therefore ended his career working for the legendary Worst Director of All Time, Edward D. Wood Jr..
Lugosi was married to Ilona Szmik (1917 - 1920), Ilona von Montagh (? - ?), and Lillian Arch (1933 - 1951). He is the father of Bela Lugosi Jr. (1938). Lugosi helped organize the Screen Actors Guild in the mid-'30s, joining as member number 28.
Bela Lugosi died of a heart attack August 16, 1956. He was buried in a Dracula costume, including a cape, but not the ones used in the 1931 film, contrary to popular--but unfounded--rumors.- Actress
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Janet Leigh was the only child of a couple who often moved from town to town. Living in apartments, Janet was a bright child who skipped several grades and finished high school when she was 15. A lonely child, she would spend much of her time at movie theaters. She was a student, studying music and psychology, at the University of the Pacific until she was "discovered" while visiting her parents in Northern California. Her father was working the desk at a ski resort where her mother worked as a maid. Retired MGM actress Norma Shearer saw a picture of Janet on the front desk and asked if she could borrow it. This led to a screen test at MGM and a starring role in The Romance of Rosy Ridge (1947). MGM was looking for a young naive country girl and Janet filled the bill perfectly. She would play the young ingénue in a number of films and work with such stars as Errol Flynn, Gary Cooper, James Stewart, Orson Welles and Judy Garland. She appeared in a number of successful films, including Little Women (1949), Angels in the Outfield (1951), Scaramouche (1952), Houdini (1953) and The Black Shield of Falworth (1954), among others. Janet would appear in a variety of films, from comedies to westerns to musicals to dramas. Of her more than 50 movies, she would be remembered for the 45 minutes that she was on the screen in the small-budget thriller Psycho (1960). Directed by Alfred Hitchcock, this 1960 classic would include the shower scene that would become a film landmark. Even though her character is killed off early in the picture, she would be nominated for an Academy Award and receive a Golden Globe. Her next film would be The Manchurian Candidate (1962), in which she starred with Frank Sinatra. For the rest of the decade, her appearances in films would be rare, but she worked with Paul Newman in Harper (1966). In the 1970s she appeared on the small screen in a number of made-for-TV movies. In 1980, she appeared alongside her daughter Jamie Lee Curtis in The Fog (1980), and later, in Halloween H20: 20 Years Later (1998). Janet Leigh died at age 77 in her home in Beverly Hills, California on October 3, 2004.- US character actor; he of the close-cropped gray hair, thick spectacles and clipped, ominous tones who would serve most memorably as the nemesis of evil-doers and monsters in 30's and 40's horror movies and suspensers, antagonizing first the likes of Bela Lugosi and Boris Karloff and then, years later, Erich von Stroheim.
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Two-time Oscar nominee Bruce Dern's tremendous career is made up of playing both modern day heroes and legendary villains. Through decades of lauded performances, Dern has acquired the reputation of being one of the most talented and prolific actors of his generation.
Dern currently appears opposite Kristen Wiig, Allison Janney and his daughter Laura in Apple+ TV's acclaimed comedy series "Palm Royale." He also received critical praise for the last season of the Amazon series "Goliath" opposite Oscar winners Billy Bob Thornton and JK Simmons.
Dern appeared as real-life rancher George Spahn in Quentin Tarantino's 10-time Academy Award nominated "Once Upon a Time in Hollywood." The film also won the Golden Globes & Critics Choice Awards for Best Picture, among others. He also co-starred in the #1 independent film of 2019, "The Peanut Butter Falcon" and he earned rave reviews for Focus Features' "The Mustang." He has recently appeared in several recent independent film projects including "Reminisce," "The Accidental Texan," "Remember Me," "The Artist's Wife," "Emperor," "Badland," "Death in Texas," "Last Call," and "The Gateway."
In 2018, he starred in two high profile independent films - as Joe Kennedy in "Chappaquiddick" and opposite Matthew McConaughey in Sony's "White Boy Rick." In 2017, he appeared with Jane Fonda and Robert Redford in the Netflix film "Our Souls at Night."
On the television side in 2019 - he memorably guested on Showtime's comedy "Black Monday" and was seen in the Stephen King series "Mr. Mercedes" for the AT&T AUDIENCE Network.
In 2015, Dern reteamed with his "Django Unchained" director Quentin Tarantino in the ambitious & critically-acclaimed "The Hateful Eight." In 2013, Dern earned his second Academy Award nomination for his heralded role in Alexander Payne's "Nebraska." That role also garnered him a Best Actor Award from the Cannes Film Festival and the National Board of Review. He was also nominated for a BAFTA, Golden Globe, Independent Spirit Award, Broadcast Film Critics Association Award and Screen Actors Guild Award.
Dern was also nominated for an Emmy in 2011 for his portrayal of polygamist patriarch Frank Harlow in HBO's hit drama "Big Love." A celebrated stage actor, Dern was trained by famed director Elia Kazan at the legendary The Actor's Studio and made his film debut in Kazan's "Wild River" in 1960. In the 60's, Dern also found success as a distinguished television actor. He appeared regularly in contemporary Western TV series, as well as on "Alfred Hitchcock Presents." Mr. Hitchcock was such a fan of Dern's that he cast him in "Marnie" and "Family Plot" (Hitchcock's final film).
Also during the 60's, Dern went on to work with director Roger Corman and appeared in several of his classic and decade defining films including "Wild Angels." He also received critical success during that time for films such as "They Shoot Horses, Don't They?" and "Drive, He Said." Dern goes down in history for his role as Long Hair in "The Cowboys," in which he became the only man ever to kill John Wayne on screen.
Dern went on to star in such classic films like "The King of Marvin Gardens" with Jack Nicholson and Ellen Burstyn as well as playing Tom Buchanan in "The Great Gatsby" (for which he received a Golden Globe nomination). It was his brilliant and powerful performance in Hal Ashby's "Coming Home" that earned him both an Academy Award and Golden Globe nomination.
Dern has starred in over 100 films in his career, including: "Monster," "Hush...Hush, Sweet Charlotte," "Silent Running," "Smile," "Middle Age Crazy," "That Championship Season," "Tattoo," "The 'Burbs," "The Haunting," "All the Pretty Horses," "Masked and Anonymous," "Down in the Valley," "Astronaut Farmer," "The Cake Eaters," "Black Sunday," "After Dark, My Sweet," "Madison," "Diggstown," "Twixt" and "Last Man Standing."
Dern has received several Lifetime Achievement Awards from various film festivals. In 2010, Dern received the prestigious Hollywood Walk of Fame star along with his ex-wife Diane Ladd & daughter Laura Dern, the only family in history to receive their Stars in one ceremony.- Actor
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American character actor whose career was influenced (and often overshadowed) by that of his father, silent film star Lon Chaney. The younger Chaney was born while his parents were on a theatrical tour, and he joined them onstage for the first time at the age of six months. However, as a young man, even during the time of his father's growing fame, Creighton Chaney worked menial jobs to support himself without calling upon his father. He was at various times a plumber, a meatcutter's apprentice, a metal worker, and a farm worker. Always, however, there was the desire to follow in his father's footsteps. He studied makeup at his father's side, learning many of the techniques that had made his father famous. And he took stage roles in stock companies. It was not until after his father's death in 1930 that Chaney went to work in films. His first appearances were under his real name (he had been named for his mother, singer Frances Chaney). He played number of supporting parts before a producer in 1935 insisted on changing his name to Lon Chaney Jr. as a marketing ploy. Chaney was uncomfortable with the ploy and always hated the "Jr". addendum. But he was also aware that the famous name could help his career, and so he kept it. Most of the parts he played were unmemorable, often bits, until 1939 when he was given the role of the simple-minded Lennie in the film adaptation of John Steinbeck's Of Mice and Men (1939). Chaney's performance was spectacularly touching; indeed, it became one of the two roles for which he would always be best remembered. The other came within the next year, when Universal, in hopes of reviving their horror film franchise as well as memories of their great silent star, Chaney Sr., cast Chaney as the tortured Lawrence Talbot in The Wolf Man (1941). With this film and the slew of horror films that followed it, Chaney achieved a kind of stardom, though he was never able to achieve his goal of surpassing his father. By the 1950s, he was established as a star in low-budget horror films and as a reliable character actor in more prestigious, big-budget films such as High Noon (1952). Never as versatile as his father, he fell more and more into cheap and mundane productions which traded primarily on his name and those of other fading horror stars. His later years were bedeviled by illness and problems with alcohol. When he died from a variety of causes in 1973, it was as an actor who had spent his life chasing the fame of his father, but who was much beloved by a generation of filmgoers who had never seen his father.Played several villains- Actor
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Handsome, chisel-jawed character actor Kevin McCarthy appeared in nearly 100 movies in a career that spanned seven decades. He also had some starring roles, most notably the horror cult classic Invasion of the Body Snatchers (1956). He played the disillusioned son Biff Loman in the 1951 screen adaptation of Arthur Miller's classic Death of a Salesman (1951), for which he was nominated for a Best Supporting Actor Oscar and won the Golden Globe Award for most promising newcomer (male).
He is the younger brother of the late author Mary McCarthy and distant cousin of former U.S. Senator and presidential candidate Eugene McCarthy.
McCarthy was orphaned at the age of four when both his parents died in the great flu epidemic of 1918. He was raised by his father's parents in Minneapolis, Minnesota, and later by an uncle and aunt. He graduated from Campion Jesuit High School in Prairie du Chien, Wisconsin, in 1932. He attended the School of Foreign Service at Georgetown University, Washington, DC, in 1933, intending to enter into the diplomatic field. He also attended the University of Minnesota, Minneapolis, in 1936 and the Actors Studio New York, New York. He had roles in two short-lived TV series: The Survivors (1969), with Lana Turner, and Flamingo Road (1980) as Claude Weldon, the father of the character played by Morgan Fairchild.
The stage-trained McCarthy frequently appeared on Broadway. He starred as Jerry in "Two for the Seesaw" (1959) and as Van Ackerman in "Advise and Consent" (1960). He also played President Harry S. Truman in the one-man show "Give 'Em Hell, Harry!"
McCarthy showed no signs of retiring as late as June 2007. McCarthy acted in the film The Ghastly Love of Johnny X (2012), playing the role of the Grand Inquisitor, at age 93, which was finally released in 2011. He died of pneumonia on September 11, 2010.- Actor
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Blond, blue-eyed, tall and handsome Dutch actor Rutger Hauer enjoyed an international reputation for playing everything from romantic leads to action heroes to sinister villains. Hauer was born in Breukelen, a Dutch town and former municipality in the province of Utrecht.
He was the son of Teunke Hauer (née Mellema) and Arend Hauer, actors who operated an acting school. As his parents were often touring, he and his three sisters were raised by a nanny. A bit of a rebel during his childhood, he chafed at the rules and rigors of school and was often getting into mischief. His grandfather had been the captain of a schooner and at age fifteen, Hauer ran away to work on a freighter for a year. Like his great-grandfather, Hauer was color-blind, which prevented him from furthering his career as a sailor.
Upon his return he attended night school and started working in the construction industry. When he again bombed at school, his parents enrolled him in drama classes. An amateur poet, he spent most of his time writing poetry and hanging out in Amsterdam coffee houses instead of studying. He was expelled for poor attendance and afterward spent a brief period in the Dutch navy.
Deciding he didn't like military life, Hauer honed his acting skills trying to convince his superiors he was mentally unfit and was sent to a special home for psych patients. It was an unpleasant place, but Hauer remained there until he had convinced his ranking officers that the military really did not need him.Played several villains- Gaunt character actor Brad Dourif was born Bradford Claude Dourif on March 18, 1950 in Huntington, West Virginia. He is the son of Joan Mavis Felton (Bradford) and Jean Henri Dourif, a French-born art collector who owned and operated a dye factory. His father died when Dourif was three years old, after which his mother married Bill Campbell, a champion golfer, who helped raise Brad, his brother, and his four sisters. From 1963 to 1965, Dourif attended Aiken Preparatory School in Aiken, South Carolina, where he pursued his interests in art and acting. Although he briefly considered becoming a professional artist, he finally settled on acting as a profession, inspired by his mother's participation as an actress in community theater.
Beginning in school productions, he progressed to community theater, joining up with the Huntington Community Players, while attending Marshall University of Huntington. At age 19, he quit his hometown college and headed to New York City, where he worked with the Circle Repertory Company. During the early 1970s, Dourif appeared in a number of plays, off-Broadway and at Woodstock, New York, including Milos Forman who cast him in One Flew Over the Cuckoo's Nest (1975). Although this film is frequently cited as his film debut, in fact, Dourif made his first big-screen appearance with a bit part in W.W. and the Dixie Dancekings (1975). Nevertheless, his portrayal of the vulnerable Billy Bibbit in Forman's film was undoubtedly his big break, earning him a Golden Globe Award for Best Acting Debut, a British Academy Film Award for Best Supporting Actor, and an Oscar nomination for Best Supporting Actor.
