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- A story of revenge, murder and violence in the gray streets of Lima.
- A woman who had a very hard life has to fulfill two roles in her life: a respectful mother during the day and a prostitute at night.
- Under difficult circumstances Leonidas Zegarra is born in a little town in the Peruvian Highlands. As a child he falls for filmmaking. Facing illness, the opposition of his father, sorcery, critics and threats he devotes to it.
- Challenged by phone by the Pro Bono Spy Hunter and his valet, The Boss travels to the year 2121, where the USSR won the Cold War. Caught spying, The Boss undergoes a subtle questioning technique that tortures him and his interrogator.
- ParlaNchíno, a Chinese journalist, explains the news for Spanish-speaking people from the perspective of the Chinese Communist Party.
- Due to different circumstances several kids work in the streets of La Paz (Bolivia). While a group of Catholic priests help them they are endangered by organ thieves and drug dealers. When one of the children is kidnapped and the perpetrators evade the Bolivian police the Blessed Virgen Mary intervenes unfolding miraculous events.
- When it is the time to shape reality, the spy world calls The Pro Bono Spy Hunter.
- A wealthy executive seeks to take the wife of a humble cab driver, giving him a job in one of his companies and sending him on a trip to Bolivia in order to consummate his lust.
- Ariel and Rocío, two kids mistreated by their grandmother, flee from home in order to meet their mother, who is working in another country. The kids face menacing challenges and drift through several countries to find her.
- ParlaNchíno is a Chinese journalist. He respects the policy created by the Chinese Communist Party. He points out that French sociology is a science that favors capitalism. And that it is an absurd science compared to Marxism.
- Friedrich funds a contemporary clone of Karl Marx. Marx's hideout is in Peru. Karl will be in a meeting of the Communist Party. Dads, moms, and kids arrive to enjoy a birthday party. Karl freaks out, noticing a priest and nuns.
- ParlaNchíno is a Chinese reporter. He follows directives by the Chinese Communist Party. He points out that "free time" is designed to promote capitalism. And looking up to filmmakers or actors too much is a crime against most workers.
- ParlaNchíno is a Chinese reporter. He follows the rules imposed by the Chinese Communist Party. He returns to explain the news. He was drunk the previous day. He points out that mainstream film directors defend capitalist values.
- A new reincarnation of Karl Marx hides in Peru. Friedrich pays Karl's expenses. Karl continues his studies and wants to become a renowned artist. He admires Leonidas Zegarra. Marx calls Friedrich and leaves nineteen voice messages.
- ParlaNchíno is a Chinese reporter. He respects the Chinese Communist Party. He points out that salaries are the main sign of class struggle in a capitalist society. And that the capitalists dupe the workers with the media.
- ParlaNchíno is a Chinese reporter. The Chinese Communist Party states how he must explain the news. So, he distrusts capitalism. He points out the cause of the problems in Peru. The voters lost the grass roots president they had chosen.
- ParlaNchíno is a Chinese reporter. He follows directives by the Chinese Communist Party. He hates American filmmakers. He doesn't think that they are artists. He looks at them as mercenaries. They sold out workers' ideals.
- ParlaNchíno is a Chinese reporter. He explains the news. He follows the rules imposed by the Chinese Communist Party. Last night, he drank a lot of alcohol. But he conducts the show tightly. He points out that film directors are straw men.
- ParlaNchíno is a Chinese reporter. He follows the rules given by the Chinese Communist Party. He explains that "intellectuals" live in both kind of countries: socialist and capitalist ones. Their job is to praise the powers that be.
- ParlanChíno is a Chinese reporter. He follows directives by the Chinese Communist Party. He points out that the cultural elite didn't have much public in the US. The film producers did. So, by treating filmmakers as artists, it got one.
- ParlaNchíno is a Chinese reporter. He follows the rules imposed by the wise Chinese Communist Party. He points out that film directors are employees. They do what their bosses demand. To hide it, they are called "artists" and "authors."
- The Research Director loves art. At The Institute, he shares his passion with the visitors. He explains that art is like sorcery, and the artists have mind powers. In private, his viewpoint is down to earth.
- ParlaNchíno is a Chinese reporter. He follows the rules imposed by the Chinese Communist Party. He points out that the function of film directors is to approve the capitalist taste. So, this taste doesn't have competitors. It is king.
- ParlaNchíno is a Chinese reporter. He follows the rules imposed by the wise Chinese Communist Party. He points out that some objects have several uses. He shows a Chinese weapon. It is a modern art piece, too.
