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- A mysterious murder brings police officer Maik Briegand back to the place of his childhood: Lauchhammer. Together with the LKA investigator Annalena Gottknecht, Briegand begins to remove the secrets of the past layer by layer.
- In 2020, Wirecard, a German start-up that became an online payment giant, collapsed following revelations of fraud on an unprecedented scale. A look back at the rise and fall of a black sheep of fintech.
- Few portraits of artists give us the privilege of getting as close to a painter as if we had free access to his studio. Oscar award winning director Pepe Danquart was allowed to accompany the painter Daniel Richter for three years. He has watched him paint with his camera, negotiate with his gallerist, talk with his publisher, and joke with his companion and artist Jonathan Meese. He interviews collectors, attends auctions, and even visits record stores. The result is a complex picture of a visual artist who seems to be constantly searching for the meaning of his work. Vernissages and auctions give structure to the film narrative, but its heart is Richter's studio. There we experience him as a craftsman, a restless doer, who reflects astonishingly frank and self-deprecatingly on his work, which for him is always also a political act. He talks about the process of creation, the effect, the meaning, and the significance of his own pictures, makes clear statements, and yet, for all his claim to validity, does not take himself more seriously than necessary.
- Farmland - the new green gold. Hoping for export revenues, Ethiopia's government leases millions of hectares of farmland to foreign investors. But the dream of prosperity has a dark side where the World Bank plays a very questionable role... Dead Donkeys Fear No Hyenas investigates land grabbing and its impact on people's lives. Pursuing the truth, we meet investors, development bureaucrats, persecuted journalists, struggling environmentalists and evicted farmers deprived of their land.
- Feature adaptation of Torsten Schulz's novel set in East Berlin in 1968.
- Co-produced by RBB - Rundfunk Berlin-Brandenburg, ARTE Germany, ARTE France and BBC Arabic, the TV documentary 'Border Drivers' examines the lives of the Palestinians who work in Israel on construction sites and in ware houses. Co-directed by Daniel Carsenty and Mohammed Abugeth, the film has been first aired on May 23rd in Germany and France.
- "Reichsbürger Against the State - A Parallel World in the Middle of Germany" - is a label for several anticonstitutional/revisionist groups and individuals in Germany and elsewhere who reject the legitimacy of the modern German state, the Federal Republic of Germany, in favour of the German Reich, which existed from 1871 to 1945. The movement consists of very different persons with different beliefs, therefore it is difficult to define the movement and its ideology. Some groups are republican, others monarchist, some include far-right and antisemitic thoughts. Ever since a police officer was shot dead by a self-proclaimed Reichbürger in the Franconian town of Georgensmünd, they have made headlines almost every day: citizens who have declared war on the Federal Republic and claim that the state is actually a GmbH and that the German Reich continues to exist. The construct seems so crude that these opponents of German democracy were not really taken seriously for a long time. Although bailiffs, tax officials and law enforcement officers have been meeting "Reich citizens" for years. They refuse to obey orders, to pay taxes. They issue their own passports and certificates. They establish their own principalities and kingdoms, set up border signs and their own "police agency". They raise debt claims against the Federal Chancellor and President as well as against individual employees in the offices.
- UFA is Germany's most successful dream factory and has written film history. Classics like 'Metropolis' by Fritz Lang were made here, Hollywood greats like Alfred Hitchcock or Billy Wilder shot in the film studios.
- Ralf Winkler a.k.a. A.R. Penck (1939-2017) was a German painter, printmaker, sculptor, and jazz drummer. Training at the academies of the GDR or membership in the Association of Visual Artists of the GDR remain A.R. Penck refused, although he applied several times for it. And although his art, which oscillates between abstraction and figuration, does not correspond to the aesthetic ideal of socialist realism, he shares the cultural-political view of the role of the artist as a socially relevant force. Again and again Penck deals with the actually existing socialism and rubs against its contradictions. In the mid-1960s, Georg Baselitz sold Winkler's works to the gallery owner Michael Werner, who organized his first solo exhibition in Cologne in 1968.
- A violent supermarket incident involving a refugee in East Germany is reenacted in a film studio. Ten citizens observe and comment on the case, which highlights the blurred distinction between civil courage and vigilante justice.
- 2017–TV Episode
- Putins Krieg gegen die Ukraine verändert das Leben von Millionen Menschen. Kampfhandlungen bedrohen das Leben der Ukrainer:innen und ihr Alltag ist völlig aus den Fugen geraten: Russische Einheiten besetzen die Heimatstadt von Mykola. Vitaliy versucht, seine Familie nach Polen zu bringen. Oleksandra isst Kuchen und fühlt sich merkwürdig. Putins Krieg gegen die Ukraine verändert das Leben von Millionen Menschen. Kampfhandlungen bedrohen das Leben der Ukrainer:innen und ihr Alltag ist völlig aus den Fugen geraten: Russische Einheiten besetzen die Heimatstadt von Mykola. Vitaliy versucht, seine Familie nach Polen zu bringen. Oleksandra isst Kuchen und fühlt sich merkwürdig. Die Kriegstagebücher werden von Frauen und Männern aus der Ukraine geführt. Verzweifelt bauen sie sich provisorische Bunker, schaffen ihre Matratzen vor die Fenster. Sie begeben sich auf eine Flucht ohne konkretes Ziel. Männer, im zivilen Leben Historiker, Klempner und Künstler, stehen plötzlich mit der Waffe in der Hand an der Front.Ihre Erlebnisse und Gedanken teilen sie in kurzen Videobotschaften mit uns, aufgenommen mit ihrem Handy. Für alle ist die Berichterstattung in schwieriger Situation eine Zumutung. Manchmal verliert sich der Kontakt. Umso wertvoller sind die Aussagen derer, die sich auf das Tagebuch eingelassen haben.
- 2017– 33mTV Episode
- 202252m5.6 (6)TV Episode
- 2017– 33mTV Episode
- 2017– 33mTV Episode
- 2017– 33mTV Episode
- 2017– 33mTV Episode
- 2017–TV Episode
- 20233h 19mTV Episode
- 20233h 8mTV Episode