Skeptical of his instant stardom, Dourif returned to New York, where he continued in theater and taught acting and directing classes at Columbia University until 1988 when he moved to Hollywood. Despite his attempts to avoid typecasting, his intensity destined him to play eccentric or deranged characters, starting in Eyes of Laura Mars (1978), John Huston's Wise Blood (1979) (arguably his best performance to date), and Milos Forman's Ragtime (1981). Dourif then teamed up with director David Lynch for Dune (1984) and Blue Velvet (1986). His high-strung style also served him well in a number of horror films, notably as the voice of the evil doll Chucky in Child's Play (1988) and its sequels.
Dourif broke from the horror genre with roles in Fatal Beauty (1987), Mississippi Burning (1988), Hidden Agenda (1990) and London Kills Me (1991). Recent film work includes the role of Grima Wormtongue in Peter Jackson's Lord of the Rings trilogy. Since his television debut in the PBS film The Mound Builders (1976), Dourif has made sporadic appearances on a number of television series, such as The X-Files (1993), Babylon 5 (1993), Star Trek: Voyager (1995), Millennium (1996) and Ponderosa (2001). He also appeared in the music video "Stranger in Town" (1984) by the rock band TOTO. - Actor
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Born in May 1957 in Bellaire, Ohio, he was among the last graduating class of the Windsor Mountain School in Lenox, Massachusetts. Attended Marlboro College in Vermont. Performed in summer stock and regional theaters in Vermont, Michigan and West Virginia before settling in Chicago and joining The Remains ensemble. Levine worked on stage at Remains, Wisdom Bridge, and The Goodman and Steppenwolf theaters throughout the 1980s before he began working in television and film.- Actor
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Jeff Fahey was born in Olean, New York, one of 13 children of Jane (Gallagher) and Francis Thomas Fahey, who worked in a clothing store. He is of Irish descent. His family moved to Buffalo when he was 10, where he attended Father Baker's High School. After graduation in 1972 he traveled around the world doing odd jobs. He was a crewman on a fishing boat, drove an ambulance in Germany, lived in a kibbutz in Israel and spent some time in India. He then returned to Buffalo and joined the Studio Arena Theatre. From there he went to New York City, where he studied with Myra Rastova, began doing off-Broadway theater and television soap operas. He started a production company and produced off-Broadway shows out of the Raft Theatre on Theatre Row. He first gained attention as a motion picture actor in Lawrence Kasdan's Silverado (1985), in which he played Brian Dennehy's deputy Tyree, a cold-blooded killer with a thirst for vengeance. He starred in the acclaimed live television play The Execution of Raymond Graham (1985) and the TNT mini-series "44 Days". He starred for over two years in the daytime serial One Life to Live (1968). He appeared in the Broadway revival of "Brigadoon," toured with "Oklahoma," performed in Paris in "West Side Story" and in London in "Orphans" with Albert Finney.- Actor
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Andrew Jordt Robinson was born in New York City and attended the University of New Hampshire, later receiving his B.A. in English from the New School for Social Research in NYC. After graduation, he spent a year in England at the London Academy for Music and Dramatic Arts on a Fulbright Scholarship. Throughout the 1960s and 1970s, Mr. Robinson performed a wide variety of theater, movie and television roles. These included the infamous Scorpio killer in Dirty Harry (1971), a stint on Ryan's Hope (1975), which earned him an Emmy nomination, and the title role in a TV movie about Liberace. He was chosen for the continuing guest role of "Elim Garak", the Cardassian tailor/spy on Star Trek: Deep Space Nine (1993), after first reading for the part of "Odo"! In the early 90s, Mr. Robinson helped found The Matrix Theatre Company in Los Angeles. In addition to acting in several of the company's productions, in 1995 and 1996 his direction of "Endgame" and "The Homecoming" at the Matrix earned him two Los Angeles Drama Critics Circle Awards. This led to his TV directing debut on Star Trek: Deep Space Nine (1993), and Mr. Robinson has since gone on to direct episodes of Star Trek: Voyager (1995). 1997-1998 directorial projects at The Matrix were "Dangerous Corner" and "A Moon for the Misbegotten".- Born in Birmingham, England, Hazel Court carried on a love affair with the world of movies and make-believe that made her a leading student at her hometown's School of Drama and later helped her land a contract with the J. Arthur Rank Organisation. Graduating from bits to supporting roles to leads, Court worked in English films from the mid-'40s until the early 1960s, when she relocated to Hollywood. The flame-haired Court was married to Irish actor Dermot Walsh before she married American actor-director Don Taylor.
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Lionel Atwill was born into a wealthy family and was educated at London's prestigious Mercer School to become an architect, but his interest turned to the stage. He worked his way progressively into the craft and debuted at age 20 at the Garrick Theatre in London. He acted and improved regularly thereafter, especially in the plays of Henrik Ibsen and George Bernard Shaw. Atwill came to the US in 1915 and would appear in some 25 plays on Broadway between 1917 and 1931, but he was already trying his hand in silent films by 1918. He had a sonorous voice and dictatorial British accent that served him well for the stage and just as well for sound movies. He did some Vitaphone short subjects in 1928 and then his first real film role in The Silent Witness (1932) (also titled "The Verdict").
That voice and his bullish demeanor made Atwill a natural for a spectrum of tough-customer roles. As shady noblemen and mad doctors, but also gruff military men and police inspectors (usually with a signature mustache), he worked steadily through the 1930s. He had the chance to show a broader character as the tyrannical but unforgettable Col. Bishop in Captain Blood (1935). It's hard to forget his Inspector Krogh in Son of Frankenstein (1939), wherein he agrees to a game of darts with Basil Rathbone and proceeds to impale the darts through the right sleeve of his uniform (the character sported a wooden right arm). And he sends himself up with rolling and blustering dialogue as the glory-hog ham stage actor Rawitch in the classic To Be or Not to Be (1942) with Jack Benny. However, Atwill effectively ruined his burgeoning film career in 1943 after he was implicated in what was described as an "orgy" at his home, naked guests and pornographic films included--and a rape perpetrated during the proceedings. Atwill "lied like a gentleman," it was said, in the court proceedings to protect the identities of his guests and was convicted of perjury and sentenced to five years' probation.
He was thereafter kept employed on Poverty Row with only brief periods of employment by Universal Pictures, while the rest of Hollywood turned its collective back on him. He is more remembered for the horror films generally than for better efforts, but they have fueled his continued popularity and a bid by the Southern California Lionel Atwill Fan Club to petition for a Hollywood Blvd. star (he never received one).- Prolific and versatile character actor William Sanderson was born on January 10, 1944, in Memphis, Tennessee. His mother was an elementary school teacher and his father was a landscape designer. William served two years in the US Army. Following his military service he attended Southern Methodist University. He earned both a BBA degree and a JD law degree from Memphis State University. William went to New York to try his luck as an actor. He studied his craft with Herbert Berghof and William Hickey.
Sanderson began his acting career in off-Broadway stage productions and appeared in several independent pictures. He gave a superbly lively and intense performance as vicious racist and escaped convict Jessie Lee Kane in the brutal exploitation feature Fight for Your Life (1977). William was likewise marvelous as gentle toymaker J.F. Sebastian in the fantastic science-fiction cult favorite Blade Runner (1982). He has played his fair share of loathsome bad guys (he refers to these particular characters as "prairie scum"), such as nasty lout Calvin in Raggedy Man (1981), lowlife hick Lee Dollarhide in Coal Miner's Daughter (1980) and weaselly criminal Snow in Lone Wolf McQuade (1983). Not surprisingly, considering his distinctive Southern drawl, he has also appeared in such westerns as the comedy Wagons East (1994), Crossfire Trail (2001), Monte Walsh (2003), Andersonville (1996), Gods and Generals (2003) and the acclaimed TV mini-series Lonesome Dove (1989) (one of several projects in which Sanderson has acted alongside Tommy Lee Jones). Sanderson gave a lovely and touching portrayal in a rare lead role as emotionally dysfunctional recovering alcoholic ukulele minstrel Stanley Myer in the poignant indie drama Stanley's Gig (2000). He achieved his greatest popularity, however, as flaky backwoodsman Larry on the hit sitcom Newhart (1982) on which he uttered the memorable catchphrase, "I'm Larry. This is my brother Darryl and this is my other brother Darryl." More recently Sanderson had a terrific role as conniving hotel proprietor E.B. Farnum on the sensationally gritty cable western TV series Deadwood (2004). Among the TV shows William has done guest spots on are The Practice (1997), The Pretender (1996), ER (1994), The X-Files (1993), Walker, Texas Ranger (1993), Sirens (1993), Matlock (1986), Babylon 5 (1993), Married... with Children (1987), The Twilight Zone (1985), Knight Rider (1982), Coach (1989), The Dukes of Hazzard (1979) and Starsky and Hutch (1975).
He has also done voices for numerous cartoon characters, radio commercials and books on tape. Outside of his substantial film and TV credits, William has acted on stage in productions of such plays as "The Taming of the Shrew," "When Ya Comin' Back, Red Ryder?," "Insect Comedy," "To Kill a Mockingbird," "Dutchman," "Fishing," "Authentic Life of Billy the Kid," "Tobacco Road," and "Scotch Rocks." William Sanderson lives in Burbank, California, with his wife Sharon Wix. - The archetypal screen tough guy with weatherbeaten features--one film critic described his rugged looks as "a Clark Gable who had been left out in the sun too long"--Charles Bronson was born Charles Buchinsky, one of 15 children of struggling parents in Pennsylvania. His mother, Mary (Valinsky), was born in Pennsylvania, to Lithuanian parents, and his father, Walter Buchinsky, was a Lithuanian immigrant coal miner.
He completed high school and joined his father in the mines (an experience that resulted in a lifetime fear of being in enclosed spaces) and then served in WW II. After his return from the war, Bronson used the GI Bill to study art (a passion he had for the rest of his life), then enrolled at the Pasadena Playhouse in California. One of his teachers was impressed with the young man and recommended him to director Henry Hathaway, resulting in Bronson making his film debut in You're in the Navy Now (1951).
He appeared on screen often early in his career, though usually uncredited. However, he made an impact on audiences as the evil assistant to Vincent Price in the 3-D thriller House of Wax (1953). His sinewy yet muscular physique got him cast in action-type roles, often without a shirt to highlight his manly frame. He received positive notices from critics for his performances in Vera Cruz (1954), Target Zero (1955) and Run of the Arrow (1957). Indie director Roger Corman cast him as the lead in his well-received low-budget gangster flick Machine-Gun Kelly (1958), then Bronson scored the lead in his own TV series, Man with a Camera (1958). The 1960s proved to be the era in which Bronson made his reputation as a man of few words but much action.
Director John Sturges cast him as half Irish/half Mexican gunslinger Bernardo O'Reilly in the smash hit western The Magnificent Seven (1960), and hired him again as tunnel rat Danny Velinski for the WWII POW big-budget epic The Great Escape (1963). Several more strong roles followed, then once again he was back in military uniform, alongside Lee Marvin and Ernest Borgnine in the testosterone-filled The Dirty Dozen (1967).
European audiences had taken a shine to his minimalist acting style, and he headed to the Continent to star in several action-oriented films, including Guns for San Sebastian (1968) (aka "Guns for San Sebastian"), the cult western Once Upon a Time in the West (1968) (aka "Once Upon a Time in The West"), Rider on the Rain (1970) (aka "Rider On The Rain") and, in one of the quirkier examples of international casting, alongside Japansese screen legend Toshirô Mifune in the western Red Sun (1971) (aka "Red Sun").
American audiences were by now keen to see Bronson back on US soil, and he returned triumphantly in the early 1970s to take the lead in more hard-edged crime and western dramas, including The Valachi Papers (1972) and the revenge western Chato's Land (1972). After nearly 25 years as a working actor, he became an 'overnight" sensation. Bronson then hooked up with British director Michael Winner to star in several highly successful urban crime thrillers, including The Mechanic (1972) and The Stone Killer (1973). He then scored a solid hit as a Colorado melon farmer-done-wrong in Richard Fleischer's Mr. Majestyk (1974). However, the film that proved to be a breakthrough for both Bronson and Winner came in 1974 with the release of the controversial Death Wish (1974) (written with Henry Fonda in mind, who turned it down because he was disgusted by the script).
The US was at the time in the midst of rising street crime, and audiences flocked to see a story about a mild-mannered architect who seeks revenge for the murder of his wife and rape of his daughter by gunning down hoods, rapists and killers on the streets of New York City. So popular was the film that it spawned four sequels over the next 20 years.
Action fans could not get enough of tough guy Bronson, and he appeared in what many fans--and critics--consider his best role: Depression-era street fighter Chaney alongside James Coburn in Hard Times (1975). That was followed by the somewhat slow-paced western Breakheart Pass (1975) (with wife Jill Ireland), the light-hearted romp (a flop) From Noon Till Three (1976) and as Soviet agent Grigori Borsov in director Don Siegel's Cold War thriller Telefon (1977).