- ParlaNchíno is a Chinese reporter. He follows the rules imposed by the wise Chinese Communist Party. He points out that Mr. Moo mistreats him. He forces him to eat repulsive and expensive food. Moo is a tyrant. Moo stays hidden.
- ParlaNchíno is a Chinese reporter. He follows the rules imposed by the wise Chinese Communist Party. He points out that keeping secrets is a bourgeois skill. They love them. He asks questions to a Communist, a thought, and a lemonade jar.
- ParlaNchíno is a Chinese reporter. He follows the rules imposed by the wise Chinese Communist Party. He points out that he is falling asleep. He interviews Mr. Moo. Mr. Moo states that his culture is the Moche.
- ParlaNchíno is a Chinese reporter. He follows the rules imposed by the wise Chinese Communist Party. He points out that the viewers cannot talk to the TV set. It works like a bullhorn. It sends messages. It doesn't receive them.
- ParlaNchíno is a Chinese reporter. He follows the rules imposed by the wise Chinese Communist Party. He points out that art buyers resemble the artists who make the art pieces they buy. Both have the same taste. And have like lifestyles.
- Parlanchíno is a Chinese reporter. He follows the rules imposed by the Chinese Communist Party. He points out that film directors have prestige because they discard what the working class wants to say and show.
- ParlaNchíno is a Chinese reporter. He follows the rules imposed by the wise Chinese Communist Party. He points out that to survive, film producers must make money. The same happens in the US and Japan. The movie director oversees the film.
- ParlaNChíno is a Chinese reporter. He follows the rules imposed by the Chinese Communist Party. He points out that the movie business is better when the films are called "art." So, film directors are considered "artists."
- ParlaNchíno is a Chinese reporter. He follows the rules imposed by the wise Chinese Communist Party. He points out that class struggle is a class war. War is an activity that demands strategies. To win, thinking like a coward is helpful.
- ParlaNchíno is a Chinese reporter. He follows the rules imposed by the wise Chinese Communist Party. He points out that the movies made for kids have political content. They aren't naive. They teach a viewpoint.
- ParlaNchíno is a Chinese reporter. He follows the rules imposed by the wise Chinese Communist Party. He points out that some foremen are called "artists." It hides the nature of their work. Censorship is their task. No one else can talk.
- ParlaNchíno is a Chinese reporter. He follows the rules imposed by the wise Chinese Communist Party. He points out that we live in a virtual world. The words don't have the letters in the proper order. They are anagrams. It is a joke.
- ParlaNchíno is a Chinese reporter. He follows the rules imposed by the wise Chinese Communist Party. He points out that most books about film directors have the same structure. It values them as artists instead of as employees.
- ParlaNchíno is a Chinese reporter. He follows the rules imposed by the wise Chinese Communist Party. He points out that some books are more important than others. All of them are tools. A group of them spread ideas about known filmmakers.
- ParlaNchíno is a Chinese reporter. He follows the rules imposed by the Chinese Communist Party. He points out that the bourgeoisie turns all upside down to laugh at the workers.
- ParlaNchíno is a Chinese reporter. He follows the rules imposed by the wise Chinese Communist Party. He points out that the Party will win the battle of ideas. The new tool is the 'law of attraction.' So, all will manifest what they want.
- ParlaNchíno is a Chinese reporter. He follows the rules imposed by the wise Chinese Communist Party. He points out that Americans like going to the movies. They respect the film industry. They make and buy books on screen craft.
- ParlaNchíno is a Chinese reporter. He follows the rules imposed by the wise Chinese Communist Party. He points out that the wealthy protect their interests. They pay people to praise them and how they earn money. They like the applause.
- ParlaNchíno is a Chinese reporter. He follows the rules imposed by the Chinese Communist Party. He points out that his news program has a high rating. The viewers love it. They want to learn more about class struggle.
- ParlaNchíno is a Chinese reporter. He follows the rules imposed by the Chinese Communist Party. He points out that wealthy capitalists control the movies. The petite bourgeois and the workers cannot use films to share their worldview.
- ParlaNchíno is a Chines reporter. He follows the rules imposed by the wise Chinese Communist Party. He points out that film artists don't care about a budget. They make their movies without money. An Italian book refers to Mr. Moo.
- ParlaNchíno is a Chinese reporter. He follows the rules imposed by the wise Chinese Communist Party. He induces the viewers to join it. He points out that life has been turned upside down by the bourgeoisie.