Bronson remained busy throughout the 1980s, with most of his films taking a more violent tone, and he was pitched as an avenging angel eradicating evildoers in films like the 10 to Midnight (1983), The Evil That Men Do (1984), Assassination (1987) and Kinjite: Forbidden Subjects (1989). Bronson jolted many critics with his forceful work as murdered United Mine Workers leader Jock Yablonski in the TV movie Act of Vengeance (1986), gave a very interesting performance in the Sean Penn-directed The Indian Runner (1991) and surprised everyone with his appearance as compassionate newspaper editor Francis Church in the family film Yes Virginia, There Is a Santa Claus (1991).
Bronson's final film roles were as police commissioner Paul Fein in a well-received trio of crime/drama TV movies Family of Cops (1995), Breach of Faith: A Family of Cops II (1997) and Family of Cops III: Under Suspicion (1999). Unfortunately, ill health began to take its toll; he suffered from Alzheimer's disease for the last few years of his life, and finally passed away from pneumonia at Los Angeles' Cedars-Sinai Medical Center in August 2003.
Bronson was a true icon of international cinema; critics had few good things to say about his films, but he remained a fan favorite in both the US and abroad for 50 years, a claim few other film legends can make. - Actor
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Henry Burk Jones was born in New Jersey and raised in Philadelphia, Pennsylvania. He was the son of Helen (Burk) and John Francis Xavier Jones, and the grandson of Pennsylvania Representative Henry Burk, a Prussian immigrant. He graduated from St. Joseph's College. His Broadway debut was in 1938 in Maurice Evans' "Hamlet" (Reynaldo and the second gravedigger). He served in the army in World War II. His highly-reviewed stage appearances included the murdered handyman in "The Bad Seed," which he reprised in the film version (The Bad Seed (1956)), and the part of Louis Howe, President Franklin D. Roosevelt's confidant in Sunrise at Campobello (1960). Though very ordinary in appearance ("The casting directors didn't know what to do with me. I was never tall enough or good looking enough to play juvenile leads"), he had a long and varied career on Broadway, in movies and television. His parts included a wide range of second-string roles (ministers, judges, janitors), often with a dark and even frightening underside. His television career, which included over 150 appearances, began early, in 1950. Though his movies included such well-known titles as Will Success Spoil Rock Hunter? (1957), 3:10 to Yuma (1957), Butch Cassidy and the Sundance Kid (1969), The Grifters (1990), and Dick Tracy (1990) no doubt his most recognizable screen performance was in the brief role of the methodical, nearly cruel coroner in Alfred Hitchcock's Vertigo (1958). He lived in Santa Monica, CA, and died 17 May 1999, aged 86, at the UCLA Medical Center.- Actress
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- Camera and Electrical Department
Canadian-born Fay Wray was brought up in Los Angeles and entered films at an early age. She was barely in her teens when she started working as an extra. She began her career as a heroine in westerns at Universal during the silent era. In 1926 the Western Association of Motion Picture Advertisers selected 13 young starlets it deemed most likely to succeed in pictures. Fay was chosen as one of these starlets, along with Janet Gaynor and Mary Astor. Fame would indeed come to Fay when she played another heroine in Erich von Stroheim's The Wedding March (1928). She continued playing leads in a number of films, such as the good-bad girl in Thunderbolt (1929). By the early 1930s she was at Paramount working with Gary Cooper and Jack Holt in a number of average films, such as Master of Men (1933). She also appeared in such horror films as Doctor X (1932) and The Vampire Bat (1933). In 1933 Fay was approached by producer Merian C. Cooper, who told her that he had a part for her in a picture in which she would be working with a tall, dark leading man. What he didn't tell her was that her "tall, dark leading man" was a giant gorilla, and the picture turned out to be the classic King Kong (1933). Perhaps no one in the history of pictures could scream more dramatically than Fay, and she really put on a show in "Kong". Her character provided a combination of sex appeal, vulnerability and lung capacity as she was stalked by the giant beast all the way to the top of the Empire State Building. That was as far as Fay would rise, however, as this was, after all, just another horror movie. After "Kong", she began a slow decline that put her into low-budget action films by the mid '30s. In 1939 her 11-year marriage to screenwriter John Monk Saunders ended in divorce, and her career was almost finished. In 1942 she remarried and retired from the screen, forever to be remembered as the "beauty who killed the beast" in "King Kong". However, in 1953 she made a comeback, playing mature character roles, and also appeared on television as Catherine, Natalie Wood's mother, in The Pride of the Family (1953). She continued to appear in films until 1958 and television into the 1960s.- Actor
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Ron Perlman is a classically-trained actor who has appeared in countless stage plays, feature films and television productions.
Ronald N. Perlman was born April 13, 1950 in Washington Heights, Manhattan, New York. His mother, Dorothy (Rosen), is retired from the City Clerk's Office. His father, Bertram "Bert" Perlman, now deceased, was a repairman and a drummer. His parents were both from Jewish families (from Hungary, Germany and Poland).
With a career spanning over three decades, Perlman has worked alongside such diverse actors as Marlon Brando, Sean Connery, Dominique Pinon, Brad Dourif, Ed Harris, John Hurt, Jude Law, Christina Ricci, Federico Luppi, Sigourney Weaver, Michael Wincott and Elijah Wood to name a few.
While he has never been a bankable star, Perlman has always had a large fan-base. He started out strong as Amoukar, one of the tribesmen in Jean-Jacques Annaud's Academy Award-winning film Quest for Fire (1981), for which he earned a Genie Award nomination. Perlman teamed up with Annaud again, this time as a hunchback named Salvatore in The Name of the Rose (1986). His first real breakthrough came later when he landed the role of the noble lion-man Vincent, opposite Linda Hamilton on the fantasy series Beauty and the Beast (1987). His work in this role earned him not only a Golden Globe Award but an underground fan following. Sadly the series was canceled in its third season shortly after Hamilton's character's death.
After that, he spent time doing supporting work on television and independent films such as Guillermo del Toro's debut Cronos (1992) (where a lifelong friendship and collaboration between the director and Perlman would blossom) as Angel and his first lead role as One in Jean-Pierre Jeunet's surreal The City of Lost Children (1995). His first real big role in a mainstream film came when Jeunet wanted him for the brutish Johner in his first Hollywood outing Alien: Resurrection (1997). Perlman has also used his distinctive voice to his advantage, appearing in many animated films/series, commercials and he is a video game fan favorite because of his work on such games as the Fallout series.
It was not until much later he received worldwide fame when his good friend Guillermo del Toro helped him land the title role in the big-budget comic book movie Hellboy (2004). Del Toro fought the studio for four years because they wanted a more secure name, but he stood his ground and in 2004, after almost 25 years in and out of obscurity, Perlman became a household name and a sought out actor. Perlman has had one of the most offbeat careers in film, playing everything from a prehistoric ape-man to an aging transsexual and will always be a rarity in Hollywood.
Other notable roles include the cunning Norman Arbuthnot in The Last Supper (1995), sniper expert Koulikov in Enemy at the Gates (2001), vampire leader Reinhardt in Blade II (2002), his reprisal of Hellboy in Hellboy II: The Golden Army (2008) and biker chief Clarence Morrow on the popular series Sons of Anarchy (2008).
He currently resides in Los Angeles, California with his wife, Opal, and their two children, Blake and Brandon.- Actor
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Tall, gaunt, and particularly effective in horror and drama films, British actor Julian Sands was born in Otley, Leeds, West Yorkshire, to Brenda and William Sands. He came to the attention of NBC when the network cast him in the TV miniseries The Sun Also Rises (1984) and then with Anthony Hopkins in the television film A Married Man (1983). Sands also got noticed for his very small roles in Privates on Parade (1983) and The Killing Fields (1984). It wasn't until his funny and romantic role opposite Denholm Elliott in A Room with a View (1985) and then his unusual role in Gothic (1986) that he garnered audience acclaim.
He continued work on screen in Vibes (1988), Impromptu (1991) and Steven Spielberg's Arachnophobia (1990), until his most remembered role as Warlock (1989), directed by Steve Miner. The film was a major success and he returned for the sequel, Warlock: The Armageddon (1993). Other credits include Naked Lunch (1991), Tale of a Vampire (1992) and the title role in Dario Argento's The Phantom of the Opera (1998). Sands has more recently been in Stephen King's Rose Red (2002) and was occasionally seen on the English stage.
Sands disappeared on January 13, 2023 after going for a hike near the Mount Baldy area of California's San Bernardino Mountains. Local authorities and search and rescue teams conducted over six weeks of multiple ground and aerial searches, which were unsuccessful. On June 24, 2023, hikers near Mount Baldy discovered human remains. On June 27, 2023, local authorities confirmed the remains to be those of Sands. He was 65 years old.- Jenette Goldstein is a true chameleon. She is so effective as an actress, it is nearly impossible to recognize her from role to role. Jenette spent most of her childhood in Los Angeles. Born to theater-loving parents, she attended fine arts-oriented schools, and was the young star of the drama classes. She often competed in citywide drama competitions with soon-to-be famous peers Val Kilmer, Gina Gershon, Kevin Spacey and Mare Winningham. To hone her craft after high school, Jenette studied at London's Webber Douglas Academy of Dramatic Art, and at Circle in the Square Theater in New York City, mastering drama theory, physicality, dialects and the classics. It was in London, while performing in local theater productions, where Jenette answered an audition request for American actors with British Equity cards. Thinking it was another play or a small film, she read for a tough, macho Latina character, named 'Vasquez' And shot to fame in James Cameron's iconic film Aliens (1986). Cameron was so pleased with Jenette's creativity and strong work ethic, he recast her as 'Janelle' in Terminator 2: Judgment Day (1991) and a cameo role as the loving 'Irish Mother' in the epic Titanic (1997).
Her resume is testament to her range and versatility: Vampy killer Diamondback in Near Dark (1987), good cop Meagan Shapiro in Lethal Weapon 2 (1989), Patti Jean Lynch in The Presidio (1988), Alice the Maid in a one-scene role in Fear and Loathing in Las Vegas (1998), etc.
In addition to film, Jenette has made several appearances on the small screen. She guest-starred on such award-winning shows as Six Feet Under (2001), L.A. Law (1986), Strong Medicine (2000) and ER (1994) - where she guest-starred on the 100th anniversary show as a grieving mother, and in a separate episode opposite Anthony Edwards, as a heroic flight nurse. It was only after Jenette was hired for the second role that the show's producers realized she had done the show before.
Jenette has continued working in theater throughout her career, appearing in plays in New York, London and Los Angeles. She has performed the classics, William Shakespeare's "Twelfth Night," to more contemporary pieces, such as Arthur Miller's "After The Fall," which won the 2002 Los Angeles Ovation Award for Best Production. Currently, Jenette is excited about her latest creation: a one-woman show she is writing herself. - Born in Armagh, Northern Ireland, Patrick Magee is a classic example of how certain actors rate the stage far more highly than the screen. He was a favorite actor of Samuel Beckett, one of whose greatest plays, 'Krapp's Last Tape', was written specifically for him. He did outstanding work on film, most notably in Stanley Kubrick's A Clockwork Orange (1971) as the crippled writer Mr. Alexander, and in Kubrick's Barry Lyndon (1975), as the chevalier. He also appeared in Joseph Losey's The Servant (1963), Peter Brook's Marat/Sade (1967) and William Friedkin's The Birthday Party (1968). He also appeared in films by such cult directors as Roger Corman, Lucio Fulci and Walerian Borowczyk.
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Distinguished character actor David Hattersley Warner was born on July 29, 1941 in Manchester, England, to Ada Doreen (Hattersley) and Herbert Simon Warner. He was born out of wedlock and raised by each of his parents, eventually settling with his itinerant father and stepmother. He only saw his mother again on her deathbed. As an only child from a dysfunctional family, young David excelled neither at academia nor at athletics. He attended eight schools and "failed his exams at all of them." After a series of odd jobs, he was accepted against all odds at Royal Academy of Dramatic Art (RADA), and became a member of the Royal Shakespeare Company.
When he first took up acting, it was not with the notion of a prospective career, but rather to escape (in his own words) 'a messy childhood.' Warner received some early mentoring from one of his teachers, and made his theatrical debut in 1962 at the Royal Court Theatre as Snout in A Midsummer Night's Dream, directed by Tony Richardson. A year later, he became the youngest-ever actor to play Hamlet at the Royal Shakespeare Company. Comedy may not have been his forte as much as the likes of Falstaff, Lysander and (on several occasions) Henry VI. Eventually becoming disaffected with the theatre (and plagued for some years by stage fright), Warner found himself better served by the celluloid medium. His first big break came on the strength of his small part in A Midsummer Night's Dream, courtesy of Tony Richardson who cast him in his bawdy period romp Tom Jones (1963) as the mendacious, pimple-faced antagonist Blifil, who vied with Albert Finney for the affections of Susannah York. A proper starring turn on the big screen followed in due course with the title role in Morgan! (1966), Warner playing a deranged artist with Marxist leanings who goes to absurd lengths to reclaim his ex-wife (played by Vanessa Redgrave), including blowing up his mother-in-law. In yet another off-beat satire, Work Is a Four Letter Word (1968), Warner played a corporate drop-out who grows psychedelic mushrooms in an automated world of the future. Combined with his two-year stint as Hamlet with the RSC, Warner became a star at age 24.
By the 1970s, he had become one of Britain's most sought-after character actors and went on to enjoy an illustrious and prolific career on both sides of the Atlantic, throughout which he rarely spurned a role offered him. Tall and somewhat ungainly in appearance, Warner excelled at troubled, introspective loners, outcasts and mavericks or downright sinister individuals. The latter have included SS General Reinhardt Heydrich in Holocaust (1978), Jack the Ripper in Time After Time (1979), Picard's sadistic Cardassian torturer Gul Madred in Star Trek: The Next Generation (1987), the villainous ex-Pinkerton man Spicer Lovejoy in Titanic (1997) and the evil geniuses of Time Bandits (1981) (a role turned down by Jonathan Pryce) and Tron (1982). He also essayed the creature to Robert Powell 's Frankenstein (1984).
Less eccentric roles saw him as the doomed photojournalist who literally loses his head in The Omen (1976) (Warner later described the experience of working alongside Gregory Peck as a career highlight), the sympathetic, but equally ill-fated Klingon Chancellor Gorkon in Star Trek VI: The Undiscovered Country (1991) and the sad, likeable fantasist Aldous Gajic, searching for the Grail in Babylon 5 (1993). Warner also appeared in a trio of films for which he was handpicked by the director Sam Peckinpah. Best of these is arguably the comedy western The Ballad of Cable Hogue (1970), with Warner well cast as the roving-eyed, itinerant Reverend Joshua Duncan Sloane. Warner won an Emmy Award for Outstanding Supporting Actor in a Limited Series for his performance as the Roman Senator Pomponius Falco in the miniseries Masada (1981). Following a three-decade long absence, Warner returned to the stage in 2001 for the role of Andrew Undershaft in Shaw's Major Barbara. In 2004, he played the title role in King Lear at the Chichester Theatre Festival in England. More recently, he appeared on TV as Professor Abraham Van Helsing in Penny Dreadful (2014), as Rabbi Max Steiner in Ripper Street (2012) and as Kenneth Branagh's ailing father in Wallander (2008).
A riveting screen presence, the ever-versatile and charismatic David Warner passed away aged 80 from cancer at Denville Hall, an entertainment industry care home, in Northwood, London, on 24 July 2022.Played several villains- Actor
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Kane Hodder was born on April 8, 1955 in Auburn, California. He is best known for his role as horror icon Jason Voorhees in Friday the 13th: The New Blood (1988), Friday the 13th Part VIII: Jason Takes Manhattan (1989), Jason Goes to Hell (1993), and Jason X (2001). He is also known for his role as the deformed serial killer Victor Crowley in Hatchet (2006), Hatchet II (2010), and Hatchet III (2013).- Actor
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Conrad Veidt attended the Sophiengymnasium (secondary school) in the Schoeneberg district of Berlin, and graduated without a diploma in 1912, last in his class of 13. Conrad liked animals, theater, cinema, fast cars, pastries, thunderstorms, gardening, swimming and golfing. He disliked heights, flying, the number 17, wearing ties, pudding and interviews. A star of early German cinema, he became a sensation in 1920 with his role as the murderous somnambulist Cesare in Robert Wiene's masterpiece The Cabinet of Dr. Caligari (1920). Other prominent roles in German silent films included Different from the Others (1919) and Waxworks (1924). His third wife, Ilona (nicknamed Lily), was Jewish, although he himself wasn't. However, whenever he had to state his ethnic background on forms to get a job, he wrote: "Jude" (Jew). He and Lily fled Germany in 1933 after the rise to power of Adolf Hitler, and he became a British citizen in 1939. Universal Pictures head Carl Laemmle personally chose Veidt to play Dracula in a film to be directed by Paul Leni based on a successful New York stage play: "Dracula". Ultimately, Bela Lugosi got the role, and Tod Browning directed the film, Dracula (1931). In his last German film, F.P.1 Doesn't Answer (1932), Veidt sang a song called "Where the Lighthouse Shines Across the Bay." Although the record was considered a flop in 1933, the song became a hit almost 50 years later, when, in 1980, DJ Terry Wogan played it as a request on the Radio 2 breakfast show. That single playing generated numerous phone calls, and shortly thereafter the song appeared on a British compilation album called "Movie Star Memories" - a collection of songs from 1930s-era films compiled from EMI archives. The album was released by World Records Ltd., and is now out of print but can still be ordered online ("Where the Lighthouse Shines Across the Bay" is track 4 on side 2). Veidt appeared in Germany's first talking picture, Bride 68 (1929), and made only one color picture, The Thief of Bagdad (1940), filmed in England and Hollywood. His most famous role was as Gestapo Maj. Strasser in the classic Casablanca (1942); although he was not the star of the picture, he was the highest paid actor. He died while playing golf, and on the death certificate his name is misspelled as "Hanz Walter Conrad Veidt". Because he had been blacklisted in Nazi Germany, there was no official announcement there of his death. His ex-wife, Felicitas, and daughter Viola, in Switzerland, heard about it on the radio.- Actor
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Brian Earl Thompson was born on August 28, 1959 in Ellensburg, Washington. Raised on the Columbia River in Longview, he learned the value of academics and athletics, as the son of two teachers and the second of six siblings. His interest in acting was first sparked during his senior year of high school with the role of the Russian ballet instructor, Boris Kolenkhov, in the comedy "You Can't Take it With You". Under the pretense of attending Central Washington University to play football and study business management, he quietly auditioned for every available play, treading the boards for a dozen school productions, from musicals and operas to the more lighthearted fare of Neil Simon.
Earning a scholarship to the University of California-Irvine, he sailed through a three-year Master of Fine Arts program, learning from such theatrical luminaries as playwright Edward Albee, Robert Cohen and Jerzy Grotoswski, and supplementing his education through work with the Colorado Shakespeare Festival. He began to audition theatrically before graduation, and by that time, he had his SAG card, an agent and five professional credits, including James Cameron's The Terminator (1984), where he and Bill Paxton's clothes were forcibly removed by a naked Arnold Schwarzenegger. About a year after Arnold took Brian's clothes, Sylvester Stallone wanted a hack at Brian as well. After seven auditions and a screen test, Brian earned the right to get impaled on a meat hook, then burned alive, Stallone's Cobra (1986). This began a string of credits that has left Thompson in and around some of Hollywood's biggest and most projects.
Brian has tackled two superhero roles as well: first, Conan the Librarian (1999), starring red in the title role, a PBS special to encourage kids to read. He also earned critical acclaim playing the larger-than-life role of Hercules in Jason and the Argonauts (2000). Probably the first role that demanded use of his classical background as well as his 6' 3" muscled frame. Brian says that no gym can claim him as a member, and that his physique is kept honed by years of windsurfing and kitesurfing. Taking a curiously "musical" approach to his craft, the actor continually seeks fresh rhythms for each new role. Brian verifies his well-rounded nature with a resume that lists such special skills as martial arts (black belt Hapkido), piano and sushi rolling. He currently resides at home with his son Jordan and daughter Daphne.Played several villains- Actress
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This attractive, happy go lucky blonde actress, educated at the University of Kansas and a former ballet soloist, first broke into both TV and cinema screens in the mid 1970s and through her appearances in several well remembered horror and sci-fi films, and Dee quickly gained a cult following among the fantasy film fans. Poor Dee always seemed to be on the wrong side of some malevolent person or evil creature....she was pursued by a clan of cannibal killers in The Hills Have Eyes (1977), terrorized by a pack of werewolves in the superb The Howling (1981), got a break from the horror, as a sympathetic mom in the mega sci-fi hit E.T. the Extra-Terrestrial (1982), and nearly ends up lunch for a rabid St. Bernard in the heart stopping Cujo (1983).
In the early 1980s, Wallace-Stone actually shared the screen several times with her then husband Christopher Stone before his unfortunate, early demise from a heart attack in October, 1995.
However, typecasting Dee Wallace-Stone as a horror heroine does not do her justice, as unlike some other scream queens whose careers quickly faded, Dee has gone on to have a very busy and varied acting career, appearing in over 90 feature films to date! Her All-American looks and easy going demeanor has seen Dee often cast as a typical suburban mother, a sympathetic friend, or a trusted ally. Fans warm to her endearing smile and natural warmth, and Dee continues to find herself in constant demand in front of the camera, plus she has her own much visited website.- Actor
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Late 1970s horror genre icon who's best known for his creepy performance as "Pluto" in the uncompromising Wes Craven horror film The Hills Have Eyes (1977). Berryman (who suffers from Hypohidrotic Ectodermal Dysplasia, a rare condition leaving him with no sweat glands, hair, fingernails or teeth) reminds one of a latter-day Rondo Hatton who also suffered from a rare medical condition that distorted his features giving him a brutish look just right for horror movies.
To Berryman's credit, he managed to develop upon his "Pluto" character, and has turned up in numerous sci-fi / fantasy movies such as My Science Project (1985), Weird Science (1985), Armed Response (1986) and Evil Spirits (1991). The tall & lean Berryman generally portrays mutant bikers, evil undertakers, monsters and other frightening characters! A genuine favorite of horror movie fans.Played several villains- Actor
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There aren't many actors who can claim that they appeared in everything from innocuous family features to sexy soft-core smut to popular television programs to various horror, science fiction, and exploitation movies as well as worked behind-the-scenes on a slew of films in assorted production capacities throughout the course of their careers. The exceptionally talented and versatile George "Buck" Flower did all this and more during a remarkably busy, diverse, and impressive career that spanned 35 years and over a 100 movies as a character actor alone.
Flower was born on October 28, 1937, in the Blue Mountains of Eastern Oregon. He enlisted in the army as a teenager and enrolled at Eastern Oregon College following his military service. Flower then moved to California and attended Pasadena City College. He soon became a member of the repertory theater group The Inspiration Players and stayed with the group for twelve years. The theater company toured Alaska and all 48 continental United States.
Flower first started acting in movies in the early 1970s and initially established himself in the blithely lowbrow soft-core outings Country Cuzzins (1972), Below the Belt (1971), and The Dirty Mind of Young Sally (1973) for legendary trash flick filmmaker Harry H. Novak. Portly and grizzled, with a rumpled face, a scraggly beard, an engagingly rough-around-the-edges demeanor, and a deep, thick, heavy drawling rumble of a throaty voice, Flower was often cast as grubby bums, sloppy drunks, grouchy old guys, and scruffy rednecks. Among the notable directors Flower appeared in countless films for are Matt Cimber, Jim Wynorski, Don Edmonds (he's in the first two notoriously nasty "Ilsa" movies acting under the alias C.D. LaFleure), William Lustig, Bill Rebane, David DeCoteau, Bethel Buckalew, Jack Starrett, Nick Phillips, Anthony Hickox, and Fred Olen Ray. Flower achieved his greatest popularity with his terrific contributions to a handful of John Carpenter features: he's an ill-fated fisherman in The Fog (1980); a bum in Escape from New York (1981); a crusty cook in Starman (1984); excellent as the rags-to-riches bum Drifter in They Live (1988); another bum in the "Unleaded" segment of the horror anthology Body Bags (1993); and a boozy high school janitor in Village of the Damned (1995).
Flower's other memorable roles include the cantankerous forest-dwelling hermit Boomer in the "Wilderness Family" pictures, a detective in The Witch Who Came from the Sea (1976), a corrupt vice cop in The Candy Tangerine Man (1975), a machete-brandishing lunatic in Drive in Massacre (1976), an irascible old coot in Relentless (1989), a senile janitor in Sorority Babes in the Slimeball Bowl-O-Rama (1988), the stern patriarch of a mountain family in Pumpkinhead (1988), a grouchy handyman in Cheerleader Camp (1988), a gregarious railroad worker in The Alpha Incident (1978), a homeless man on a park bench in Back to the Future (1985) (Flower reprised this part in the first sequel), an ill-kept hick in A Small Town in Texas (1976), a peppery camp caretaker in Berserker (1987) and a hillbilly hunter in Skeeter (1993). Flower had guest spots on the TV shows The Dukes of Hazzard (1979), Flo (1980), NYPD Blue (1993), ER (1994), and Dr. Quinn, Medicine Woman (1993). In addition to his substantial acting credits, Flower also was the casting director for The Witch Who Came from the Sea (1976) and Tiger Man (1983), served as a producer on such features as Hell's Belles (1995), Takin' It Off Out West (1995), The Night Stalker (1986), and Up Yours (1979), handled second unit director chores on The Lonely Lady (1983), Bare Knuckles (1977), and Teenage Innocence (1973), and even co-wrote the scripts for such movies as Wooly Boys (2001), Party Plane (1991), Death Falls (1991), In Search of a Golden Sky (1984), Joyride to Nowhere (1977), Drive in Massacre (1976), and Teenage Seductress (1975). He's the father of actress/costume designer Verkina Flower.
George "Buck" Flower died of cancer at age 66 on June 18, 2004. Although the "Buck" may have sadly stopped, George "Buck" Flower's extraordinary cinematic legacy shall continue to live on and entertain film fans all over the world for all eternity. Author: woodyanders- Actor
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The British character actor Michael Ripper was born in 1913 in Portsmouth, Hampshire, England. His father was a speech therapist and encouraged him to participate in diction and public speaking competitions. From this, the young Michael gained an interest in acting and got his first taste of the stage through his father's amateur dramatics company. At age 16, Ripper won a scholarship to drama school and began to appear in theater professionally. His stage career continued until 1952, when an operation for a thyroid condition left him unable to project his voice sufficiently for the stage, after which he concentrated on his film career. Ripper started his film career in numerous quota quickies, debuting in Twice Branded (1936). At one point in his early career, he also worked as an assistant director for a production company at Walton Studios. In the late 1940s, Ripper began a long association with Hammer Film Productions, which resulted in his face becoming well known not only in Britain, but also worldwide. During this 25-year association, which began with a role in There Is No Escape (1948) and ended with That's Your Funeral (1972), Ripper made a total of 35 appearances in Hammer films, playing an assortment of innkeepers, coachmen, gravediggers, poachers, and, occasionally, authority figures, usually with a comic twist. Although he made few films after his stint with Hammer, he continued his career with memorable television appearances, such as the chauffeur in Butterflies (1978) and Drones Porter in Jeeves and Wooster (1990), until his retirement in the early 1990s.- Actor
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Ray Milland became one of Paramount's most bankable and durable stars, under contract from 1934 to 1948, yet little in his early life suggested a career as a motion picture actor.
Milland was born Alfred Reginald Jones in the Welsh town of Neath, Glamorgan, to Elizabeth Annie (Truscott) and Alfred Jones. He spent his youth in the pursuit of sports. He became an expert rider early on, working at his uncle's horse-breeding estate while studying at the King's College in Cardiff. At 21, he went to London as a member of the elite Household Cavalry (Guard for the Royal Family), undergoing a rigorous 19-months training, further honing his equestrian skills, as well as becoming adept at fencing, boxing and shooting. He won trophies, including the Bisley Match, with his unit's crack rifle team. However, after four years, he suddenly lost his means of financial support (independent income being a requirement as a Guardsman) when his stepfather discontinued his allowance. Broke, he tried his hand at acting in small parts on the London stage.
There are several stories as to how he derived his stage name. It is known, that during his teens he called himself "Mullane", using his stepfather's surname. He may later have suffused "Mullane" with "mill-lands", an area near his hometown. When he first appeared on screen in British films, he was billed first as Spike Milland, then Raymond Milland.
In 1929, Ray befriended the popular actress Estelle Brody at a party and, later that year, visited her on the set of her latest film, The Plaything (1929). While having lunch, they were joined by a producer who persuaded the handsome Welshman to appear in a motion picture bit part. Ray rose to the challenge and bigger roles followed, including the male lead in The Lady from the Sea (1929). The following year, he was signed by MGM and went to Hollywood, but was given little to work with, except for the role of Charles Laughton's ill-fated nephew in Payment Deferred (1932). After a year, Ray was out of his contract and returned to England.
His big break did not come until 1934 when he joined Paramount, where he was to remain for the better part of his Hollywood career. During the first few years, he served an apprenticeship playing second leads, usually as the debonair man-about-town, in light romantic comedies. He appeared with Burns and Allen in Many Happy Returns (1934), enjoyed third-billing as a British aristocrat in the Claudette Colbert farce The Gilded Lily (1935) and was described as "excellent" by reviewers for his role in the sentimental drama Alias Mary Dow (1935). By 1936, he had graduated to starring roles, first as the injured British hunter rescued on a tropical island by The Jungle Princess (1936), the film which launched Dorothy Lamour's sarong-clad career. After that, he was the titular hero of Bulldog Drummond Escapes (1937) and, finally, won the girl (rather than being the "other man") in Mitchell Leisen's screwball comedy Easy Living (1937). He also re-visited the tropics in Ebb Tide (1937), Her Jungle Love (1938) and Tropic Holiday (1938), as well as being one of the three valiant brothers of Beau Geste (1939).
In 1940, Ray was sent back to England to star in the screen adaptation of Terence Rattigan's French Without Tears (1940), for which he received his best critical reviews to date. He was top-billed (above John Wayne) running a ship salvage operation in Cecil B. DeMille's lavish Technicolor adventure drama Reap the Wild Wind (1942), besting Wayne in a fight - much to the "Duke's" personal chagrin - and later wrestling with a giant octopus. Also that year, he was directed by Billy Wilder in a charming comedy, The Major and the Minor (1942) (co-starred with Ginger Rogers), for which he garnered good notices from Bosley Crowther of the New York Times. Ray then played a ghost hunter in The Uninvited (1944), and the suave hero caught in a web of espionage in Fritz Lang's thriller Ministry of Fear (1944).
On the strength of his previous role as "Major Kirby", Billy Wilder chose to cast Ray against type in the ground-breaking drama The Lost Weekend (1945) as dipsomaniac writer "Don Birnam". Ray gave the defining performance of his career, his intensity catching critics, used to him as a lightweight leading man, by surprise. Crowther commented "Mr. Milland, in a splendid performance, catches all the ugly nature of a 'drunk', yet reveals the inner torment and degradation of a respectable man who knows his weakness and his shame" (New York Times, December 3, 1945). Arrived at the high point of his career, Ray Milland won the Oscar for Best Actor, as well as the New York Critic's Award. Rarely given such good material again, he nonetheless featured memorably in many more splendid films, often exploiting the newly discovered "darker side" of his personality: as the reporter framed for murder by Charles Laughton's heinous publishing magnate in The Big Clock (1948); as the sophisticated, manipulating art thief "Mark Bellis" in the Victorian melodrama So Evil My Love (1948) (for which producer Hal B. Wallis sent him back to England); as a Fedora-wearing, Armani-suited "Lucifer", trawling for the soul of an honest District Attorney in Alias Nick Beal (1949); and as a traitorous scientist in The Thief (1952), giving what critics described as a "sensitive" and "towering" performance. In 1954, Ray played calculating ex-tennis champ "Tony Wendice", who blackmails a former Cambridge chump into murdering his wife, in Alfred Hitchcock's Dial M for Murder (1954). He played the part with urbane sophistication and cold detachment throughout, even in the scene of denouement, calmly offering a drink to the arresting officers.
With Lisbon (1956), Ray Milland moved into another direction, turning out several off-beat, low-budget films with himself as the lead, notably High Flight (1957), The Safecracker (1958) and Panic in Year Zero! (1962). At the same time, he cheerfully made the transition to character parts, often in horror and sci-fi outings. In accordance with his own dictum of appearing in anything that had "any originality", he worked on two notable pictures with Roger Corman: first, as a man obsessed with catalepsy in The Premature Burial (1962); secondly, as obsessed self-destructive surgeon "Dr. Xavier" in X: The Man with the X-Ray Eyes (1963)-the Man with X-Ray Eyes, a film which, despite its low budget, won the 1963 Golden Asteroid in the Trieste Festival for Science Fiction.
As the years went on, Ray gradually disposed of his long-standing toupee, lending dignity through his presence to many run-of-the-mill television films, such as Cave in! (1983) and maudlin melodramas like Love Story (1970). He guest-starred in many anthology series on television and had notable roles in Rod Serling's Night Gallery (1969) and the original Battlestar Galactica (1978) (as Quorum member Sire Uri). He also enjoyed a brief run on Broadway, starring as "Simon Crawford" in "Hostile Witness" (1966), at the Music Box Theatre.
In his private life, Ray was an enthusiastic yachtsman, who loved fishing and collecting information by reading the Encyclopedia Brittanica. In later years, he became very popular with interviewers because of his candid spontaneity and humour. In the same self-deprecating vein he wrote an anecdotal biography, "Wide-Eyed in Babylon", in 1976. A film star, as well as an outstanding actor, Ray Milland died of cancer at the age of 79 in March 1986.- Actor
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Keith David is a classically trained actor, winning 3 Emmys out of 6 nominations as well as being nominated for a Tony award. He starred in the recently concluded TV series "Greenleaf" for Oprah Winfrey's OWN network. Upcoming films include "Horizon Line" with Allison Williams ("Get Out") and "Black As Night," for Amazon.
In "Greenleaf" Keith portrayed 'Bishop James Greenleaf', the charismatic and God-fearing leader of the Calvary Fellowship and the patriarch of the family. The series followed the unscrupulous world of the Greenleaf family, their scandalous secrets and lies, and their sprawling Memphis megachurch. The series was praised for its push and pull dynamic, its hypocrisy, and its compelling characters. Keith's stellar performance was best stated by The Hollywood Reporter, "... Keith David ...is perfectly cast as Bishop Greenleaf. Whether he's playing to the congregation at the altar or getting conspiratorial in a smaller venue, this is an unusually great and meaty role for David."
On the big screen, Keith co-starred with Chadwick Boseman in "21 Bridges". Prior credits include "Night School" with Kevin Hart and Tiffany Haddish and "Tales from the Hood 2". Additional titles include the Academy award-winning films "Crash" and "Platoon." He is widely recognized for appearing in the highly-acclaimed films Disney's "The Princess and the Frog", "Requiem for a Dream", "Men at Work", "They Live", "There's Something About Mary", and "The Thing."
Other recent TV credits include an upcoming appearance on "Creepshow," "NCIS: New Orleans", "Blackish," MacGyver", and "Fresh Off the Boat". Earlier credits include "Community", "Enlisted", "ER", and "Mister Roger's Neighborhood". On Broadway, Keith starred in August Wilson's "Seven Guitars" and "Jelly's Last Jam" for which he garnered a Tony Award nomination for Best Supporting Actor in a Musical.
Keith's work as a voice actor has made him a household name. His rich and powerful voice has been featured in national commercials, award shows, documentaries, video games, and animation. His work in narration has earned him three Emmys for Ken Burns' "Jackie Robinson", "The War", and "Unforgivable Blackness - The Rise and Fall of Jack Johnson". Some of his other voice acting credits include countless fan favorites such as "Adventure Time", "Bojack Horseman," "Rick & Morty", "Spawn", and "Gargoyles". Keith has lent his voice to many video game titles. Recently he portrayed the character "Spawn" in the reboot of the "Mortal Kombat" video game. Other appearances include the "Halo" series (games 2, 3, and 5), the "Saint's Row" series (games 1, 2, and 4), as well as the "Mass Effect" series (games 1,2, and 3).
Born and raised in New York by his parents Lester and Dolores, Keith became interested in the arts at a very young age. After appearing in his school's production of "The Wizard of Oz", he knew this was what he wanted to do for the rest of his life. He enrolled in New York's High School of the Performing Arts and continued his studies at The Juilliard School. After graduation, he was immediately hired by Joseph Papp as an understudy for the role of Tullus Aufidius in William Shakespeare's "Coriolanus." His work with Mr. Papp and the New York Shakespeare Festival launched his incredible career.
In addition to his versatile acting and voiceover work, Keith is also a remarkable singer. He's has been touring in 2 shows, "Too Marvelous for Words", in which he portrays the legendary singer Nat King Cole, and a show about the incredible Blues singer Joe Williams, "Here's to Life."
Twitter: @ImKeithDavid Instagram: @SilverThroat Facebook: @ImKeithDavid- Actress
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Best known as Hammer Films' most seductive female vampire of the early 1970s, the Polish-born Pitt possessed dark, alluring features and a sexy figure that made her just right for Gothic horror! Ingrid Pitt (born Ingoushka Petrov) survived World War II and became a well-known actress on the East Berlin stage, however, she did not appear on screen until well into her twenties. She appeared in several minor roles in Spanish films in the mid 1960s, mostly uncredited, before landing the supporting role of undercover agent "Heidi", assisting Clint Eastwood and Richard Burton defeat the Third Reich in Where Eagles Dare (1968).
Her exotic looks and eastern European accent came to the notice of Hammer executives who cast Pitt as vampiress "Mircalla" in the sensual horror thriller The Vampire Lovers (1970). The film was a box office success with its blend of horror and sexual overtones, and Pitt was a beautiful, yet ferocious bloodsucker. Next up, Pitt was cast by Amicus Productions as another gorgeous vampire in the episode entitled "The Cloak" in the superb The House That Dripped Blood (1971). This time, Ingrid played an actress appearing in horror films alongside screen vampire Jon Pertwee, but then later reveals herself to be a real vampire keen on recruiting fresh blood.
Ingrid donned the fangs for her third vampire film in a row, Countess Dracula (1971) which was loosely based around the legend of the 16th century bloodthirsty Countess Elizabeth Bathory. Whilst not as successful, as the two prior outings, Ingrid Pitt had firmly established herself as one of the key ladies of British horror of the 1970s. She then appeared in the underrated at the time - now widely regarded as a classic - The Wicker Man (1973) as an uncooperative civil servant annoying Edward Woodward in his search for a missing child. Further work followed in The Final Option (1982), as "Elvira" in the adaptation of the John le Carré Cold War thriller Smiley's People (1982), Wild Geese II (1985) and The Asylum (2000).
Ingrid Pitt made regular appearances at horror conventions and fan gatherings, had penned several books on her horror career, and she relished talking to fans about her on screen vampiric exploits. Ingrid's fan club is known as the "Pitt of Horror"! A much loved and genuine cult figure of modern horror cinema, she died on November 23, 2010, just two days after her 73rd birthday.- Actor
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Cherubic, wispy-haired looks made his typecasting as impish or eccentric characters somehow inevitable. The pint-sized Michael J. Pollard was born the son of a bar manager of Polish ancestry in Passaic (New Jersey). He studied drama at the Actor's Studio (with a young Marilyn Monroe in the same class) and made his theatrical debut in November 1958 on Broadway in "Comes the Day," with George C. Scott and Judith Anderson. He received excellent critical notices the following year for his performance in William Inge's play "A Loss of Roses" and thereby came to the attention of Hollywood. On the small screen, Pollard enjoyed a measure of early success in anthology television. He then had a brief stint as Bob Denver's cousin Jerome Krebs in a couple of episodes of The Many Loves of Dobie Gillis (1959). His chief contribution to cult sci-fi consisted of appearances in Lost in Space (1965) and Star Trek (1966), his baby-faced appearance enabling him to essay characters who were considerably younger than his actual age. True to form, he also portrayed the bowler-hat wearing, leprechaun-like trickster Mister Mxyzptlk in Superboy (1988), based on the DC comic strips. Pollard had his fair share of exposure to mainstream TV dramas as well, popping up in series like Gunsmoke (1955), The Virginian (1962), and I Spy (1965). For the most part, his screen personae were simple country folk, sometimes evil, often mischievous, nervous or downright weird.
Pollard's big break (and his critically most acclaimed role) was as the loyal, but inarticulate and child-like garage mechanic turned get-away driver C.W. Moss in Arthur Penn's gangster epic Bonnie and Clyde (1967). On the heels of his Oscar-nomination for Best Supporting Actor came offers for other high-profile off-beat character roles, though he was never truly regarded as star material. He gave a good account of himself as Packy, leader of a group of partisans joining Hannibal Brooks (1969) and his POWs in their escape from the Nazis across the Alps to Switzerland. Perhaps best of all post-Bonnie and Clyde impersonations was his powerful portrayal of the outlaw Henry McCarty (aka William H. Bonney) as a demented, twitching psychopath in Dirty Little Billy (1972) (a rare starring role which also marked the screen debut of actor Nick Nolte). By the 1980s, Pollard had recovered from a period of alcohol and drug abuse, but by then his name had slipped down the list of credits and he was now reduced to minor support in films like Roxanne (1987), American Gothic (1987), Dick Tracy (1990), and Rob Zombie's debut cult-horror House of 1000 Corpses (2003).
Pollard died of cardiac arrest on November 20, 2019 in Los Angeles at the age of 80.- Actress
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Barbara Crampton was born in Levittown, New York. Growing up in Vermont, she spent the majority of her childhood summers traveling the country with a roadside carnival that her father worked for. Crampton began acting in school plays in seventh grade and subsequently studied drama in high school. She earned a BA in Theater Arts from Castleton State College and, following graduation, portrayed "Cordelia" in an American Theater of Actors production of "King Lear" in New York.
The young actress then moved to Los Angeles and, in 1983, made her TV debut with a recurring role on the popular daytime soap opera Days of Our Lives (1965). The following year she had a brief, but memorable role in Brian De Palma's Body Double (1984), which was followed by the 1985 comedy Fraternity Vacation (1985). Barbara achieved enduring cult popularity as college coed Megan Halsey in Stuart Gordon's Re-Animator (1985) and, after making a splash in the horror genre, successively starred in From Beyond (1986), Chopping Mall (1986), Puppet Master (1989), and Castle Freak (1995), among others.
Outside of horror, Barbara had recurring roles on daytime television soap operas Guiding Light (1952); The Bold and the Beautiful (1987), and The Young and the Restless (1973), for which won a Soap Opera Digest Award.
Years after retiring from acting to raise a family, Crampton returned to film in 2011 with a role in Adam Wingard's You're Next (2011). She subsequently appeared in number of new films, the majority of which were horror. Highlights of her return include The Lords of Salem (2012), We Are Still Here (2015), and Beyond the Gates (2016).
Crampton's hobbies include skiing, yoga, horseback riding, running, working out with weights, and shopping for antiques at flea markets. She lives outside of San Francisco with her husband, Robert Bleckman, and their two children.- Actress
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Evelyn Ankers, a beautiful movie actress who was a staple of Universal's horror films in the 1940s, was born in Chile to English parents in 1918. Her parents repatriated the family back to England in the 1920s, and it was in Old Blighty that Ankers developed a desire to become an actress.
She began appearing in small roles in English movies in the mid 1930s while she was still in school. She appeared in Fire Over England (1937) with Laurence Olivier and Vivien Leigh and in Bells of St. Mary's (1937). A beauty with talent, she soon won starring roles in the low-budget The Villiers Diamond (1938) and The Claydon Treasure Mystery (1938).
With war clouds darkening the skies over Europe, Ankers emigrated to the United States and was signed to a contract by Universal in 1940. She made her Universal debut in the Abbott and Costello comedy-horror picture Hold That Ghost (1941) before appearing in the horror film classic The Wolf Man (1941) opposite Lon Chaney Jr.. Ankers found herself cast into the horror picture ghetto, appearing in three more Chaney fright films, The Ghost of Frankenstein (1942), Son of Dracula (1943) and The Frozen Ghost (1945), during a period in which she was cast ashore with a sarong-less Jon Hall in The Invisible Man's Revenge (1944). She also appeared in support of Basil Rathbone's Sherlock Holmes in Sherlock Holmes and the Voice of Terror (1942) and The Pearl of Death (1944).
Ankers married B-movie hunk Richard Denning in 1942 and made a go articulating the anxieties of the home front while her husband was off to war. Horror flicks were popular during World War II, but after the cessation of hostilities in 1945, they went out of favor with audiences. Ankers' career, mated to the genre at Universal, suffered.
She quit Universal in 1945 and freelanced at Columbia and Poverty Row's Producers Releasing Corporation (PRC) and Republic Pictures in dramas and mysteries. Evelyn co-starred with her returned husband, Richard, in the major release Black Beauty (1946) for 20th Century Fox. For PRC, she headlined Queen of Burlesque (1946) and later co-starred with Lex Barker in Tarzan's Magic Fountain (1949).
As the 1950s dawned, a decade of conformity and family values, Ankers quit the movies for married life and motherhood after making The Texan Meets Calamity Jane (1950), in which she was first-billed. She was 32 years old. A decade later, Ankers came out of retirement to make one final screen appearance, in her hubby's No Greater Love (1960).
Evelyn Ankers died of ovarian cancer on August 29, 1985, twelve days after her 67th birthday.- Tor Johnson was a big man, with a big heart, who was born October 19, 1903, in Sweden.
Most of his adult life, he was a professional wrestler. Tor started appearing (uncredited, or in bit parts) in movies as early as 1934. He was in 31 movies, usually as "Weightlifter" or "Strongman."
Later, he got larger roles with character names. Tor was in the Bing Crosby - Bob Hope movie Road to Rio (1947) as Samson; and had a part in Abbott and Costello in the Foreign Legion (1950) as Abou Ben.
Contrary to how it was depicted in the semi-documentary "Ed Wood," that Ed approached Tor and asked him if he ever fancied the notion of becoming an actor (and starting his film career), Ed worked with Tor towards the end of his movie career. Ed Wood got Tor to portray Lobo in Bride of the Monster (1955). After appearing in 3 other movies, Ed Wood cast Tor in Plan 9 from Outer Space (1957).
Then Ed had Tor reprise his role of Lobo for Night of the Ghouls (1959) -- in that movie, Paul Marco (Kelton the Cop) had a full load in the prop gun he fired at Tor where sparks hit Tor's arms, which by reflex hit Paul, knocking him unconscious in real life; Tor felt bad about that, but everybody knew it was just a case of the big guy not knowing his own strength.
A friend and cohort of Ed's (and also a writer, director and producer in his own right), was Anthony Cardoza. Ed lived in an apartment on Yucca Street (nicknamed "Yucca Flats"), and in 1961, Anthony cast Tor Johnson in a starring role in his low budget movie The Beast of Yucca Flats (1961). This movie was filmed silent, had dubbed-in sound effects, voiced-over narration, and killed off Tor's movie career once and for all (for which Tor was paid only $300). However, Tor had somewhat of a TV career in the 1960s, appearing on "You Bet Your Life" with Groucho Marx, several appearances on "The Red Skelton Show," and even doing a number of TV commercials.
Costars spoke fondly of Tor, remembering, "Tor had such warmth! He was so cooperative-- just a lovely man. As you know, he was a former wrestler ... he would go and have drinks with his opponents after a wrestling match." And, he lived large. Friends spoke of his gracious wife Greta who made great Swedish dinners, along with desserts consisting of her homemade ice cream with strawberries, bananas, coconut and whipped cream.
Little wonder his son, Karl, grew up to be big and strong, and became a Lieutenant with the San Fernando Police Department. And, some friends would chuckle as they recalled that, as big as he was, Tor drove a midget foreign car which was "not much bigger than he was."
Tor Johnson died on May 12, 1971, in San Fernando, CA, due to a heart ailment; he was 67. - Actor
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Dennis Christopher was born on 2 December 1950 in Philadelphia, Pennsylvania, USA. He is an actor, known for Django Unchained (2012), Breaking Away (1979) and Fade to Black (1980).- Actor
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The award-worthy actor, now enjoying an over five decade career, has a resume that includes everything from Shakespeare to Seinfeld -- from the villainous Senator on Ozark to the wise judge on Lincoln Lawyer.
Born on June 28, 1946, in Philadelphia, Pennsylvania, the son of Clair, an architect and musician, and Marian (Holman) Davison, a secretary, Bruce's parents divorced when he was just three. He developed a burgeoning interest in acting while majoring in art at Penn State and after accompanying a friend to a college theater audition. Making his professional stage debut in 1966 as Jonathan in "Oh Dad, Poor Dad, Mama's Hung You in the Closet and I'm Feelin' So Bad" at the Pennsylvania Festival Theatre, he made it to Broadway within just a couple of years (1968) with the role of Troilus in "Tiger at the Gates" at the Vivian Beaumont Theatre. The year after that he was seen off-Broadway in "A Home Away from Home" and appeared at the Lincoln Center in the cast of "King Lear."
Success in the movies came immediately for the perennially youthful-looking actor after he and a trio of up-and-coming talents (Barbara Hershey [then known as Barbara Seagull], Richard Thomas and Catherine Burns) starred together in the poignant but disturbing coming-of-age film Last Summer (1969). From this he was awarded a starring role opposite Kim Darby in The Strawberry Statement (1970), an offbeat social commentary about 60s college radicalism, and in the cult horror flick Willard (1971) in which he bonded notoriously with a herd of rats.
Moving further into the 70s decade, his film load did not increase significantly as expected and the ones he did appear in were no great shakes. With the exception of his co-starring role alongside Burt Lancaster in the well-made cavalry item Ulzana's Raid (1972) and the powerful low-budget Short Eyes (1977) in which he played a child molester, Bruce's film roles were underwhelming, such as his elder Patrick Dennis in the Lucille Ball musical film version of Mame (1974), as well as The Jerusalem File (1972), Mother, Jugs & Speed (1976), Grand Jury (1976) and Brass Target (1978).
As such, Bruce wisely looked elsewhere for rewarding work and found it on the stage and on the smaller screen. Earning strong theatrical roles in "The Skin of Our Teeth," "The Little Foxes" and "A Life in the Theatre," he won the Los Angeles Drama Critics Award for his work in "Streamers" in 1977. On TV, he scored in mini-movie productions of Mourning Becomes Electra (1978), Deadman's Curve (1978) (portraying Dean Torrence of the surf-era pop duo Jan and Dean) and, most of all, Summer of My German Soldier (1978) co-starring Kristy McNichol as a German prisoner of war in the American South who falls for a lonely Jewish-American girl. In 1972 Bruce married actress Jess Walton who appeared briefly as a college student in The Strawberry Statement (1970) and later became a daytime soap opera fixture. The marriage was quickly annulled the following year.
The 1980s was also dominated by strong theater performances. Bruce took over the role of the severely deformed John Merrick as "The Elephant Man" on Broadway; portrayed Clarence in "Richard III" at the New York Shakespeare Festival; was directed by Henry Fonda in "The Caine Mutiny Court Martial"; played a moving Tom Wingfield opposite Jessica Tandy's Amanda in "The Glass Menagerie"; received a second Los Angeles Drama Critics Award for his work in the AIDS play "The Normal Heart"; and finished off the decade gathering up fine reviews in the amusing A.R. Gurney period piece "The Cocktail Hour". While hardly lacking for work on film (Kiss My Grits (1982), Crimes of Passion (1984), Spies Like Us (1985), and The Ladies Club (1985)), few of them made use of his talents and range.
It was not until he was cast in the ground-breaking gay drama Longtime Companion (1989) that his film career revitalized. Giving a quiet, finely nuanced, painfully tender performance as the middle-aged lover and caretaker of a life partner ravaged by AIDS, Bruce managed to stand out amid the strong ensemble cast and earn himself an Oscar nomination for "Best Supporting Actor". Although he lost out to the flashier antics of Joe Pesci in the mob drama Goodfellas (1990) that year, Bruce was not overlooked -- copping Golden Globe, Independent Spirit, New York Film Critics and National Society of Film Critics awards. Other gay-themed films also welcomed his presence, including The Cure (1995) and It's My Party (1996). The actor eventually served as a spokesperson for a host of AIDS-related organizations, including Hollywood Supports, and has been active with foundations that assist abused children.
Bruce has been all over the screen since his success in Longtime Companion (1989). Predominantly seen as mature, morally responsible dads and politicians, his genial good looks and likability have on occasion belied a weak or corrupt heart. Bruce married actress Lisa Pelikan in 1986 and they have one son, Ethan, born in 1996. (Color of Justice (1997)). Popular films have included Six Degrees of Separation (1993) starring Will Smith, the family adventure film Far from Home: The Adventures of Yellow Dog (1995) and the box-office hit X-Men (2000) and its sequel in the role of Senator Kelly. More controversial art-house showcases include Dahmer (2002), as serial killer Jeffrey Dahmer's father, and Hate Crime (2005), as a bigoted, murderous pastor.
Into the millennium, Bruce has played mature gents and several high-level officials in such films as The Dead Girl (2006), Christmas Angel (2009), Camp Hell (2010), Black Beauty (2015), Displacement (2016), 9/11 (2017), Along Came the Devil (2018), Itsy Bitsy (2019)
Divorced from second wife Lisa Pelikan, Bruce is happily married to Michele Correy and has a daughter with her, Sophia Lucy, born in 2006. They live in the Los Angeles area.- Actor
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Dean Robert Stockwell grew up in North Hollywood, the son of Broadway performers Harry Stockwell and Elizabeth "Betty" Stockwell (née Veronica). His vaudevillian father was a replacement Curly in the original production of "Oklahoma!". He was also a decent tenor whose voice was used for the part of Prince Charming in Disney's Snow White and the Seven Dwarfs (1937). Dean's mother was a one-time Broadway chorine who used the stage moniker "Betty Veronica." His older brother was the actor Guy Stockwell.
At the age of seven, Dean made his stage debut in a Theater Guild production of Paul Osborn's The Innocent Voyage, in which his brother was also cast. The play ran for nine month. Dean was eventually spotted by a talent scout, and, on the strength of his performance, was signed by MGM in 1945. Under contract until 1947 (and again from 1949 to 1950), Stockwell became a highly sought-after child star in films like Anchors Aweigh (1945), with Gene Kelly and Frank Sinatra, The Green Years (1946) and Song of the Thin Man (1947). His impish, dimpled looks and tousled brown hair combined with genuine acting talent kept him on the box office front line for more than a decade. Having won a Golden Globe Award as Best Juvenile Actor for Gentleman's Agreement (1947) (on loan-out to 20th Century Fox), Stockwell went on to play the title role in an adaptation of Rudyard Kipling's Kim (1950). He came to admire his co-star Errol Flynn as a sort of role model. Thereafter, Stockwell segued into television for several years until resurfacing as a mature actor in Richard Fleischer's Compulsion (1959), (based on the infamous Leopold & Loeb murder case), co-starring with Bradford Dillman as one of the two young killers, and Orson Welles. He had already played the part on Broadway in 1957, on this occasion partnering Roddy McDowall. His last film role of note in the early 60s was as Edmund Tyrone in Eugene O'Neill's Long Day's Journey Into Night (1962). Despite developing a drinking problem on the set (for which he was chastised by Katharine Hepburn), Stockwell gave a solid performance which he later described as a career highlight.
Stockwell dropped out of show biz for some time in the 60s to join the hippie scene at which time he befriended Neil Young and Dennis Hopper. Later in the decade, he made a gleeful comeback in low budget psychedelic counterculture (Psych-Out (1968)) biker films (The Loners (1972)) and horror comedies (The Werewolf of Washington (1973)). Keeping a considerably lower profile during the 70s, he became a frequent TV guest star in popular crime dramas like Mannix (1967), Columbo (1971) The Streets of San Francisco (1972) and Police Story (1973). By the early 80s, work opportunities had become scarcer and Stockwell was compelled to briefly sideline as a real estate broker. He nonetheless managed to make a comeback with a co-starring role in the Wim Wenders road movie Paris, Texas (1984). New York Times reviewer Vincent Canby wrote of his performance "Mr. Stockwell, the former child star, has aged very well, becoming an exceptionally interesting, mature actor." Stockwell subsequently enjoyed high billing in David Lynch's noirish psycho-thriller Blue Velvet (1986) and received an Oscar nomination for his Mafia don Tony "The Tiger" Russo in Married to the Mob (1988). His television career also flourished, as cigar-smoking, womanizing rear admiral Al Calavicci in the popular science fiction series Quantum Leap (1989). The role won him a Golden Globe Award in 1990 and a new generation of fans. When the show ended after five seasons, Stockwell remained gainfully employed for another decade, still frequently seen as political or military authority figures (Navy Secretary Edward Sheffield in JAG (1995), Defence Secretary Walter Dean in Air Force One (1997)) or evil alien antagonists (Colonel Grat in Star Trek: Enterprise (2001), humanoid Cylon John Cavil in Battlestar Galactica (2004)).
Outside of acting, Stockwell embraced environmental issues and exhibited works of art, notably collages and sculptures. In 2015, he was forced to retire from acting after suffering a stroke. Stockwell died on November 7, 2021 due to natural causes at the age of 85.- Actor
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Who could forget Colin Clive's "It's Alive! It's Alive!" as he melted to the floor mumbling the same over and over in ecstasy after his success at animating the Monster in the first sound version of Frankenstein (1931). Film history - horror film history - but part of a short history for actor Colin Clive - he died at 37 years of age. The son of a British army colonel on assignment in France at the time of Colin's birth, Clive the younger might have been expected to follow an army career-his ancestor was Baron Robert Clive, founder of the British Indian Empire. But he became interested in theater instead. His acting talents progressed through the 1920s to sufficient degree to replace Laurence Olivier who was starring in the R. C Sherriff play "Journey's End" in London. The director was up-and-coming James Whale, who had also been working his way up in London stage and film work as a budding scene designer and director. Among his stage and entertainment acquaintances in London was Elsa Lanchester - the future bride of Frankenstein. When Olivier moved on to other stage work, the play moved to the Savoy Theater in London with Clive in the lead in 1928.
Whale was waiting for the opportunity to move onto Broadway and Hollywood films. The success of "Journey's End" gave Whale his break. Broadway called for the play with him as both director and scene designer. It opened in March of 1929 but with Colin Keith-Johnston in the lead. Nevertheless, Clive came to New York as well to await developments. Halfway through 1930, the play had ended, and Whale was contracted by Paramount as a dialog director. Things continued to unfold quickly. Whale was very soon called on to direct what would be the first British/American co-produced sound film, a movie version of the popular Journey's End (1930). Whale got Clive back as the lead-the laconic, alcoholic Capt. Stanhope. And Clive showed on screen what came out in his stage performances - a measured intensity to his character, bolstered by his unique cracked baritone voice - seemingly always on the edge of irritation. Clive's first picture then led to opportunities in both British and American films. But he got his first play on Broadway "Overture" in late 1930 which ended in January of 1931. Then it was back to London where he was prophetically cast with Lanchester in The Stronger Sex (1931).
As they say, what came next was film history. Whale was contracted by Universal where Dracula (1931) had just been a huge hit and the studio was looking for a quick follow up. Shelley's Frankenstein was optioned as the next 'horror' movie with Whale directing. Whale wanted Clive as Dr. Henry Frankenstein, and it all came together. Clive played the tortured legitimate doctor driven to macabre surgery and near insanity with over-the-top theatrics that would type him for the remainder of his short career.
The next few years he played both B leading and A supporting roles. Two apt examples were playing brooding but romantic Edward Rochester in an early Jane Eyre (1934) and playing a British officer in Clive of India (1935) in which Ronald Colman - not he - played his illustrious ancestor. Clive returned to Broadway for two plays in 1933 and 1934 and one more in the 1935-36 season. Then it was back to Universal for the "Bride" sequel of Frankenstein (1935) in which his Dr. Henry was somewhat more subdued. This was mostly to do with a broken leg suffered from a horseback riding accident. He is seen doing a lot of sitting or lying down because of it. Dour and sour seemed to be his trademark, bolstered that much more with the remainder of his films in which he was usually disturbed supporting characters.
His final two films were in early 1937 with the better known History Is Made at Night (1937) - awkward type-casting him as the world's most sour grapes ex-husband, Bruce Vail, who engineers a sure collision of his new steamship with any available iceberg in foggy weather to hopefully drown his ex-wife Jean Arthur and her romantic true love Charles Boyer. But the sinking ship is stabilized and the lovers are saved to live happily ever after. Ironically, but befitting such a deed in Hollywood ethics, Vail shoots himself.
Ironically, Clive, suffering from tuberculosis, furthered along by chronic alcoholism, died not long after in late June of 1937.- Actor
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Perhaps best known for his chilling performance as "Candyman", the charismatic 6' 5" actor Tony Todd has consistently turned in compelling performances since his debut in the fantasy film Sleepwalk (1986). Born in Washington, D.C., Todd spent two years on a scholarship at the University of Connecticut, which, in turn, led to a scholarship from the renowned Eugene O'Neill National Theatre Institute. It proved to be the foundation for intense stints at the Hartman Conservatory in Stamford, Connecticut and the Trinity Square Repertory Theatre Conservatory in Providence, Rhode Island. Todd appeared in dozens of classical and many experimental plays, yet still managed to find time to teach playwriting to high school students in the Hartford public school system.
Todd's extensive credits exemplify his versatility. They include such film classics as The Rock (1996), The Crow (1994), Lean on Me (1989), Bird (1988), Night of the Living Dead (1990), Final Destination (2000), the multiple Academy Award winning Oliver Stone film Platoon (1986) and The Secret (2000), which was nominated and screened at the Cannes Film Festival. Todd's recent films include the independent film Silence (2002) and Final Destination 2 (2003). He has had prominent guest starring roles in numerous critically-acclaimed television series, including recurring on Boston Public (2000), For the People (2002) and The District (2000), as well as NYPD Blue (1993), Smallville (2001), Law & Order (1990), Crossing Jordan (2001), Homicide: Life on the Street (1993) and The X-Files (1993). Todd recurred on three incarnations of "Star Trek" and guest starred on Xena: Warrior Princess (1995) and episodes of CSI: Miami (2002) and Andromeda (2000). His television movies include starring roles in True Women (1997), Black Fox (1995), Butter (1998), Ivory Hunters (1990), Babylon 5: A Call to Arms (1999) and Control Factor (2003).
Todd's considerable theatre credits include the world premiere of award-winning playwright August Wilson's "King Hedley II", where he originated the title role in Pittsburgh, Seattle and Boston. Variety commented: "Todd's King Hedley dominates the stage. A sour-faced mix of rage and resolve, anger and vulnerability. Todd's Hedley was a memorable tour-de-force even on opening." He also received a coveted Helen Hayes nomination for his performance in Athol Fugard's "The Captain's Tiger at La Jolla, the Manhattan Theatre Club and the Kennedy Center. Other theatre credits include "Les Blancs", "Playboy of the West Indies", "Othello", "Zooman and the Sign", award-winning playwright Keith Glover's "Dark Paradise", "Aida" (on Broadway), and most recently, "Levee James" for the prestigious Eugene O'Neill Playwrights Conference and The New Dramatist Guild.- Actor
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Jason Flemyng was born on 25 September 1966 in Putney, London, England, UK. He is an actor and producer, known for The Curious Case of Benjamin Button (2008), Lock, Stock and Two Smoking Barrels (1998) and Deep Rising (1998). He has been married to Elly Fairman since 6 June 2008.- Actor
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Critically hailed for his forceful, militant, authoritative figures and one of Hollywood's most talented and versatile performers, Laurence (John) Fishburne III has been the recipient of numerous awards, including a number of NAACP Image honors.
Born in Augusta, Georgia on July 30, 1961, to Hattie Bell (Crawford), a teacher, and Laurence John Fishburne, Jr., a juvenile corrections officer. His mother transplanted her family to Brooklyn after his parents divorced. At the age of 10, the young boy appeared in his first play, "In My Many Names and Days," at a cramped little theater space in Manhattan. He continued on but managed to avoid the trappings of a child star per se, considering himself more a working child actor at the time. Billing himself as Larry Fishburne during this early phase, he never studied or was trained in the technique of acting.
In 1973, at the age of 12, young Laurence won a recurring role on the daytime soap One Life to Live (1968) that lasted three seasons. He subsequently made his film debut in the ghetto-themed Cornbread, Earl and Me (1975). At 14 Francis Ford Coppola cast him in Apocalypse Now (1979), which filmed for two years in the Philippines. Laurence didn't work for another year and a half after that long episode. A graduate of Lincoln Square Academy, Coppola was impressed enough with Laurence to hire him again down the line with featured roles in Rumble Fish (1983), The Cotton Club (1984) and Gardens of Stone (1987).
Throughout the 1980s, he continued to build up his film and TV credit list with featured roles despite little fanfare. A recurring role as Cowboy Curtis on the kiddie show Pee-wee's Playhouse (1986) helped him through whatever lean patches there were at the time. TV guest appearances at this time included "Trapper John," "M*A*S*H*," "Hill Street Blues," "Miami Vice," "Spenser: For Hire" and "The Equalizer."
With the new decade (1990s) came out-and-out stardom for Laurence. A choice lead in John Singleton's urban tale Boyz n the Hood (1991) catapulted him immediately into the front of the film ranks. Set in LA's turbulent South Central area, his potent role as a morally minded divorced father who strives to rise above the ignorance and violence of his surroundings, Laurence showed true command and the ability to hold up any film.
On stage, Laurence would become invariably linked to playwright August Wilson and his 20th Century epic African-American experience after starring for two years as the eruptive ex-con in "Two Training Running." For this powerful, mesmerizing performance, Laurence won nearly every prestigious theater award in the books (Tony, Outer Critics Circle, Drama Desk and Theatre World). It was around the time of this career hallmark that he began billing himself as "Laurence" instead of "Larry." More awards and accolades came his way. In addition to an Emmy for the pilot episode of the series "Tribeca," he was nominated for his fine work in the quality mini-movies The Tuskegee Airmen (1995) and Miss Evers' Boys (1997).
On the larger screen, both Laurence and Angela Bassett were given Oscar nominations for their raw, seething portrayals of rock stars Ike and Tina Turner in the film What's Love Got to Do with It (1993). To his credit, he managed to take an extremely repellent character and make it a sobering and captivating experience. A pulp box-office favorite as well, he originated the role of Morpheus, Keanu Reeves' mentor, in the exceedingly popular futuristic sci-fi The Matrix (1999), best known for its ground-breaking special effects. He wisely returned for its back-to-back sequels.
Into the millennium, Laurence extended his talents by making his screenwriting and directorial debut in Once in the Life (2000), in which he also starred. The film is based on his own critically acclaimed play "Riff Raff," which he staged five years earlier. In 1999, he scored a major theater triumph with a multi-racial version of "The Lion in Winter" as Henry II opposite Stockard Channing's Eleanor of Acquitaine. On film, Fishburne has appeared in a variety of interesting roles in not-always-successful films. Never less than compelling, a few of his more notable parts include an urban speed chess player in Searching for Bobby Fischer (1993); a military prisoner in Cadence (1990); a college professor in Singleton's Higher Learning (1995); a CIA operative in Bad Company (1995); the title role in Othello (1995) (he was the first black actor to play the part on film); a spaceship rescue team leader in the sci-fi horror Event Horizon (1997); a Depression-era gangster in Hoodlum (1997); a dogged police sergeant in Clint Eastwood's Mystic River (2003); a spelling bee coach in Akeelah and the Bee (2006); and prominent roles in the mainstream films Predators (2010) and Contagion (2011). He returned occasionally to the theatre. In April 2008, he played Thurgood Marshall in the one-man show "Thurgood" and won a Drama Desk Award. It was later transferred to the TV screen and earned an Emmy nomination.
In the fall of 2008, Fishburne replaced William Petersen as the male lead investigator on the popular CBS drama CSI: Crime Scene Investigation (2000), but left the show in 2011 to refocus on films and was in turn replaced by Ted Danson. Having since had a regular role as "Pops" in the comedy Black-ish (2014), he has also been seen on the bigger screen in the Superman movies Man of Steel (2013) and Batman v Superman: Dawn of Justice (2016) as Daily Planet chief Perry White; played a hired assassin in the thriller Standoff (2016); portrayed a minister and former Vietnam War vet in Last Flag Flying (2017); and essayed the role of a revengeful prison warden in Imprisoned (2018).
Fishburne has two children, Langston and Montana, from his first marriage to actress Hajna O. Moss. In September 2002, Fishburne married Cuban-American actress Gina Torres.- He was born in Reykjavik, Iceland and moved to the United States at the age of 5. Gunnar lived in Maine till he was 11, his family then moving to Texas, where he went to high school before attending the University of Texas. At the university, he did some theater work and majored in English and mathematics before going on to graduate in English and Scandinavian Studies. Despite graduating in the aforementioned fields, his first job out of high school was as a computer operator.
In the summer of 1973, he heard that Tobe Hooper and others were in town to work on a movie and decided to try out for a part. After interviewing with Tobe Hooper and the writer of The Texas Chain Saw Massacre (1974), Kim Henkel, he was cast in the role of the disturbed, mentally handicapped killer, Leatherface.
After Chainsaw, Hansen went on to work as a freelance writer for magazines for several years before going on to write books, one later being set in Iceland about purported serial killer, Henry Lee Lucas. He has gone on to write multiple screenplays - one co-written with his partner Gary Jones, director of Mosquito (1994)).
Gunnar also directed a documentary on Greenland and had a stint designing web pages for GTE. - Actor
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Jack MacGowran was an Irish actor, probably best known for his work with Samuel Beckett.
He established his professional reputation as a member of the Abbey Players in Dublin, while he achieved stage renown for his knowing interpretations of the works of Samuel Beckett. He appeared as Lucky in Waiting For Godot at the Royal Court Theatre, and with the Royal Shakespeare Company in Endgame at the Aldwych Theatre. He released an LP record, MacGowran Speaking Beckett, to coincide with Samuel Beckett's 60th birthday in 1966, and won the 1970-71 Obie for Best Performance By an Actor in the off-Broadway play MacGowran in the works of Beckett.
He also specialized in the work of Seán O'Casey, creating the role of Joxer in the Broadway musical Juno in 1959, based with O'Casey's 1924 play about the Troubles, Juno and the Paycock. He played O'Casey's brother Archie in Young Cassidy (1965), one of John Ford's last films.
In 1954 he moved to London, subsequently becoming a member of the Royal Shakespeare Company. There he struck up a lasting friendship with Peter O'Toole, with whom he later appeared in Richard Brooks' Lord Jim (1965).
MacGowran played the title role of "Gandhi" in the Broadway play written by Gurney Campbell in 1971, directed by Jose Quintero.
MacGowran's film career started in Ireland with the film No Resting Place (1951), and many of his earlier films were set in Ireland. Notably The Quiet Man (1952), The Gentle Gunman (1952), Rooney (1958) and Darby O'Gill and the Little People (1959). His last film was The Exorcist (1973), where he played Burke Dennings, an alcoholic director and Regan's first victim.- Actor
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Paul Wegener was born in Arnoldsdorf, West Prussia, part of the German Empire. His birthplace is currently part of Poland, under the name "Jarantowice". Wegener's family included a number of scientists, the most notable being his cousin Alfred Wegener (1880-1930). Alfred is remembered as the originator of the theory of continental drift.
Paul has no known relation to another Paul Wegener (1908-1993), who served as a Nazi Party official and an officer of the Schutzstaffel (SS).
Paul Wegener initially followed legal studies in college, but dropped out in order to become a theatrical actor. By 1906, he was part of an acting troupe led by Max Reinhardt (1873-1943). Reinhardt went on to become a film director. By 1912, Wegener himself had become interested in the film medium, and sought roles as a film actor.
In 1913, Wegener heard of an old Jewish legend, concerning the Golem. He wanted to adapt the legend into film, and started co-writing a script with Henrik Galeen (1881-1949). Their script was adapted into the film "The Golem" (1915), with Wegener and Galeen serving as the two co-directors. The film was a success and established Wegener as a celebrated figure in German cinema. Wegener returned to adapting the Golem legend into film, by directing a parody film in 1917 and the more serious "The Golem: How He Came into the World" (1920). The 1920 film remains one of the classics of German cinema. Wegener's other films often reflected his personal interests, such as trick photography, the supernatural, and mysticism.
He continued his film career into the 1930s, and made the transition from silent films to sound films. Under the Nazi regime (1933-1945), several actors and directors faced persecution or exile. Wegener instead found himself favored by the regime and appeared regularly in Nazi propaganda films of the 1940s. Wegener personally disliked the regime (which had persecuted a number of his friends and associates) and reputedly financed a number of German resistance groups.
In 1945, with World War II over and Berlin in ruins, Wegener took initiative as president of an organization intended to improve the living standards for surviving citizens of Berlin. He continued to appear in theatrical productions from 1945 to 1948, although he was suffering from an increasingly poor health.
In July 1948, Wegener collapsed on stage during a theatrical performance. The curtain was brought down and the rest of the performance was canceled. It was his last acting role, as he retired in an attempt to recuperate. He died in his sleep in September 1948. He was survived by his last wife Lyda Salmonova (1889-1968).- Actor
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Ned was born in Dayton, Ohio to Bill and Nelle Bellamy. After spending his childhood in Joplin, Missouri, the family moved to La Jolla, California. Mark, his brother, is the U.S. Ambassador to Kenya. Anne, his sister, is president of African Travel in Los Angeles. After graduating from UCLA, Ned and classmates, founded the Los Angeles based theater company, "The Actors Gang". He has appeared in numerous film and television productions and continues to reside in Los Angeles.- Actor
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Lance LeGault was born as William Lance Legault on May 2, 1935 in Chicago, Illinois. LeGault grew up in Chillicothe, Illinois and graduated from Chillicothe Township High School in 1955. Lance began his acting career as a stunt double for Elvis Presley; he appears in the 1960s Presley vehicles Girls! Girls! Girls! (1962), Kissin' Cousins (1964), Viva Las Vegas (1964) and Roustabout (1964). With his tall, lean, compact build, strong, intense and commanding screen presence, and highly distinctive deep, gravelly voice, LeGault has been frequently cast as various stern and severe military types in both movies and television series, alike.
His most memorable film roles include Iago in the Shakespearean rock opera Catch My Soul (1974), evil pimp Burt in the offbeat French Quarter (1978), vicious hired-killer Vince in Coma (1978), formidable card sharp Doc Palmer in the made-for-TV Western The Gambler (1974), the austere Colonel Glass in the hilarious comedy Stripes (1981), steely prison guard security chief Lieutenant Barnes in the terrific Fast-Walking (1982) and the strict Reverend Bates in Nightmare Beach (1989).
LeGault had recurring roles on several television series in the 1980s: outstanding as the cunning and antagonistic Colonel Roderick Decker on The A-Team (1983), ramrod Colonel Buck Greene on Magnum, P.I. (1980) and rugged cowboy bounty hunter Alamo Joe Rogan on Werewolf (1987). Among the many television series Lance has had guest spots on are Land of the Giants (1968), Gunsmoke (1955), Wonder Woman (1975), Barbary Coast (1975), The Rockford Files (1974), The Incredible Hulk (1978), Battlestar Galactica (1978), The Dukes of Hazzard (1979), Dallas (1978), Buck Rogers in the 25th Century (1979), Voyagers! (1982), Dynasty (1981), Knight Rider (1982), Airwolf (1984), Murder, She Wrote (1984), MacGyver (1985), Major Dad (1989), Quantum Leap (1989) and Star Trek: The Next Generation (1987).
Outside of his acting gigs in both films and television series, LeGault also worked as a lounge and nightclub singer (he even recorded a self-titled album in 1970). In addition, Lance did voice work for cartoons and video games as well as the narrator of the tour audiotape for Elvis Presley's Graceland Mansion and Museum in Memphis, Tennessee. Lance LeGault died at age 77 of heart failure on September 10, 2012 at his home in Los Angeles, California.- Actor
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Tyler Mane is a Canadian professional wrestler and actor from Saskatoon. He is known for playing Sabretooth in X-Men and a 2006 video game, Michael Myers in Rob Zombie's Halloween film duology and Ajax from Troy. He also acted in Joe Dirt, The Scorpion King, Playing with Fire, Doom Patrol and The Devil's Rejects. He is married to Renae Geerlings.- Actor
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Larry Drake was born on 21 February 1949 in Tulsa, Oklahoma, USA. He was an actor and director, known for Darkman (1990), L.A. Law (1986) and The Karate Kid (1984). He was married to Ruth de Sosa. He died on 17 March 2016 in Los Angeles, California, USA.- Actor
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Mr. Bradley was born on September 7th 1954 in Liverpool, England. Since his school days Bradley has been close friends with Clive Barker. In the seventies Bradley and Clive Barker founded the progressive theatre group "Dog Company". While Barker worked on writing with his friend Peter Atkins (script-writer for several Hellraiser films), Bradley started acting. Bradley made it to the Movie Monster Hall Of Fame with his role as the cenobite, Pinhead, who he portrayed in eight of the Hellraiser movies.- Luke Haas was born on 17 May 1949 in Esch-sur-Alzette, Luxembourg. He was an actor, known for Three Shake-a-Leg Steps to Heaven (1993). He died on 14 December 2015 in Luxembourg.